Walter Pater - Knowledge (XXG)

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Pater wrote, "we may well catch at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the senses, or work of the artist's hands. Not to discriminate every moment some passionate attitude in those about us in the brilliancy of their gifts is, on this short day of frost and sun, to sleep before evening." The resulting "quickened, multiplied consciousness" counters our insecurity in the face of the flux. Moments of vision may come from simple natural effects, as Pater notes elsewhere in the book: "A sudden light transfigures a trivial thing, a weathervane, a windmill, a winnowing flail, the dust in the barn door; a moment – and the thing has vanished, because it was pure effect; but it leaves a relish behind it, a longing that the accident may happen again." Or they may come from "intellectual excitement", from philosophy, science and the arts. Here we should "be for ever testing new opinions, never acquiescing in a facile orthodoxy"; and of these, a passion for the arts, "a desire of beauty", has (in the summary of one of Pater's editors) "the greatest potential for staving off the sense of transience, because in the arts the perceptions of highly sensitive minds are already ordered; we are confronted with a reality already refined and we are able to reach the personality behind the work".

805:. Here and in other essays on ancient Greece Pater relates to Greek culture the romanticism-classicism dialectic which he had first explored in his essay 'Romanticism' (1876). "All through Greek history," he writes, "we may trace, in every sphere of activity of the Greek mind, the action of these two opposing tendencies, the centrifugal and centripetal. The centrifugal – the Ionian, the Asiatic tendency – flying from the centre, throwing itself forth in endless play of imagination, delighting in brightness and colour, in beautiful material, in changeful form everywhere, its restless versatility driving it towards the development of the individual": and "the centripetal tendency", drawing towards the centre, "maintaining the Dorian influence of a severe simplification everywhere, in society, in culture". 598:

fully his characteristic charm." This was to be the first of a dozen or so "Imaginary Portraits", a genre and term Pater could be said to have invented and in which he came to specialise. These are not so much stories – plotting is limited and dialogue absent – as psychological studies of fictional characters in historical settings, often personifications of new concepts at turning-points in the history of ideas or emotion. Some look forward, dealing with innovation in the visual arts and philosophy; others look back, dramatising neo-pagan themes. Many are veiled self-portraits exploring dark personal preoccupations.

1116:. Among these causes are, pre-eminently, original temperaments and types of mind; but Pater "did not confine himself to pairing off a work of art with a particular temperament. Having a particular temperament under review, he would ask what was the range of forms in which it might find expression. Some of the forms will be metaphysical doctrines, ethical systems, literary theories, religions, myths. Pater's scepticism led him to think that in themselves all such systems lack sense or meaning – until meaning is conferred upon them by their capacity to give expression to a particular temperament." 1331: 909:, and two pieces that point to a revival in Pater's final years of his earlier interest in Gothic cathedrals, sparked by regular visits to northern Europe with his sisters. Charles Shadwell "in his younger days" had been "strikingly handsome, both in figure and feature", "with a face like those to be seen on the finer Attic coins"; he had been the unnamed inspiration of an unpublished early paper of Pater's, 'Diaphaneitè' (1864), a tribute to youthful beauty and intellect, the manuscript of which Pater gave to Shadwell. This piece Shadwell also included in 687: 3131: 3117: 530: 425:

whirlpool is still more rapid": a drift of perceptions, feelings, thoughts and memories, reduced to impressions "unstable, flickering, inconstant", "ringed round for each one of us by that thick wall of personality"; and "with the passage and dissolution of impressions... continual vanishing away, that strange, perpetual weaving and unweaving of ourselves". Because all is in flux, to get the most from life, we must learn to discriminate through "sharp and eager observation": for

1355: 659: 336: 728:(1887). Here Pater's examination of the tensions between tradition and innovation, intellect and sensation, asceticism and aestheticism, social mores and amorality, becomes increasingly complex. Implied warnings against the pursuit of extremes in matters intellectual, aesthetic or sensual are unmistakable. The second portrait, 'Sebastian van Storck', a powerful critique of philosophical solipsism, has been described as Pater's most subtle psychological study. 1565:. Discussing one of a party steaming up the Nile, he says "Mr. Cecil Brown...was a young diplomatist from a Continental Embassy, a man slightly tainted with the Oxford manner, and erring upon the side of unnatural and inhuman refinement, but full of interesting talk and cultured thought...He chose Walter Pater for his travelling author, and sat all day, reserved but affable, under the awning, with his novel and his sketch-book upon a camp-stool beside him." 554: 1147:'s theory of the unique word and the only epithet," wrote Osbert Burdett, "Pater sought the sentence, and the sentence in relation to the paragraph, and the paragraph as a movement in the chapter. The numerous parentheses deliberately exchanged a quick flow of rhythm for pauses, for charming little eddies by the way." At the height of his powers as a writer, Pater discussed his principles of composition in the 1888 essay 'Style'. 1343: 675: 974:, Pater had disapproved of Wilde's distortion of Epicureanism: "A true Epicureanism aims at a complete though harmonious development of man's entire organism. To lose the moral sense therefore, for instance the sense of sin and righteousness, as Mr. Wilde's heroes are bent on doing so speedily, as completely as they can, is ... to become less complex, to pass from a higher to a lower degree of development." 1079: 3024: 1071:; and Pater's influence can be traced in the subjective, stream-of-consciousness novels of the early 20th century. In literary criticism, Pater's emphasis on subjectivity and on the autonomy of the reader helped prepare the way for the revolutionary approaches to literary studies of the modern era. The Paterian sensibility is also apparent in the political philosophy of 421:, 1877), added to the third edition (1888), contains Pater's much-quoted maxim "All art constantly aspires towards the condition of music" (i.e. the arts seek to unify subject-matter and form, and music is the only art in which subject and form are seemingly one). The final paragraphs of the 1868 William Morris essay were reworked as the book's 'Conclusion'. 1143:, who also described Pater's method of composition: "So conscious was he of the modifications and additions which would supervene that he always wrote on ruled paper, leaving each alternate line blank." He would then make a fair copy and repeat the process, sometimes paying to have drafts printed, to judge their effect. "Unlike those who were caught by 4106: 413:("probably still the most famous piece of writing about any picture in the world"); the Botticelli essay was the first in English on this painter, contributing to the revival of interest in him; while the Winckelmann essay explored a temperament with whom Pater felt a strong affinity. An essay on 'The School of 33: 434:

Through such discrimination we may "get as many pulsations as possible into the given time": "To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life." Forming habits means failure on our part, for habit connotes the stereotypical. "While all melts under our feet,"

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noted that "Pater praises Plato for Classic correctness, for a conservative centripetal impulse, against his own Heraclitean Romanticism," but "we do not believe him when he presents himself as a centripetal man". The volume, which also includes a sympathetic study of ancient Sparta ('Lacedaemon',

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This brief 'Conclusion' was to be Pater's most influential – and controversial – publication. It asserts that our physical lives are made up of scientific processes and elemental forces in perpetual motion, "renewed from moment to moment but parting sooner or later on their ways". In the mind "the

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Pater was much admired for his prose style, which he strove to make worthy of his aesthetic ideals, taking great pains and fastidiously correcting his work. He kept on his desk little squares of paper, each with its ideas, and shuffled them about attempting to form a sequence and pattern. "I have

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an evocative semi-autobiographical sketch titled 'Imaginary Portraits 1. The Child in the House', about some of the formative experiences of his childhood – "a work", as Pater's earliest biographer put it, "which can be recommended to anyone unacquainted with Pater's writings, as exhibiting most

1370:, the first complete annotated edition. It prints Pater's latest revisions as the 'copy text', with earlier variants recorded in notes (the editors consider Pater a judicious reviser of his own work); and it includes periodical and academic articles left out of the 1901 and 1910 624:, Marius tests his author's theory of the stimulating effect of the pursuit of sensation and insight as an ideal in itself. The novel's opening and closing episodes betray Pater's continuing nostalgia for the atmosphere, ritual and community of the religious faith he had lost. 1107:

and others. "The first step towards seeing one's object as it really is," Pater wrote, "is to know one's own impression, to discriminate it, to realise it distinctly. What is this song or picture, this engaging personality in life or in a book, to

3905: 762:, whose mystical, Baroque style Pater admired. The essay on Coleridge reprints 'Coleridge's Writings' (1866) but omits its explicitly anti-Christian passages; it adds paragraphs on Coleridge's poetry that Pater had contributed to T.H. Ward's 303:

his faith in Christianity had been shaken. In spite of his inclination towards the ritual and aesthetic elements of the church, he had little interest in Christian doctrine and did not pursue ordination. After graduating, Pater remained in

612:, which Pater believed had parallels with his own century, he examines the "sensations and ideas" of a young Roman of integrity, who pursues an ideal of the "aesthetic" life – a life based on αἴσθησις, sensation, perception – tempered by 429:

every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive for us, – for that moment

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could be misconstrued as amoral, he withdrew the essay from the second edition in 1877 (he was to reinstate it with minor modifications in the third in 1888) and now set about clarifying and exemplifying his ideas through fiction.

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as "a precious toy for bibliomaniacs". It sold out in under an hour. "I quite love your child," wrote Emily Daniel to Pater, presenting him with a copy. Pater in reply expressed pleasure in seeing his child "so daintily attired".

