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The Mermaid and the Boy

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and the princess shrieked, but when the guards ran in to protect her they found nothing, so they left. Once again the prince turned himself into a man and the princess screamed, the guards returned, found nothing and left, this time deciding she was crazy and they would ignore her future screams. So when the prince once more became a man, the guards did not respond to the princess's cries.
249:. During the wedding feast, the princess, recalling what the prince had told her, went to the shore and played her violin. The mermaid heard her song but the prince claimed not to hear it and asked the mermaid to raise him higher and higher in the sea so he could hear. On reaching the surface, the prince transformed himself into a bee and flew to the princess who carried him away. 281:
In tale type ATU 316, the hero's father promises his unborn son to a water spirit, and they try to cheat her out of the deal until the boy is old enough. However, later in the story, the water spirit finds the hero and captures him as part of her deal. Fortunately, the hero's wife manages to draw the
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The prince left for war with the king, and when the king discovered he had not brought his sword, he promised his entourage that whoever brought his sword back to him would have the hand of the princess and would inherit the throne. The young prince and other knights took off for the city to retrieve
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The princess brought the prince to the feast and challenged the Red Knight to turn himself into a lion, a bear, and a bee, at all three of which he failed. She then asked the prince to do so and he did all three. The princess told her father that it was the prince who retrieved the sword and showed
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The prince wooed the princess and she fell in love with him. She told him that in three days, her father would go to war and leave his sword behind. Whoever brought it to him would gain her hand. He agreed to do so, and told her if he did not return, she should play a violin on the seashore loudly
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The prince continued his adventure and arrived at a city where there lived a young princess who hated all men and would not permit one in her presence. When everyone had retired for the night, the prince turned himself into a bee and flew into the princess's room. He turned himself back into a man
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On his return to his kingdom, he found his first son had been born and he told the queen what he had promised. They raised their son and when the youth was 16, the king and queen decided to have him leave home so the mermaid would not be able to find him when she came to collect on the promise. The
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On his first night, the young prince met a hungry lion and shared his food with the beast; the lion repaid the kindness by giving him the tip of its ear and told him this gift would help him transform himself into a lion if he so wished. The prince turned himself into a lion the following day and
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When he reached the palace, the princess gave him the sword and broke her ring into two, giving him one ring and keeping the other to signify their betrothal. Leaving the palace he encountered the Red Knight who tried to take the sword from him by force but failed. Soon afterwards, however, the
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traveled that way until he tired of it and turned himself back into a man. That night, the same thing happened with a bear asking for food and repaying the kindness with the tip of his ear that would turn the prince into a bear if he so wished. The following day, after he shared his food with a
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In tale type ATU 665, the hero helps some animals in distress and gains some of their body parts (e.g., fur, scales) as tokens that allow his transformation. Later, the hero has to fetch the king's lost sword and, as reward, will be given the princess for wife. However, a
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prince stopped for a drink at a stream and the mermaid, realizing he was the prince who was promised to her, grabbed him and brought him with her to the bottom of the sea. The Red Knight found the sword and carried it off to the king to claim his prize.
