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The Invention of Love

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125: 244:. The play unfolds in short scenes that trace, primarily, Housman's relationship with Moses Jackson, for whom he harboured a lifelong unrequited love. The scenes also explore late-Victorian artistic ideals, and Housman's intellectual growth into a preeminent Latin textual scholar. Throughout the play, the older Housman comments on and occasionally talks to the characters, including his younger self. 211:
Considered by many to be Stoppard's finest play, it has been called "esoteric". In fact, to demystify the play's many historical and academic references, the New York production team provided the audiences with a 30-page booklet on the political and artistic history of the
31: 224:, contended that the character of Housman and those in his circle are fabulated for dramatic effect, and the play's difficulties are not historical but its own. This clarified, he cited it in 2003 as Stoppard's "masterpiece to date". 189:, focusing specifically on his personal life and love for a college classmate. The play is written from the viewpoint of Housman, dealing with his memories at the end of his life, and contains many 562: 471: 232:
The play begins with A. E. Housman, dead at age 77, standing on the bank of the river Styx. About to board the ferry to the afterlife – captained by a petulant
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on 29 March 2001 and closed on 30 June 2001. Directed by Jack O'Brien, the cast starred
825: 707: 700: 686: 605: 598: 312: 236:– Housman begins to remember moments from his life, starting with his matriculation at 124: 92: 924: 488: 300: 292: 186: 147: 54: 429:. Bloom's Major Dramatists (1st ed.). Philadelphia: Chelsea House. p. 11. 553: 422: 281: 221: 217: 182: 100: 88: 44: 908: 104: 84: 68: 30: 714: 612: 457: 320: 323:
for their performances, as Best Actor and Best Featured Actor, respectively.
693: 444: 397: 277: 241: 261: 157: 168: 526: 522: 264:, on 25 September 1997, moved later into the larger 798: 759: 569: 163: 153: 143: 133: 118: 110: 50: 40: 23: 351:New York Drama Critics Circle Award for Best Play 538: 8: 319:as the young Housman. Both actors won 2001 545: 531: 523: 29: 20: 379:"An Abundance of Wit On the London Stage" 344:Laurence Olivier Award for Best New Play 852:Rosencrantz & Guildenstern Are Dead 369: 272:in 1998. The old Housman was played by 578:Rosencrantz and Guildenstern Are Dead 7: 504:Playbill, accessed 28 February 2016 377:Canby, Vincent (14 December 1997). 206:New York Drama Critics Circle Award 502:"'The Invention of Love' Broadway" 291:The play premiered in the U.S. at 14: 491:. American Conservatory Theater. 123: 35:Cover of the Grove Press edition 652:Dogg's Hamlet, Cahoot's Macbeth 638:Every Good Boy Deserves Favour 563:List of awards and nominations 284:. The production won the 1997 268:, and then transferred to the 1: 956:Plays set in the 20th century 951:Plays set in the 19th century 768:Artist Descending a Staircase 297:American Conservatory Theater 185:portraying the life of poet 478:Retrieved on 8 October 2009 972: 946:Plays based on real people 252:The play premièred at the 181:is a 1997 British play by 807:The Romantic Englishwoman 560: 315:as the older Housman and 276:and the young Housman by 28: 16:1997 play by Tom Stoppard 775:The Dog It Was That Died 592:The Real Inspector Hound 425:(2003). "Introduction". 