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seek out Danilo and convince him to return to Hanna, closely followed by their husbands, seeking to achieve the same purpose. The
Grisettes, Parisian cabaret girls, make a grand entrance, led by the voluptuous ZoZo. Zeta finds the brokenhearted Danilo, and as they argue, Hanna enters. Hanna, Danilo and Zeta separately bribe the Maitre'd to clear the room so Hanna and Danilo can be alone. Danilo sets aside his pride and asks Hanna to give up Camille for the sake of the country. Much to Danilo's delight, Hanna tells him that she was never engaged to Camille, but that she was protecting the reputation of a married woman. Danilo is ready to declare his love for Hanna, and is on the point of doing so when he remembers her money, and stops himself. When Njegus produces the fan, which he had picked up earlier, Baron Zeta suddenly realizes that the fan belongs to Valencienne. Baron Zeta swears to divorce his wife and marry the widow himself, but Hanna tells him that she loses her fortune if she remarries. Hearing this, Danilo confesses his love for her and asks Hanna to marry him, and Hanna triumphantly points out that she will lose her fortune only because it will become the property of her husband. Valencienne produces the fan and assures Baron Zeta of her fidelity by reading out what she had replied to Camille's declaration: "I'm a highly respectable wife".
627:"). When Danilo arrives, having found the real Maxim's empty, he tells Hanna to give up Camille for the sake of Pontevedro. Much to Danilo's delight, Hanna replies truthfully that she was never engaged to Camille but was protecting the reputation of a married woman. Danilo comes very close to declaring his love for Hanna, but stops himself from doing so when he remembers her money and his proud refusal to court her for it. Njegus produces the fan, which he picked up earlier, and Baron Zeta finally remembers that it belongs to Valencienne. He swears to divorce his wife and marry the widow himself, but Hanna stops him by declaring that she will lose her fortune if she remarries. At this, Danilo promptly confesses his love for her and asks Hanna to marry him. Hanna triumphantly accepts, adding that she will lose her fortune only because it will become the property of her new husband. Valencienne assures Baron Zeta of her fidelity by pointing out her reply to Camille's declaration of love written on the fan: "
599:. Valencienne agrees, writing "I'm a respectable wife" on it as a rejoinder to Camille's "I love you." Camille persuades Valencienne to join him in the pavilion so that they can say their goodbyes in private. This is of course the same pavilion where Danilo, the Baron, and Njegus have agreed to meet, and the latter, arriving first, locks the door when he spots people inside. Baron Zeta and Danilo follow, but Njegus quickly arranges with Hanna to change places with Valencienne. Camille emerges from the pavilion with Hanna, who announces that they plan to marry, leaving the Baron distraught at the thought of Pontevedro losing Hanna's millions and Valencienne distraught at losing Camille. Danilo is furious, and tells the story of a Princess who cheated on her Prince ("
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circulates the ballroom, rounding up ladies to claim dances and thin the crowd around the wealthy widow. Hanna, however, chooses the one man who is not apparently interested in dancing with her: Danilo, who immediately announces that he will sell his dance with Hanna
Glawari for ten thousand francs, with the proceeds to benefit charity. This extinguishes the remaining suitors' interest in the dance. After they have left, Danilo attempts to dance with Hanna, who refuses in annoyance. Nonchalantly he proceeds to waltz by himself, eventually wearing down Hanna's resistance, and she falls into his arms.
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into Maxim's itself, rather than the original theme-party setting, to take further advantage of the fame of the nightclub. Graves ad-libbed extensive "business" in the role of the Baron. Edwardes engaged Lehár to write two new songs, one of which, "Quite
Parisien" (a third act solo for Nisch) is still used in some productions. Lehár also made changes for a Berlin production in the 1920s, but the definitive version of the score is basically that of the original production.
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581:" ("There lived a Vilja, a maid of the woods"). Meanwhile, Baron Zeta fears that Camille will spoil his plan for Hanna to marry a Pontevedrin. Still not recognising the fan as Valencienne's, the Baron orders Danilo to discover the identity of its owner, whom he correctly assumes to be Camille's married lover. The two men, along with Njegus, arrange to meet that evening in Hanna's garden
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1005:. Although Parisians were worried about how their city would be portrayed in the operetta, the Paris production was well received and ran for 186 performances. In this translation, Hanna is an American raised in "Marsovie" named "Missia". Danilo was a prince with gambling debts. The third act was set in Maxim's. The following year, the operetta played in
219:(1902). Both stars were so enthusiastic about the piece that they supplemented the theatre's low-budget production by paying for their own lavish costumes. During the rehearsal period, the theatre lost faith in the score and asked Lehár to withdraw it, but he refused. The piece was given little rehearsal time on stage before its premiere.
