439:. The Ark of the Covenant is referenced due to the root of the word arc meaning both chest and hidden in Latin, making an ark a hiding place. The ark of the Covenant was made to hide the tablets of law, Aaron’s Rod and the pot of manna, in a similar way, the tubs in which Nicholas, John and Alisoun are made to hide the 3 of them to keep them safe. The more obvious reference is to that of Noah’s Ark, Both Nicholas and Noah make reference to “Astrologye” being a catalyst for the information they receive about the coming flood. The stars were said to be able to predict events at the time. They also reference Divine Intervention of God speaking to them and the stars showing that a great cataclysm is coming. Nicholas uses this mix of astrology and information from God to convince John that he is not crazy by rooting it in how Noah found out. Chaucer also manages to draw a parallel between
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255:) This door, carved with a linen-fold decoration, was probably a back or interior door of a middle-class home. It is remarkable for its cat hole. Few doors with cat holes have survived from this early period, but the 14th-century English writer Geoffrey Chaucer described one in the "Miller's Tale" from his Canterbury Tales. In the narrative, a servant whose knocks go unanswered, uses the hole to peek in: "An hole he foond, ful lowe upon a bord/ Ther as the cat was wont in for to crepe,/ And at the hole he looked in ful depe,/ And at the last he hadde of hym a sighte."
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270:". When she threatens to cry for help, he begins to cry and, after a few sweet words, she agrees to have sex with him when it is safe to do so. Their affair begins. Shortly afterward, Alisoun goes to church, where Absolon sees her and immediately is filled with "love-longing." He tries to woo Alisoun by singing love songs under her window during the full moon and sending her gifts. He also seeks her attention by taking a part in a local play. However, Alisoun rebuffs all his efforts because she is already involved with Nicholas.
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282:'s time. God has told him they can save themselves by hanging three large tubs from the ceiling of the barn, each loaded with provisions and an axe. When the flood waters have risen, they can cut the ropes, hack through the roof, and float until the flood subsides. John believes him and, on Monday night, they ascend by ladders into the hanging tubs. As soon as John is asleep, Nicholas and Alisoun climb down, run back to the house, and sleep together in John's bed.
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noise, rush to the scene. Upon hearing
Nicholas' and Alisoun's version of events, they laugh at poor John and consider him mad. The tale ends: "Thus, swyved was this carpenteris wyf, / For al his kepyng and his jalousye, / And Absolon hath kist hir nether ye, / And Nicholas is scalded in the towte. This tale is doon, and God save al the rowte!"
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That same night, Absolon comes to the house and begs
Alisoun to kiss him. At first she refuses, but Absolon persists, so she offers him one quick kiss. Instead of presenting her lips to Absolon, though, she sticks her backside out the bedroom's "shot-window" (privy vent), and Absolon kisses her "ers"
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Again
Nicholas is shown not as a brave knight but as a talented musician. He is shown to be very cultured as well as studied. Chaucer shows that Nicholas was skilled in the art of music, as he knew these certain songs which might have been quite popular at the time. What Nicholas wears could also be
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Nicholas is described not by his valor in battle or honour in the court. Instead, his many skills are described at great length, including the fact that he is studying one of the many scholarly arts that were popular at that time. Chaucer then goes on to describe what
Nicholas is wearing and his
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The screams wake John who, hearing the cries of "water!", thinks "Nowel's flood" (the unlettered carpenter confuses "Noe" (Noah) with "Nowel" (Christmas)) is upon them and cuts the rope attaching his tub to the ceiling. He crashes to the floor, breaking his arm, and the townspeople, hearing the
259:"The Miller's Tale" is the story of a carpenter, his lovely wife, and two younger men who are eager to sleep with her. The carpenter, John, lives in Oxford with his much younger wife, Alisoun, who is a local beauty. In order to make extra money, John rents out a room in his house to a clever
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being pregnant with the son of God to her. Nicholas resembles
Gabriel in the fact he is described somewhat effeminate and is eloquent with his words. The two diverge in the fact that Nicholas seduces John’s wife, and they commit adultery, which Gabriel did not do with Mary.
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Nicholas, meanwhile, longs to spend a whole night in
Alisoun's arms rather than just the few moments they get during John's absences. With Alisoun, he hatches a scheme that will enable him to do that. Being a student of
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235:"The Miller's Tale" begins the trend in which succeeding tellers "quite" (or one-up) the previous story with their own. In a way, the Miller requites the "Knight's Tale" and is himself directly requited with "
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The Miller's name is intended as a pun on the phrase "rob 'em". As told in the Reeve's Tale the Miller is a not just a bully but a thief of grain he is supposed to grind for his customers.
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illustrates many of the themes in this story including a shot-window in use, a man with his backside on fire, a falling through a basket from a roof, pious hypocrisy, and cuckolding.
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portrays John the carpenter, Dan Thomas portrays
Nicholas, Peter Cain portrays Absolom, Martin Philips portrays Martin and Alan McConnell portrays Gervase the blacksmith.
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The
Distichs of Cato was one of the most common textbooks in schools throughout medieval Europe, and was familiar to almost anyone with a basic education in Latin.
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here to show that
Nicholas wore clothes befitting his social class status This focus on what a person could wear based on status was also important to Richard II.
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The tale is replete with puns. Much is made of variations on "priv-" implying both secret things and private parts. Nicholas fondles
Alisoun's "
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student named Nicholas, who has taken a liking to Alisoun. Another man in the town, Absolon, the parish clerk, also has his eye on Alisoun.
