524:, but with many intricate and interwoven layers of sounds building on each other. The music was divided into four thematic chapters, and the very sparse artwork of the album was meant to invoke the sense of an old book. This album also brought the relatively successful single "We Are Rock." In spite of a level of critical success, Ronnie was miserable during the album's long and tedious production. The companion EP to this album is
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335:, but this fourth album carried things to the extreme. Analog synths began to dominate the studio floor-space. Furthermore, Martin began perfecting a clock-like musical technique that had a strange assortment of blips and whirls constantly rotating in the background. The fourth album resulted in several things: a new band name (Joy Electric), his signing with a new label (
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Of all his albums, Martin consistently cites this as his least favorite. (On top of feeling burnt out from the amount of work he put into the album, he came to feel in retrospect that the albums' more experimental sound concealed a somewhat subpar group of songs, in terms of hooks and melodies). Some
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Putting all his eggs in one basket (or synthesizer in this case) left Martin particularly vulnerable to one perennial problem: his synthesizer's storage memory got wiped clean. It's uncertain how this happened, but halfway through the new album Martin found that all his work had been lost. Martin had
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Riding this building wave of popularity, Joy
Electric began commanding greater respect both abroad and at home. This attention at Tooth & Nail was especially critical, leading to a series of albums that were designed to, and indeed succeeded in, garnering some degree of commercial success. Music
707:
On March 20, 2012, Joy
Electric announced that the new album would be released independently. A Kickstarter campaign was launched to raise $ 6,000 to fund the project. The goal was reached within nine hours. Dwarf Mountain Alphabet had been previously announced in an interview with Ronnie Martin in
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was the first album to capitalize on this. The album moved away from the world of "bedroom production" and into professional studio hands. The vocals came across as polished and well-groomed. Having practiced on his analog synthesizers for years, Martin commanded better control of his synthesizers'
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By this time, Martin became increasingly fascinated with the idea of musical "purism". Finding inspiration in '70s electronic bands that were "purists" out of necessity (having nothing but simple analog synthesizers with which to assemble an entire collage of blurpy sounds), Martin delegated nearly
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was released. Concerning the title, Martin explained his frustration over
Christian music groups attempting to downplay their religion in hopes for greater commercial success. Having grown up a Christian, Martin had rarely allowed his faith to intrude heavily upon his music. He nevertheless
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was released on March 20, 2007 as the fifth and final volume in the Legacy series, noted as "Moog
Dynasty Years Volume 2". The album includes some of the most intricate vocal work on a Joy Electric album to date. Thematically, the album is split in two-halves. The first half is known as
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fairy-tale theme, he dropped the darker, gothic strains and produced a set of songs mixing pop and nostalgia. Joy
Electric, in some way or another, has always been an escapist band, leading the listener into a sort of musical land largely unfamiliar and isolated.
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find the album shows Martin's inexperience at this new "purist" model. However, other fans claim that this album contains some of Martin's most memorable and emblematic work, including "Burgundy Years," "Hansel (I Will Be Your Friend)," and "I Beam, You Beam".
566:. Like its predecessor, its place in the Legacy series was only shown by a small liner note. This album brought a significantly more rigid structure to the songs, with basslines sometimes not changing for the duration of an entire track. The companion EP,
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contained some of Joy
Electric's most overt references to Christianity, exhorting believers to remain strong ("Lift Up Your Hearts"), singing musical prayers of religious dedication ("Make My Life a Prayer", which was a cover of a song written by
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also demonstrated Martin's ability to move beyond bubbly-happy songs that critics condemned for being too shallow. The album showcased a wide range of feelings, spanning to familiar exuberant territory all the way into new, darker directions.
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his entire studio to the closet and vowed to build an album up, brick by brick, from the sounds of just one master synthesizer. Under this constraint he went to work—designing, programming, and storing all his sounds for the new album in a
305:, and far more exotic sounds than anything he had previously produced. It was evident that Martin was quickly moving beyond the level of pre-programmed keyboard sounds as he became more well-versed in the programming of his synthesizers.
488:), and proclaiming general obedience to God ("True Harmony"). But the album contained deep lyrical divides. The religious songs were overwhelmingly religious. The other half of the album was, more or less, the usual Joy Electric fare.
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to begin again from scratch. Taking this opportunity to reconsider his approach, he decided to move into an even more purist direction than before, determined to create a cohesive synthesizer concept album with a medieval,
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stands as the high-point of that escapism, and proved to be just what fans were looking for. Audiences began to grow, the EP sold in greater numbers, and favorable articles appeared in all sorts of music magazines.