164:, who was eager to produce the piece. The two adapted the play as a libretto and updated the setting to contemporary Paris, expanding the plot to reference an earlier relationship between the widow (this time a countrywoman) and the Count, and moving the native land from a dour German province to a colourful little
533:. Hanna Glawari, who has inherited twenty million francs from her late husband, is to be a guest at the ball – and the Pontevedrin ambassador, Baron Zeta, is scheming to ensure that she will keep her fortune in the country, saving Pontevedro from bankruptcy. The Baron intends that Count Danilo Danilovitsch, the
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lower than the original. Danilo and Hanna's hummed waltz theme becomes a chorus number, and the ending of the "Rosebud
Romance" is sung mostly in unison rather than as a conversation. In the Hassall version, the action of act 3 takes place at Maxim's. Valencienne and the other Embassy wives arrive to
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in a faithful
Hungarian translation. The piece became an international sensation, and translations were quickly made into various languages: in 1907, Buenos Aires theatres were playing at least five productions, each in a different language. Productions also swiftly followed in Stockholm, Copenhagen,
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to discuss Danilo's findings, as well as the problem of securing the widow's fortune for
Pontevedro. Seeing the fan, Hanna takes the message on it to be Danilo's declaration of love for her, which he denies. His inquiries regarding the fan prove fruitless, but do reveal infidelities committed by some
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Meanwhile, Baron Zeta's wife
Valencienne has been flirting with the French attaché to the embassy, Count Camille de Rosillon, who writes "I love you" on her fan. Valencienne puts off Camille's advances, saying that she is a respectable wife. However, they lose the incriminating fan, which is found by
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was first performed at the
Theater an der Wien in Vienna on 30 December 1905, with Günther as Hanna, Treumann as Danilo, Siegmund Natzler as Baron Zeta and Annie Wünsch as Valencienne. After a couple of shaky weeks at the box-office, it became a major success, receiving good reviews and running for
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The operetta has been recorded both live and in the studio many times, and several video recordings have been made. In 1906, the original Hanna and Danilo, Mizzi Günther and Louis
Treumann, recorded their arias and duets, and also some numbers written for Camille and Valencienne; CD transfers were
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was the principal founding state. Hood changed the name of the principality to
Marsovia, Danilo is promoted to the title of Prince, Hannah is Sonia, the Baron is Popoff, Njegus is Nisch, Camille's surname is de Jolidon and Valencienne is Natalie, among other changes. The final scene was relocated
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Danilo arrives and meets Hanna. It emerges they were in love before her marriage, but his uncle had interrupted their romance because Hanna had had nothing to her name. Though they still love each other, Danilo now refuses to court Hanna for her fortune, and Hanna vows that she will not marry him
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As the "Ladies' Choice" dance is about to begin, Hanna becomes swarmed with hopeful suitors. Valencienne volunteers Camille to dance with Hanna, privately hoping that the Frenchman will marry her and cease to be a temptation for Valencienne herself. True to his bargain with the Baron, Danilo
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was performed about half a million times in its first sixty years. Global sheet music sales and recordings totalled tens of millions of dollars. Its popularity influenced fashions and inspired merchandising and product tie-ins, from corsets to chocolates. According to theatre writer
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embassy counsellor Kromow. Kromow jealously fears that the fan belongs to his own wife, Olga, and gives it to Baron Zeta. Not recognising it, Baron Zeta decides to return the fan discreetly, in spite of Valencienne's desperate offers to take it "to Olga" herself.
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In addition to her own numbers, Günther took over Valencienne's " Ich bin eine anständ'ge Frau" as a solo, and she and Treumann recorded Camille and Valencienne's duet, "Das ist der Zauber der stillen Häuslichkeit". See: O'Connor, Patrick. "A Viennese Whirl",
93:
The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the
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On his way to find Olga, the Baron meets Danilo, and his diplomatic mission takes precedence over the fan. The Baron orders Danilo to marry Hanna. Danilo refuses, but offers to eliminate any non-Pontevedrin suitors as a compromise.
