20:
469:
302:'The mountain labors a mouse'." After Aesop's fables were taken to Japan by Christian missionaries in the 16th century, they became independently acculturated. In 1955 the saying "A great mountain is in labor and brings forth a rat and nothing else" was recorded as a native proverb. The proverb has also been translated into Indonesian.
40:. The story became proverbial in Classical times and was applied to a variety of situations. It refers to speech acts which promise much but deliver little, especially in literary and political contexts. In more modern times the satirical intention behind the fable was given greater emphasis following
440:, in his prose retelling of the fable, cites "Great cry and little wool" as a parallel English proverb and applies the story to the empty promises of politicians. French writers too interpreted the fable in political terms. EugĂšne Desmares wrote an imitation of all La Fontaine's fables as
526:
in 1829 was satirised in a contemporary print by Thomas McLean (1788â1875) with the title "The
Mountain in Labour â or much ado about nothing". In the United States several presidential nominees were made the butt of such cartoons, as were attempts to quell the disturbances preceding the
555:, the French equivalent of the English proverb "A great cry and little wool". There was also a new edition of La Vallette's work published in 1886 with a piano arrangement by LĂ©opold Dauphin (1847â1925). The fable's text was also set by Emmanuel Clerc (b. 1963) as part of his work
379:(V. 10), the first six lines are given to an updated relation in which it is imagined that the mountain is about to be delivered of a city bigger than Paris. That is followed by eight lines of reflection on the kind of author who promises great things although, as
1433:
510:
by Louis EugĂšne
Lambert (1825â1909) unites Horace's interpretation of turbulence within the mountain as volcanic activity with the fable's association with literary criticism. There a mouse crouches on the cover of an ancient book and looks across to an
318:
gives a more extended interpretation, commenting that it warns one not to believe big talk, "for there are some who promise many more things than they deliver, and some who threaten much and perform least". This was more or less the conclusion on which
1456:
2398:
1318:
506:'s print of 1869 brings the satire up to date by picturing a crowd of pedants equipped with telescopes, measuring instruments and a primitive camera, all focussed into the distance on the minuscule mouse on the peak. An 1880
323:
closed his ambiguous adaptation of the story as "a hylle whiche beganne to tremble and shake by cause of the molle whiche delved hit". There was, however, a closer
English-language version of the fable told earlier by
310:
During the Middle Ages the fable was retold many times without significant variation. The moral, however, was differently expressed and widened to specify a variety of circumstances to which it could be applied.
485:
La
Fontaine had emphasised the satirical intent in Horace's original allusion to the fable of the mountain in labour, amplifying the ridiculousness of the situation. His illustrators were soon to follow suit.
1411:
1264:
295:
The verse is discussed in an article by Howard
Jacobson (2007), in which he argues that the original proverb may have meant "she was in labour with a mountain, but in the end produced only a mouse".
44:'s interpretation of it. Illustrations to the text underlined its ironical application particularly and went on to influence cartoons referring to the fable elsewhere in Europe and America.
1310:
1494:
237:
the present tense already has an inherently future meaning ("they wish to give birth", "they are about to give birth"). However, A. S. Wilkins in his edition defends the future tense
616:
for piano and choir (2008); and a purely musical interpretation for small orchestra by Matt
Fernald as the first part of his musical thesis composition, performed under the title
375:(The mountain in labour gives birth to a mouse), soon became proverbial and were applied to any great hope that came to nothing. In the version of the tale published in 1668 in
2412:
974:
1338:
422:(The Mountain and the Poet), he introduced a rhymester big with an epic idea: but "What arrives embroidered upon it? Like the mouse from a mountain, a sonnet." And when
1697:
936:
448:'s reign. There "La Revolution qui accouche" addressed itself to disappointed expectations. Following the removal of Louis Philippe in 1848 and the declaration of a
113:. Discussing what to avoid in a poem's opening, he recommends a writer not to begin an epic poem in too grandiose a way, to avoid what follows being an anticlimax:
1038:
1256:
1408:
1117:
539:
During the 18th century, Jean-Philippe
Valette (d.1750) compiled a collection of moralising fables based on La Fontaine's and set to popular tunes of the day,
1289:
2405:
1224:
1377:""La montagne qui accouche." C'est Louis-Philippe, affalé sur des sacs d'or, qui accouche de souris à portefeuilles de ministres : [estampe]"
1147:
1168:
490:'s print of 1752 balances the agitated folk scurrying over the mountain slopes to the right with the mouse creeping warily over the rock face opposite.
2384:
254:
claimed that it was a Greek proverb that Horace had been quoting. One early version of the proverb in Greek is the following, which is quoted by
1486:
1239:""The Mountain in Labour." Art by Edward J. Detmold for "The Fables of Aesop." London: Hodder & Stoughton, (1909) â a photo on Flickriver"
1010:
1573:
990:
2120:
383:
translates it, "What often comes to pass? â Just gas." La
Fontaine's rhymed short line at the end imitates the vowel assonance of Horace's
1102:
531:
of 1882. In France the fable's title was applied to the parliamentary policy of Louis
Philippe and to the foreign policy of Napoleon III.
1430:
1188:
1078:
2357:
2308:
2010:
1850:
1453:
1355:
2247:
1865:
784:
2222:
2125:
1945:
1384:
2564:
1050:
1616:"La Montagne qui accouche. Fable de La Fontaine [Pour chant à 4 voix d'hommes, sans accompagnement]. 4e Collection, n° 5"
1257:"The Mountain in Labour â or Much ado about nothing by Ireland, Obstetrics, Thomas McLean on Antipodean Books, Maps & Prints"
519:, on the other hand, reverses the scale in his Aesop's Fables (1909) by picturing a huge mouse crouched upon a mountain outcrop.
