138:, and nails. The men grow annoyed and chide their wives for taking such elaborate measures for "a stranger". Esteban's face is then revealed to the men and they too are awed by the humble character they see in his face. Women go to get flowers in neighboring villages, since none grow in their own, and women from those villages come back to see Esteban. This continues until the village grows so crowded that it is "hard to walk about." They do not want Esteban buried as an "orphan" so a mother and father are chosen for him "from among the best people," as well as uncles, aunts, and cousins, until everyone is related to Esteban. Instead of burying him with an anchor they let him go without one so that he can return one day. This is when the village realizes how desolate and small their town appears.
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after a short period of resistance from some of the younger women, they all agree. After dreaming of how powerful
Esteban must have been they decide to make him clothes because no one owns anything large enough to fit him. The pants they make are too small and the buttons on the shirt burst. The women then think about how he must have had to stoop to enter doorways and how he must have felt uncomfortable in the small homes. The women feel pity and sympathy for the man, who they silently compare to their own husbands, and they begin to weep for him. They then cover Esteban's face with a handkerchief.
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small funeral and thrown off the cliff on which their village rests. This is done because there is so little land in the village that they cannot have traditional burials. In order to do so, however, they must prepare him for burial at sea and look in neighboring villages for any surviving relatives. The men carry the body up to the village so that the women can prepare him for the funeral while they go to neighboring villages to ask if anyone can identify the drowned man.
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After
Esteban is buried at sea, the village resolves to make their doors wider for Esteban's memory, to find springs like he would have, to paint their houses bright colors, and to plant flowers. The village imagines that one day a passing cruise ship will smell the flowers and the captain will point
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The man is too tall to fit easily into any house and, upon removing the seaweed and mud, the women observe his handsome face. The women of the village become attached to him and dream of the wonderful man he must have been. Eventually, an old woman declares that his name must have been
Esteban, and
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One
Wednesday morning, children in a small fishing village of "about twenty-odd wooden houses" find a body on the beach that is covered with "Flotsam, jetsam, lagan, and sea debris". The children play by burying him in the sand until the adults discover the corpse and decide that it must be given a
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The men are unable to find any relatives of the drowned man and they return home, where the village continues the funeral preparation as a group. The women, now attached to
Esteban, place "altar decorations" on him, including a compass,
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Aloysius
Pikonganna. In her view, they are alike in combining the real and the surreal, deriving from an upbringing which combined superstitious beliefs and a harsh environment.
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The story was included in Márquez's 1984 "Collected
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A Study Guide for
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The
Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother
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Márquez, Gabriel Garcia (1984). "The
Handsomest Drowned Man in the World".
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to their village and tell his passengers that it was Esteban's home.
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story to tales from Alaska such as "The Cormorant Hunters" by the
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307:"The Alaskan connection: the World of Macondo in Eskimo tales"
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Frank Ellana or "Two Great Polar Bear Hunters" by the
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181:Handsomest Drowned Man in the World
493:A Very Old Man with Enormous Wings
103:"El ahogado más hermoso del mundo"
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513:The Story of a Shipwrecked Sailor
431:Memories of My Melancholy Whores
54:El ahogado más hermoso del mundo
294:. Gale Cengage Learning. 2016.
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552:The Solitude of Latin America
403:Chronicle of a Death Foretold
389:One Hundred Years of Solitude
305:Pedoto, Constance A. (2003).
465:No One Writes to the Colonel
417:The General in His Labyrinth
410:Love in the Time of Cholera
396:The Autumn of the Patriarch
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113:by the Colombian novelist
153:Constance Pedoto, in the
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424:Of Love and Other Demons
534:Living to Tell the Tale
365:Gabriel García Márquez
115:Gabriel García Márquez
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38:Gabriel García Márquez
527:News of a Kidnapping
520:Clandestine in Chile
280:. pp. 253–254.
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458:Leaf Storm
188:References
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256:ndsu.edu
146:Analysis
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61:Language
569:Macondo
231:Schmoop
165:Iñupiat
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99:Spanish
64:Spanish
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