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The Mountain in Labour

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20: 469: 302:'The mountain labors a mouse'." After Aesop's fables were taken to Japan by Christian missionaries in the 16th century, they became independently acculturated. In 1955 the saying "A great mountain is in labor and brings forth a rat and nothing else" was recorded as a native proverb. The proverb has also been translated into Indonesian. 40:. The story became proverbial in Classical times and was applied to a variety of situations. It refers to speech acts which promise much but deliver little, especially in literary and political contexts. In more modern times the satirical intention behind the fable was given greater emphasis following 440:, in his prose retelling of the fable, cites "Great cry and little wool" as a parallel English proverb and applies the story to the empty promises of politicians. French writers too interpreted the fable in political terms. EugĂšne Desmares wrote an imitation of all La Fontaine's fables as 526:
in 1829 was satirised in a contemporary print by Thomas McLean (1788–1875) with the title "The Mountain in Labour – or much ado about nothing". In the United States several presidential nominees were made the butt of such cartoons, as were attempts to quell the disturbances preceding the
555:, the French equivalent of the English proverb "A great cry and little wool". There was also a new edition of La Vallette's work published in 1886 with a piano arrangement by LĂ©opold Dauphin (1847–1925). The fable's text was also set by Emmanuel Clerc (b. 1963) as part of his work 379:(V. 10), the first six lines are given to an updated relation in which it is imagined that the mountain is about to be delivered of a city bigger than Paris. That is followed by eight lines of reflection on the kind of author who promises great things although, as 1433: 510:
by Louis Eugùne Lambert (1825–1909) unites Horace's interpretation of turbulence within the mountain as volcanic activity with the fable's association with literary criticism. There a mouse crouches on the cover of an ancient book and looks across to an
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gives a more extended interpretation, commenting that it warns one not to believe big talk, "for there are some who promise many more things than they deliver, and some who threaten much and perform least". This was more or less the conclusion on which
1456: 2398: 1318: 506:'s print of 1869 brings the satire up to date by picturing a crowd of pedants equipped with telescopes, measuring instruments and a primitive camera, all focussed into the distance on the minuscule mouse on the peak. An 1880 323:
closed his ambiguous adaptation of the story as "a hylle whiche beganne to tremble and shake by cause of the molle whiche delved hit". There was, however, a closer English-language version of the fable told earlier by
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During the Middle Ages the fable was retold many times without significant variation. The moral, however, was differently expressed and widened to specify a variety of circumstances to which it could be applied.
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La Fontaine had emphasised the satirical intent in Horace's original allusion to the fable of the mountain in labour, amplifying the ridiculousness of the situation. His illustrators were soon to follow suit.
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The verse is discussed in an article by Howard Jacobson (2007), in which he argues that the original proverb may have meant "she was in labour with a mountain, but in the end produced only a mouse".
44:'s interpretation of it. Illustrations to the text underlined its ironical application particularly and went on to influence cartoons referring to the fable elsewhere in Europe and America. 1310: 1494: 237:
the present tense already has an inherently future meaning ("they wish to give birth", "they are about to give birth"). However, A. S. Wilkins in his edition defends the future tense
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for piano and choir (2008); and a purely musical interpretation for small orchestra by Matt Fernald as the first part of his musical thesis composition, performed under the title
375:(The mountain in labour gives birth to a mouse), soon became proverbial and were applied to any great hope that came to nothing. In the version of the tale published in 1668 in 2412: 974: 1338: 422:(The Mountain and the Poet), he introduced a rhymester big with an epic idea: but "What arrives embroidered upon it? Like the mouse from a mountain, a sonnet." And when 1697: 936: 448:'s reign. There "La Revolution qui accouche" addressed itself to disappointed expectations. Following the removal of Louis Philippe in 1848 and the declaration of a 113:. Discussing what to avoid in a poem's opening, he recommends a writer not to begin an epic poem in too grandiose a way, to avoid what follows being an anticlimax: 1038: 1256: 1408: 1117: 539:
During the 18th century, Jean-Philippe Valette (d.1750) compiled a collection of moralising fables based on La Fontaine's and set to popular tunes of the day,
1289: 2405: 1224: 1377:""La montagne qui accouche." C'est Louis-Philippe, affalĂ© sur des sacs d'or, qui accouche de souris Ă  portefeuilles de ministres : [estampe]" 1147: 1168: 490:'s print of 1752 balances the agitated folk scurrying over the mountain slopes to the right with the mouse creeping warily over the rock face opposite. 2384: 254:
claimed that it was a Greek proverb that Horace had been quoting. One early version of the proverb in Greek is the following, which is quoted by
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translates it, "What often comes to pass? – Just gas." La Fontaine's rhymed short line at the end imitates the vowel assonance of Horace's
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of 1882. In France the fable's title was applied to the parliamentary policy of Louis Philippe and to the foreign policy of Napoleon III.