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Band 10: Nibelungenlied – Prozeßmotive. Edited by Rudolf Wilhelm Brednich; Hermann Bausinger; Wolfgang Brückner; Helge Gerndt; Lutz Röhrich; Klaus Roth. De Gruyter, 2016 . pp. 44-45 (footnote nr. 8).
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first collected in the mid-19th century. It tells the story of a prince unknowingly promised to a mermaid before he was born, then obtains magical powers to transform into animals later in the story.
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appeared and promised to save him if he, in turn, would promise to give her his firstborn child. As the sea became more and more threatening, the king finally agreed.
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A king, having been married a year, set out to settle disputes among some distant subjects. His ship, caught in a storm, was about to founder on the rocks when a
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Hubrich-Messow, Gundula. "Ritter Rot, Bryde und Lunkentus: Von falschen Helden und heimlichen Helfern in skandinavischen Märchen". In: Bleckwenn, Helga (Hg.).
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The prince, in the shape of a lion, tries to attack the Red Knight, but is held back by the princess. Illustration by Henry Justice Ford (1904).
483: 319:, the sequence of the hero helping animals and gaining the ability to magically transform into them is part of both types ATU 665 and ATU 316. 517: 493: 453: 575:(Schriftenreihe Ringvorlesungen der Märchen-Stiftung Walther Kahn 11). Baltmannsweiler: Schneider Verlag Hohengehren, 2011. IX. pp. 131-154. 593: 353: 552: 485:
The Types of International Folktales: A Classification and Bibliography, Based on the System of Antti Aarne and Stith Thompson
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The Types of International Folktales: A Classification and Bibliography, Based on the System of Antti Aarne and Stith Thompson
299: 374: 588: 266: 28: 533:. Folklore Fellows Communications FFC no. 184. Helsinki: Academia Scientiarum Fennica, 1961. p. 111 (section II). 278:
as tale types ATU 316, "The Nix of the Mill-Pond", and ATU 665, "The Man Who Flew like a Bird and Swam like a Fish".
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he was given a hair from its wing that would transform the prince into a bee so he could fly all day without tiring.
343: 275: 117: 472:. Folklore Fellows Communications FFC no. 184. Helsinki: Academia Scientiarum Fennica, 1961. pp. 232-233. 178: 333: 304: 238:
the sword, The prince got ahead by frightening off the other knights by transforming himself into a lion.
434:. Folklore Fellows Communications FFC no. 184. Helsinki: Academia Scientiarum Fennica, 1961. p. 111. 389: 183: 603: 598: 290:
takes the credit for the deed, and is eventually unmasked when the princess asks him to prove he can
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him their matching rings. The king hanged the Red Knight, and the prince and princess were married.
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Soon the war was over, and the king returned to his kingdom and told the princess she must marry the
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The mermaid approaches the king with an offer: his unborn son for calming the storm. Artwork by
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Lappiske Sprogprover: En Samling af lappiske Eventyr, Ordsprog og Gaader. Med Ordbog
417: 189: 97: 287: 246: 135: 488:. Suomalainen Tiedeakatemia, Academia Scientiarum Fennica. pp. 363–364. 223: 448:. Suomalainen Tiedeakatemia, Academia Scientiarum Fennica. p. 203. 211: 265: 393:. Christiania: Forlagt af Alb. Cammermeyer. 1871. pp. 131-138. 158:, in a compilation of Sami tales. It was later translated to 531:
The types of the folktale: a classification and bibliography
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The types of the folktale: a classification and bibliography
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The types of the folktale: a classification and bibliography
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Lappländische Märchen, Volkssagen, Räthsel und Sprichwörter
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water spirit out of the water with music and rescues him.
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Märchenfiguren in der Literatur des Nordund Ostseeraumes
406:. Wien: Verlag von Carl Gerolds Sohn, 1886. pp. 211-218. 421:. London; New York: Longmans, Green, 1904. pp. 165-182. 307:
listed the tale as a Sami variant of both tale types.
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Köhler-Zülch, Ines. "Nixe im Teich (AaTh 316)" . In:
218:king and queen sent the prince out into the world. 103: 93: 82: 55: 47: 42: 21: 547:. University of California Press. pp. 57–58. 146:The tale was originally collected by philologist 8: 274:The tale is classified in the international 27: 192:included an English-language version in 365: 234:enough to reach the bottom of the sea. 172:Der Knabe, die Meerfrau und Ritter Roth 74:Der Knabe, die Meerfrau und Ritter Roth 18: 7: 378:. J. W. Cappelen, 1856. pp. 95-99. 14: 529:Aarne, Antti; Thompson, Stith. 468:Aarne, Antti; Thompson, Stith. 430:Aarne, Antti; Thompson, Stith. 164:Gutten, Havfruen og Ridder Rød 68:Gutten, Havfruen og Ridder Rød 1: 390:Lappiske eventyr og folkesagn 156:Bardne, Havfruva ja Riddaræva 62:Bardne, Havfruva ja Riddaræva 594:Fiction about shapeshifting 620: 344:The Nixie of the Mill-Pond 276:Aarne-Thompson-Uther Index 118:The Nixie of the Mill-Pond 16:Sámi fairy tale collection 510:Enzyklopädie des Märchens 482:Uther, Hans-Jörg (2004). 444:Uther, Hans-Jörg (2004). 300:Enzyklopädie des Märchens 26: 543:Thompson, Stith (1977). 315:According to folklorist 334:The Battle of the Birds 303:, narrative researcher 200:The Mermaid and the Boy 179:Josef Calasanz Poestion 129:The Mermaid and the Boy 51:The Mermaid and the Boy 22:The Mermaid and the Boy 271: 387:Friis, Jens Andreas. 269: 418:The Brown Fairy Book 195:The Brown Fairy Book 339:The Grateful Prince 166:by Friis; and into 329:Nix Nought Nothing 272: 148:Jens Andreas Friis 35:Henry Justice Ford 518:978-3-11-016841-9 495:978-951-41-0963-8 455:978-951-41-0963-8 402:Poestion, J. C.: 305:Ines Köhler-ZĂĽlch 297:In an article in 150:in 1856 with the 126: 125: 89:ATU 316 + ATU 665 611: 589:Sámi fairy tales 559: 558: 540: 534: 527: 521: 506: 500: 499: 479: 473: 466: 460: 459: 441: 435: 428: 422: 413: 407: 400: 394: 385: 379: 370: 188:. Later, author 187: 31: 19: 619: 618: 614: 613: 612: 610: 609: 608: 579: 578: 568: 566:Further reading 563: 562: 555: 542: 541: 537: 528: 524: 507: 503: 496: 481: 480: 476: 467: 463: 456: 443: 442: 438: 429: 425: 414: 410: 401: 397: 386: 382: 372:Friis, Jens A. 371: 367: 362: 325: 313: 294:into animals. 264: 259: 208: 181: 144: 38: 17: 12: 11: 5: 617: 615: 607: 606: 601: 596: 591: 581: 580: 577: 576: 567: 564: 561: 560: 553: 535: 522: 501: 494: 474: 461: 454: 436: 423: 408: 395: 380: 364: 363: 361: 358: 357: 356: 354:The White Dove 351: 349:The Sea-Maiden 346: 341: 336: 331: 324: 321: 317:Stith Thompson 312: 309: 263: 260: 258: 255: 207: 204: 198:with the name 143: 140: 124: 123: 122: 121: 114: 111:The Sea-Maiden 105: 101: 100: 95: 91: 90: 87: 84:Aarne–Thompson 80: 79: 78: 77: 71: 65: 57: 53: 52: 49: 45: 44: 40: 39: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 616: 605: 602: 600: 597: 595: 592: 590: 587: 586: 584: 574: 570: 569: 565: 556: 554:0-520-03537-2 550: 546: 539: 536: 532: 526: 523: 519: 515: 511: 505: 502: 497: 491: 487: 486: 478: 475: 471: 465: 462: 457: 451: 447: 440: 437: 433: 427: 424: 420: 419: 415:Lang, Andrew 412: 409: 405: 399: 396: 392: 391: 384: 381: 377: 376: 369: 366: 359: 355: 352: 350: 347: 345: 342: 340: 337: 335: 332: 330: 327: 326: 322: 320: 318: 310: 308: 306: 302: 301: 295: 293: 289: 283: 279: 277: 268: 261: 256: 254: 250: 248: 243: 239: 235: 231: 227: 225: 219: 215: 213: 205: 203: 201: 197: 196: 191: 185: 180: 177: 173: 169: 165: 161: 157: 153: 149: 141: 139: 137: 134: 130: 120: 119: 115: 113: 112: 108: 107: 106: 102: 99: 96: 92: 88: 85: 81: 75: 72: 69: 66: 63: 60: 59: 58: 56:Also known as 54: 50: 46: 41: 36: 30: 25: 20: 572: 545:The Folktale 544: 538: 530: 525: 509: 504: 484: 477: 469: 464: 445: 439: 431: 426: 416: 411: 403: 398: 388: 383: 373: 368: 314: 298: 296: 284: 280: 273: 251: 244: 240: 236: 232: 228: 220: 216: 209: 199: 193: 176:Scandinavist 171: 163: 155: 145: 128: 127: 116: 109: 73: 67: 61: 604:ATU 650-699 599:ATU 300-399 202:, in 1904. 190:Andrew Lang 182: [ 98:Sami people 70:(Norwegian) 583:Categories 360:References 292:shapeshift 288:false hero 247:Red Knight 136:fairy tale 262:Tale type 224:bumblebee 160:Norwegian 43:Folk tale 323:See also 257:Analysis 206:Synopsis 86:grouping 76:(German) 212:mermaid 142:Sources 104:Related 37:(1904). 551:  516:  492:  452:  311:Motifs 168:German 154:title 94:Region 64:(Sami) 186:] 131:is a 549:ISBN 514:ISBN 490:ISBN 450:ISBN 152:Sami 133:Sámi 48:Name 174:by 170:as 162:as 585:: 184:de 557:. 520:. 498:. 458:.

Index


Henry Justice Ford
Aarne–Thompson
Sami people
The Sea-Maiden
The Nixie of the Mill-Pond
Sámi
fairy tale
Jens Andreas Friis
Sami
Norwegian
German
Scandinavist
Josef Calasanz Poestion
de
Andrew Lang
The Brown Fairy Book
mermaid
bumblebee
Red Knight

Aarne-Thompson-Uther Index
false hero
shapeshift
Enzyklopädie des Märchens
Ines Köhler-Zülch
Stith Thompson
Nix Nought Nothing
The Battle of the Birds
The Grateful Prince

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