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The next evening, everyone is dressed in Pontevedrin clothing for a garden party at Hanna's house, now celebrating the Grand Duke's birthday in his own country's fashion. Hanna entertains by singing an old Pontevedrin song:
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conducting the "Grammophon Streich-Orchester"; it includes a considerable amount of the operetta's dialogue. After that, excerpts appeared periodically on disc, but no new full recording was issued until 1950, when
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That evening, Camille and Valencienne meet in the garden, where Valencienne insists that they must part. Discovering the fan, accidentally left behind by Danilo, Camille begs Valencienne to let him have it as a
605:)" before storming off to seek distraction at Maxim's. Hanna realises that Danilo's anger over her engagement to another man proves that he loves her, and she rejoices amid the general despair.
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The operetta originally had no overture; Lehár wrote one for the 400th performance, but it is rarely used in productions of the operetta, as the original short introduction is preferred. The
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is frequently revived in Vienna and is part of the Vienna Volksopera's repertory. The Volksopera released a complete live performance on CD, interpolating the "Can-Can" from Offenbach's
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1979:
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regrets the casting of a baritone as Danilo in both sets and prefers the 1958 Decca version. Among the filmed productions on DVD, the Penguin Guide recommends the one from the
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made in 2005. The first recording of a substantially complete version of the score was made of the Berlin 1907 production, with Ottmann and Matzner in their lead roles and
76:, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play,
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for another very successful run of 416 performances, and was reproduced by multiple touring companies across the US, all using the Hood/Ross libretto. It was produced by
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as Danilo. The operetta first played in Australia in 1908 using the Hood/Ross libretto. Since then, it has been staged frequently in English. It was revived in London's
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the previous year. Although Léon doubted that Lehár could invoke an authentic Parisian atmosphere, he was soon enchanted by Lehar's first number for the piece, a bubbly
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660:(Gustav Matzner as Danilo and Marie Ottmann as Hanna starred and, with the Berlin cast in 1907, made the work's first complete recording, including dialogue, for
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in 1923, running for 239 performances, and in 1924 and 1932. A 1943 revival ran for 302 performances. Most of these productions featured Graves as Popoff.
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of the embassy, should marry the widow; unfortunately for this plan, Danilo is not at the party, so Zeta sends Danilo's assistant Njegus to fetch him from
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state. In addition, the widow admits to an affair to protect the Baron's wife, and the Count's haven is changed to the Parisian restaurant and nightclub
1139:, has been reissued on CD in EMI's "Great Recordings of the Century" series. Among later complete or substantially complete sets are those conducted by
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starred in a brief 1969 revival. Revivals were mounted in major New York theatres in 1921, 1929, 1931 and 1943–1944. The last of these starred
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Glocken Verlag Ltd, London, published two different English translation editions in 1958. One English-language libretto is by
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2005:
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Act 3 is set at a theme party in Hanna's ballroom, which she has decorated to look like Maxim's, complete with Maxim's
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for the leading roles. They had starred as the romantic couple in other operettas in Vienna, including a production of
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came across the play and thought it would make a good operetta. He suggested this to one of his writing collaborators,
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to keep her money at home, thus preventing economic disaster in the duchy. The play was soon adapted into German as
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1131:. A second recording with Schwarzkopf as Hanna was issued by Columbia in 1963; the other main roles were sung by
1021:, which was copied in many other productions worldwide. Best known as Danilo in the German version was the actor
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Milan, Moscow and Madrid, among other places. It was eventually produced in every city with a theatre industry.
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750:. The production ran for an extraordinary 778 performances in London and toured extensively in Great Britain.
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Kantor, Michael and Laurence Maslow. "Broadway: The American Musical", New York: Bulfinch Press (2004), p. 43
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mounted several productions from the 1950s through the 1990s, including a lavish 1977 production starring
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to compose the music, as he had a previous hit at the Theater an der Wien with a Parisian-themed piece,
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as Valencienne. It was sung in German, with abridged spoken dialogue. Loose sang Valencienne again for
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in capital cities around Australia during 1998 and 1999. A prologue was added featuring a narrative by
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1980:"Ernst Lubitsch and Nancy Meyers: A Study on Movie Love in the Classic and Post-Modernist Traditions"
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182:(1898). He composed a draft of the score, but it was unsatisfactory, and he gladly left the project.