1430: 1188: 1078: 2357: 2308: 2010: 1850: 1453: 1355: 2247: 1865: 784: 2222: 2125: 1945: 1384: 2564: 1050: 1616:"La Montagne qui accouche. Fable de La Fontaine [Pour chant à 4 voix d'hommes, sans accompagnement]. 4e Collection, n° 5" 1257:"The Mountain in Labour – or Much ado about nothing by Ireland, Obstetrics, Thomas McLean on Antipodean Books, Maps & Prints" 519:, on the other hand, reverses the scale in his Aesop's Fables (1909) by picturing a huge mouse crouched upon a mountain outcrop. 2350: 2025: 1798: 1549: 2035: 1671: 1645: 1619: 1593: 1519: 523: 1736: 917: 898: 776: 648: 1693: 933: 2170: 1890: 1870: 1845: 243:, explaining the line as meaning "if you do begin so, it will be a case of 'Mountains in labour, and out comes a mouse'." 1751: 1721: 2242: 2165: 2085: 2000: 1955: 358: 2298: 2237: 2232: 2145: 2110: 2095: 2040: 1825: 2323: 2559: 1209: 761: 391:(The mountain giving birth), thus putting more emphasis on the situation rather than, as in Boileau, on the result. 2202: 2070: 1910: 1855: 1771: 825: 292:, mocking him for his small stature. Agesilaus is said to have replied "One day I will appear to you like a lion!" 1285: 844:
Carnes, Pack. "The fable and the proverb: Intertexts and reception." In Wise Words , pp. 467-493. Routledge, 2015.
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The fable was also annexed to the satirical work of political cartoonists. The agitation that greeted the British
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is seated on an opposite ridge, expounding his surmises concerning the tremendous outcome expected to
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The proverb has become known far from Europe. It is now “known as far away as Japan, as the proverb
2518: 2493: 2443: 2045: 1995: 1835: 1791: 1363: 699:. London, W. Heinemann; New York, G.P. Putnam's Sons. August 25, 1926 – via Internet Archive. 487: 53: 394:
Other poets shortly followed La Fontaine's lead in applying the fable to boastful authors. In his
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Recueil de fables choisies dans le goût de La Fontaine, sur de petits airs et vaudevilles connus
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Two French poets followed Horace in applying the story to literary criticism. In the case of
2528: 2503: 2463: 445: 345:. In this instance, however, the allusion was in connection with the different fable about 2513: 2508: 2498: 2473: 2196: 2140: 1755: 1725: 1577: 1460: 1437: 1415: 1409:"La montagne va accoucher d'une souris pourvu que la souris n'accouche pas d'une montagne" 1359: 1353: 1180: 940: 921: 902: 829: 765: 346: 224: 2303: 491: 1376: 1784: 1208:"The poet intends not smoke from flame, but light from smoke," A.S. Kline translation, 1030: 594: 437: 431: 396:
Nouveau recueil des fables d'Esope mises en français, avec le sens moral en quatre vers
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The words of La Fontaine's own fable were set by several other musicians, including:
503: 285: 1002: 2478: 2288: 2283: 2135: 1541: 858:"Aesop’s Fables in Japanese Literature for Children: Classical Antiquity and Japan" 854:
Our Mythical Childhood... The Classics and Literature for Children and Young Adults
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The Taill of how this forsaid Tod maid his Confessioun to Freir Wolf Waitskaith
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broadens the satire with a parallel literary reference. In his 1867 engraving,
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provided an introductory prose version of the fable, succeeded by a dismissive
341:) was reproduced word for word in another mediaeval compilation of fables, the 1748: 1718: 1570: 453: 423: 325: 276:"A mountain was in labour, and Zeus was scared; but it gave birth to a mouse." 2267: 1003:"Fables de La Fontaine (Ă©d. Barbin)/2/La Montagne qui accouche – Wikisource" 507: 255: 211:
is found in all the chief manuscripts and also in quotations of the line in
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The earliest surviving version of the tale is in a four-line Latin poem by
430:(1811), he substituted a reference to a contemporary writer of bad epics, 1311:"HarpWeek | American Political Prints 1766-1876 | Medium Image" 758: 512: 403: 247: 818: 2453: 2448: 1516:"La Montagne qui accouche, d'aprĂšs La Fontaine par Mr J.-D. Moinaux..." 547:), retold in three regular quatrains. This version was set to the air 387:
in the original Latin. The title that La Fontaine gave this fable was
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Dictionnaire universel: contenant generalement tous les mots François
334:(c. 1390), with the advice not to be taken in by every empty rumour. 269: 220: 104: 1450:
Dictionnaire nouveau et universel des langues française et anglaise
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Alain Savouret (b. 1942) in a setting for accompanied voice (2013).
1807: 1590:"Six Fables de La Fontaine, mises en musique par Mme Pauline Thys" 467: 349:, which has as subject the ineffectiveness of political dialogue. 18: 881: 1780: 452:, the new political situation was again satirised in a one-act 246:
A number of writers of Greek origin also alluded to the fable.
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One of the Anglo-Latin prose collections going under the name
1682:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr). 1656:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr). 1630:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr). 1604:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr). 1530:– via BnF Catalogue gĂ©nĂ©ral (http:// catalogue.bnf.fr). 1487:"Emmanuel Clerc : Fables, pour soprano et trio Ă  cordes" 262: 96:
But it gave birth to a mouse. This has been written for you,
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described it as an "old proverb", and the Latin grammarian
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And don't start like an old writer of epic cycles once did:
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who, though you threaten great things, accomplish nothing."