441:, which appeared to some to endorse amorality and "hedonism", provoked criticism from conservative quarters, including disapproval from Pater's former tutor at Queen's College, from the chaplain at Brasenose College and from the 1103:(1873) and refined in his later writings. In the 'Preface', he argues initially for a subjective, relativist response to life, ideas, art, as opposed to the drier, more objective, somewhat moralistic criticism practised by 221:, Walter Pater was the second son of Richard Glode Pater, a physician who had moved to London in the early 19th century to practise medicine among the poor. Dr Pater died while Walter was an infant and the family moved to 905:, 1893) – the latter, like 'Denys L'Auxerrois', centering on a peculiarly Paterian preoccupation: the survival or reincarnation of pagan deities in the Christian era. Also included were Pater's last (unfinished) essay, on 601:

Planning a major work, Pater now resigned his teaching duties in 1882, though he retained his Fellowship and the college rooms he had occupied since 1864, and made a research visit to Rome. In his philosophical novel

477:, who had attracted unfavorable attention as a result of his outspoken homosexuality and blasphemous verse, and who later became a novelist. Many of Pater's works focus on male beauty, friendship and love, either in a 754:, 1888) is a statement of his creed and methodology as a prose-writer, ending with the paradox "If style be the man, it will be in a real sense 'impersonal' ". The volume also includes an appraisal of the poems of 1112:?" When we have formed our impressions we proceed to find "the power or forces" which produced them, the work's "virtue". "Pater moves, in other words, from effects to causes, which are his real interest," noted 1075:. Among ordinary readers, idealists have found, and always will find inspiration in his desire "to burn always with this hard, gemlike flame", in his pursuit of the "highest quality" in "moments as they pass." 639:, but though in many ways the strongest of the field, he withdrew from the competition, discouraged by continuing hostility in official quarters. In the wake of this disappointment but buoyed by the success of 942:, re-editing the seven chapters and editing the remaining six which Shadwell and Clara Pater had withheld as too unfinished. "Through the imaginary portrait of Gaston and Gaston's historical contemporaries – 493:

in his diary) "after the dreadful interview with Jowett. He became old, crushed, despairing – and this dreadful weight lasted for years; it was years before he realised that Jowett would not use them."

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In the early summer of 1894 'The Child in the House' was for the first time issued in book form, in a limited edition of 250 copies, "reprinted with loving care" by the Daniel Press of Oxford, as

4151: 4236: 355:– meant that Pater's preoccupations now multiplied. He became acutely interested in art and literature, and started to write articles and criticism. First to be printed was an essay on the 4231: 4221: 724:), 'Denys L'Auxerrois' (October 1886) (Dionysus and the medieval cathedral-builders), and 'Duke Carl of Rosenmold' (1887) (the German Enlightenment). These were collected in the volume 758:, first printed in 1883, a few months after Rossetti's death; 'Aesthetic Poetry', a revised version of the William Morris essay of 1868 minus its final paragraphs; and an essay on 3955: 250:, which helped inspire his lifelong attraction to the study of art and gave him a taste for well-crafted prose. He gained a school exhibition, with which he proceeded in 1858 to 4156: 201:(1877), in which he outlined his approach to art and advocated an ideal of the intense inner life, was taken by many as a manifesto (whether stimulating or subversive) of 4176: 782:(1890) he suppressed the essay 'Aesthetic Poetry' – further evidence of his growing cautiousness in response to establishment criticism. All subsequent reprints of 1151:

called Pater's style "absolutely distinctive and entirely new", adding, however, that "it appeals, perhaps, more to the craftsman than to the ordinary reader." To

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W. Somerset Maugham "The Magician" (1908) Pater's essay on the Mona Lisa is quoted by Oliver Haddo in his seduction of Margaret. (Penguin 1967 edition, pp 85–86)

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in 1866 and the two remained friends till September 1879 when Hopkins left Oxford – and he was gaining respect in the London literary world and beyond. Through

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and played a role in convincing Pater to remove himself from consideration. A few months later Pater published what may have been a subtle riposte: 'A Study of

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was favourably reviewed and sold well; a second edition came out in the same year. For the third edition (1892) Pater made extensive stylistic revisions.

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Rachel Teukolsky, , II. Reception: branchcollective.org/?ps_articles=rachel-teukolsky-walter-paters-renaissance-1873-and-the-british-aesthetic-movement

1503:(chap. 1), Professor Gottlieb tells his medical students (in his accented English), "Before the next lab hour I shall be glad if you will read Pater's 4241: 4166: 1007:, was issued in 1901; it was reissued, in plainer form, as the Library Edition in 1910. Pater's works were frequently reprinted until the late 1920s. 897:. This volume contains 'The Child in the House' and another two obliquely self-revelatory Imaginary Portraits, 'Emerald Uthwart' (first published in 316:, of which she was one of the co-founders.) Pater's years of study and reading now paid dividends: he was offered a classical fellowship in 1864 at 240:

made an impression that would remain with him all his life. He was fourteen when his mother, Maria Pater, died in 1854. As a schoolboy Pater read

4161: 3110: 473:, for a previously-promised proctorship. In the 1980s, letters emerged documenting a "romance" with a nineteen-year-old Balliol undergraduate, 4226: 1974: 1307: 3167: 1700: 886:". In genre another "imaginary portrait", the sketch illustrates a paradox central to Pater's sensibility and writings: a leaning towards 285:

was struck by his potential and offered to give him private lessons. In Jowett's classes, however, Pater was a disappointment; he took a

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Pater is referenced in Yukio Mishima’s Forbidden Colors, page 21 in the Alfred Marks translation. First edition, Knopf, New York, 1968.

983:, edited by Gosse, a selection of Pater's anonymous 1886–1890 book-reviews from the journal also known as 'The Church Guardian', and an 938:

was to have been the second, while the third was to have been set in England in the late 18th century. In 1995 Gerald Monsman published

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known writers of every degree, but never one to whom the act of composition was such a travail and an agony as it was to Pater," wrote

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as the first novel of "a trilogy of works of similar character dealing with the same problems, under altered historical conditions";

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Toward the end of his life Pater's writings were exercising a considerable influence. The principles of what would be known as the

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The opportunities for wider study and teaching at Oxford, combined with formative visits to the Continent – in 1865 he visited

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Theory, hypothesis, beliefs depend a great deal on temperament; they are, so to speak, mere equivalents of temperament.

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As an undergraduate, Pater was a "reading man", with literary and philosophical interests beyond the prescribed texts.

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Pater's essays on Greek mythology, religion, art and literature. This volume contains a reverie on the boyhood of

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were partly traceable to him, and his effect was particularly felt on one of the movement's leading proponents,

3975: 3759: 3160: 499: 3514: 962:– Pater's fantasia confronts and admonishes the Yellow Nineties, Oscar Wilde not least." In an 1891 review of 320:

on the strength of his ability to teach modern German philosophy, and he settled down to a university career.

750:, a collection of previously-printed essays on literature. It was well received. 'Style' (reprinted from the 503:, depicting Pater as a typically effete English aesthete. The satire appeared during the competition for the 4211: 4035: 3985: 3539: 3409: 2975: 2388: 1578: 1363: 708: 686: 482: 470: 451: 360: 3965: 3915: 3672: 3374: 3240: 2791: 1516: 875: 794: 755: 578: 474: 226: 786:("to the dismay of every reader since 1890", as Gerald Monsman put it) have followed the second edition. 4093: 3667: 3620: 3529: 3354: 3327: 3301: 3235: 1572: 1529: 867: 562: 173: 3642: 1263: 720:), 'Sebastian van Storck' (March 1886) (17th-century Dutch society and painting, and the philosophy of 511:' the outsider-god, persecuted for his new religion of ecstasy, who vanquishes the forces of reaction ( 3122: 2345:, 3d ed.: 2 (Kindle Locations 36375-36376). McFarland & Company, Inc., Publishers. Kindle Edition. 466:

condemned it as "quite poisonous in its false principles of criticism and false conceptions of life".

193:, and fiction writer, regarded as one of the great stylists. His first and most often reprinted book, 4136: 4131: 4055: 3935: 3925: 3833: 3806: 3709: 3489: 3230: 1481: 1278: 969: 955: 811: 798: 604: 300: 262: 237: 157: 1354: 469:

In 1874 Pater was turned down at the last moment by his erstwhile mentor Benjamin Jowett, Master of

4098: 4065: 4040: 3875: 3828: 3823: 3637: 3594: 3584: 3554: 3534: 3419: 3271: 3225: 3220: 3215: 3210: 3153: 1489: 863: 820:," writes Anthony Ward, "is one from a sense of defeat in scepticism to a sense of triumph in it." 790: 717: 529: 3509: 3081: 4060: 4050: 4020: 3995: 3781: 3719: 3579: 3379: 3286: 3205: 3190: 1558: 574: 383: 365: 313: 291: 218: 128: 335: 3137: 1708: 1155:, Pater's prose, serene and contemplative in tone, suggested a "vast attempt at impartiality." 4110: 4070: 3945: 3838: 3812: 3454: 3414: 3369: 3349: 3306: 3281: 3200: 3195: 3000: 2966: 2936: 2903: 2871: 2858: 2633: 2392: 2367: 2014: 1970: 1899: 1785: 1347: 1314: 1303: 1188: 1072: 840: 771: 636: 446: 392: 388: 87: 3106: 3574: 3524: 3469: 3384: 3316: 3009: 2755: 2625: 2566: 1211: 1152: 1144: 1113: 1040: 1028: 691: 442: 132: 38: 658: 553: 3459: 3399: 3276: 3076:

and prose (the author has made this volume available in a free, open-access, PDF version).

