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191:'s his mate"). The fourth moves to a more domestic setting, with the marchers returning to their homes with Maclean's memory ("at hame wi' his Glasgie freens, their fame and their pride"). It closes with a look to the future, when "the red will be worn, my lads, an' Scotland will march again / Noo great John Maclean has come hame tae the Clyde".
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register, with flashes of humour - the workmen must rush, because
Maclean will be "ower thrang tae bide", too busy to wait for them. Timothy Neat identified the use of Scots as helping tighten the link between the singer and the audience, and described the poem as "at once traditional in form and
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In 1923, he died aged 44, with his health broken after the long-term effects of imprisonment. His funeral was a mass public event, perhaps the largest ever to be held in
Glasgow, with perhaps ten thousand people following the funeral procession.
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Ceilidh in August 1951, which was recorded by Alan Lomax. It was one of the few overtly political pieces performed at the event. A second recording of
Henderson performing the song in London, March 1951, also survives in the Lomax collection.
172:...") - before setting the action firmly in Glasgow, with men leaving their work to greet Maclean ("Turn oot, Jock and Jimmie, leave your crans and your muckle gantries"). In the second, the procession moves through Glasgow, down
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The song covers four verses, with the last line of each verse repeated with emphasis in place of a chorus. Henderson's notes indicate the first verse should then be repeated, starting softly and working up to a crescendo.
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Henderson wrote the song for a memorial meeting commemorating MacLean in
November 1948, the twenty-fifth anniversary of his death. It was sung by William Noble to end the event, following poems by
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in early 1918. In April 1918 he was arrested for sedition, convicted and imprisoned, then released again after the
Armistice following a hunger strike. After the war, he split from the
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It was written by
Henderson to be performed to a traditional tune, an adaptation of "Bonny Glenshee", later adapted further as the tune for
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and London Road, bringing out both
Highlanders and Irishmen ("the red and the green, lad, we'll wear side by side").
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The first verse calls to the listener in different areas of
Scotland ("Hey, Mac, did ye see him, as ye cam' doon by
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movement, and sometimes described as the "Scottish Lenin". By the time of the First World War, he had moved towards
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http://research.culturalequity.org/rc-b2/get-audio-detailed-recording.do?recordingId=7164
371:"Morris Blythman: The man who was the driving force behind Scotland's folk music revival"
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http://research.culturalequity.org/get-audio-detailed-recording.do?recordingId=12375#
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http://research.culturalequity.org/get-audio-detailed-recording.do?recordingId=12375
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was a prominent socialist leader in early-20th century
Glasgow, a key figure in the
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As with much of
Henderson's writing, the song is written in a
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and tools are available to assist in formatting, such as
431:"The John MacLean March [Hamish Henderson]"
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287:(2000), which was transcribed from a recording.
113:in 1948. It eulogises the socialist organiser
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237:Henderson later performed it as part of the
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92:Learn how and when to remove this message
326:Hamish Henderson: The Making of the Poet
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305:. London : Pluto Press. p.
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285:Collected Poems and Songs
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187:'s his fiere, lad, an'
134:revolutionary socialism
360:Henderson (2000) p.162
323:Neat, Timothy (2012).
106:The John MacLean March
280:John MacLean's March
220:Sydney Goodsir Smith
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329:. Birlinn.
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82:August 2022
465:1948 songs
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277:Sometimes
265:References
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48:verifiable
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261:(2008).
253:(1972),
249:(1971),
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