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Auguste Delierre's 1883 etching of "The Mountain in Labour"
284:, was supposedly said by the 4th-century BC Egyptian King 729:
These verbs are called "desiderative" verbs, for example
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In addition there was an English-language version set by
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Friedrichs von Hagedorn Poetische Werke (Hamburg 1800),
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Mountains will labour: what's born? A ridiculous mouse!
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But the most well-known mention of the fable appears in
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which ended with a repetition of Boileau's pithy line,
1642:"5 fables de La Fontaine : pour soprano et piano" 414:, imitated La Fontaine's fable in his 1738 collection 150:"Of Priam's fate I'll sing, and the greatest of Wars." 444:
in order to comment on the situation at the start of
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The Taill of the Uponlandis Mous and the Burges Mous
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What could he produce to match his opening promise?
90:"A mountain was in labour, uttering immense groans, 1181:"'The Mountain in Labour', by Ernest Henry Griset" 543:(1734). Among these was "The Mountain in Labour" ( 456:, titled after the fable and written by Varin and 442:Les mĂ©tamorphoses du jour: ou, La Fontaine en 1831 1132:. Beck. August 25, 1849 – via Google Books. 1130:"La montagne qui accouche: vaudeville en un acte" 193:Some editions of the poem have the present tense 271:áč“dinen Ăłros, ZeĂčs d' ephobeĂźto, tĂČ d' Ă©teken mĂ»n 264:ᜀΎÎčΜΔΜ áœ„ÏÎżÏ‚, ΖΔáœșς ÎŽ' áŒÏ†ÎżÎČÎ”áż–Ï„Îż, τ᜞ ÎŽ' ጔτΔÎșΔΜ ÎŒáżŠÎœ 1167:Éducation Ă  l'Environnement et au Patrimoine, 93:and on earth there was very great expectation. 1792: 434:, "Whose epic mountains never fail in mice". 76:At ille murem peperit. Hoc scriptum est tibi, 8: 133:quid dignum tanto feret hic promissor hiatu? 119:nec sic incipies, ut scriptor cyclicus olim: 2406:The Taill of Schir Chanticleir and the Foxe 954:, University of Illinois 1919; fable LXII, 952:Ysopet-Avionnet, the Latin and French texts 730: 591:for four unaccompanied men's voices (1861). 238: 228: 206: 200: 194: 138: 131: 126:"fortunam Priami cantabo et nobile bellum." 124: 117: 81: 74: 67: 60: 1799: 1785: 1777: 1035:The Complete Fables of Jean de La Fontaine 932:"The tale of the mountain and the mouse", 233:, arguing that like other verbs ending in 140:parturient montes, nascetur ridiculus mus. 2385:The Morall Fabillis of Esope the Phrygian 821:parturient montes, nascetur ridiculus mus 804:Kwapisz, Jan (2016). "Sotades on kings". 408:La montagne en travail enfante une souris 373:La montagne en travail enfante une souris 339:Parturient montes, nascetur ridiculus mus 629: 83:qui, magna cum minaris, extricas nihil. 62:Mons parturibat, gemitus immanes ciens, 1717:A performance of this is available on 1674:from the original on November 17, 2019 1622:from the original on November 12, 2019 1522:from the original on November 17, 2019 708: 706: 635: 633: 472:An American cartoon on the theme from 1770:15th–20th century book illustrations 1592:. E. Saint-Hilaire. August 25, 1861. 7: 1648:from the original on August 25, 2024 1596:from the original on August 25, 2024 361:, he was imitating the Roman poet's 337:The actual line from Horace's poem ( 69:eratque in terris maxima expectatio. 