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disapproved of statements like "we're
Christians but we're not a Christian band". In contrast, and to set the record straight for any fans, Martin's new album title left no doubt concerning the matter.
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Having experimented with live shows, formed countless after-school bands, and recorded an album that was never to be released under the moniker
Morella's Forest with Randy Lamb, Ronnie and his brother
578:, identified as a Legacy album only by the mark "lv4" (for Legacy Volume 4) in the liner notes, was also the first to be produced in the newly renovated Electric Joy Toy Company on Ronnie's new
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With the help of a few friends, Ronnie turned from the club-oriented music to a more melodic, orchestrated sound. A large range of instruments were used on his third album, containing timpanis,
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After buying an old Akai sampler and a few synthesizers, Ronnie began crafting his own spin-off of current electronic "club" music. Still working with his brother Jason, Ronnie's new band,
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maxi single. While still including covers on the EP, Martin this time brought some greater variety to the release. Two songs covered radically different influences: Punk rockers
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equipment. The new synthesizer brought a significant change in sound, though the album bears some resemblance to previous Legacy works. Namely, it is broken into chapters like
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sounds. To showcase these growing skills, the songs were generally more sparse. The entire album harked back, more than any other release, to his groundbreaking work in
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feel. Since the first half-completed album is no longer in existence, it is impossible to gauge just how radical a change this was from Martin's original effort.
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songs of dim castles, assemblies of knights riding out to battle, dedications to monarchy, and crumbling recollections of
Christendom. This
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and one new song. It was generally considered a disappointment by fans, containing only one new song along with reworkings of songs from
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s placement in the Legacy series was found only in a small and passing liner note in the CD insert. The companion EP to this album is
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videos were made and became more widely distributed. The music moved out of cult circles and picked up new fans in rapid numbers.
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858:(1999), track 3, "Sugar Rush"; track 4, "Girl from Rosewood Lane (Remix)"; track 5, "Electric Car"
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Continuing on the Moog tradition of the previous two albums, Joy
Electric's album
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on August 30, 2005, and on colored 12" vinyl by Republic of Texas Recordings and
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joined Joy Electric from 1996 until 2002. Joy Electric is currently a solo act.
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The White Songbook: Unmixed/ Unmastered songs from the full length album
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Martin quickly followed this album with yet another EP, this one titled
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During the process of writing his fourth album - originally intended as
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as well as two new songs. It was released on September 18, 2007.
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Following his pattern, Martin released an EP as well, titled
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Joy Electric 1994-2002 The Art and Craft of Popular Music.
844:(Tooth & Nail Records, 1996), track 3, "Transylvania"
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tradition of the past few albums by using nothing but a
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Fall 2011. The album was released on December 4, 2012.
1179:"Joy Electric - The Ministry Of Archers LP Pre-Order!"
852:(BEC Recordings, 1998), track 2, "Winter Wonderland"
838:(Tooth & Nail Records, 1995), track 1, "Sorcery"
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864:(Plastiq Musiq, 1999), track 12, "Come In, Brother"
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62:. Unsourced material may be challenged and removed.
1152:"The Ministry of Archers by Joy Electric (Review)"
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870:(Plastiq Musiq, 2001), track 18, "Parlor Inventor"
687:", an album composed of covers of artists such as
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307:Rainbow Rider: Beautiful Dazzling Music No. 1
8:
1343:"Various - Plastiq Musiq New Musiq Volume 2"
1317:"Various - Plastiq Musiq New Musiq Volume 1"
1068:Encyclopedia of Contemporary Christian Music
1026:Encyclopedia of Contemporary Christian Music
1011:Encyclopedia of Contemporary Christian Music
660:The following year, two EPs were released:
343:We Are the Music Makers and Old Wives Tales
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1099:Helms, William Ruben (November 15, 2005).
376:was unusual subject matter for a mid-'90s
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670:consisting of demos of three tracks from
503:2001 saw the release of Legacy Volume 1:
467:remix of a song from the upcoming album.
122:Learn how and when to remove this message
449:Eventually another EP materialized, the
243:, a band Ronnie was in with his brother
1127:"Joy Electric: The Ministry of Archers"
1101:"Joy Electric: The Ministry of Archers"
1009:Powell (2002). "Dance House Children".