357:Tony Award for Best Play 398:"The Invention Of Love" 396:Spencer, David (2001). 469:Evening Standard Award 327:Awards and nominations 286:Evening Standard Award 258:Royal National Theatre 936:Plays by Tom Stoppard 722:The Invention of Love 303:. The play opened on 299:in 2000, directed by 195:The Invention of Love 178:The Invention of Love 24:The Invention of Love 666:Undiscovered Country 402:Aisle Say (New York) 941:LGBTQ-related plays 881:Shakespeare in Love 832:Squaring the Circle 814:Three Men in a Boat 782:In the Native State 729:The Coast of Utopia 317:Robert Sean Leonard 280:. The director was 240:, where he studied 474:2010-12-13 at the 383:The New York Times 248:Production history 918: 917: 845:Empire of the Sun 631:Professional Foul 270:Haymarket Theatre 266:Lyttelton Theatre 254:Cottesloe Theatre 238:Oxford University 174: 173: 134:Original language 59:Alfred W. Pollard 963: 860:The Russia House 743:The Hard Problem 659:15-Minute Hamlet 585:Enter a Free Man 547: 540: 533: 524: 518:A review archive 505: 499: 493: 492: 489:"A.C.T. History" 485: 479: 466: 460: 455: 449: 448: 419: 413: 412: 410: 408: 393: 387: 386: 374: 335:Evening Standard 214:Victorian period 200:Evening Standard 128: 127: 81:Henry Labouchere 77:Jerome K. Jerome 33: 21: 971: 970: 966: 965: 964: 962: 961: 960: 921: 920: 919: 914: 855:(also directed) 794: 755: 565: 556: 551: 514: 509: 508: 500: 496: 487: 486: 482: 476:Wayback Machine 467: 463: 456: 452: 437: 421: 420: 416: 406: 404: 395: 394: 390: 376: 375: 371: 366: 329: 288:for Best Play. 250: 230: 220:, a scholar of 204:(U.K.) and the 122: 119:Place premiered 114:October 1, 1997 103: 99: 95: 91: 87: 83: 79: 75: 73:Benjamin Jowett 71: 67: 65: 61: 57: 36: 17: 12: 11: 5: 969: 967: 959: 958: 953: 948: 943: 938: 933: 923: 922: 916: 915: 913: 912: 905: 898: 891: 884: 877: 874:Poodle Springs 870: 867:Billy Bathgate 863: 856: 848: 841: 834: 829: 822: 817: 810: 802: 800: 796: 795: 793: 792: 785: 778: 771: 763: 761: 757: 756: 754: 753: 746: 739: 732: 725: 718: 711: 704: 697: 690: 687:Rough Crossing 683: 680:The Real Thing 676: 669: 662: 655: 648: 641: 634: 627: 624:New-Found-Land 616: 609: 602: 599:After Magritte 595: 588: 581: 573: 571: 567: 566: 561: 558: 557: 552: 550: 549: 542: 535: 527: 521: 520: 513: 512:External links 510: 507: 506: 494: 480: 461: 450: 435: 414: 388: 368: 367: 365: 362: 361: 360: 353: 347: 340: 328: 325: 313:Richard Easton 309:Lyceum Theatre 249: 246: 229: 226: 172: 171: 165: 161: 160: 155: 151: 150: 145: 141: 140: 135: 131: 130: 120: 116: 115: 112: 111:Date premiered 108: 107: 93:Robinson Ellis 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 968: 957: 954: 952: 949: 947: 944: 942: 939: 937: 934: 932: 929: 928: 926: 911: 910: 906: 904: 903: 899: 897: 896: 895:Anna Karenina 892: 890: 889: 885: 883: 882: 878: 876: 875: 871: 869: 868: 864: 862: 861: 857: 854: 853: 849: 847: 846: 842: 840: 839: 835: 833: 830: 828: 827: 823: 821: 818: 816: 815: 811: 809: 808: 804: 803: 801: 797: 791: 790: 786: 784: 783: 