2350:
2025:
1798:
1549:
2035:
1671:
1645:
1619:
1593:
1519:
523:
1736:
917:
898:
776:
648:
1693:
933:
2170:
1890:
1870:
1845:
243:, explaining the line as meaning "if you do begin so, it will be a case of 'Mountains in labour, and out comes a mouse'."
1751:
1721:
2242:
2165:
2085:
2000:
1955:
358:
2298:
2237:
2232:
2145:
2110:
2095:
2040:
1825:
2323:
2559:
1209:
761:
391:(The mountain giving birth), thus putting more emphasis on the situation rather than, as in Boileau, on the result.
2202:
2070:
1910:
1855:
1771:
825:
292:, mocking him for his small stature. Agesilaus is said to have replied "One day I will appear to you like a lion!"
1285:
844:
Carnes, Pack. "The fable and the proverb: Intertexts and reception." In Wise Words , pp. 467-493. Routledge, 2015.
522:
The fable was also annexed to the satirical work of political cartoonists. The agitation that greeted the
British
2329:
2318:
2262:
2191:
2130:
2115:
2090:
1975:
1860:
1840:
2533:
2207:
2150:
2065:
2020:
1950:
1935:
1930:
1905:
1895:
1143:
468:
857:
2421:
2257:
2212:
2055:
1990:
1940:
1830:
376:
371:(1674) of his own and made the allusion in much the same terms as had Horace. The words on which he closed,
41:
19:
678:
2468:
2252:
2186:
2155:
2105:
2050:
2030:
1985:
1960:
1900:
1885:
1875:
449:
411:
216:
212:
1404:
1062:
2438:
2391:
2313:
2217:
2160:
2080:
2015:
2005:
1980:
1925:
955:
528:
516:
696:
498:
is seated on an opposite ridge, expounding his surmises concerning the tremendous outcome expected to
2488:
2227:
2075:
1970:
1965:
1920:
1915:
1880:
363:
251:
109:
298:
The proverb has become known far from Europe. It is now âknown as far away as Japan, as the proverb
2518:
2493:
2443:
2045:
1995:
1835:
1791:
1363:
699:. London, W. Heinemann; New York, G.P. Putnam's Sons. August 25, 1926 – via Internet Archive.
487:
53:
394:
Other poets shortly followed La Fontaine's lead in applying the fable to boastful authors. In his
2458:
1472:
457:
399:
315:
2483:
588:
572:
541:
Recueil de fables choisies dans le goût de La Fontaine, sur de petits airs et vaudevilles connus
2569:
1815:
1238:
1074:
330:
33:
357:
Two French poets followed Horace in applying the story to literary criticism. In the case of
2528:
2503:
2463:
445:
345:. In this instance, however, the allusion was in connection with the different fable about
2513:
2508:
2498:
2473:
2196:
2140:
1755:
1725:
1577:
1460:
1437:
1415:
1409:"La montagne va accoucher d'une souris pourvu que la souris n'accouche pas d'une montagne"
1359:
1353:
1180:
940:
921:
902:
829:
765:
346:
224:
2303:
491:
1376:
1784:
1208:"The poet intends not smoke from flame, but light from smoke," A.S. Kline translation,
1030:
594:
437:
431:
396:
Nouveau recueil des fables d'Esope mises en français, avec le sens moral en quatre vers
380:
320:
281:
2553:
2100:
566:
562:
The words of La Fontaine's own fable were set by several other musicians, including:
503:
285:
1002:
2478:
2288:
2283:
2135:
1541:
858:"Aesopâs Fables in Japanese Literature for Children: Classical Antiquity and Japan"
854:
Our Mythical Childhood... The Classics and Literature for Children and Young Adults
609:
578:
499:
289:
1667:
1641:
1615:
1589:
1515:
1129:
914:
893:
640:
2538:
2523:
2293:
1694:"Bob Chilcott: Aesop's Fables: Mixed Choir And Piano/Organ | Musicroom.com"
495:
37:
2399:
The Taill of how this forsaid Tod maid his Confessioun to Freir Wolf Waitskaith
494:
broadens the satire with a parallel literary reference. In his 1867 engraving,
402:
provided an introductory prose version of the fable, succeeded by a dismissive
341:) was reproduced word for word in another mediaeval compilation of fables, the
1748:
1718:
1570:
453:
423:
325:
276:"A mountain was in labour, and Zeus was scared; but it gave birth to a mouse."
2267:
1003:"Fables de La Fontaine (Ă©d. Barbin)/2/La Montagne qui accouche â Wikisource"
507:
255:
211:
is found in all the chief manuscripts and also in quotations of the line in
52:
The earliest surviving version of the tale is in a four-line Latin poem by
430:(1811), he substituted a reference to a contemporary writer of bad epics,
1311:"HarpWeek | American Political Prints 1766-1876 | Medium Image"
758:
512:
403:
247:
818:
2453:
2448:
1516:"La Montagne qui accouche, d'aprĂšs La Fontaine par Mr J.-D. Moinaux..."