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beauty apprehended sensuously. The volume also reprints Pater's 1876 'Study of Dionysus'.

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On 30 July 1894, Pater died suddenly in his Oxford home of heart failure brought on by

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George Eliot, letter to John Blackwood, 5 November 1873, quoted in Denis Donoghue's

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Brasenose College, Oxford (centre). Pater's rooms were on the upper floor above the

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were privately printed in 1896 and 1903 respectively (the latter was republished as

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Pater was now at the centre of a small but gifted circle in Oxford – he had tutored

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In the same year Shadwell assembled other uncollected pieces and published them as

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in New York City, addressed to George Moore, Arthur Symons, John Lane and others.

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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful

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In 1896 Shadwell edited and published seven chapters of Pater's unfinished novel

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Inman, Billie Andrew (1991b), "Pater's Letters at the Pierpont Morgan Library",

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Edmund Gosse, 'Walter Pater: A Portrait' (September 1894), reprinted in Gosse's

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In 1893 Pater and his sisters returned to Oxford (64 St Giles, now the site of

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Blue plaque to Walter & Clara Pater on their home in Bradmore Road, Oxford

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In 1885, on the resignation of John Ruskin, Pater became a candidate for the

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to derife from it the calmness which iss the secret of laboratory skill."

581:. He was an early friend and supporter of the young pre-Raphaelite painter 312:, a pioneer of women's education, later taught ancient Greek and Latin at 4030: 3764: 3714: 3694: 3559: 3018: 508: 399:(1871). The last three, with other similar pieces, were collected in his 374: 344: 258: 3843: 3791: 3749: 3734: 3704: 3266: 1523:

Pater, with several of his colleagues, appears as a minor character in

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mentions Pater twice as a contrast to common English usage in Britain.

801:). He was now in demand as a lecturer. In this year appeared his book 770:, Pater removed its references to Baudelaire (now associated with the 3776: 3754: 3684: 3662: 456: 305: 277:, Germany, during the vacations, he learned German and began to read 76: 1898:, Lucey, Michael (transl.), Duke University Press, pp. 159–79, 308:

and taught Classics and Philosophy to private students. (His sister

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Resting Places: The Burial Sites of More Than 14,000 Famous Persons

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in 1889), which has been called "the finest prose ever inspired by

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From 1885 to 1887, Pater published four new imaginary portraits in

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Pater, Walter, explanatory footnote in reinstated 'Conclusion' to

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poked gentle fun at Pater's ideas in his poem "The Gemlike Flame".

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are quoted among the sixth formers in Julian Mitchell's 1982 play

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way or, obliquely, in a more physical way. Another undergraduate,

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were among his early favourites. Visiting his aunt and sisters in

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Laurel Brake, 'Pater the Journalist: Essays from The Guardian',

407:. The Leonardo essay contains Pater's celebrated reverie on the 348: 3149: 2062:

Secreted Desires: The Major Uranians - Hopkins, Pater and Wilde

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1892), was praised by Jowett. "The change that occurs between

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in 1862. As a boy Pater had cherished the idea of entering the

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Secreted Desires: The Major Uranians: Hopkins, Pater and Wilde

1090:', discussed by Pater in 'The Age of Athletic Prizemen' (1894) 608:(1885), an extended imaginary portrait set in the Rome of the 497:

In 1876 Mallock parodied Pater's message in a satirical novel

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The Pater family tree, from Thomas Wright's biography, 1907

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The Renaissance – Studies in Art and Poetry; the 1893 text

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Pater's critical method was outlined in the 'Preface' to

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Literary Architecture by Ellen Eve Frank, pp. 15–49

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The Collected Works of Walter Pater: Imaginary Portraits

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The Collected Works of Walter Pater: Imaginary Portraits

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The Collected Works of Walter Pater: Imaginary Portraits

185:(4 August 1839 – 30 July 1894) was an English essayist, 2331:

Pater's grave in Holywell Cemetery, Oxford, before 1907

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Monsman, Gerald (1974), "Pater, Hopkins and the self",

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to him and to write a preface to Shadwell's edition of

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The Work of Art in the Age of Mechanical Reproduction

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Henry Daniel in the Daniels' 1894 limited edition of

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Walter Pater: 'Imaginary Portraits': a new collection

1292:, Greensboro: ELT Press; University of North Carolina 1288:——— (1995), Monsman, Gerald (ed.), 1183:——— (1970), Evans, Lawrence (ed.), 2561: 2559: 2257: 2255: 1877: 1875: 1873: 1220:——— (1980), Hill, Donald L (ed.), 545:) between 1869 and 1885 with his sisters, including 4008: 3857: 3630: 3337: 3249: 3183: 2681:Higgins, Lesley, and Latham, David (general eds.), 2599:Gosse, Edmund (1896) , "Walter Pater: A Portrait", 2321:(Oxford, 2019), appendix on the 1894 Daniel edition 2264:

Introduction to 'Selected Writings' of Walter Pater

1460:(1890) incessantly and willfully misquotes Pater's 1027:(1891). Among art critics influenced by Pater were 165: 148: 138: 119: 109: 101: 93: 83: 66: 46: 23: 2362:, Our Debt to Greece and Rome, London, p. 172 1561:uses Pater as a cultural marker in his 1898 novel 1262:, Oxford: World's Classics (facsimile of the 1934 4237:People associated with Somerville College, Oxford 2920:A Bibliography of the Writings of Walter H. Pater 2569:(22 September 1978), "The Artistic Temperament", 862:In 1895, a friend and former student of Pater's, 778:'s name in their place. In the second edition of 403:(1873), renamed in the second and later editions 4232:Founders of colleges of the University of Oxford 4222:Writers from the London Borough of Tower Hamlets 4152:People educated at The King's School, Canterbury 3058:Oscar Wilde and Walter Pater (mr-oscar-wilde.de) 1258:——— (1986), Small, Ian (ed.), 229:and was individually tutored by the headmaster. 1226:. An annotated edition of Pater's revised text. 1118: 487: 427: 16:English writer, critic and essayist (1839–1894) 1960: 1958: 1956: 1266:edition text, with new introduction and notes) 1165:Pater, Walter (1964), Brzenk, Eugene J (ed.), 3161: 2433:(London, 1907), Vol.1 p.218; Levey, Michael, 8: 3886:The Literary Mind and the Carving of Dragons 3107:"Archival material relating to Walter Pater" 2517:Pater, Walter, "A Novel by Mr Oscar Wilde", 2158:, ed. Ian Small (Oxford, 1986), Textual Note 1670: 1668: 1406:Vol. V. Studies and Reviews, 1864–1889 ( — ) 698:(1894), re-bound for the Library in 1916 by 2959:English Literature in Transition, 1880–1920 2537:English Literature in Transition, 1880-1920 3168: 3154: 3146: 3129: 3115: 2941:: CS1 maint: location missing publisher ( 2908:: CS1 maint: location missing publisher ( 2876:: CS1 maint: location missing publisher ( 2638:: CS1 maint: location missing publisher ( 2372:: CS1 maint: location missing publisher ( 2075:The Renaissance: Studies in Art and Poetry 2019:: CS1 maint: location missing publisher ( 2007:Walter Pater: An imaginative Sense of Fact 1948:Walter Pater: An Imaginative Sense of Fact 1931:Walter Pater: An Imaginative Sense of Fact 1790:: CS1 maint: location missing publisher ( 1630:A History of the King's School, Canterbury 1475:is praised as a "wonderful new volume" in 878:, 'Hippolytus Veiled' (first published in 662:Walter Pater lived with his sisters at 12 405:The Renaissance: Studies in Art and Poetry 281:and the German philosophers. The scholar 199:The Renaissance: Studies in Art and Poetry 31: 20: 4157:People educated at Enfield Grammar School 1808:Studies in the History of the Renaissance 1778:Studies in the History of the Renaissance 1321:. An annotated edition of the 1873 text. 1300:Studies in the History of the Renaissance 401:Studies in the History of the Renaissance 195:Studies in the History of the Renaissance 2838:(biography), London: Thames & Hudson 2508:(Greensboro, 1995), dustjacket quotation 651:), their home since 1869, to London (12 3036:Oxford Dictionary of National Biography 2732:The Reception of Walter Pater in Europe 2521:, 1, Nov. 1891, pp.59–60; reprinted in 1642: 1640: 1594: 1553:The Adventures of Mao on the Long March 1510:Lines from the "Conclusion" to Pater's 901:in 1892) and 'Apollo in Picardy' (from 3080:"Pater's Grave at Holywell Cemetery", 2934: 2901: 2869: 2631: 2539:, ELT Press, Volume 56, Number 4, 2013 2469:(Oxford, 1970), letter 28 January 1886 2365: 2277: 2012: 1950:, ed. Philip Dodd (London, 1981), p.48 1933:, ed. Philip Dodd (London, 1981), p.48 1783: 1687: 1396:, ed. Ostermark-Johansen, Lene (2019) 4177:Alumni of the Queen's College, Oxford 2698:(Greensboro, 1995), Introduction p.xl 2233: 2167: 2132:(New Haven, 1980), p.7, p.28, p.68-78 2064:(Masaryk University, Brno, 2006) p.82 1896:Insult and the Making of the Gay Self 1881: 1839: 1827: 1741: 1729: 1659: 1413:; Studies and Reviews 1890–1895 ( — ) 1167:Imaginary Portraits: a new collection 839:, at the age of 54. He was buried at 748:Appreciations, with an Essay on Style 7: 4207:Fellows of Brasenose College, Oxford 2784:(1896), "Walter Pater: A Portrait", 2773:Walter Pater: Lover of Strange Souls 2710:The Fireside Book of Humorous Poetry 2586: 2289: 1865:Walter Pater: Lover of Strange Souls 1806:Pater, Walter, "Joachim du Bellay", 1776:Pater, Walter (1873), "Conclusion", 1003:and including all but the pieces in 593:To this end he published in 1878 in 4172:Alumni of Brasenose College, Oxford 2988:Works by Walter Pater in eBook form 2549:Seiler, R. M. (ed.), Walter Pater: 2247:Walter Pater's Art of Autobiography 2222:Walter Pater's Art of Autobiography 2181:Walter Pater: The Critical Heritage 2130:Walter Pater's Art of Autobiography 2117:Walter Pater's Art of Autobiography 1755:Walter Pater's Art of Autobiography 1043:: among early literary Modernists, 2696:Gaston de Latour: The Revised Text 2523:Walter Pater: Sketches and Reviews 2506:Gaston de Latour: The Revised Text 2493:Gaston de Latour: The Revised Text 1536:Pater is the subject of a poem by 1290:Gaston de Latour: The Revised Text 940:Gaston de Latour: The Revised Text 369:. A few months later his essay on 37:Pater in the 1890s (photograph by 14: 3127:National Portrait Gallery, London 3123:Portraits of Walter Horatio Pater 702:(1862–1952) with her cover-design 643:, he moved with his sisters from 557:Plaque at 2 Bradmore Road, Oxford 549:, a pioneer of women's education. 339:Pater as a young don at Brasenose 4242:19th-century English LGBT people 4167:19th-century British journalists 4104: 3065:Kaylor, Michael Matthew (2006), 3022: 2896:Walter Pater: The Idea in Nature 1540:titled "The Great Walter Pater". 1366:began publishing its ten-volume 1302:, Oxford World's Classics, OUP, 1224:, University of California Press 920:The Purgatory of Dante Alighieri 866:, a Fellow and later Provost of 2846:Papers Critical and Reminiscent 2760:Walter Pater the Scholar Artist 2712:. New York: Simon and Schuster. 2683:Collected Works of Walter Pater 2669:The Victorian Age in Literature 1603:Walter Pater: Selected Writings 1368:Collected Works of Walter Pater 1272:——— (1994) , 1230:——— (1982) , 633:Slade Professorship of Fine Art 4162:19th-century English novelists 3100:, UK: Oxfordshire blue plaques 3006:Works by or about Walter Pater 2887:Walter Pater: A Critical Study 2317:Ostermark-Johansen, L. (ed.), 2262:Pater, Walter; Bloom, Harold, 2077:(3rd and subsequent editions) 1674:Ostermark-Johansen, L. (ed.), 1614:Ostermark-Johansen, L. (ed.), 1427:, ed. Potolsky, Matthew (2020) 1244:——— (1983), 1202:——— (1973), 505:Oxford Professorship of Poetry 1: 3044:"Walter Pater: An Overview", 2809:Inman, Billie Andrew (1991), 2572:The Times Literary Supplement 1965:Warr, Elizabeth Jean (2011). 1648:Selected Essays: First Series 1454:Wilde's Lord Henry Wotton in 1023:, who paid tribute to him in 870:, collected and published as 541:(the right-hand house with a 234:The King's School, Canterbury 4227:Burials at Holywell Cemetery 4016:Aestheticization of politics 2667:Chesterton, GK (1913), "1", 2553:(London, 1980), Introduction 2183:(London, 1980), p.163; p.171 1403:, ed. Monsman, Gerald (2019) 1208:Essays on Literature and Art 858:and other posthumous volumes 62:, London, Middlesex, England 3021:(public domain audiobooks) 2708:Cole, William, ed. (1959). 