779: 777: 776: 772: 770: 769: 765: 764: 762: 758: 752: 751: 747: 745: 744: 740: 738: 737: 736:Rock 'n' Roll 733: 731: 730: 726: 724: 723: 719: 717: 716: 712: 710: 709: 705: 703: 702: 698: 696: 695: 691: 689: 688: 684: 682: 681: 677: 675: 674: 673:On the Razzle 670: 668: 667: 663: 661: 660: 656: 654: 653: 649: 647: 646: 645:Night and Day 642: 640: 639: 635: 633: 632: 628: 626: 625: 621: 617: 615: 614: 610: 608: 607: 603: 601: 600: 596: 594: 593: 589: 587: 586: 582: 580: 579: 575: 574: 572: 568: 564: 559: 555: 548: 543: 541: 536: 534: 529: 528: 525: 519: 516: 515: 511: 503: 498: 495: 490: 484: 481: 477: 473: 470: 465: 462: 459: 454: 451: 446: 442: 438: 436:0-7910-7032-8 432: 428: 424: 423:Bloom, Harold 418: 415: 403: 399: 392: 389: 384: 380: 373: 370: 363: 358: 354: 352: 348: 345: 341: 339:for Best Play 338: 336: 331: 330: 326: 324: 322: 318: 314: 310: 306: 302: 301:Carey Perloff 298: 294: 293:San Francisco 289: 287: 283: 279: 275: 271: 267: 263: 259: 255: 247: 245: 243: 239: 235: 227: 225: 223: 219: 215: 209: 207: 203: 201: 197:won both the 196: 192: 188: 187:A. E. Housman 184: 180: 179: 170: 166: 162: 159: 156: 152: 149: 148:A. E. Housman 146: 142: 139: 136: 132: 126: 121: 117: 113: 109: 106: 102: 98: 97:John Postgate 94: 90: 86: 82: 78: 74: 70: 66:Moses Jackson 64: 60: 56: 55:A. E. Housman 53: 49: 46: 43: 39: 32: 27: 22: 19: 907: 902:Parade's End 900: 893: 886: 879: 872: 865: 858: 850: 843: 836: 831: 824: 820:The Boundary 819: 812: 805: 787: 780: 773: 766: 750:Leopoldstadt 748: 741: 734: 727: 721: 720: 713: 706: 699: 692: 685: 678: 671: 664: 657: 650: 643: 636: 629: 623: 619: 611: 604: 597: 590: 583: 576: 554:Tom Stoppard 497: 483: 464: 458:RNT premiere 453: 427:Tom Stoppard 426: 417: 405:. Retrieved 401: 391: 382: 372: 334: 290: 282:Richard Eyre 251: 231: 222:Walter Pater 218:Harold Bloom 210: 199: 194: 183:Tom Stoppard 177: 176: 175: 101:Walter Pater 89:Frank Harris 45:Tom Stoppard 18: 909:Tulip Fever 799:Screenplays 760:Radio plays 620:Dirty Linen 570:Stage plays 359:(Nominated) 346:(Nominated) 321:Tony Awards 193:allusions. 105:Oscar Wilde 85:W. T. Stead 69:John Ruskin 931:1997 plays 925:Categories 715:Indian Ink 613:Travesties 364:References 167:The river 51:Characters 41:Written by 694:Dalliance 278:Paul Rhys 274:John Wood 191:classical 789:Darkside 472:Archived 445:12724332 305:Broadway 242:Classics 228:Synopsis 208:(U.S.) 826:Despair 708:Arcadia 701:Hapgood 606:Jumpers 307:at the 256:in the 164:Setting 144:Subject 138:English 888:Enigma 838:Brazil 443:  433:  407:26 May 262:London 234:Charon 63:Charon 355:2001 349:2001 342:1998 337:Award 332:1997 212:late- 202:Award 158:Drama 154:Genre 622:and 441:OCLC 431:ISBN 409:2015 169:Styx 295:'s 927:: 439:. 400:. 381:. 260:, 216:. 129:UK 546:e 539:t 532:v 447:. 411:. 385:.

Index


Tom Stoppard
A. E. Housman
Alfred W. Pollard
Charon
John Ruskin
Benjamin Jowett
Jerome K. Jerome
Henry Labouchere
W. T. Stead
Frank Harris
Robinson Ellis
John Postgate
Walter Pater
Oscar Wilde
United Kingdom
English
A. E. Housman
Drama
Styx
Tom Stoppard
A. E. Housman
classical
Evening Standard Award
New York Drama Critics Circle Award
Victorian period
Harold Bloom
Walter Pater
Charon
Oxford University

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