547:), retold in three regular quatrains. This version was set to the air
387:
in the original Latin. The title that La Fontaine gave this fable was
2377:
987:
Dictionnaire universel: contenant generalement tous les mots François
334:(c. 1390), with the advice not to be taken in by every empty rumour.
269:
220:
104:
1450:
Dictionnaire nouveau et universel des langues française et anglaise
604:
Alain Savouret (b. 1942) in a setting for accompanied voice (2013).
1807:
1590:"Six Fables de La Fontaine, mises en musique par Mme Pauline Thys"
467:
349:, which has as subject the ineffectiveness of political dialogue.
18:
881:
1780:
452:, the new political situation was again satirised in a one-act
246:
A number of writers of Greek origin also alluded to the fable.
314:
One of the Anglo-Latin prose collections going under the name
1682:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr).
1656:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr).
1630:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr).
1604:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr).
1530:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr).
1487:"Emmanuel Clerc : Fables, pour soprano et trio Ă cordes"
262:
96:
But it gave birth to a mouse. This has been written for you,
250:
described it as an "old proverb", and the Latin grammarian
147:
And don't start like an old writer of epic cycles once did:
99:
who, though you threaten great things, accomplish nothing."
23:
Auguste Delierre's 1883 etching of "The Mountain in Labour"
284:, was supposedly said by the 4th-century BC Egyptian King
729:
These verbs are called "desiderative" verbs, for example
608:
In addition there was an English-language version set by
1776:
1061:
Friedrichs von Hagedorn Poetische Werke (Hamburg 1800),
156:
Mountains will labour: what's born? A ridiculous mouse!
103:
But the most well-known mention of the fable appears in
406:
which ended with a repetition of Boileau's pithy line,
1642:"5 fables de La Fontaine : pour soprano et piano"
414:, imitated La Fontaine's fable in his 1738 collection
150:"Of Priam's fate I'll sing, and the greatest of Wars."
444:
in order to comment on the situation at the start of
2413:
The Taill of the Uponlandis Mous and the Burges Mous
2431:
2367:
2340:
2276:
2179:
1814:
153:
What could he produce to match his opening promise?
90:"A mountain was in labour, uttering immense groans,
1181:"'The Mountain in Labour', by Ernest Henry Griset"
543:(1734). Among these was "The Mountain in Labour" (
456:, titled after the fable and written by Varin and
442:Les métamorphoses du jour: ou, La Fontaine en 1831
1132:. Beck. August 25, 1849 – via Google Books.
1130:"La montagne qui accouche: vaudeville en un acte"
193:Some editions of the poem have the present tense
271:áčdinen Ăłros, ZeĂčs d' ephobeĂźto, tĂČ d' Ă©teken mĂ»n
264:ᜀΎÎčΜΔΜ áœÏÎżÏ, ÎΔáœșÏ ÎŽ' áŒÏÎżÎČΔáżÏÎż, Ï᜞ ÎŽ' áŒÏΔÎșΔΜ ÎŒáżŠÎœ
1167:Ăducation Ă l'Environnement et au Patrimoine,
93:and on earth there was very great expectation.
1792:
434:, "Whose epic mountains never fail in mice".
76:At ille murem peperit. Hoc scriptum est tibi,
8:
133:quid dignum tanto feret hic promissor hiatu?
119:nec sic incipies, ut scriptor cyclicus olim:
2406:The Taill of Schir Chanticleir and the Foxe
954:, University of Illinois 1919; fable LXII,
952:Ysopet-Avionnet, the Latin and French texts
730:
591:for four unaccompanied men's voices (1861).
238:
228:
206:
200:
194:
138:
131:
126:"fortunam Priami cantabo et nobile bellum."
124:
117:
81:
74:
67:
60:
1799:
1785:
1777:
1035:The Complete Fables of Jean de La Fontaine
932:"The tale of the mountain and the mouse",
233:, arguing that like other verbs ending in
140:parturient montes, nascetur ridiculus mus.
2385:The Morall Fabillis of Esope the Phrygian
821:parturient montes, nascetur ridiculus mus
804:Kwapisz, Jan (2016). "Sotades on kings".
408:La montagne en travail enfante une souris
373:La montagne en travail enfante une souris
339:Parturient montes, nascetur ridiculus mus
629:
83:qui, magna cum minaris, extricas nihil.
62:Mons parturibat, gemitus immanes ciens,
1717:A performance of this is available on
1674:from the original on November 17, 2019
1622:from the original on November 12, 2019
1522:from the original on November 17, 2019
708:
706:
635:
633:
472:An American cartoon on the theme from
1770:15thâ20th century book illustrations
1592:. E. Saint-Hilaire. August 25, 1861.
7:
1648:from the original on August 25, 2024
1596:from the original on August 25, 2024
361:, he was imitating the Roman poet's
337:The actual line from Horace's poem (
69:eratque in terris maxima expectatio.
2309:Out of the frying pan into the fire
2199:(also known as The Mice in Council)
2011:The Goose that Laid the Golden Eggs
1851:The Astrologer who Fell into a Well
1261:Antipodean Books, Maps & Prints
1103:"The Mountains in Labour", Fable 26
697:"Satires, Epistles and Ars poetica"
679:"Horace (65 BCâ8 BC) - Ars Poetica"
2248:The miller, his son and the donkey
1866:The Bird-catcher and the Blackbird
1670:. MĂŽmeludies Ă©d. August 25, 2013.
1618:. Gambogi F.res. August 25, 1861.
915:2.5, "Of the Montayn whiche shoke"
712:Wilkins, A.S. (1885, repr. 1964).