2400:(portrait), Odyssée theater 2360:Euripides and his Influence 1434:, ed. Seiler, Robert (2023) 1325: 114:The Queen's College, Oxford 4263: 2853:Shuter, William F (1997), 2305:('The Child in the House') 2206:Dodd, Philip, ed. (1977), 1563:The Tragedy of the Korosko 1457:The Picture of Dorian Gray 965:The Picture of Dorian Gray 236:, where the beauty of the 97:Academic, essayist, writer 4084: 2192:Brzenk, Eugene J. (ed.), 2060:Kaylor, Michael Matthew, 1929:, 73, 1 September 1905); 1547:are sprinkled throughout 1496:at the end of Chapter 41. 864:Charles Lancelot Shadwell 666:, Kensington (house with 30: 4197:English literary critics 4182:British male journalists 3138:Leeds University Library 2929:The Life of Walter Pater 2836:The Case of Walter Pater 2480:The Case of Walter Pater 2435:The Case of Walter Pater 2431:The Life of Walter Pater 2389:Rothenstein, Sir William 2224:(New Haven, 1980), p.154 2049:The Case of Walter Pater 2036:The Case of Walter Pater 1946:, 73, 1 September 1905; 1757:(New Haven, 1980), p.140 1650:(London, 1928), pp.27-58 1488:Pater is referred to in 746:In 1889 Pater published 670:) between 1885 and 1893. 533:Walter Pater lived at 2 449:, reviewing the book in 4036:Evolutionary aesthetics 3986:The Aesthetic Dimension 2976:Pierpont Morgan Library 2927:Wright, Thomas (1907), 2889:, London: Martin Secker 2885:Thomas, Edward (1913), 2467:Letters of Walter Pater 2465:Evans, Lawrence (ed.), 2119:(New Haven, 1980), p.26 1967:The Oxford Plaque Guide 1894:Eribon, Didier (2004), 1543:Citations from Pater's 1364:Oxford University Press 999:, with two volumes for 252:Queen's College, Oxford 232:In 1853 he was sent to 4202:English male novelists 3966:Avant-Garde and Kitsch 3916:Lectures on Aesthetics 2894:Ward, Anthony (1966), 2855:Rereading Walter Pater 2575:(review), p. 1045 2196:(New York, 1964), p.12 1867:(New York, 1995), p.58 1678:(Oxford, 2019), p.xlii 1359: 1351: 1350:, Oxford (before 1907) 1339: 1175:The Fortnightly Review 1131: 1091: 795:permanent private hall 756:Dante Gabriel Rossetti 703: 683: 671: 579:Dante Gabriel Rossetti 558: 550: 513:The Fortnightly Review 495: 475:William Money Hardinge 432: 387:printed his essays on 340: 227:Enfield Grammar School 4111:Philosophy portal 3136:Archival material at 3015:Works by Walter Pater 2997:Works by Walter Pater 2657:(London, 1906), p.115 2551:The Critical Heritage 2482:(London, 1978), p.190 2437:(London, 1978), p.102 2303:An Imaginary Portrait 2179:Seiler, R. M. (ed.), 2106:(London, 1906), p.122 2005:Dodd, Philip (1981), 1917:Information given by 1573:The American Language 1530:The Invention of Love 1505:Marius the Epicurean, 1357: 1345: 1333: 1187:, Oxford: Clarendon, 1081: 997:Works of Walter Pater 911:Miscellaneous Studies 895:Miscellaneous Studies 852:Miscellaneous Studies 825:An Imaginary Portrait 741:An Imaginary Portrait 696:An Imaginary Portrait 689: 677: 661: 563:Gerard Manley Hopkins 556: 532: 338: 174:University of Glasgow 4142:People from Shadwell 4056:Philosophy of design 3936:In Praise of Shadows 3926:The Critic as Artist 3111:UK National Archives 2734:, Thoemmes Continuum 2685:, Voll. III., p.xiii 2622:Marius the Epicurean 2156:Marius the Epicurean 2143:Marius the Epicurean 2093:(London, 1906), p.79 2038:(London 1978), p.112 1852:Blackwood's Magazine 1628:Edwards, DL (1957), 1618:(Oxford, 2019), p.31 1605:(London, 1949), p.11 1499:In Sinclair Lewis's 1482:The Age of Innocence 1387:Marius the Epicurean 1282:, Middlesex: Penguin 1279:Marius the Epicurean 1260:Marius the Epicurean 1126:Marius the Epicurean 1025:The Critic as Artist 989:Sketches and Reviews 880:Macmillan's Magazine 799:University of Oxford 709:Macmillan's Magazine 605:Marius the Epicurean 595:Macmillan's Magazine 569:he met figures like 520:Marius the Epicurean 452:Blackwood's Magazine 183:Walter Horatio Pater 158:Marius the Epicurean 4247:English gay writers 4217:Victorian novelists 4187:English art critics 4147:People from Stepney 4066:Philosophy of music 4041:Mathematical beauty 2803:, London: Duckworth 2788:, London: Heinemann 2747:, London: Macmillan 1490:W. Somerset Maugham 1485:, set in the 1870s. 1418:Plato and Platonism 1394:Imaginary Portraits 1252:, NY: Chelsea House 1250:Plato and Platonism 1173:"An English Poet", 827:, and described by 818:Plato and Platonism 803:Plato and Platonism 737:Plato and Platonism 726:Imaginary Portraits 718:Jean-Baptiste Pater 524:Imaginary Portraits 455:, dismissed it as " 324:Career and writings 197:(1873), revised as 4061:Philosophy of film 4051:Patterns in nature 4021:Applied aesthetics 3996:Why Beauty Matters 3782:Life imitating art 3643:Art for art's sake 2918:Wright, S (1975), 2844:Sharp, W. (1912), 2818:Pater in the 1990s 2801:The Last Romantics 2495:(Greensboro, 1995) 2418:, 14 February 1919 2398:(lithograph; JPEG) 1559:Arthur Conan Doyle 1360: 1352: 1340: 1326:The 'Oxford' Pater 1264:Everyman's Library 1092: 1017:Aesthetic Movement 1005:Uncollected Essays 985:Uncollected Essays 752:Fortnightly Review 704: 684: 672: 575:William Bell Scott 559: 551: 419:Fortnightly Review 384:Fortnightly Review 366:Westminster Review 341: 314:Somerville College 292:Literae Humaniores 225:. Walter attended 129:literary criticism 4192:English essayists 4119: 4118: 4071:Psychology of art 3946:Art as Experience 3001:Project Gutenberg 2786:Critical Kit-Kats 2775:, New York: Knopf 2694:Monsman, Gerald, 2614:Burdett, Osbert, 2601:Critical Kit-Kats 2567:Wollheim, Richard 2504:Monsman, Gerald, 2491:Monsman, Gerald, 2280:, p. II.165. 2249:(New Haven, 1980) 2245:Monsman, Gerald, 2220:Monsman, Gerald, 2128:Monsman, Gerald, 2115:Monsman, Gerald, 1976:978-0-7524-5687-4 1842:, pp. 142–3. 1821:Uglow, Jennifer, 1753:Monsman, Gerald, 1425:Classical Studies 1348:Holywell Cemetery 1346:Pater's grave in 1309:978-0-19-953507-1 1236:Selected Writings 1073:Michael Oakeshott 903:Harper's Magazine 841:Holywell Cemetery 772:Decadent Movement 764:The English Poets 637:Oxford University 447:Margaret Oliphant 393:Sandro Botticelli 389:Leonardo da Vinci 180: 179: 139:Literary movement 88:Holywell Cemetery 39:Elliott & Fry 4254: 4109: 4108: 4107: 4001: 3991: 3981: 3971: 3961: 3951: 3941: 3931: 3921: 3911: 3901: 3891: 3881: 3871: 3170: 3163: 3156: 3147: 3133: 3119: 3114: 3101: 3090: 3088: 3071: 3061: 3051: 3039: 3026: 3025: 3010:Internet Archive 2973: 2946: 2940: 2932: 2922: 2913: 2907: 2899: 2890: 2881: 2875: 2867: 2848: 2839: 2827: 2826: 2824: 2815: 2804: 2789: 2776: 2763: 2748: 2735: 2714: 2713: 2705: 2699: 2692: 2686: 2679: 2673: 2671: 2664: 2658: 2651: 2645: 2643: 2637: 2629: 2626:Everyman Library 2618: 2611: 2605: 2603: 2596: 2590: 2584: 2578: 2576: 2563: 2554: 2547: 2541: 2532: 2526: 2515: 2509: 2502: 2496: 2489: 2483: 2478:Levey, Michael, 2476: 2470: 2463: 2457: 2455: 2444: 2438: 2429:Wright, Thomas, 2427: 2421: 2419: 2409: 2403: 2401: 2399: 2385: 2379: 2377: 2371: 2363: 2352: 2346: 2339: 2333: 2328: 2322: 2315: 2306: 2299: 2293: 2287: 2281: 2275: 2269: 2267: 2259: 2250: 2243: 2237: 2231: 2225: 2218: 2212: 2210: 2203: 2197: 2190: 2184: 2177: 2171: 2165: 2159: 2152: 2146: 2139: 2133: 2126: 2120: 2113: 2107: 2100: 2094: 2084: 2078: 2071: 2065: 2058: 2052: 2047:Levey, Michael, 2045: 2039: 2034:Levey, Michael, 2032: 2026: 2024: 2018: 2010: 2002: 1996: 1994: 1987: 1981: 1980: 1962: 1951: 1940: 1934: 1915: 1909: 1908: 1891: 1885: 1879: 1868: 1861: 1855: 1849: 1843: 1837: 1831: 1825: 1818: 1812: 1810: 1803: 1797: 1795: 1789: 1781: 1773: 1767: 1764: 1758: 1751: 1745: 1739: 1733: 1727: 1721: 1720: 1718: 1716: 1711:on 8 August 2018 1707:. 