2309:Out of the frying pan into the fire 2199:(also known as The Mice in Council) 2011:The Goose that Laid the Golden Eggs 1851:The Astrologer who Fell into a Well 1261:Antipodean Books, Maps & Prints 1103:"The Mountains in Labour", Fable 26 697:"Satires, Epistles and Ars poetica" 679:"Horace (65 BC–8 BC) - Ars Poetica" 2248:The miller, his son and the donkey 1866:The Bird-catcher and the Blackbird 1670:. MĂŽmeludies Ă©d. August 25, 2013. 1618:. Gambogi F.res. August 25, 1861. 915:2.5, "Of the Montayn whiche shoke" 712:Wilkins, A.S. (1885, repr. 1964). 14: 2223:The drowned woman and her husband 2126:The Travellers and the Plane Tree 1946:The Fisherman and the Little Fish 781:History of the Graeco-Latin Fable 36:and appears as number 520 in the 2026:The Horse that Lost its Liberty 1700:from the original on 2019-10-31 1644:. H. Lemoine. August 25, 2008. 1552:from the original on 2019-10-31 1497:from the original on 2024-06-16 1491:Scop Les Editions buissonnieres 1387:from the original on 2019-10-28 1321:from the original on 2020-02-11 1292:from the original on 2019-10-28 1267:from the original on 2019-10-28 1191:from the original on 2021-06-30 1150:from the original on 2019-10-28 1081:from the original on 2020-08-03 1013:from the original on 2019-10-24 651:from the original on 2023-06-05 549:Nos plaisirs seront peu durable 2036:The Lion, the Bear and the Fox 1352:Online Archive of California, 426:was updating allusions in his 280:The Greek verse above, in the 1: 2171:The Young Man and the Swallow 1891:The Cock, the Dog and the Fox 1871:The Bird in Borrowed Feathers 1452:, Philadelphia 1810, Vol. 2, 1169:Fables de Jean de La Fontaine 872:. Tokyo: Japan Travel Bureau. 2358:The Grasshopper and the Ants 2243:The Hawk and the Nightingale 2166:The Woodcutter and the Trees 2121:Town Mouse and Country Mouse 2086:The Old Woman and the Doctor 2001:The Frogs Who Desired a King 1144:"akg-images - Search Result" 971:Oeuvres complĂštes de Boileau 551:and provided with the moral 502:, who is seated beside him. 300:Taizan meido , nezumi ippiki 2299:The labyrinth of Versailles 2238:The Gourd and the Palm-tree 2146:Washing the Ethiopian White 2111:The Snake in the Thorn Bush 2096:The Satyr and the Traveller 2041:The Man with Two Mistresses 1826:The Ant and the Grasshopper 1429:(Paris, 1734), Fable XXII, 969:, Chant III, lines 269-74; 777:Francisco RodrĂ­guez Adrados 683:www.poetryintranslation.com 2586: 2203:The Blind Man and the Lame 2071:The North Wind and the Sun 1911:The Dog and Its Reflection 1856:The Bear and the Travelers 1846:The Ass in the Lion's Skin 1668:"La montagne qui accouche" 1427:Recueil de Fables choisies 1099:Fables of Aesop and Others 739:I wish to eat, I am hungry 263: 2319:The milkmaid and her pail 2268:The Shepherd and the Lion 2263:The Scorpion and the Frog 2192:The Bear and the Gardener 2131:The Trees and the Bramble 2116:The Tortoise and the Hare 2091:The Rose and the Amaranth 1976:The Fox and the Sick Lion 1861:The Belly and the Members 1841:The Ass Carrying an Image 1114:Les mĂ©tamorphoses du jour 583:Six Fables de La Fontaine 524:Roman Catholic Relief Act 306:Mediaeval interpretations 2324:Wolf in sheep's clothing 2208:The Boy and the Filberts 2151:The Weasel and Aphrodite 2066:The Mouse and the Oyster 2021:The Horse and the Donkey 1951:The Fowler and the Snake 1936:The Farmer and the Viper 1931:The Farmer and the Stork 1906:The Deer without a Heart 1896:The Crow and the Pitcher 817:Howard Jacobson (2007). 641:"The Mountain in Labour" 553:Grand bruit, peu d'effet 389:La montagne qui accouche 2258:The Priest and the Wolf 2213:Chanticleer and the Fox 2056:The Moon and her Mother 1991:The Fox and the Woodman 1941:The Fir and the Bramble 1831:The Ass and his Masters 913:Aesop's Fables (1484), 795:Sotades, fr. 22 Powell. 