14:
2223:The drowned woman and her husband
2126:The Travellers and the Plane Tree
1946:The Fisherman and the Little Fish
781:History of the Graeco-Latin Fable
36:and appears as number 520 in the
2026:The Horse that Lost its Liberty
1700:from the original on 2019-10-31
1644:. H. Lemoine. August 25, 2008.
1552:from the original on 2019-10-31
1497:from the original on 2024-06-16
1491:Scop Les Editions buissonnieres
1387:from the original on 2019-10-28
1321:from the original on 2020-02-11
1292:from the original on 2019-10-28
1267:from the original on 2019-10-28
1191:from the original on 2021-06-30
1150:from the original on 2019-10-28
1081:from the original on 2020-08-03
1013:from the original on 2019-10-24
651:from the original on 2023-06-05
549:Nos plaisirs seront peu durable
2036:The Lion, the Bear and the Fox
1352:Online Archive of California,
426:was updating allusions in his
280:The Greek verse above, in the
1:
2171:The Young Man and the Swallow
1891:The Cock, the Dog and the Fox
1871:The Bird in Borrowed Feathers
1452:, Philadelphia 1810, Vol. 2,
1169:Fables de Jean de La Fontaine
872:. Tokyo: Japan Travel Bureau.
2358:The Grasshopper and the Ants
2243:The Hawk and the Nightingale
2166:The Woodcutter and the Trees
2121:Town Mouse and Country Mouse
2086:The Old Woman and the Doctor
2001:The Frogs Who Desired a King
1144:"akg-images - Search Result"
971:Oeuvres complĂštes de Boileau
551:and provided with the moral
502:, who is seated beside him.
300:Taizan meido , nezumi ippiki
2299:The labyrinth of Versailles
2238:The Gourd and the Palm-tree
2146:Washing the Ethiopian White
2111:The Snake in the Thorn Bush
2096:The Satyr and the Traveller
2041:The Man with Two Mistresses
1826:The Ant and the Grasshopper
1429:(Paris, 1734), Fable XXII,
969:, Chant III, lines 269-74;
777:Francisco RodrĂguez Adrados
683:www.poetryintranslation.com
2586:
2203:The Blind Man and the Lame
2071:The North Wind and the Sun
1911:The Dog and Its Reflection
1856:The Bear and the Travelers
1846:The Ass in the Lion's Skin
1668:"La montagne qui accouche"
1427:Recueil de Fables choisies
1099:Fables of Aesop and Others
739:I wish to eat, I am hungry
263:
2319:The milkmaid and her pail
2268:The Shepherd and the Lion
2263:The Scorpion and the Frog
2192:The Bear and the Gardener
2131:The Trees and the Bramble
2116:The Tortoise and the Hare
2091:The Rose and the Amaranth
1976:The Fox and the Sick Lion
1861:The Belly and the Members
1841:The Ass Carrying an Image
1114:Les métamorphoses du jour
583:Six Fables de La Fontaine
524:Roman Catholic Relief Act
306:Mediaeval interpretations
2324:Wolf in sheep's clothing
2208:The Boy and the Filberts
2151:The Weasel and Aphrodite
2066:The Mouse and the Oyster
2021:The Horse and the Donkey
1951:The Fowler and the Snake
1936:The Farmer and the Viper
1931:The Farmer and the Stork
1906:The Deer without a Heart
1896:The Crow and the Pitcher
817:Howard Jacobson (2007).
641:"The Mountain in Labour"
553:Grand bruit, peu d'effet
389:La montagne qui accouche
2258:The Priest and the Wolf
2213:Chanticleer and the Fox
2056:The Moon and her Mother
1991:The Fox and the Woodman
1941:The Fir and the Bramble
1831:The Ass and his Masters
913:Aesop's Fables (1484),
795:Sotades, fr. 22 Powell.
599:5 Fables de La Fontaine
353:Literature and politics
2253:The Monkey and the Cat
2187:An ass eating thistles
2156:The Wolf and the Crane
2106:The Snake and the Crab
2061:The Mountain in Labour
2051:The Miser and his Gold
2031:The Lion and the Mouse
1986:The Fox and the Weasel
1961:The Fox and the Grapes
1901:The Crow and the Snake
1886:The Cock and the Jewel
1876:The Boy Who Cried Wolf
1518:Heu. August 25, 1846.
1286:"A lithograph of 1843"
973:(Vol. 2, Paris 1872),
731:
714:The Epistles of Horace
575:for two voices (1860).
545:La montagne en travail
477:
450:French Second Republic
416:Fabeln und ErzÀhlungen
412:Friedrich von Hagedorn
410:. A German poet too,
239:
229:
207:
201:
199:instead of the future
195:
139:
132:
125:
118:
82:
75:
68:
61:
29:The Mountain in Labour
24:
2439:Demetrius of Phalerum
2392:The Cock and the Jasp
2314:Still waters run deep
2218:The Dog in the Manger
2161:The Wolf and the Lamb
2081:The Old Man and Death
2016:The Honest Woodcutter
2006:The Goat and the Vine
1981:The Fox and the Stork
1926:The Eagle and the Fox
1225:"Rémi Frémiot Images"
892:Romulus Anglicus 90,
618:An Evening with Aesop
612:as the fourth in his
597:as the second of his
529:Chinese Exclusion Act
517:Edward Julius Detmold
471:
464:The fable in the arts
420:Der Berg und der Poet
22:
2565:La Fontaine's Fables
2489:Laurentius Abstemius
2422:La Fontaine's Fables
2228:The Elm and the Vine
2076:The Oak and the Reed
1971:The Fox and the Mask
1966:The Fox and the Lion
1956:The Fox and the Crow
1921:The Dove and the Ant
1916:The Dog and the Wolf
1881:The Cat and the Mice
1473:"Les Monts de Reuil"
895:de monte parturiente
868:Okada, Rokuo. 1955.