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It omits "Das ist der Zauber der Stillen Häuslichkeit": see O'Connor, Patrick. "A Viennese Whirl",
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as Camille and English as Baron Zeta. In some performances, during the production's Brisbane run,
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Part of "The Merry Widow Waltz" is played by a music box and sung by the character Winnie in
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repertory company in New York City, commissioned Alice Hammerstein Mathias, the daughter of
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and a ballet introducing the earlier romance of Anna and Danilo. The production opened in
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1837:. Centre for the History and Analysis of Recorded Music, July 2009, accessed 11 May 2011
152:(1862) and was given several successful productions. In early 1905, Viennese librettist
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dancers). Valencienne, who has dressed herself as a grisette, entertains the guests ("
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adapted the operetta's music and composed additional music, for a three-act ballet.
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Various films have been made that are based loosely on the plot of the operetta
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The first production in Paris was at the Théâtre Apollo on 28 April 1909 as
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1936:
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2000:. The Complete Dramatic Works. London: Faber and Faber. pp. 135–168.
1956:
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The Ackermann recording received the highest available rating in the 1956
867:, based on the edition by Ludwig Doblinger, Vienna. The Park version is a
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performed the overture at Lehár's 70th birthday concert in April 1940.
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The embassy in Paris of the poverty-stricken Balkan principality of
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The adaptation renamed many of the characters, to avoid offense to
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until he says "I love you" – something he claims he will never do.
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First Secretary of the Pontevedrin embassy and Hanna's former lover
1935:, TabletMag.com, 30 December 2014, accessed 11 November 2016; and
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with Max Monti's company before Monti moved the production to the
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is holding a ball to celebrate the birthday of the sovereign, the
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483 performances. The production also toured in Austria in 1906.
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27:
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had mounted the opera 18 times by 2003. The first performance by
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might compose the piece. Lehár had worked with Léon and Stein on
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and the later EMI set under Matačić is highly rated by the 2008
1025:, who played the part thousands of times for over thirty years.
2345:
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1633:. Rodgers & Hammerstein Organization, accessed May 10, 2011
1380:"The Merry Widow Waltz" is a recurring theme in the 1943 films
780:
The first American production opened on 21 October 1907 at the
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978:
107:" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz".
19:
This article is about the Lehár operetta. For other uses, see
1709:, Royal Opera House Collections Online, accessed 27 May 2012.
1582:
Original theatre programme from Daly's Theatre, available at
1494:
of Naxos reissue of 1953 Ackermann recording of the operetta.
1918:, New York: Oxford University Press (1994), pp. 193 and 201
950:
as Zeta, Gallaher as Camille and Donaldson as Valencienne.
1821:
1740:. operadis-opera-discography.org.uk, accessed 10 May 2011
1946:. London Shostakovich Orchestra, accessed 4 January 2011
1472:
and the Creation of the Silver Age of Viennese Operetta"
203:
was finished in a matter of months. The theatre engaged
1028:
The operetta has also been translated into Italian (as
2137:. Garden City, New York: Doubleday & Company, 1983
199:
melody for "Dummer, dummer Reitersmann". The score of
2622:
367:
French attaché to the embassy, the Baroness's admirer
140:), in which the Parisian ambassador of a poor German
1957:"Between Heads: Thoughts on the Merry Widow Tune in
1373:'s favourite operetta) in the first movement of his
953:
Numerous opera companies have mounted the operetta.
2587:
2562:
2527:
2388:
2312:
2261:
1590:, Miss Lily Elsie website, accessed 24 January 2016
1075:label released a near-complete version produced by
2051:Gold and Silver: The Life and Times of Franz Lehár
1135:, Gedda and Hanny Steffek. This set, conducted by
675:Gold and Silver: The Life and Times of Franz Lehar
508:Parisians and Pontevedrins, musicians and servants
1672:, Musicals101.com, 2004, accessed 24 January 2016
1454:. Musicals101.com, 2004, accessed 24 January 2016
1249:, was first performed on 13 November 1975 at the
1555:
1553:
1551:
1549:
1547:
1545:
1543:
1541:
633:" ("I'm a respectable wife"). All ends happily.
1657:
1655:
1481:, Academia.edu, 2014, accessed January 24, 2016
1439:
1437:
1435:
1219:With the permission of the Franz Lehár Estate,
2060:Penguin Guide to Recorded Classical Music 2008
1760:. Musicals101.com, 2006, accessed 28 July 2011
1570:, Musicals101.com, 2004, accessed 28 July 2011
985:in 2002, among numerous other broadcasts. The
2357:
2232:
1175:The Penguin Guide to Recorded Classical Music
8:
2127:(3 volumes). New York: Schirmer Books, 2001.