599:5 Fables de La Fontaine 353:Literature and politics 2253:The Monkey and the Cat 2187:An ass eating thistles 2156:The Wolf and the Crane 2106:The Snake and the Crab 2061:The Mountain in Labour 2051:The Miser and his Gold 2031:The Lion and the Mouse 1986:The Fox and the Weasel 1961:The Fox and the Grapes 1901:The Crow and the Snake 1886:The Cock and the Jewel 1876:The Boy Who Cried Wolf 1518:Heu. August 25, 1846. 1286:"A lithograph of 1843" 973:(Vol. 2, Paris 1872), 731: 714:The Epistles of Horace 575:for two voices (1860). 545:La montagne en travail 477: 450:French Second Republic 416:Fabeln und ErzĂ€hlungen 412:Friedrich von Hagedorn 410:. A German poet too, 239: 229: 207: 201: 199:instead of the future 195: 139: 132: 125: 118: 82: 75: 68: 61: 29:The Mountain in Labour 24: 2439:Demetrius of Phalerum 2392:The Cock and the Jasp 2314:Still waters run deep 2218:The Dog in the Manger 2161:The Wolf and the Lamb 2081:The Old Man and Death 2016:The Honest Woodcutter 2006:The Goat and the Vine 1981:The Fox and the Stork 1926:The Eagle and the Fox 1225:"RĂ©mi FrĂ©miot Images" 892:Romulus Anglicus 90, 618:An Evening with Aesop 612:as the fourth in his 597:as the second of his 529:Chinese Exclusion Act 517:Edward Julius Detmold 471: 464:The fable in the arts 420:Der Berg und der Poet 22: 2565:La Fontaine's Fables 2489:Laurentius Abstemius 2422:La Fontaine's Fables 2228:The Elm and the Vine 2076:The Oak and the Reed 1971:The Fox and the Mask 1966:The Fox and the Lion 1956:The Fox and the Crow 1921:The Dove and the Ant 1916:The Dog and the Wolf 1881:The Cat and the Mice 1473:"Les Monts de Reuil" 895:de monte parturiente 868:Okada, Rokuo. 1955. 783:vol. 3, Brill 2003, 377:La Fontaine's Fables 288:to the Spartan king 2519:Jean de La Fontaine 2469:AdĂ©mar de Chabannes 2351:Aesop's Film Fables 2233:The Fox and the Cat 2046:The Mischievous Dog 1996:The Frog and the Ox 1836:The Ass and the Pig 1033:'s introduction to 985:Antoine FuretiĂšre, 755:Familiar Quotations 488:Jean-Baptiste Oudry 48:The Classical fable 42:Jean de la Fontaine 2459:Dositheus Magister 1754:2021-07-23 at the 1724:2016-04-08 at the 1576:2022-12-15 at the 1459:2024-08-25 at the 1436:2024-08-25 at the 1414:2020-11-29 at the 1358:2015-09-25 at the 1243:www.flickriver.com 1037:(trans. Shapiro), 939:2019-11-18 at the 920:2019-03-22 at the 901:2019-03-22 at the 828:2022-05-10 at the 764:2011-04-24 at the 478: 458:Arthur de Beauplan 400:Isaac de Benserade 227:preferred to read 25: 2547: 2546: 1747:A performance on 1569:A performance on 1542:"ThĂ©odore Ymbert" 1007:fr.wikisource.org 870:Japanese Proverbs 833:Museum Helveticum 819:"Horace, AP 139: 428:Hints from Horace 331:Confessio Amantis 110:The Art of Poetry 2577: 2529:Nicolas Trigault 2504:Hieronymus Osius 2494:Roger L'Estrange 2464:Alexander Neckam 1801: 1794: 1787: 1778: 1758: 1745: 1739: 1734: 1728: 1715: 1709: 1708: 1706: 1705: 1690: 1684: 1683: 1681: 1679: 1664: 1658: 1657: 1655: 1653: 1638: 1632: 1631: 1629: 1627: 1612: 1606: 1605: 1603: 1601: 1586: 1580: 1567: 1561: 1560: 1558: 1557: 1538: 1532: 1531: 1529: 1527: 1512: 1506: 1505: 1503: 1502: 1483: 1477: 1476: 1469: 1463: 1446: 1440: 1424: 1418: 1402: 1396: 1395: 1393: 1392: 1373: 1367: 1350: 1344: 1336: 1330: 1329: 1327: 1326: 1315:loc.harpweek.com 1307: 1301: 1300: 1298: 1297: 1282: 1276: 1275: 1273: 1272: 1253: 1247: 1246: 1235: 1229: 1228: 1221: 1215: 1206: 1200: 1199: 1197: 1196: 1185:victorianweb.org 1177: 1171: 1165: 1159: 1158: 1156: 1155: 1140: 1134: 1133: 1126: 1120: 1111: 1105: 1096: 1090: 1089: 1087: 1086: 1071: 1065: 1059: 1053: 1047: 1041: 1028: 1022: 1021: 1019: 1018: 999: 993: 983: 977: 964: 958: 949: 943: 930: 924: 911: 905: 890: 884: 879: 873: 866: 860: 851: 845: 842: 836: 815: 809: 808:27, pp. 121–136. 