783:vol. 3, Brill 2003,
377:La Fontaine's Fables
288:to the Spartan king
2519:Jean de La Fontaine
2469:Adémar de Chabannes
2351:Aesop's Film Fables
2233:The Fox and the Cat
2046:The Mischievous Dog
1996:The Frog and the Ox
1836:The Ass and the Pig
1033:'s introduction to
985:Antoine FuretiĂšre,
755:Familiar Quotations
488:Jean-Baptiste Oudry
48:The Classical fable
42:Jean de la Fontaine
2459:Dositheus Magister
1754:2021-07-23 at the
1724:2016-04-08 at the
1576:2022-12-15 at the
1459:2024-08-25 at the
1436:2024-08-25 at the
1414:2020-11-29 at the
1358:2015-09-25 at the
1243:www.flickriver.com
1037:(trans. Shapiro),
939:2019-11-18 at the
920:2019-03-22 at the
901:2019-03-22 at the
828:2022-05-10 at the
764:2011-04-24 at the
478:
458:Arthur de Beauplan
400:Isaac de Benserade
227:preferred to read
25:
2547:
2546:
1747:A performance on
1569:A performance on
1542:"Théodore Ymbert"
1007:fr.wikisource.org
870:Japanese Proverbs
833:Museum Helveticum
819:"Horace, AP 139:
428:Hints from Horace
331:Confessio Amantis
110:The Art of Poetry
2577:
2529:Nicolas Trigault
2504:Hieronymus Osius
2494:Roger L'Estrange
2464:Alexander Neckam
1801:
1794:
1787:
1778:
1758:
1745:
1739:
1734:
1728:
1715:
1709:
1708:
1706:
1705:
1690:
1684:
1683:
1681:
1679:
1664:
1658:
1657:
1655:
1653:
1638:
1632:
1631:
1629:
1627:
1612:
1606:
1605:
1603:
1601:
1586:
1580:
1567:
1561:
1560:
1558:
1557:
1538:
1532:
1531:
1529:
1527:
1512:
1506:
1505:
1503:
1502:
1483:
1477:
1476:
1469:
1463:
1446:
1440:
1424:
1418:
1402:
1396:
1395:
1393:
1392:
1373:
1367:
1350:
1344:
1336:
1330:
1329:
1327:
1326:
1315:loc.harpweek.com
1307:
1301:
1300:
1298:
1297:
1282:
1276:
1275:
1273:
1272:
1253:
1247:
1246:
1235:
1229:
1228:
1221:
1215:
1206:
1200:
1199:
1197:
1196:
1185:victorianweb.org
1177:
1171:
1165:
1159:
1158:
1156:
1155:
1140:
1134:
1133:
1126:
1120:
1111:
1105:
1096:
1090:
1089:
1087:
1086:
1071:
1065:
1059:
1053:
1047:
1041:
1028:
1022:
1021:
1019:
1018:
999:
993:
983:
977:
964:
958:
949:
943:
930:
924:
911:
905:
890:
884:
879:
873:
866:
860:
851:
845:
842:
836:
815:
809:
808:27, pp. 121â136.
802:
796:
793:
787:
774:
768:
751:
745:
743:
740:
737:
734:
727:
721:
710:
701:
700:
693:
687:
686:
675:
669:
666:
660:
659:
657:
656:
645:mythfolklore.net
637:
446:Louis Philippe I
273:
266:
265:
242:
232:
223:. Despite this,
210:
204:
198:
142:
135:
128:
121:
85:
78:
71:
64:
2585:
2584:
2580:
2579:
2578:
2576:
2575:
2574:
2550:
2549:
2548:
2543:
2514:Robert Henryson
2509:Marie de France
2499:Gabriele Faerno
2484:Kawanabe KyĆsai
2474:Odo of Cheriton
2427:
2369:
2363:
2342:
2336:
2272:
2197:Belling the Cat
2175:
2141:The Walnut Tree
1817:
1810:
1805:
1767:
1762:
1761:
1756:Wayback Machine
1746:
1742:
1737:Amherst College
1735:
1731:
1726:Wayback Machine
1716:
1712:
1703:
1701:
1692:
1691:
1687:
1677:
1675:
1666:
1665:
1661:
1651:
1649:
1640:
1639:
1635:
1625:
1623:
1614:
1613:
1609:
1599:
1597:
1588:
1587:
1583:
1578:Wayback Machine
1568:
1564:
1555:
1553:
1540:
1539:
1535:
1525:
1523:
1514:
1513:
1509:
1500:
1498:
1485:
1484:
1480:
1471:
1470:
1466:
1461:Wayback Machine
1447:
1443:
1438:Wayback Machine
1425:
1421:
1416:Wayback Machine
1403:
1399:
1390:
1388:
1375:
1374:
1370:
1360:Wayback Machine
1351:
1347:
1340:Harper's Weekly
1337:
1333:
1324:
1322:
1309:
1308:
1304:
1295:
1293:
1284:
1283:
1279:
1270:
1268:
1255:
1254:
1250:
1237:
1236:
1232:
1223:
1222:
1218:
1207:
1203:
1194:
1192:
1179:
1178:
1174:
1166:
1162:
1153:
1151:
1142:
1141:
1137:
1128:
1127:
1123:
1112:
1108:
1097:
1093:
1084:
1082:
1073:
1072:
1068:
1060:
1056:
1048:
1044:
1029:
1025:
1016:
1014:
1001:
1000:
996:
989:, 3rd ed 1708,
984:
980:
965:
961:
950:
946:
941:Wayback Machine
931:
927:
922:Wayback Machine
912:
908:
903:Wayback Machine
891:
887:
882:Indonesian link
880:
876:
867:
863:
852:
848:
843:
839:
835:, 64(1), 59-61.