1001:
178:(1994-Present) w/ various releases on
1702:Montgolfier and the Romantic Balloons
1125:Simpson, Ernest (September 1, 2005).
959:Montgolfier and the Romantic Balloons
593:Montgolfier and the Romantic Balloons
7:
60:adding citations to reliable sources
1074:: Hendrickson Publishers. pp.
639:, contains remixes of all songs on
509:. A year and a half in the making,
227:is the brand label for a series of
186:, Republic of Texas and Velvet Blue
1820:Musical groups established in 1994
1759:The Art and Craft of Popular Music
1265:"Art Core - Volume Two (1996, CD)"
1177:Graham, Travis (August 23, 2005).
874:The Art and Craft of Popular Music
25:
1825:1994 establishments in California
1800:American Christian musical groups
1465:Complete Joy Electric Discography
1239:"Various - Art Core - Volume One"
633:times. The album's companion EP,
533:The Legacy series continued with
313:Melody and Five Stars for Failure
279:, with a dance album to produce,
1810:Tooth & Nail Records artists
1024:Powell (2002). "Rainbow Rider".
683:In 2009, Joy Electric released "
600:was released on compact disc by
438:, a remix of "The Cobbler" from
36:
251:. Starflyer 59 bass player and
47:needs additional citations for
1461:- Joy Electric's Official Site
319:Beautiful Dazzling Music No. 2
1:
1815:Somewherecold Records artists
1436:(15). November–December 1997.
1215:. May 5, 2006. Archived from
1043:Martin, Ronnie. Liner Notes.
407:Robot Rock and Christiansongs
1183:Republic of Texas Recordings
1480:Joy Electric Bulletin Board
1475:Ronald of Orange Press Page
1425:(4). January–February 1996.
1209:"Joy Electric Test Presses"
1070:(First printing ed.).
1060:Powell, Mark Allan (2002).
621:, while the second half is
560:The third Legacy album was
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1614:My Grandfather, The Cubist
1376:. In Brennan Luann (ed.).
856:Moms Like Us Too, Volume 1
808:My Grandfather, The Cubist
672:My Grandfather, The Cubist
657:was released May 27, 2008.
654:My Grandfather, The Cubist
1805:American synth-pop groups
1522:
1372:Hemingway, Lloyd (1999).
965:Workmanship (CD reissue)
680:contains six new songs.
602:Tooth & Nail Records
337:Tooth & Nail Records
333:Beautiful Dazzling Music
263:Pre-Joy Electric history
1674:The Tick Tock Companion
1628:Dwarf Mountain Alphabet
1600:The Ministry of Archers
1551:We Are the Music Makers
1447:(23). March–April 1999.
937:The Tick Tock Companion
822:Dwarf Mountain Alphabet
792:The Ministry of Archers
729:We Are the Music Makers
703:Dwarf Mountain Alphabet
598:The Ministry of Archers
575:The Ministry of Archers
554:The Tick Tock Companion
549:The Tick Tock Treasury'
365:We Are the Music Makers
1681:The Magic of Christmas
1646:Five Stars for Failure
1586:The Tick Tock Treasury
1378:Contemporary Musicians
1072:Peabody, Massachusetts
888:Five Stars for Failure
776:The Magic of Christmas
768:The Tick Tock Treasury
588:The Tick Tock Treasury
536:The Tick Tock Treasury
463:. The last song was a
393:. While retaining the
606:Somewherecold Records
459:and seventies singer
271:found their way onto
1741:Children of the Lord
1723:Curiosities and Such
1189:on December 25, 2005
1158:. September 11, 2005
989:Curiosities and Such
913:Children of the Lord
677:Curiosities and Such
590:. The companion EP,
452:Children of the Lord
288:Dance House Children
275:'s fledgling label,
241:Dance House Children
56:improve this article
1688:Friend of Mannequin
1660:The Land of Misfits
1470:Trouser Press entry
1028:. pp. 741–742.
943:Friend of Mannequin
907:The Land of Misfits
868:New Musiq, Volume 2
862:New Musiq, Volume 1
623:The Memory of Alpha
568:Friend of Mannequin
431:The Land of Misfits
323:Fairy Tale Melodies
18:The Land of Misfits
1762:(2 – disc best of)
1579:The White Songbook
760:The White Songbook
584:The White Songbook
545:The White Songbook
541:The White Songbook
511:The White Songbook
506:The White Songbook
440:Old Wives Tales EP
1787:
1786:
1621:Favorites at Play
815:Favorites at Play
685:Favorites at Play
608:in October 2005.