1529:: It was the first show to sell merchandise"
1360:
710:in London, opening on 8 June 1907, starring
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77:
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2350:
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2111:. New York: Oxford University Press, 1981.
776:in the original Broadway production (1907)
2162:International Music Score Library Project
1847:
1845:
1843:
742:was a replacement as the Maxim's dancer
261:
185:The theatre's staff next suggested that
114:
2629:
1792:O'Connor, Patrick. "A Viennese Whirl",
1788:
1786:
1784:
1782:
1431:
215:and a previous Léon and Lehár success,
1822:Sackville-West & Shawe-Taylor 1956
1725:, Teatro Comunale Giuseppe Verdi, 2014
1190:, recorded live in 2001, conducted by
812:starred in the 1944 production, while
1863:
1851:
1817:
1815:
844:. It ran for 322 performances at the
645:'s Neues Operetten-Theater, Berlin's
641:The operetta was produced in 1906 in
47:
7:
1503:
1056:released a set sung in English with
997:French, German, and Italian versions
859:, which was adapted and arranged by
848:and returned the next season at the
2178:. L'Almanacco di Gherardo Casaglia
2125:The Encyclopedia of Musical Theatre
1257:. The ballet has been performed by
586:of the wives of embassy personnel.
1986:, March 2012, accessed 3 July 2014
1905:, ABT.org, accessed 22 August 2019
14:
1969:, May 2000, accessed May 23, 2014
1670:101 – History of a Hit: Part III"
1301:1934, US, black-and-white version
1123:in the other main roles, and the
820:led the 1958 cast and recording.
264:Roles, voice types, premiere cast
130:premiered a comic play in Paris,
2632:
2207:Clip from the Metropolitan Opera
1568:101 – History of a Hit: Part II"
21:The Merry Widow (disambiguation)
1916:Lorenz Hart: A Poet on Broadway
1261:, among other major companies.
1107:recording, produced in 1958 by
2135:Operetta: A Theatrical History
1647:Article on the history of LOOM
981:broadcast a production by the
624:Ja, wir sind es, die Grisetten
395:Pontevedrin embassy counsellor
1:
1603:, at the Stage Beauty website
1315:; new lyrics were written by
1274:Hungarian 1918 silent version
852:for another 32 performances.
694:In its English adaptation by
2382:List of operas and operettas
1835:"Decca Classical, 1929–2009"
1223:adapted the operetta's plot
890:, a year-round professional
792:. The New York cast starred
630:Ich bin eine anständige Frau
365:Camille, Count de Rosillon,
2186:Photos from productions of
1631:"Alice Hammerstein Mathias"
1535:, accessed 15 December 2021
1042:The Merry Widow discography
730:as Nisch, with costumes by
306:Count Danilo Danilovitsch,
49:[diːˈlʊstɪɡəˈvɪtvə]
2696:
2166:Casaglia, Gherardo (2005).
1621:, accessed 24 January 2016
1619:Internet Broadway Database
1365:" was ironically cited by
1039:
965:with a new translation by
602:Es waren zwei Königskinder
160:and to the manager of the
18:
2660:German-language operettas
2379:
2062:. London: Penguin Books.
2058:March, Ivan, ed. (2007).
1796:, October 2005, pp. 48–52
1601:"Gabrielle Ray biography"
1361:
1241:ballet, choreographed by
1018:Orpheus in the Underworld
629:
623:
601:
573:
506:
150:Der Gesandschafts-Attaché
100:
2053:. New York: David McKay.
1996:Beckett, Samuel (1990).
1937:"Saturday 18th May 2002"
1283:1925, US, silent version
888:Light Opera of Manhattan
2596:Yours Is My Heart Alone
2445:The Count of Luxembourg
2273:(1918 silent Hungarian)
2193:New York Public Library
2151:(in German and English)
2031:. London: Kyle Cathie.
1886:12 October 2007 at the
1369:("The Merry Widow" was
1259:American Ballet Theatre
993:in London was in 1997.