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Chesterton 1129: 1114:Richard Wollheim 1041:Richard Wollheim 1029:Bernard Berenson 956:Queen Marguerite 928:Gaston de Latour 856:Gaston de Latour 791:Blackfriars Hall 774:), substituting 678:Blue plaque, 12 500:The New Republic 443:Bishop of Oxford 133:literary fiction 73: 56: 54: 35: 21: 4262: 4261: 4257: 4256: 4255: 4253: 4252: 4251: 4122: 4121: 4120: 4115: 4105: 4103: 4080: 4004: 3999: 3989: 3979: 3976:Critical Essays 3969: 3959: 3949: 3939: 3929: 3919: 3909: 3899: 3889: 3879: 3869: 3853: 3626: 3540:Ortega y Gasset 3333: 3245: 3179: 3174: 3105: 3094: 3086: 3079: 3064: 3055: 3050:, Victorian Web 3043: 3029: 3023: 2992:Standard Ebooks 2984: 2956: 2954: 2952:Further reading 2933: 2926: 2917: 2900: 2893: 2884: 2868: 2865: 2852: 2843: 2830: 2822: 2820: 2813: 2808: 2795: 2780: 2769:Donoghue, Denis 2767: 2754: 2739: 2726: 2723: 2718: 2717: 2707: 2706: 2702: 2693: 2689: 2680: 2676: 2666: 2665: 2661: 2652: 2648: 2630: 2620: 2613: 2612: 2608: 2598: 2597: 2593: 2585: 2581: 2565: 2564: 2557: 2548: 2544: 2533: 2529: 2516: 2512: 2503: 2499: 2490: 2486: 2477: 2473: 2464: 2460: 2446: 2445: 2441: 2428: 2424: 2411: 2410: 2406: 2397: 2387: 2386: 2382: 2364: 2354: 2353: 2349: 2341:Wilson, Scott. 2340: 2336: 2329: 2325: 2316: 2309: 2300: 2296: 2288: 2284: 2276: 2272: 2261: 2260: 2253: 2244: 2240: 2232: 2228: 2219: 2215: 2205: 2204: 2200: 2191: 2187: 2178: 2174: 2166: 2162: 2153: 2149: 2140: 2136: 2127: 2123: 2114: 2110: 2101: 2097: 2085: 2081: 2072: 2068: 2059: 2055: 2046: 2042: 2033: 2029: 2011: 2004: 2003: 1999: 1992:Victorian Notes 1989: 1988: 1984: 1977: 1964: 1963: 1954: 1941: 1937: 1916: 1912: 1906: 1893: 1892: 1888: 1880: 1871: 1862: 1858: 1850: 1846: 1838: 1834: 1820: 1819: 1815: 1805: 1804: 1800: 1782: 1775: 1774: 1770: 1765: 1761: 1752: 1748: 1740: 1736: 1728: 1724: 1714: 1712: 1699: 1698: 1694: 1686: 1682: 1673: 1666: 1662:, chapters 1–4. 1658: 1654: 1645: 1638: 1627: 1626: 1622: 1613: 1609: 1600: 1596: 1591: 1545:The Renaissance 1517:Another Country 1473:The Renaissance 1448: 1380:The Renaissance 1328: 1310: 1297: 1287: 1271: 1257: 1243: 1229: 1219: 1204:Uglow, Jennifer 1201: 1195: 1182: 1172: 1164: 1161: 1159:Modern editions 1136: 1130: 1124: 1101:The Renaissance 1097: 1095:Critical method 1069:Wallace Stevens 1013: 993:Édition de luxe 915:The Renaissance 860: 837:rheumatic fever 744: 700:Katharine Adams 622:Marcus Aurelius 527: 439:The Renaissance 333: 330:The Renaissance 326: 297:Anglican clergy 283:Benjamin Jowett 247:Modern Painters 211: 191:literary critic 153:The Renaissance 110:Alma mater 75: 71: 58: 52: 50: 42: 26: 17: 12: 11: 5: 4260: 4258: 4250: 4249: 4244: 4239: 4234: 4229: 4224: 4219: 4214: 4212:Male essayists 4209: 4204: 4199: 4194: 4189: 4184: 4179: 4174: 4169: 4164: 4159: 4154: 4149: 4144: 4139: 4134: 4124: 4123: 4117: 4116: 4114: 4113: 4101: 4096: 4091: 4085: 4082: 4081: 4079: 4078: 4073: 4068: 4063: 4058: 4053: 4048: 4046:Neuroesthetics 4043: 4038: 4033: 4028: 4026:Arts criticism 4023: 4018: 4012: 4010: 4006: 4005: 4003: 4002: 3992: 3982: 3972: 3962: 3952: 3942: 3932: 3922: 3912: 3902: 3896:On the Sublime 3892: 3882: 3872: 3861: 3859: 3855: 3854: 3852: 3851: 3846: 3841: 3836: 3831: 3826: 3821: 3816: 3809: 3804: 3799: 3794: 3789: 3784: 3779: 3774: 3767: 3762: 3760:Interpretation 3757: 3752: 3747: 3742: 3737: 3732: 3727: 3722: 3717: 3712: 3707: 3702: 3697: 3692: 3687: 3682: 3677: 3676: 3675: 3670: 3660: 3655: 3653:Artistic merit 3650: 3645: 3640: 3634: 3632: 3628: 3627: 3625: 3624: 3617: 3612: 3607: 3602: 3597: 3592: 3587: 3582: 3577: 3572: 3567: 3562: 3557: 3552: 3547: 3542: 3537: 3532: 3527: 3522: 3517: 3512: 3507: 3502: 3497: 3492: 3487: 3482: 3477: 3472: 3467: 3462: 3457: 3452: 3447: 3442: 3437: 3432: 3427: 3422: 3417: 3412: 3407: 3402: 3397: 3392: 3387: 3382: 3377: 3372: 3367: 3362: 3357: 3352: 3347: 3341: 3339: 3335: 3334: 3332: 3331: 3324: 3319: 3314: 3309: 3304: 3302:Psychoanalysis 3299: 3294: 3289: 3284: 3279: 3274: 3269: 3264: 3259: 3253: 3251: 3247: 3246: 3244: 3243: 3238: 3233: 3228: 3223: 3218: 3213: 3208: 3203: 3198: 3193: 3187: 3185: 3181: 3180: 3175: 3173: 3172: 3165: 3158: 3150: 3144: 3143: 3140: 3134: 3120: 3103: 3092: 3077: 3074:Uranian poetry 3062: 3053: 3041: 3031:"Walter Pater" 3027: 3012: 3003: 2994: 2983: 2982:External links 2980: 2953: 2950: 2949: 2948: 2924: 2915: 2891: 2882: 2863: 2850: 2841: 2832:Levey, Michael 2828: 2806: 2793: 2778: 2765: 2762:, Rede Lecture 2752: 2737: 2730:, ed. (2004), 2722: 2719: 2716: 2715: 2700: 2687: 2674: 2659: 2653:A. C. Benson, 2646: 2628:, London, 1934 2606: 2591: 2579: 2555: 2542: 2527: 2510: 2497: 2484: 2471: 2458: 2439: 2422: 2404: 2380: 2347: 2334: 2323: 2307: 2294: 2292:, p. 194. 2282: 2270: 2251: 2238: 2236:, p. 185. 2226: 2213: 2198: 2185: 2172: 2160: 2154:Walter Pater, 2147: 2134: 2121: 2108: 2095: 2079: 2066: 2053: 2040: 2027: 1997: 1982: 1975: 1952: 1942:A. C. Benson, 1935: 1910: 1904: 1886: 1869: 1856: 1844: 1832: 1813: 1798: 1768: 1759: 1746: 1744:, p. 138. 1734: 1732:, p. 125. 1722: 1705:Boston College 1692: 1690:, p. 211. 1680: 1664: 1652: 1636: 1620: 1607: 1593: 1592: 1590: 1587: 1583: 1582: 1576: 1566: 1556: 1549:Frederic Tuten 1541: 1534: 1521: 1508: 1497: 1486: 1479:'s 1920 novel 1469: 1452: 1447: 1444: 1443: 1442: 1435: 1432:Correspondence 1428: 1421: 1414: 1407: 1404: 1397: 1390: 1383: 1362:From 2019 the 1327: 1324: 1323: 1322: 1308: 1295: 1285: 1274:Levey, Michael 1269: 1255: 1241: 1227: 1217: 1214:, London: Dent 1199: 1193: 1180: 1160: 1157: 1135: 1132: 1122: 1105:Matthew Arnold 1096: 1093: 1012: 1009: 960:King Henry III 899:The New Review 859: 845: 743: 730: 583:Simeon Solomon 526: 517: 515:, Dec. 1876). 379:William Morris 332: 327: 325: 322: 210: 207: 178: 177: 167: 166:Notable awards 163: 162: 150: 146: 145: 140: 136: 135: 121: 117: 116: 111: 107: 106: 103: 99: 98: 95: 91: 90: 85: 81: 80: 74:(aged 54) 68: 64: 63: 48: 44: 43: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 4259: 4248: 4245: 4243: 4240: 4238: 4235: 4233: 4230: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4203: 4200: 4198: 4195: 4193: 4190: 4188: 4185: 4183: 4180: 4178: 4175: 4173: 4170: 4168: 4165: 4163: 4160: 4158: 4155: 4153: 4150: 4148: 4145: 4143: 4140: 4138: 4135: 4133: 4130: 4129: 4127: 4112: 4102: 4100: 4097: 4095: 4092: 4090: 4087: 4086: 4083: 4077: 4076:Theory of art 4074: 4072: 4069: 4067: 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4017: 4014: 4013: 4011: 4007: 3998: 3997: 3993: 3988: 3987: 3983: 3978: 3977: 3973: 3967: 3963: 3957: 3953: 3948: 3947: 3943: 3938: 3937: 3933: 3927: 3923: 3918: 3917: 3913: 3908: 3907: 3903: 3898: 3897: 3893: 3888: 3887: 3883: 3878: 3877: 3873: 3868: 3867: 3866:Hippias Major 3863: 3862: 3860: 3856: 3850: 3847: 3845: 3842: 3840: 3837: 3835: 3832: 3830: 3827: 3825: 3822: 3820: 3817: 3815: 3814: 3810: 3808: 3805: 3803: 3800: 3798: 3795: 3793: 3790: 3788: 3785: 3783: 3780: 3778: 3775: 3773: 3772: 3768: 3766: 3763: 3761: 3758: 3756: 3753: 3751: 3748: 3746: 3743: 3741: 