802: 796: 793: 787: 774: 768: 751: 745: 743: 740: 737: 734: 727: 721: 710: 701: 700: 693: 687: 686: 675: 669: 666: 660: 659: 657: 656: 645:mythfolklore.net 637: 446:Louis Philippe I 273: 266: 265: 242: 232: 223:. Despite this, 210: 204: 198: 142: 135: 128: 121: 85: 78: 71: 64: 2585: 2584: 2580: 2579: 2578: 2576: 2575: 2574: 2550: 2549: 2548: 2543: 2514:Robert Henryson 2509:Marie de France 2499:Gabriele Faerno 2484:Kawanabe Kyƍsai 2474:Odo of Cheriton 2427: 2369: 2363: 2342: 2336: 2272: 2197:Belling the Cat 2175: 2141:The Walnut Tree 1817: 1810: 1805: 1767: 1762: 1761: 1756:Wayback Machine 1746: 1742: 1737:Amherst College 1735: 1731: 1726:Wayback Machine 1716: 1712: 1703: 1701: 1692: 1691: 1687: 1677: 1675: 1666: 1665: 1661: 1651: 1649: 1640: 1639: 1635: 1625: 1623: 1614: 1613: 1609: 1599: 1597: 1588: 1587: 1583: 1578:Wayback Machine 1568: 1564: 1555: 1553: 1540: 1539: 1535: 1525: 1523: 1514: 1513: 1509: 1500: 1498: 1485: 1484: 1480: 1471: 1470: 1466: 1461:Wayback Machine 1447: 1443: 1438:Wayback Machine 1425: 1421: 1416:Wayback Machine 1403: 1399: 1390: 1388: 1375: 1374: 1370: 1360:Wayback Machine 1351: 1347: 1340:Harper's Weekly 1337: 1333: 1324: 1322: 1309: 1308: 1304: 1295: 1293: 1284: 1283: 1279: 1270: 1268: 1255: 1254: 1250: 1237: 1236: 1232: 1223: 1222: 1218: 1207: 1203: 1194: 1192: 1179: 1178: 1174: 1166: 1162: 1153: 1151: 1142: 1141: 1137: 1128: 1127: 1123: 1112: 1108: 1097: 1093: 1084: 1082: 1073: 1072: 1068: 1060: 1056: 1048: 1044: 1029: 1025: 1016: 1014: 1001: 1000: 996: 989:, 3rd ed 1708, 984: 980: 965: 961: 950: 946: 941:Wayback Machine 931: 927: 922:Wayback Machine 912: 908: 903:Wayback Machine 891: 887: 882:Indonesian link 880: 876: 867: 863: 852: 848: 843: 839: 835:, 64(1), 59-61. 830:Wayback Machine 816: 812: 803: 799: 794: 790: 775: 771: 766:Wayback Machine 753:John Bartlett, 752: 748: 741: 738: 735: 728: 724: 711: 704: 695: 694: 690: 677: 676: 672: 667: 663: 654: 652: 639: 638: 631: 626: 589:FĂ©lix Godefroid 581:as part of her 573:ThĂ©odore Ymbert 537: 483: 474:Harper's Weekly 466: 359:Nicolas Boileau 355: 347:Belling the cat 343:Ysopet-Avionnet 308: 225:Richard Bentley 50: 17: 12: 11: 5: 2583: 2581: 2573: 2572: 2567: 2562: 2560:Aesop's Fables 2552: 2551: 2545: 2544: 2542: 2541: 2536: 2531: 2526: 2521: 2516: 2511: 2506: 2501: 2496: 2491: 2486: 2481: 2476: 2471: 2466: 2461: 2456: 2451: 2446: 2441: 2435: 2433: 2429: 2428: 2426: 2425: 2418: 2417: 2416: 2409: 2402: 2395: 2381: 2373: 2371: 2365: 2364: 2362: 2361: 2354: 2346: 2344: 2338: 2337: 2335: 2334: 2330:Aesop's Fables 2326: 2321: 2316: 2311: 2306: 2301: 2296: 2291: 2286: 2280: 2278: 2274: 2273: 2271: 2270: 2265: 2260: 2255: 2250: 2245: 2240: 2235: 2230: 2225: 2220: 2215: 2210: 2205: 2200: 2194: 2189: 2183: 2181: 2177: 2176: 2174: 2173: 2168: 2163: 2158: 2153: 2148: 2143: 2138: 2133: 2128: 2123: 2118: 2113: 2108: 2103: 2098: 2093: 2088: 2083: 2078: 2073: 2068: 2063: 2058: 2053: 2048: 2043: 2038: 2033: 2028: 2023: 2018: 2013: 2008: 2003: 1998: 1993: 1988: 1983: 1978: 1973: 1968: 1963: 1958: 1953: 1948: 1943: 1938: 1933: 1928: 1923: 1918: 1913: 1908: 1903: 1898: 1893: 1888: 1883: 1878: 1873: 1868: 1863: 1858: 1853: 1848: 1843: 1838: 1833: 1828: 1822: 1820: 1812: 1811: 1806: 1804: 1803: 1796: 1789: 1781: 1775: 1774: 1766: 1765:External links 1763: 1760: 1759: 1740: 1729: 1710: 1685: 1659: 1633: 1607: 1581: 1562: 1533: 1507: 1478: 1464: 1448:N. G. Dufief, 1441: 1419: 1397: 1368: 1345: 1331: 1302: 1277: 1248: 1230: 1216: 1201: 1172: 1160: 1135: 1121: 1118:vol. 1, p. 196 1116:(Paris 1831), 1106: 1091: 1066: 1054: 1042: 1039:pp. xxxiv–xxxv 1031:John Hollander 1023: 994: 978: 967:L'Art PoĂ©tique 959: 944: 934:VII. 3553-3580 925: 906: 885: 874: 861: 856:(Brill 2016), 846: 837: 810: 797: 788: 769: 746: 722: 702: 688: 670: 668:Phaedrus 4.24. 