930:appeared as Danilo. In
282:Conductor: Franz Lehár
242:Roles and original cast
16:Operetta by Franz Lehár
2552:The Count of Luxemburg
2544:The Count of Luxemburg
2429:Der Graf von Luxemburg
2078:Sackville-West, Edward
1879:The Merry Widow Ballet
1533:English National Opera
1452:101: History of a Hit"
902:staged productions of
883:
777:
706:became a sensation at
637:Subsequent productions
259:
254:on the frontpage of a
132:
123:
122:in act 3, London, 1907
78:
42:
33:
2670:Operas based on plays
2665:Operas by Franz Lehár
2198:IMDb search page for
2082:Shawe-Taylor, Desmond
1809:, October 2005, p. 50
1776:, October 2005, p. 49
1344:1962 Austrian version
1255:The Australian Ballet
1085:Elisabeth Schwarzkopf
1049:Bruno Seidler-Winkler
878:
782:New Amsterdam Theatre
768:
746:. It was produced by
435:Raoul de St Brioche,
381:the Embassy Secretary
249:
133:L'attaché d'ambassade
118:
79:L'attaché d'ambassade
31:
2536:Where the Lark Sings
2469:Where the Lark Sings
1875:Weinberger, Joseph.
1525:"An Introduction to
1466:Baranello, Micaela.
1362:Da geh' ich zu Maxim
942:appeared as Danilo,
900:Essgee Entertainment
896:Oscar Hammerstein II
850:New York City Center
840:and choreography by
2088:. London: Collins.
1866:, pp. 138–139.
1354:Cultural references
1221:Sir Robert Helpmann
1188:San Francisco Opera
1157:John Eliot Gardiner
1141:Herbert von Karajan
1125:Vienna Philharmonic
983:San Francisco Opera
973:production starred
955:New York City Opera
865:Christopher Hassall
790:Henry Wilson Savage
690:English adaptations
662:Deutsche Grammophon
658:Theater des Westens
578:, ein Waldmägdelein
495:Pritschitsch's wife
423:Bogdanovitch's wife
266:
250:Louis Treumann and
236:Vienna Philharmonic
223:Original production
162:Theater an der Wien
138:The Embassy Attaché
84:The Embassy Attaché
2600:The Land of Smiles
2509:Schön ist die Welt
2501:The Land of Smiles
1942:2013-09-28 at the
1933:Fling With Hitler"
1914:Nolan, Frederick.
1824:, pp. 401–402
1693:, 22 December 2003
1681:Kerner, Leighton.
1477:2016-03-21 at the
1313:Jeanette MacDonald
1287:Erich von Stroheim
1062:Robert Rounseville
987:Metropolitan Opera
886:In the 1970s, the
884:
863:. The other is by
778:
664:), and Budapest's
409:Pontevedrin consul
328:Baron Mirko Zeta,
262:
260:
124:
34:
2620:
2619:
2453:Die ideale Gattin
2339:
2338:
2176:30 December 1905"
2170:Die lustige Witwe
2157:Die lustige Witwe
2131:Traubner, Richard
2109:American Operetta
2107:Bordman, Gerald.
2069:978-0-14-103336-5
1959:Shadow of a Doubt
1955:Crogan, Patrick.
1931:The Merry Widow's
1927:Mostel, Raphael.