830:Wayback Machine
816:
812:
803:
799:
794:
790:
775:
771:
766:Wayback Machine
753:John Bartlett,
752:
748:
741:
738:
735:
728:
724:
711:
704:
695:
694:
690:
677:
676:
672:
667:
663:
654:
652:
639:
638:
631:
626:
589:FĂ©lix Godefroid
581:as part of her
573:Théodore Ymbert
537:
483:
474:Harper's Weekly
466:
359:Nicolas Boileau
355:
347:Belling the cat
343:Ysopet-Avionnet
308:
225:Richard Bentley
50:
17:
12:
11:
5:
2583:
2581:
2573:
2572:
2567:
2562:
2560:Aesop's Fables
2552:
2551:
2545:
2544:
2542:
2541:
2536:
2531:
2526:
2521:
2516:
2511:
2506:
2501:
2496:
2491:
2486:
2481:
2476:
2471:
2466:
2461:
2456:
2451:
2446:
2441:
2435:
2433:
2429:
2428:
2426:
2425:
2418:
2417:
2416:
2409:
2402:
2395:
2381:
2373:
2371:
2365:
2364:
2362:
2361:
2354:
2346:
2344:
2338:
2337:
2335:
2334:
2330:Aesop's Fables
2326:
2321:
2316:
2311:
2306:
2301:
2296:
2291:
2286:
2280:
2278:
2274:
2273:
2271:
2270:
2265:
2260:
2255:
2250:
2245:
2240:
2235:
2230:
2225:
2220:
2215:
2210:
2205:
2200:
2194:
2189:
2183:
2181:
2177:
2176:
2174:
2173:
2168:
2163:
2158:
2153:
2148:
2143:
2138:
2133:
2128:
2123:
2118:
2113:
2108:
2103:
2098:
2093:
2088:
2083:
2078:
2073:
2068:
2063:
2058:
2053:
2048:
2043:
2038:
2033:
2028:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1988:
1983:
1978:
1973:
1968:
1963:
1958:
1953:
1948:
1943:
1938:
1933:
1928:
1923:
1918:
1913:
1908:
1903:
1898:
1893:
1888:
1883:
1878:
1873:
1868:
1863:
1858:
1853:
1848:
1843:
1838:
1833:
1828:
1822:
1820:
1812:
1811:
1806:
1804:
1803:
1796:
1789:
1781:
1775:
1774:
1766:
1765:External links
1763:
1760:
1759:
1740:
1729:
1710:
1685:
1659:
1633:
1607:
1581:
1562:
1533:
1507:
1478:
1464:
1448:N. G. Dufief,
1441:
1419:
1397:
1368:
1345:
1331:
1302:
1277:
1248:
1230:
1216:
1201:
1172:
1160:
1135:
1121:
1118:vol. 1, p. 196
1116:(Paris 1831),
1106:
1091:
1066:
1054:
1042:
1039:pp. xxxivâxxxv
1031:John Hollander
1023:
994:
978:
967:L'Art Poétique
959:
944:
934:VII. 3553-3580
925:
906:
885:
874:
861:
856:(Brill 2016),
846:
837:
810:
797:
788:
769:
746:
722:
702:
688:
670:
668:Phaedrus 4.24.