661: 628: 627: 625: 622: 614:Aesop's Fables 606: 605: 602: 592: 586: 576: 570: 536: 533: 482: 479: 465: 462: 438:Samuel Croxall 432:Robert Southey 381:Norman Shapiro 354: 351: 321:William Caxton 307: 304: 282:Sotadean metre 278: 277: 274: 267: 191: 190: 189: 188: 187: 186: 185: 184: 183: 182: 181: 180: 179: 178: 177: 176: 154: 151: 148: 144: 143: 136: 129: 122: 107:'s epistle on 101: 100: 97: 94: 91: 87: 86: 79: 72: 65: 49: 46: 34:Aesop's Fables 16:Fable by Aesop 15: 13: 10: 9: 6: 4: 3: 2: 2582: 2571: 2568: 2566: 2563: 2561: 2558: 2557: 2555: 2540: 2537: 2535: 2532: 2530: 2527: 2525: 2522: 2520: 2517: 2515: 2512: 2510: 2507: 2505: 2502: 2500: 2497: 2495: 2492: 2490: 2487: 2485: 2482: 2480: 2477: 2475: 2472: 2470: 2467: 2465: 2462: 2460: 2457: 2455: 2452: 2450: 2447: 2445: 2442: 2440: 2437: 2436: 2434: 2430: 2424: 2423: 2419: 2414: 2410: 2407: 2403: 2400: 2396: 2393: 2389: 2388: 2387: 2386: 2382: 2380: 2379: 2375: 2374: 2372: 2366: 2360: 2359: 2355: 2353: 2352: 2348: 2347: 2345: 2339: 2332: 2331: 2327: 2325: 2322: 2320: 2317: 2315: 2312: 2310: 2307: 2305: 2302: 2300: 2297: 2295: 2292: 2290: 2287: 2285: 2282: 2281: 2279: 2275: 2269: 2266: 2264: 2261: 2259: 2256: 2254: 2251: 2249: 2246: 2244: 2241: 2239: 2236: 2234: 2231: 2229: 2226: 2224: 2221: 2219: 2216: 2214: 2211: 2209: 2206: 2204: 2201: 2198: 2195: 2193: 2190: 2188: 2185: 2184: 2182: 2178: 2172: 2169: 2167: 2164: 2162: 2159: 2157: 2154: 2152: 2149: 2147: 2144: 2142: 2139: 2137: 2134: 2132: 2129: 2127: 2124: 2122: 2119: 2117: 2114: 2112: 2109: 2107: 2104: 2102: 2101:The Sick Kite 2099: 2097: 2094: 2092: 2089: 2087: 2084: 2082: 2079: 2077: 2074: 2072: 2069: 2067: 2064: 2062: 2059: 2057: 2054: 2052: 2049: 2047: 2044: 2042: 2039: 2037: 2034: 2032: 2029: 2027: 2024: 2022: 2019: 2017: 2014: 2012: 2009: 2007: 2004: 2002: 1999: 1997: 1994: 1992: 1989: 1987: 1984: 1982: 1979: 1977: 1974: 1972: 1969: 1967: 1964: 1962: 1959: 1957: 1954: 1952: 1949: 1947: 1944: 1942: 1939: 1937: 1934: 1932: 1929: 1927: 1924: 1922: 1919: 1917: 1914: 1912: 1909: 1907: 1904: 1902: 1899: 1897: 1894: 1892: 1889: 1887: 1884: 1882: 1879: 1877: 1874: 1872: 1869: 1867: 1864: 1862: 1859: 1857: 1854: 1852: 1849: 1847: 1844: 1842: 1839: 1837: 1834: 1832: 1829: 1827: 1824: 1823: 1821: 1819: 1813: 1809: 1802: 1797: 1795: 1790: 1788: 1783: 1782: 1779: 1773: 1769: 1768: 1764: 1757: 1753: 1750: 1744: 1741: 1738: 1733: 1730: 1727: 1723: 1720: 1714: 1711: 1699: 1695: 1689: 1686: 1673: 1669: 1663: 1660: 1647: 1643: 1637: 1634: 1621: 1617: 1611: 1608: 1595: 1591: 1585: 1582: 1579: 1575: 1572: 1566: 1563: 1551: 1547: 1543: 1537: 1534: 1521: 1517: 1511: 1508: 1496: 1492: 1488: 1482: 1479: 1474: 1468: 1465: 1462: 1458: 1455: 1454:"Cry", p. 140 1451: 1445: 1442: 1439: 1435: 1432: 1428: 1423: 1420: 1417: 1413: 1410: 1406: 1405:AmĂ©dĂ©e de NoĂ© 1401: 1398: 1386: 1382: 1378: 1372: 1369: 1366: 1365: 1361: 1357: 1354: 1349: 1346: 1343: 1341: 1335: 1332: 1320: 1316: 1312: 1306: 1303: 1291: 1287: 1281: 1278: 1266: 1262: 1258: 1252: 1249: 1244: 1240: 1234: 1231: 1226: 1220: 1217: 1214: 1212: 1205: 1202: 1190: 1186: 1182: 1176: 1173: 1170: 1164: 1161: 1149: 1145: 1139: 1136: 1131: 1125: 1122: 1119: 1115: 1110: 1107: 1104: 1100: 1095: 1092: 1080: 1076: 1070: 1067: 1064: 1058: 1055: 1052: 1046: 1043: 1040: 1036: 1032: 1027: 1024: 1012: 1008: 1004: 998: 995: 992: 988: 982: 979: 976: 972: 968: 963: 960: 957: 953: 948: 945: 942: 938: 935: 929: 926: 923: 919: 916: 910: 907: 904: 900: 897: 896: 889: 886: 883: 878: 875: 871: 865: 862: 859: 855: 850: 847: 841: 838: 834: 831: 827: 824: 822: 814: 811: 807: 801: 798: 792: 789: 786: 782: 778: 773: 770: 767: 763: 760: 756: 750: 747: 733: 726: 723: 719: 715: 709: 707: 703: 698: 692: 689: 684: 680: 674: 671: 665: 662: 650: 646: 642: 636: 634: 630: 623: 621: 619: 615: 611: 603: 600: 596: 593: 