3738: 3736: 3733: 3731: 3728: 3726: 3725:Entertainment 3723: 3721: 3718: 3716: 3713: 3711: 3708: 3706: 3703: 3701: 3698: 3696: 3693: 3691: 3688: 3686: 3683: 3681: 3678: 3674: 3671: 3669: 3666: 3665: 3664: 3661: 3659: 3656: 3654: 3651: 3649: 3648:Art manifesto 3646: 3644: 3641: 3639: 3638:Appropriation 3636: 3635: 3633: 3629: 3623: 3622: 3618: 3616: 3613: 3611: 3608: 3606: 3603: 3601: 3598: 3596: 3593: 3591: 3588: 3586: 3583: 3581: 3578: 3576: 3573: 3571: 3568: 3566: 3563: 3561: 3558: 3556: 3553: 3551: 3548: 3546: 3543: 3541: 3538: 3536: 3533: 3531: 3530:Merleau-Ponty 3528: 3526: 3523: 3521: 3518: 3516: 3513: 3511: 3508: 3506: 3503: 3501: 3498: 3496: 3493: 3491: 3488: 3486: 3483: 3481: 3478: 3476: 3473: 3471: 3468: 3466: 3463: 3461: 3458: 3456: 3453: 3451: 3448: 3446: 3443: 3441: 3438: 3436: 3433: 3431: 3428: 3426: 3423: 3421: 3418: 3416: 3413: 3411: 3408: 3406: 3403: 3401: 3398: 3396: 3393: 3391: 3388: 3386: 3383: 3381: 3378: 3376: 3373: 3371: 3368: 3366: 3363: 3361: 3358: 3356: 3353: 3351: 3348: 3346: 3345:Abhinavagupta 3343: 3342: 3340: 3336: 3330: 3329: 3325: 3323: 3320: 3318: 3315: 3313: 3310: 3308: 3305: 3303: 3300: 3298: 3297:Postmodernism 3295: 3293: 3290: 3288: 3285: 3283: 3280: 3278: 3275: 3273: 3270: 3268: 3265: 3263: 3260: 3258: 3255: 3254: 3252: 3248: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3188: 3186: 3182: 3178: 3171: 3166: 3164: 3159: 3157: 3152: 3151: 3148: 3141: 3139: 3135: 3132: 3128: 3124: 3121: 3118: 3112: 3108: 3104: 3099: 3098: 3093: 3085: 3084: 3078: 3075: 3070: 3069: 3063: 3060: 3059: 3054: 3049: 3048: 3042: 3038: 3037: 3032: 3028: 3020: 3016: 3013: 3011: 3007: 3004: 3002: 2998: 2995: 2993: 2989: 2986: 2985: 2981: 2979: 2977: 2972: 2968: 2965:(4): 406–17, 2964: 2960: 2951: 2944: 2938: 2930: 2925: 2921: 2916: 2911: 2905: 2897: 2892: 2888: 2883: 2879: 2873: 2866: 2864:0-521-01981-8 2860: 2856: 2851: 2847: 2842: 2837: 2833: 2829: 2819: 2812: 2807: 2802: 2798: 2797:Hough, Graham 2794: 2792: 2787: 2783: 2782:Gosse, Edmund 2779: 2774: 2770: 2766: 2761: 2757: 2753: 2751: 2746: 2742: 2741:Benson, A. C. 2738: 2733: 2729: 2728:Bann, Stephen 2725: 2724: 2720: 2711: 2704: 2701: 2697: 2691: 2688: 2684: 2678: 2675: 2670: 2663: 2660: 2656: 2650: 2647: 2641: 2635: 2627: 2623: 2617: 2610: 2607: 2602: 2595: 2592: 2589:, p. 21. 2588: 2583: 2580: 2574: 2573: 2568: 2562: 2560: 2556: 2552: 2546: 2543: 2540: 2538: 2531: 2528: 2524: 2520: 2514: 2511: 2507: 2501: 2498: 2494: 2488: 2485: 2481: 2475: 2472: 2468: 2462: 2459: 2453: 2449: 2443: 2440: 2436: 2432: 2426: 2423: 2417: 2416: 2408: 2405: 2396: 2395: 2390: 2384: 2381: 2375: 2369: 2361: 2357: 2351: 2348: 2344: 2338: 2335: 2332: 2327: 2324: 2320: 2314: 2312: 2308: 2304: 2298: 2295: 2291: 2286: 2283: 2279: 2274: 2271: 2265: 2258: 2256: 2252: 2248: 2242: 2239: 2235: 2230: 2227: 2223: 2217: 2214: 2209: 2208:Prose Studies 2202: 2199: 2195: 2189: 2186: 2182: 2176: 2173: 2170:, p. 73. 2169: 2164: 2161: 2157: 2151: 2148: 2145:, Chapter XVI 2144: 2138: 2135: 2131: 2125: 2122: 2118: 2112: 2109: 2105: 2102:A.C. Benson, 2099: 2096: 2092: 2088: 2083: 2080: 2076: 2070: 2067: 2063: 2057: 2054: 2051:(London 1978) 2050: 2044: 2041: 2037: 2031: 2028: 2022: 2016: 2008: 2001: 1998: 1993: 1986: 1983: 1978: 1972: 1968: 1961: 1959: 1957: 1953: 1949: 1945: 1939: 1936: 1932: 1928: 1924: 1920: 1914: 1911: 1907: 1905:0-8223-3371-6 1901: 1897: 1890: 1887: 1883: 1878: 1876: 1874: 1870: 1866: 1860: 1857: 1853: 1848: 1845: 1841: 1836: 1833: 1830:, p. 10. 1829: 1824: 1817: 1814: 1809: 1802: 1799: 1793: 1787: 1779: 1772: 1769: 1763: 1760: 1756: 1750: 1747: 1743: 1738: 1735: 1731: 1726: 1723: 1710: 1706: 1702: 1696: 1693: 1689: 1684: 1681: 1677: 1671: 1669: 1665: 1661: 1656: 1653: 1649: 1643: 1641: 1637: 1632:, p. 126 1631: 1624: 1621: 1617: 1611: 1608: 1604: 1598: 1595: 1588: 1586: 1580: 1577: 1574: 1570: 1567: 1564: 1560: 1557: 1554: 1550: 1546: 1542: 1539: 1538:Billy Collins 1535: 1532: 1531: 1526: 1522: 1519: 1518: 1513: 1509: 1506: 1502: 1498: 1495: 1491: 1487: 1484: 1483: 1478: 1477:Edith Wharton 1474: 1470: 1467: 1463: 1459: 1458: 1453: 1450: 1449: 1446:In literature 1445: 1440: 1436: 1433: 1429: 1426: 1422: 1419: 1415: 1412: 1411:Appreciations 1408: 1405: 1402: 1398: 1395: 1391: 1388: 1384: 1381: 1377: 1376: 1375: 1373: 1369: 1365: 1356: 1349: 1344: 1337: 1332: 1320: 1319:0-19-953507-8 1316: 1311: 1305: 1301: 1296: 1291: 1286: 1281: 1280: 1275: 1270: 1265: 1261: 1256: 1251: 1247: 1246:Bloom, Harold 1242: 1237: 1233: 1232:Bloom, Harold 1228: 1223: 1218: 1213: 1209: 1205: 1200: 1196: 1194:0-19-953507-8 1190: 1186: 1181: 1176: 1168: 1163: 1162: 1158: 1156: 1154: 1150: 1146: 1142: 1133: 1128:, Chapter XX. 1127: 1121: 1117: 1115: 1111: 1106: 1102: 1094: 1089: 1085: 1080: 1076: 1074: 1070: 1066: 1062: 1058: 1054: 1050: 1046: 1045:Marcel Proust 1042: 1038: 1037:Kenneth Clark 1034: 1030: 1026: 1022: 1018: 1010: 1008: 1006: 1002: 998: 994: 991:in 1919). An 990: 986: 982: 981: 975: 973: 972: 967: 966: 961: 957: 953: 949: 945: 941: 937: 933: 929: 924: 922: 921: 916: 912: 908: 904: 900: 896: 891: 889: 885: 881: 877: 873: 872:Greek Studies 869: 865: 857: 853: 849: 848:Greek Studies 846: 844: 842: 838: 833: 830: 826: 821: 819: 815: 814: 808: 804: 800: 796: 792: 787: 785: 784:Appreciations 781: 780:Appreciations 777: 773: 769: 768:Appreciations 765: 761: 760:Thomas Browne 757: 753: 749: 742: 738: 734: 733:Appreciations 731: 729: 727: 723: 719: 715: 711: 710: 701: 697: 693: 688: 681: 680:Earls Terrace 676: 669: 665: 664:Earls Terrace 660: 656: 654: 653:Earls Terrace 650: 649:Bradmore Road 646: 642: 638: 634: 629: 627: 623: 619: 615: 611: 607: 606: 599: 596: 591: 588: 584: 580: 576: 572: 568: 564: 555: 548: 544: 540: 536: 535:Bradmore Road 531: 525: 521: 518: 516: 514: 510: 506: 502: 501: 494: 492: 486: 484: 483:W. H. Mallock 480: 476: 472: 467: 465: 461: 458: 454: 453: 448: 444: 440: 436: 431: 426: 422: 420: 416: 412: 411: 406: 402: 398: 394: 390: 386: 385: 380: 376: 372: 368: 367: 362: 358: 354: 350: 346: 337: 331: 328: 323: 321: 319: 315: 311: 307: 302: 298: 294: 293: 288: 284: 280: 276: 272: 268: 264: 260: 255: 253: 249: 248: 243: 239: 235: 230: 228: 224: 220: 216: 208: 206: 204: 200: 196: 192: 188: 184: 175: 171: 170:Honorary LL.D 168: 164: 160: 159: 154: 151: 149:Notable works 147: 144: 141: 137: 134: 130: 126: 125:art criticism 122: 118: 115: 112: 108: 104: 100: 96: 92: 89: 86: 84:Resting place 82: 78: 69: 65: 61: 57:4 August 1839 49: 45: 40: 34: 29: 22: 19: 3994: 3984: 3974: 3944: 3934: 3914: 3904: 3894: 3884: 3874: 3864: 3811: 3787:Magnificence 3769: 3619: 3585:Schopenhauer 3544: 3420:Coomaraswamy 3338:Philosophers 3326: 3257:Aestheticism 3096: 3082: 3067: 3057: 3046: 3035: 2962: 2958: 2955: 2928: 2919: 2895: 2886: 2854: 2845: 2835: 2821:, retrieved 2817: 2800: 2785: 2772: 2759: 2756:Cecil, David 2745:Walter Pater 2744: 2731: 2709: 2703: 2695: 2690: 2682: 2677: 2668: 2662: 2655:Walter Pater 2654: 2649: 2621: 2616:Introduction 2615: 2609: 2600: 2594: 2582: 2570: 2550: 2545: 2536: 2530: 2522: 2518: 2513: 2505: 2500: 2492: 2487: 2479: 2474: 2466: 2461: 2454:, p. 10 2452:Walter Pater 2451: 2442: 2434: 2430: 2425: 2413: 2412:"Obituary", 2407: 2394:Walter Pater 2393: 2383: 2359: 2356:Lucas, F. L. 2350: 2342: 2337: 2326: 2318: 2302: 2297: 2285: 2273: 2263: 2246: 2241: 2229: 2221: 2216: 2207: 2201: 2193: 2188: 2180: 2175: 