661:
628:
627:
625:
622:
614:Aesop's Fables
606:
605:
602:
592:
586:
576:
570:
536:
533:
482:
479:
465:
462:
438:Samuel Croxall
432:Robert Southey
381:Norman Shapiro
354:
351:
321:William Caxton
307:
304:
282:Sotadean metre
278:
277:
274:
267:
191:
190:
189:
188:
187:
186:
185:
184:
183:
182:
181:
180:
179:
178:
177:
176:
154:
151:
148:
144:
143:
136:
129:
122:
107:'s epistle on
101:
100:
97:
94:
91:
87:
86:
79:
72:
65:
49:
46:
34:Aesop's Fables
16:Fable by Aesop
15:
13:
10:
9:
6:
4:
3:
2:
2582:
2571:
2568:
2566:
2563:
2561:
2558:
2557:
2555:
2540:
2537:
2535:
2532:
2530:
2527:
2525:
2522:
2520:
2517:
2515:
2512:
2510:
2507:
2505:
2502:
2500:
2497:
2495:
2492:
2490:
2487:
2485:
2482:
2480:
2477:
2475:
2472:
2470:
2467:
2465:
2462:
2460:
2457:
2455:
2452:
2450:
2447:
2445:
2442:
2440:
2437:
2436:
2434:
2430:
2424:
2423:
2419:
2414:
2410:
2407:
2403:
2400:
2396:
2393:
2389:
2388:
2387:
2386:
2382:
2380:
2379:
2375:
2374:
2372:
2366:
2360:
2359:
2355:
2353:
2352:
2348:
2347:
2345:
2339:
2332:
2331:
2327:
2325:
2322:
2320:
2317:
2315:
2312:
2310:
2307:
2305:
2302:
2300:
2297:
2295:
2292:
2290:
2287:
2285:
2282:
2281:
2279:
2275:
2269:
2266:
2264:
2261:
2259:
2256:
2254:
2251:
2249:
2246:
2244:
2241:
2239:
2236:
2234:
2231:
2229:
2226:
2224:
2221:
2219:
2216:
2214:
2211:
2209:
2206:
2204:
2201:
2198:
2195:
2193:
2190:
2188:
2185:
2184:
2182:
2178:
2172:
2169:
2167:
2164:
2162:
2159:
2157:
2154:
2152:
2149:
2147:
2144:
2142:
2139:
2137:
2134:
2132:
2129:
2127:
2124:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2101:The Sick Kite
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2079:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1959:
1957:
1954:
1952:
1949:
1947:
1944:
1942:
1939:
1937:
1934:
1932:
1929:
1927:
1924:
1922:
1919:
1917:
1914:
1912:
1909:
1907:
1904:
1902:
1899:
1897:
1894:
1892:
1889:
1887:
1884:
1882:
1879:
1877:
1874:
1872:
1869:
1867:
1864:
1862:
1859:
1857:
1854:
1852:
1849:
1847:
1844:
1842:
1839:
1837:
1834:
1832:
1829:
1827:
1824:
1823:
1821:
1819:
1813:
1809:
1802:
1797:
1795:
1790:
1788:
1783:
1782:
1779:
1773:
1769:
1768:
1764:
1757:
1753:
1750:
1744:
1741:
1738:
1733:
1730:
1727:
1723:
1720:
1714:
1711:
1699:
1695:
1689:
1686:
1673:
1669:
1663:
1660:
1647:
1643:
1637:
1634:
1621:
1617:
1611:
1608:
1595:
1591:
1585:
1582:
1579:
1575:
1572:
1566:
1563:
1551:
1547:
1543:
1537:
1534:
1521:
1517:
1511:
1508:
1496:
1492:
1488:
1482:
1479:
1474:
1468:
1465:
1462:
1458:
1455:
1454:"Cry", p. 140
1451:
1445:
1442:
1439:
1435:
1432:
1428:
1423:
1420:
1417:
1413:
1410:
1406:
1405:Amédée de Noé
1401:
1398:
1386:
1382:
1378:
1372:
1369:
1366:
1365:
1361:
1357:
1354:
1349:
1346:
1343:
1341:
1335:
1332:
1320:
1316:
1312:
1306:
1303:
1291:
1287:
1281:
1278:
1266:
1262:
1258:
1252:
1249:
1244:
1240:
1234:
1231:
1226:
1220:
1217:
1214:
1212:
1205:
1202:
1190:
1186:
1182:
1176:
1173:
1170:
1164:
1161:
1149:
1145:
1139:
1136:
1131:
1125:
1122:
1119:
1115:
1110:
1107:
1104:
1100:
1095:
1092:
1080:
1076:
1070:
1067:
1064:
1058:
1055:
1052:
1046:
1043:
1040:
1036:
1032:
1027:
1024:
1012:
1008:
1004:
998:
995:
992:
988:
982:
979:
976:
972:
968:
963:
960:
957:
953:
948:
945:
942:
938:
935:
929:
926:
923:
919:
916:
910:
907:
904:
900:
897:
896:
889:
886:
883:
878:
875:
871:
865:
862:
859:
855:
850:
847:
841:
838:
834:
831:
827:
824:
822:
814:
811:
807:
801:
798:
792:
789:
786:
782:
778:
773:
770:
767:
763:
760:
756:
750:
747:
733:
726:
723:
719:
715:
709:
707:
703:
698:
692:
689:
684:
680:
674:
671:
665:
662:
650:
646:
642:
636:
634:
630:
623:
621:
619:
615:
611:
603:
600:
596:
593:
590:
587:
584:
580:
577:
574:
571:
568:
567:Jules Moinaux
565:
564:
563:
560:
558:
554:
550:
546:
542:
534:
532:
530:
525:
520:
518:
514:
509:
505:
504:Ernest Griset
501:
497:
493:
489:
481:Illustrations
480:
475:
470:
463:
461:
459:
455:
451:
447:
443:
439:
435:
433:
429:
425:
421:
417:
413:
409:
405:
401:
397:
392:
390:
386:
385:ridiculus mus
382:
378:
374:
370:
366:
365:
360:
352:
350:
348:
344:
340:
335:
333:
332:
327:
322:
317:
312:
305:
303:
301:
296:
293:
291:
287:
283:
275:
272:
268:
261:
260:
259:
257:
253:
249:
244:
241:
236:
231:
226:
222:
218:
214:
209:
205:. The future
203:
197:
174:
170:
169:
168:
167:
166:
165:
164:
163:
162:
161:
160:
159:
158:
157:
155:
152:
149:
146:
145:
141:
137:
134:
130:
127:
123:
120:
116:
115:
114:
112:
111:
106:
98:
95:
92:
89:
88:
84:
80:
77:
73:
70:
66:
63:
59:
58:
57:
55:
47:
45:
43:
39:
35:
31:
30:
21:
2479:John Lydgate
2420:
2383:
2376:
2356:
2349:
2328:
2304:Lion's share
2289:Panchatantra
2284:Jataka tales
2136:The Two Pots
2060:
1743:
1732:
1713:
1702:. Retrieved
1688:
1676:. Retrieved
1662:
1650:. Retrieved
1636:
1624:. Retrieved
1610:
1598:. Retrieved
1584:
1565:
1554:. Retrieved
1545:
1536:
1524:. Retrieved
1510:
1499:. Retrieved
1490:
1481:
1467:
1449:
1444:
1426:
1422:
1400:
1389:. Retrieved
1380:
1371:
1362:
1348:
1339:
1334:
1323:. Retrieved
1314:
1305:
1294:. Retrieved
1280:
1269:. Retrieved
1260:
1251:
1242:
1233:
1219:
1210:
1204:
1193:. Retrieved
1184:
1175:
1163:
1152:. Retrieved
1138:
1124:
1113:
1109:
1098:
1094:
1083:. Retrieved
1069:
1057:
1045:
1034:
1026:
1015:. Retrieved
1006:
997:
991:vol. 2, p. 9
986:
981:
970:
966:
962:
951:
947:
928:
909:
894:
888:
877:
869:
864:
853:
849:
840:
832:
820:
813:
805:
800:
791:
780:
772:
754:
749:
725:
717:
713:
691:
682:
673:
664:
653:. Retrieved
644:
617:
613:
610:Bob Chilcott
607:
598:
582:
579:Pauline Thys
561:
556:
552:
548:
544:
540:
538:
521:
500:Sancho Panza
492:Gustave Doré
484:
473:
441:
436:
427:
419:
418:. There, in
415:
407:
395:
393:
388:
384:
372:
369:Art Poétique
368:
362:
356:
342:
338:
336:
329:
313:
309:
299:
297:
294:
279:
270:
245:
234:
192:
172:
108:
102:
51:
28:
27:
26:
2539:Zhou Zuoren
2534:Robert Thom
2524:Ivan Krylov
2432:Translators
2370:adaptations
2343:adaptations
2294:Perry Index
1678:October 31,
1652:October 31,
1626:October 31,
1600:October 31,
1546:data.bnf.fr
1526:October 31,
1211:Ars Poetica
1049:Fable 222,
975:pp. 363â364
956:pp. 190â192
785:pp. 515â516
718:Ars Poetica
595:RĂ©gis Campo
496:Don Quixote
364:Ars Poetica
173:Ars Poetica
38:Perry Index
2554:Categories
2180:Apocryphal
1704:2019-10-31
1556:2024-08-25
1501:2024-08-25
1391:2019-10-28
1325:2019-10-28
1296:2019-10-28
1271:2019-10-28
1213:, line 143
1195:2024-08-25
1154:2019-10-28
1085:2019-10-24
1075:"Line 198"
1017:2019-10-24
716:, note on
655:2011-02-01
624:References
476:, May 1872
454:vaudeville
424:Lord Byron
326:John Gower
240:parturient
230:parturiunt
208:parturient
202:parturient
196:parturiunt
175:, 136â139)
32:is one of
1063:pp. 73â74
620:in 2013.
508:grisaille
290:Agesilaus
256:Athenaeus
252:Porphyrio
2570:Proverbs
2444:Phaedrus
1752:Archived
1722:Archived
1698:Archived
1672:Archived
1646:Archived
1620:Archived
1594:Archived
1574:Archived
1550:Archived
1520:Archived
1495:Archived
1457:Archived
1434:Archived
1412:Archived
1385:Archived
1364:The Wasp
1356:Archived
1319:Archived
1290:Archived
1265:Archived
1189:Archived
1148:Archived
1079:Archived
1011:Archived
937:Archived
918:Archived
899:Archived
826:Archived
806:Eikasmos
762:Archived
759:Bartleby
649:Archived
569:in 1846.
559:(2013).
513:eruption
404:quatrain
398:(1678),
248:Plutarch
54:Phaedrus
2454:Avianus
2449:Babrius
2333:(album)
2277:Related
1816:Aesop's
1749:YouTube
1719:YouTube
1571:YouTube
1381:Gallica
601:(2005).
585:(1861).
328:in his
316:Romulus
217:Servius
2378:Ysopet
2341:Screen
1818:Fables
1772:online
732:esurio
557:Fables
367:in an
286:TachĆs
221:Jerome
219:, and
213:Probus
105:Horace
2368:Print
1808:Aesop
1431:p. 19
1051:p.441
535:Music
235:-urio
1680:2019
1654:2019
1628:2019
1602:2019
1528:2019
1342:1872
720:139.
2556::
1696:.
1548:.
1544:.
1493:.
1489:.
1407:,
1383:.
1379:.
1317:.
1313:.
1288:.
1263:.
1259:.
1241:.
1187:.
1183:.
1146:.
1101:,
1077:.
1009:.
1005:.
823:".
779:,
757:,
705:^
681:.
647:.
643:.
632:^
515:.
460:.
258::
215:,
56::
2415:"
2411:"
2408:"
2404:"
2401:"
2397:"
2394:"
2390:"
1800:e
1793:t
1786:v
1707:.
1559:.
1504:.
1475:.
1394:.
1328:.
1299:.
1274:.
1245:.
1227:.
1198:.
1157:.
1088:.
1020:.
744:.
742:'
736:'
685:.
658:.
171:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.