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A third theme, that of knowledge and science, appears in several marginal comments. Nicholas is an avid astrologer (as Chaucer himself
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when discussing the age difference between Alison and her husband with this passage:
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Chaucer's Pilgrims: An Historical Guide to the Pilgrims in The Canterbury Tales
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Counting stones similar to abacus beads, Penguin Canterbury Tales, 2005, p842
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The Miller’s Tale draws on a lot of biblical information, mainly that of the
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Illustration of Robin the Miller, from The Miller's Tale, playing a
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http://anthologydev.lib.virginia.edu/work/Chaucer/chaucer-miller
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The Miller's Tale is one of eight of Chaucer's tales adapted in
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A Commentary on the General Prologue to The Canterbury Tales
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Chaucer's influence on fifteenth-century Scottish literature
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633:. Boston: Houghton Mifflin Co. pp. 77, lines 3850–54.
817:"The Play of the "Miller's Tale": A Game within a Game"
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The tale appears to combine the motifs of two separate
618:. Boston: Houghton Mifflin Co. pp. 69, line 3276.
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Read "The Miller's Tale" with interlinear translation
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depicts the Miller trying and failing to explain the
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when Chaucer describes what is in Nicholas' bedroom.
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Chaucer, Geoffrey. "The Miller's Tale and Prologue"
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720:"The Astrological Background of the Miller's Tale"
586:. Greenwood Publishing Group. pp. 276, 296.
915:A study guide for The Miller's Prologue and Tale
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408:That noght but oonly his bileve kan! (3454)
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127:Learn how and when to remove this message
1391:Influence of Italian humanism on Chaucer
346:And after that he song The Kynges Noote;
336:His presse ycovered with a faldyng reed,
321:His Almageste and books grete and smale,
667:The Canterbury Tales: The Miller’s Tale
654:The Canterbury Tales: The Miller’s Tale
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379:And many a lovely look on hem he caste,
327:On shelves couched at his beddes heed"
862:The Complete Works of Geoffrey Chaucer
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568:Geoffrey Chaucer, "The Miller's Tale"
369:This Absolom, that jolly was and gay,
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556:Geoffrey Chaucer, "General Prologue"
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174:(1380s–1390s), told by the drunken
18:The Miller's Prologue and Tale
1689:The Canterbury Pilgrims (De Koven)
718:O'Connor, John J. (January 1956).
340:On which he made a nyghtes melodie
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1232:The Complaint of the Black Knight
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925:and Other Resources at eChaucer
782:The Yearbook of English Studies
679:Walls, Kathryn (1 March 1995).
52:needs additional citations for
1225:The Cuckoo and the Nightingale
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1239:The equatorie of the planetis
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30:For the 1996 rock album, see
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27:Part of the Canterbury Tales
1200:A Treatise on the Astrolabe
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930:22 October 2019 at the
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1743:The Canterbury Puzzles
909:De Montfort University
697:10.1093/notesj/42.1.24
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1517:The Man of Law's Tale
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1633:The Tale of Gamelyn
1607:The Manciple's Tale
1582:The Tale of Melibee
1572:The Prioress's Tale
1562:The Pardoner's Tale
1552:The Franklin's Tale
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1532:The Summoner's Tale
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821:The Chaucer Review
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59:Please help
54:verification
51:
1762:derivations
1760:Single tale
1684:(1634 play)
1424:(2001 film)
1317:Rhyme royal
1260:Jack Upland
1136:Other works
788:: 162–180.
505:Adaptations
1874:Categories
1859:The Tabard
1801:" (Dryden)
1794:(Edwardes)
1735:Literature
1708:Television
1577:Sir Thopas
1087:Sir Thopas
991:Canterbury
903:copies of
899:(based on
669:(104–110).
656:(100–103).
543:References
437:Noah’s Ark
418:astrologer
398:astrelabie
311:Richard II
292:blacksmith
178:Robin to "
87:newspapers
1479:Order of
1332:Order of
1310:and Texts
889:, from a
833:0009-2002
760:161527745
744:0038-7134
705:1471-6941
394:Almageste
290:from the
276:astrology
222:carpenter
210:wrestling
1885:Fabliaux
1360:Scribe D
1308:Language
1217:Spurious
928:Archived
883:Archived
841:25093151
724:Speculum
531:See also
511:Pasolini
416:) of an
363:fabliaux
357:Analysis
243:Synopsis
208:fond of
190:Prologue
1823:Related
1621:Addenda
1379:Related
911:website
893:website
802:3508383
752:2850078
458:queynte
441:Gabriel
288:coulter
268:queynte
147:bagpipe
101:scholar
1727:(2003)
1719:(1975)
1665:(1972)
1398:(wife)
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452:Parody
414:Thales
373:sencer
202:Miller
176:miller
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1654:Films
1410:(son)
1267:Tales
1179:Boece
993:Tales
980:Works
837:JSTOR
798:JSTOR
756:S2CID
748:JSTOR
230:Reeve
226:clerk
206:churl
180:quite
108:JSTOR
94:books
829:ISSN
740:ISSN
701:ISSN
601:2010
588:ISBN
445:Mary
435:and
424:and
280:Noah
80:news
1481:The
1467:'s
989:The
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513:'s
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390:was
168:'s
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