1877:"The Creation of
1758:101: Discography"
1736:Die lustige Witwe
1721:La Vedova Allegra
1649:, Musicals101.com
1470:Die lustige Witwe
1383:Shadow of a Doubt
1327:1952, US, version
1309:Maurice Chevalier
1149:Franz Welser-Möst
1147:as Hanna (1972);
1145:Elizabeth Harwood
1137:Lovro von Matačić
1030:La Vedova Allegra
1023:Johannes Heesters
928:Jason Barry-Smith
842:George Balanchine
698:, with lyrics by
677:, estimates that
513:
512:
449:Vicomte Cascada,
353:Baron Zeta's wife
256:piano–vocal score
228:Die Lustige Witwe
201:Die Lustige Witwe
174:Richard Heuberger
44:Die lustige Witwe
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1588:. June 8th 1907"
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1245:with designs by
1194:and directed by
1169:The Record Guide
1133:Eberhard Wächter
1054:Columbia Records
1003:La Veuve joyeuse
971:Australian Opera
846:Majestic Theatre
832:and her husband
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1095:as Camille and
1079:, conducted by
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975:Joan Sutherland
967:Sheldon Harnick
920:Helen Donaldson
904:The Merry Widow
836:, with sets by
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748:George Edwardes
726:as Camille and
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1390:and scored by
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1375:Symphony No. 7
1359:The theme of "
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1339:Fernando Lamas
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1298:
1293:as Danilo and
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1278:Michael Curtiz
1266:
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1251:Palais Theatre
1247:Desmond Heeley
1229:John Lanchbery
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1215:Ballet version
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1196:Lotfi Mansouri
1081:Otto Ackermann
1040:Main article:
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882:, London, 1907
810:Cyril Ritchard
736:Percy Anderson
722:as the Baron,
718:and featuring
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387:
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382:
378:
377:
374:Karl Meister
373:
370:
368:
364:
363:
360:Annie Wünsch
359:
356:
354:
351:Valencienne,
350:
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344:
339:
336:
333:
331:
327:
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323:
320:
318:
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311:
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300:Mizzi Günther
298:
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291:(title role)
290:
286:
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277:
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257:
253:
252:Mizzi Günther
248:
241:
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229:
222:
220:
218:
214:
213:Der Opernball
210:
206:
205:Mizzi Günther
202:
198:
194:
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188:
183:
181:
180:
179:Der Opernball
175:
172:. They asked
171:
167:
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147:
143:
139:
134:
129:
128:Henri Meilhac
121:
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97:
91:
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88:Henri Meilhac
85:
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55:
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30:
26:
22:
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2420:
2419:
2411:
2403:
2395:
2328:
2320:
2301:
2293:
2285:
2277:
2269:
2252:
2251:
2199:
2187:
2180:(in Italian)
2169:
2156:
2134:
2124:
2119:
2108:
2085:
2059:
2050:
2028:
1997:
1991:
1983:
1974:
1964:
1958:
1951:
1930:
1923:
1915:
1910:
1900:
1894:
1878:
1871:
1859:
1829:
1806:
1801:
1793:
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1765:
1755:
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1735:
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1608:
1595:
1585:
1565:
1526:
1520:
1511:
1499:
1486:
1469:
1449:
1412:
1395:
1381:
1367:Shostakovich
1291:John Gilbert
1268:
1236:
1218:
1200:Yvonne Kenny
1192:Erich Kunzel
1183:
1173:
1167:
1165:
1155:(1993); and
1129:Robert Stolz
1113:Hilde Gueden
1109:John Culshaw
1105:stereophonic
1077:Walter Legge
1066:
1045:
1029:
1027:
1016:
1012:
1011:
1002:
1000:
952:
946:as "Hanna",
944:Marina Prior
903:
885:
854:
822:Lizbeth Webb
818:Thomas Round
798:Donald Brian
779:
770:Donald Brian
752:
724:Robert Evett
716:Joseph Coyne
703:
693:
684:John Kenrick
678:
674:
671:Bernard Grün
640:
612:
593:
569:
555:
551:
547:
543:
524:
507:
494:
480:
464:
450:
436:
422:
416:Fritz Albin
408:
394:
388:Oskar Sachs
380:
366:
352:
329:
307:
288:
233:
227:
226:
216:
212:
200:
190:
184:
177:
149:
137:
125:
92:
83:
43:
37:
36:
35:
25:
2655:1905 operas
2611:Anton Lehár
2606:Lehár Villa
2373:Franz Lehár
2331:discography
2248:Franz Lehár
2200:Merry Widow
2115:Gänzl, Kurt
2029:Opera on CD
2025:Blyth, Alan
1756:Merry Widow
1335:Lana Turner
1331:Technicolor
1317:Lorenz Hart
1307:, starring
1243:Ronald Hynd
1210:Adaptations
1206:as Danilo.