513:continued in the
499:The Legacy Series
303:Moog synthesizers
281:Songs and Stories
253:Velvet Blue Music
222:
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16:(Redirected from
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1770:Seven-inch vinyl
1607:The Otherly Opus
1593:Hello, Mannequin
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1441:"Joy Electric".
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1430:"Joy Electric".
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1419:"Joy Electric".
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1382:Farmington Hills
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983:digital download
842:Art Core, Vol. 2
836:Art Core, Vol. 1
800:The Otherly Opus
784:Hello, Mannequin
668:digital download
641:The Otherly Opus
619:The Otherly Opus
613:The Otherly Opus
580:Moog synthesizer
563:Hello, Mannequin
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1374:"Joy Electric"
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1219:on May 5, 2006
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1063:"Joy Electric"
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1380:. Volume 26.
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112:December 2020
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45:This article
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1716:Early Cubism
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1516:Joy Electric
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1459:Joy Electric
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1351:. Retrieved
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1325:. Retrieved
1320:
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1299:. Retrieved
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1273:. Retrieved
1268:
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1247:. Retrieved
1242:
1233:
1221:. Retrieved
1217:the original
1213:Joy Electric
1212:
1203:
1191:. Retrieved
1187:the original
1182:
1172:
1160:. Retrieved
1155:
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1134:. Retrieved
1130:
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1108:. Retrieved
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979:Early Cubism
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663:Early Cubism
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647:Moog Dynasty
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631:antediluvian
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296:Starflyer 59
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277:Blonde Vinyl
266:
249:Starflyer 59
245:Jason Martin
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225:Joy Electric
224:
223:
216:Caleb Mannan
208:Past members
167:1994–present
163:Years active
138:Joy Electric
118:
109:
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54:Please help
49:verification
46:
29:
1778:Workmanship
1695:Workmanship
1392:. pp.
1347:Discogs.com
1323:. July 1999
1321:Discogs.com
1295:Discogs.com
1269:Discogs.com
1243:Discogs.com
991:(EP) (2009)
975:(EP) (2007)
967:(EP) (2007)
961:(EP) (2005)
949:Workmanship
945:(EP) (2004)
939:(EP) (2003)
933:(EP) (2002)
909:(EP) (1998)
903:(EP) (1996)
712:Discography
693:The Killers
515:synthesized
461:Keith Green
1794:Categories
1572:Unelectric
1558:Robot Rock
1390:Gale Group
1131:Treblezine
996:References
752:Unelectric
736:Robot Rock
699:and more.
522:System 100
444:Robot Rock
436:Robot Rock
417:Robot Rock
378:electronic
257:Jeff Cloud
229:electropop
213:Jeff Cloud
147:California
82:newspapers
1667:Starcadia
1412:1044-2197
1353:March 16,
1327:March 16,
1301:March 16,
1275:March 16,
1249:March 16,
1193:August 3,
930:Starcadia
697:Blink 182
625:, a mini
527:Starcadia
470:In 1999,
370:Arthurian
368:includes
1751:Box sets
1386:Michigan
985:) (2009)
955:) (2005)
919:) (1999)
895:) (1995)
689:Coldplay
674:, while
233:synthpop
156:Synthpop
1733:Singles
1076:460–461
380:album.
321:, then
195:Members
96:scholar
1544:Melody
1536:Albums
1410:
1400:
1297:. 1999
1271:. 1996
1245:. 1995
1082:
917:Single
876:(2002)
825:(2012)
817:(2009)
811:(2008)
803:(2007)
795:(2005)
787:(2004)
779:(2003)
771:(2003)
763:(2001)
755:(2000)
747:(1999)
739:(1997)
731:(1996)
725:(1994)
723:Melody
717:Albums
629:about
519:Roland
423:Melody
328:Melody
255:owner
172:Labels
152:Genres
144:Origin
98:
91:
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1444:7ball
1433:7ball
1422:7ball
1394:94–95
1047:2002.
981:(EP;
666:is a
292:Jesus
269:Jason
103:JSTOR
89:books
1408:ISSN
1398:ISBN
1355:2020
1329:2020
1303:2020
1277:2020
1251:2020
1225:2020
1195:2020
1164:2021
1156:Opus
1138:2021
1112:2021
1080:ISBN
457:MxPx
75:news
27:Band
247:of
58:by
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893:EP
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