2163: 2155: 2150: 2142: 2137: 2129: 2124: 2116: 2111: 2104:Walter Pater 2103: 2098: 2091:Walter Pater 2090: 2082: 2074: 2069: 2061: 2056: 2048: 2043: 2035: 2030: 2006: 2000: 1991: 1985: 1966: 1947: 1943: 1938: 1930: 1926: 1923:A. C. Benson 1919:Edmund Gosse 1913: 1895: 1889: 1864: 1859: 1851: 1847: 1835: 1823:Introduction 1822: 1816: 1807: 1801: 1777: 1771: 1762: 1754: 1749: 1737: 1725: 1713:. Retrieved 1709:the original 1695: 1683: 1675: 1655: 1647: 1629: 1623: 1615: 1610: 1602: 1597: 1584: 1579:R. P. Lister 1571:in his work 1569:H. L Mencken 1562: 1552: 1544: 1528: 1525:Tom Stoppard 1515: 1511: 1504: 1500: 1493: 1480: 1472: 1465: 1461: 1455: 1438: 1431: 1424: 1417: 1410: 1400: 1393: 1386: 1379: 1371: 1367: 1361: 1336:oriel window 1299: 1289: 1277: 1259: 1249: 1238:, NY: Signet 1235: 1221: 1207: 1184: 1174: 1169:, NY: Harper 1166: 1149:A. C. Benson 1141:Edmund Gosse 1137: 1125: 1119: 1109: 1100: 1098: 1024: 1014: 1004: 1000: 996: 992: 988: 984: 980:The Guardian 978:Essays from 977: 976: 970: 963: 939: 935: 931: 927: 925: 918: 914: 910: 902: 898: 894: 892: 887: 879: 871: 861: 855: 851: 847: 834: 824: 822: 817: 812: 807:Harold Bloom 802: 788: 783: 779: 767: 763: 751: 747: 745: 740: 736: 732: 725: 707: 705: 695: 682:, Kensington 645:North Oxford 640: 630: 625: 603: 600: 594: 592: 586: 571:Edmund Gosse 560: 539:North Oxford 523: 519: 512: 498: 496: 491:A. C. Benson 488: 468: 464:George Eliot 460:Epicureanism 450: 438: 437: 433: 428: 423: 418: 408: 404: 400: 397:Michelangelo 395:(1870), and 382: 364: 342: 329: 290: 256: 245: 231: 217:in London's 212: 203:Aestheticism 198: 194: 182: 181: 156: 152: 143:Aestheticism 72:(1894-07-30) 70:30 July 1894 25:Walter Pater 18: 4137:1894 deaths 4132:1839 births 3880:(c. 335 BC) 3870:(c. 390 BC) 3849:Work of art 3802:Picturesque 3658:Avant-garde 3615:Winckelmann 3490:Kierkegaard 3415:Collingwood 3385:Baudrillard 3312:Romanticism 3282:Historicism 3216:Mathematics 2823:21 December 2519:The Bookman 2278:Wright 1907 2087:A.C. Benson 1854:, Nov. 1873 1688:Wright 1907 1512:Renaissance 1462:Renaissance 1439:Manuscripts 1423:Vol. VIII. 1171:. Contains 1084:Polykleitos 1065:T. S. Eliot 1057:Paul Valéry 1053:W. B. Yeats 1049:James Joyce 1021:Oscar Wilde 995:ten-volume 971:The Bookman 668:blue plaque 587:Renaissance 547:Clara Pater 543:blue plaque 371:Winckelmann 357:metaphysics 310:Clara Pater 242:John Ruskin 4126:Categories 3819:Recreation 3797:Perception 3690:Creativity 3390:Baumgarten 3380:Baudelaire 3262:Classicism 3177:Aesthetics 2448:Benson, AC 2266:, New York 2234:Levey 1978 2168:Levey 1978 1925:(Benson's 1882:Inman 1991 1840:Levey 1978 1828:Pater 1973 1742:Levey 1978 1730:Levey 1978 1715:5 December 1660:Levey 1978 1589:References 1501:Arrowsmith 1416:Vol. VII. 1392:Vol. III. 1088:Diadumenos 1061:Ezra Pound 876:Hippolytus 843:, Oxford. 614:asceticism 275:Heidelberg 267:Baudelaire 209:Early life 94:Occupation 53:1839-08-04 3824:Reverence 3730:Eroticism 3700:Depiction 3673:Masculine 3575:Santayana 3535:Nietzsche 3480:Hutcheson 3470:Heidegger 3455:Greenberg 3410:Coleridge 3375:Balthasar 3360:Aristotle 3322:Theosophy 3317:Symbolism 3292:Modernism 3277:Formalism 2971:0013-8339 2587:Ward 1966 2415:The Times 2358:(1924) , 2290:Ward 1966 1551:'s novel 1430:Vol. IX. 1409:Vol. VI. 1399:Vol. IV. 1033:Roger Fry 1011:Influence 948:Montaigne 884:Euripides 610:Antonines 567:Swinburne 462:", while 415:Giorgione 410:Mona Lisa 361:Coleridge 318:Brasenose 299:, but at 271:Swinburne 238:cathedral 79:, England 4099:Category 4031:Axiology 3900:(c. 500) 3890:(c. 100) 3765:Judgment 3720:Emotions 3715:Elegance 3695:Cuteness 3668:Feminine 3631:Concepts 3600:Tanizaki 3580:Schiller 3565:Richards 3555:Rancière 3525:Maritain 3460:Hanslick 3400:Benjamin 3272:Feminism 3241:Theology 3221:Medieval 3211:Japanese 3206:Internet 3019:LibriVox 2937:citation 2931:, London 2904:citation 2898:, London 2872:citation 2834:(1978), 2799:(1949), 2771:(1995), 2758:(1955), 2743:(1906), 2634:citation 2450:(1906), 2391:(1894), 2368:citation 2015:citation 2009:, London 1786:citation 1780:, London 1527:'s play 1471:Pater's 1437:Vol. X. 1385:Vol II. 1378:Vol. I. 1145:Flaubert 1123:— 1082:Copy of 923:(1892). 694:copy of 692:Bodleian 620:emperor 509:Dionysus 479:Platonic 391:(1869), 375:idealism 345:Florence 259:Flaubert 219:East End 213:Born in 155:(1873), 102:Language 4094:Outline 4009:Related 3876:Poetics 3844:Tragedy 3834:Sublime 3807:Quality 3792:Mimesis 3750:Harmony 3735:Fashion 3710:Ecstasy 3705:Disgust 3621:more... 3590:Scruton 3515:Lyotard 3450:Goodman 3430:Deleuze 3365:Aquinas 3355:Alberti 3328:more... 3307:Realism 3287:Marxism 3267:Fascism 3250:Schools 3236:Science 3191:Ancient 3125:at the 3089:, Yahoo 3047:Authors 3008:at the 2721:Sources 2141:Pater, 1703:. USA: 1338:, left. 1276:(ed.), 1248:(ed.), 1234:(ed.), 1206:(ed.), 1185:Letters 944:Ronsard 888:ascetic 797:of the 722:Spinoza 714:Watteau 471:Balliol 353:Ravenna 263:Gautier 223:Enfield 215:Stepney 123:Essay, 105:English 60:Stepney 4000:(2009) 3990:(1977) 3980:(1946) 3970:(1939) 3960:(1935) 3950:(1934) 3940:(1933) 3930:(1891) 3920:(1835) 3910:(1757) 3777:Kitsch 3755:Humour 3685:Comedy 3663:Beauty 3605:Vasari 3595:Tagore 3570:Ruskin 3510:Lukács 3500:Langer 3445:Goethe 3370:Balázs 3350:Adorno 3231:Nature 3196:Africa 3087:(JPEG) 3083:Flickr 2969: 2861: 2525:(1919) 1973: 1902: 1466:Marius 1317: 1306: 1191: 1177:, 1931 1001:Marius 936:Gaston 932:Marius 907:Pascal 813:Marius 739:, and 641:Marius 626:Marius 577:, and 457:rococo 306:Oxford 301:Oxford 287:Second 176:(1894) 161:(1885) 120:Genres 77:Oxford 4089:Index 3858:Works 3839:Taste 3829:Style 3610:Wilde 3550:Plato 3545:Pater 3505:Lipps 3465:Hegel 3435:Dewey 3425:Danto 3405:Burke 3226:Music 3201:India 3184:Areas 2814:(PDF) 1944:Diary 1927:Diary 1441:( — ) 1420:( — ) 1389:( — ) 1382:( — ) 1372:Works 1134:Style 952:Bruno 868:Oriel 829:Gosse 618:Stoic 430:only. 279:Hegel 3813:Rasa 3771:Kama 3745:Gaze 3680:Camp 3560:Rand 3495:Klee 3485:Kant 3475:Hume 3395:Bell 2967:ISSN 2943:link 2910:link 2878:link 2859:ISBN 2825:2015 2640:link 2374:link 2021:link 1971:ISBN 1900:ISBN 1792:link 1717:2012 1464:and 1315:ISBN 1304:ISBN 1189:ISBN 1067:and 1039:and 816:and 793:, a 776:Hugo 716:and 690:The 522:and 351:and 349:Pisa 269:and 189:and 67:Died 47:Born 3740:Fun 3520:Man 3440:Fry 3017:at 2999:at 2990:at 2619:to 1921:to 1826:in 1492:'s 1086:' ' 968:in 647:(2 635:at 537:in 417:' ( 359:of 289:in 244:'s 187:art 4128:: 3968:" 3958:" 3928:" 3109:. 3033:, 2963:34 2961:, 2939:}} 2935:{{ 2906:}} 2902:{{ 2874:}} 2870:{{ 2816:, 2790:. 2636:}} 2632:{{ 2624:, 2558:^ 2370:}} 2366:{{ 2310:^ 2254:^ 2089:, 2017:}} 2013:{{ 1955:^ 1872:^ 1788:}} 1784:{{ 1667:^ 1639:^ 1313:, 1210:, 1110:me 1063:, 1059:, 1055:, 1051:, 1047:, 1035:, 1031:, 958:, 954:, 950:, 946:, 854:, 850:, 735:, 573:, 445:. 347:, 265:, 261:, 254:. 205:. 172:, 131:, 127:, 3964:" 3954:" 3924:" 3169:e 3162:t 3155:v 3113:. 3102:. 3091:. 3052:. 3040:. 2947:. 2945:) 2923:. 2914:. 2912:) 2880:) 2849:. 2840:. 2805:. 2777:. 2764:. 2749:. 2736:. 2672:. 2644:. 2642:) 2604:. 2577:. 2456:. 2420:. 2402:. 2378:. 2376:) 2268:. 2211:. 2025:. 2023:) 1995:. 1979:. 1884:. 1811:. 1796:. 1794:) 1719:. 1634:. 1555:. 1533:. 1520:. 1468:. 1294:. 1284:. 1268:. 1254:. 1240:. 1198:. 1179:. 55:) 51:( 41:)

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