1184:Opera on CD
1117:Per Grundén
1091:as Danilo,
948:Max Gillies
922:as "Anna",
918:as Danilo,
908:Jon English
892:light opera
834:Jan Kiepura
728:W. H. Berry
700:Adrian Ross
650: [
502:Lili Wista
493:Praskowia,
444:Carlo Böhm
341: [
187:Franz Lehár
158:Viktor Léon
142:grand duchy
70:Viktor Léon
66:librettists
62:Franz Lehár
32:Franz Lehár
2649:Categories
2437:Gipsy Love
2007:0571144861
1998:Happy Days
1864:Blyth 1992
1852:March 2007
1807:Gramophone
1794:Gramophone
1773:Gramophone
1738:recordings
1690:Opera News
1422:References
1414:Happy Days
1295:Mae Murray
1233:Alan Abbot
1204:Bo Skovhus
1180:Alan Blyth
1097:Emmy Loose
1089:Erich Kunz
1087:as Hanna,
1036:Recordings
963:Alan Titus
940:John O'May
880:Lily Elsie
869:whole-tone
838:Howard Bay
755:Montenegro
712:Lily Elsie
696:Basil Hood
531:Grand Duke
527:Pontevedro
421:Sylviane,
274:Voice type
120:Lily Elsie
111:Background
2613:(brother)
2397:Kukuschka
2389:Operettas
2094:500373060
1504:Grün 1970
1333:starring
1067:In 1953,
938:in 1999,
932:Melbourne
857:Phil Park
744:Frou-Frou
615:grisettes
485:baritone
455:baritone
413:baritone
399:baritone
334:baritone
315:or lyric
154:Leo Stein
126:In 1861,
74:Leo Stein
60:composer
41:(German:
2598:" (from
2517:Giuditta
2485:Paganini
2324:(ballet)
2148:Libretto
2084:(1956).
2049:(1970).
2027:(1992).
1940:Archived
1884:Archived
1475:Archived
1411:'s play
1321:Gus Kahn
1297:as Hanna
1227:, while
1225:scenario
1163:(1994).
1073:Columbia
1007:Brussels
936:Adelaide
912:Brisbane
802:West End
786:Broadway
597:keepsake
583:pavilion
516:Synopsis
427:soprano
393:Kromow,
379:Njegus,
357:soprano
317:baritone
98:Song", "
54:operetta
52:) is an
2563:Ballets
2413:Tatjana
2212:YouTube
2018:Sources
1707:(1997)"
1289:, with
1198:, with
1182:in his
1111:, with
1083:, with
914:, with
643:Hamburg
619:can-can
590:Scene 2
566:Scene 1
539:Maxim's
385:spoken
295:soprano
170:Maxim's
56:by the
2680:Operas
2625:Portal
2554:(1972)
2546:(1957)
2538:(1936)
2520:(1934)
2512:(1930)
2504:(1929)
2496:(1926)
2488:(1925)
2480:(1921)
2472:(1918)
2464:(1914)
2456:(1913)
2448:(1911)
2440:(1910)
2432:(1909)
2424:(1905)
2416:(1905)
2408:(1904)
2400:(1896)
2297:(1952)
2289:(1934)
2256:(1905)
2174:
2092:
2066:
2035:
2004:
1492:review
1371:Hitler
1178:, but
977:, and
732:Lucile
463:Olga,
441:tenor
371:tenor
258:, 1906
166:Balkan
64:. The
2639:Opera
2588:Other
2528:Films
2313:Other
2262:Films
1427:Notes
1303:, by
1159:with
1151:with
1143:with
1101:Decca
969:. An
654:]
609:Act 3
576:Vilja
561:Act 2
521:Act 1
345:]
313:tenor
270:Role
197:galop
146:Count
103:Maxim
96:Vilja
86:) by
2090:OCLC
2064:ISBN
2033:ISBN
2002:ISBN
1337:and
1319:and
1311:and
1231:and
1119:and
1060:and
961:and
824:and
816:and
808:and
772:and
759:Zeta
734:and
714:and
207:and
72:and
2250:'s
2210:on
2123:in
1400:by
1346:by
1329:in
1285:by
1276:by
1071:'s
1069:EMI
1032:).
979:PBS
784:on
2651::
2191:,
2133:.
2117:.
2080:;
1982:,
1963:,
1842:^
1814:^
1781:^
1752:.
1687:,
1664:.
1654:^
1645:.
1617:,
1575:^
1562:.
1540:^
1531:,
1459:^
1446:.
1434:^
1115:,
1064:.
1009:.
738:.
702:,
652:de
541:.
343:de
90:.
68:,
2627::
2602:)
2594:"
2365:e
2358:t
2351:v
2240:e
2233:t
2226:v
2182:.
2172:,
2168:"
2096:.
2072:.
2041:.
2010:.
1961:"
1929:"
1903:"
1899:"
1881:"
1754:"
1723:"
1719:"
1703:"
1666:"
1584:"
1564:"
1468:"
1448:"
1416:.
1404:.
1377:.
1323:.
617:(
571:"
136:(
94:"
82:(
23:.
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