590: 587: 584: 580: 577: 574: 571: 568: 567:Jules Moinaux 565: 564: 563: 560: 558: 554: 550: 546: 542: 534: 532: 530: 525: 520: 518: 514: 509: 505: 504:Ernest Griset 501: 497: 493: 489: 481:Illustrations 480: 475: 470: 463: 461: 459: 455: 451: 447: 443: 439: 435: 433: 429: 425: 421: 417: 413: 409: 405: 401: 397: 392: 390: 386: 385:ridiculus mus 382: 378: 374: 370: 366: 365: 360: 352: 350: 348: 344: 340: 335: 333: 332: 327: 322: 317: 312: 305: 303: 301: 296: 293: 291: 287: 283: 275: 272: 268: 261: 260: 259: 257: 253: 249: 244: 241: 236: 231: 226: 222: 218: 214: 209: 205:. The future 203: 197: 174: 170: 169: 168: 167: 166: 165: 164: 163: 162: 161: 160: 159: 158: 157: 155: 152: 149: 146: 145: 141: 137: 134: 130: 127: 123: 120: 116: 115: 114: 112: 111: 106: 98: 95: 92: 89: 88: 84: 80: 77: 73: 70: 66: 63: 59: 58: 57: 55: 47: 45: 43: 39: 35: 31: 30: 21: 2479:John Lydgate 2420: 2383: 2376: 2356: 2349: 2328: 2304:Lion's share 2289:Panchatantra 2284:Jataka tales 2136:The Two Pots 2060: 1743: 1732: 1713: 1702:. Retrieved 1688: 1676:. Retrieved 1662: 1650:. Retrieved 1636: 1624:. Retrieved 1610: 1598:. Retrieved 1584: 1565: 1554:. Retrieved 1545: 1536: 1524:. Retrieved 1510: 1499:. Retrieved 1490: 1481: 1467: 1449: 1444: 1426: 1422: 1400: 1389:. Retrieved 1380: 1371: 1362: 1348: 1339: 1334: 1323:. Retrieved 1314: 1305: 1294:. Retrieved 1280: 1269:. Retrieved 1260: 1251: 1242: 1233: 1219: 1210: 1204: 1193:. Retrieved 1184: 1175: 1163: 1152:. Retrieved 1138: 1124: 1113: 1109: 1098: 1094: 1083:. Retrieved 1069: 1057: 1045: 1034: 1026: 1015:. Retrieved 1006: 997: 991:vol. 2, p. 9 986: 981: 970: 966: 962: 951: 947: 928: 909: 894: 888: 877: 869: 864: 853: 849: 840: 832: 820: 813: 805: 800: 791: 780: 772: 754: 749: 725: 717: 713: 691: 682: 673: 664: 653:. Retrieved 644: 617: 613: 610:Bob Chilcott 607: 598: 582: 579:Pauline Thys 561: 556: 552: 548: 544: 540: 538: 521: 500:Sancho Panza 492:Gustave DorĂ© 484: 473: 441: 436: 427: 419: 418:. There, in 415: 407: 395: 393: 388: 384: 372: 369:Art PoĂ©tique 368: 362: 356: 342: 338: 336: 329: 313: 309: 299: 297: 294: 279: 270: 245: 234: 192: 172: 108: 102: 51: 28: 27: 26: 2539:Zhou Zuoren 2534:Robert Thom 2524:Ivan Krylov 2432:Translators 2370:adaptations 2343:adaptations 2294:Perry Index 1678:October 31, 1652:October 31, 1626:October 31, 1600:October 31, 1546:data.bnf.fr 1526:October 31, 1211:Ars Poetica 1049:Fable 222, 975:pp. 363–364 956:pp. 190–192 785:pp. 515–516 718:Ars Poetica 595:RĂ©gis Campo 496:Don Quixote 364:Ars Poetica 173:Ars Poetica 38:Perry Index 2554:Categories 2180:Apocryphal 1704:2019-10-31 1556:2024-08-25 1501:2024-08-25 1391:2019-10-28 1325:2019-10-28 1296:2019-10-28 1271:2019-10-28 1213:, line 143 1195:2024-08-25 1154:2019-10-28 1085:2019-10-24 1075:"Line 198" 1017:2019-10-24 716:, note on 655:2011-02-01 624:References 476:, May 1872 454:vaudeville 424:Lord Byron 326:John Gower 240:parturient 230:parturiunt 208:parturient 202:parturient 196:parturiunt 175:, 136–139) 32:is one of 1063:pp. 73–74 620:in 2013. 508:grisaille 290:Agesilaus 256:Athenaeus 252:Porphyrio 2570:Proverbs 2444:Phaedrus 1752:Archived 1722:Archived 1698:Archived 1672:Archived 1646:Archived 1620:Archived 1594:Archived 1574:Archived 1550:Archived 1520:Archived 1495:Archived 1457:Archived 1434:Archived 1412:Archived 1385:Archived 1364:The Wasp 1356:Archived 1319:Archived 1290:Archived 1265:Archived 1189:Archived 1148:Archived 1079:Archived 1011:Archived 937:Archived 918:Archived 899:Archived 826:Archived 806:Eikasmos 762:Archived 759:Bartleby 649:Archived 569:in 1846. 559:(2013). 513:eruption 404:quatrain 398:(1678), 248:Plutarch 54:Phaedrus 2454:Avianus 2449:Babrius 2333:(album) 2277:Related 1816:Aesop's 1749:YouTube 1719:YouTube 1571:YouTube 1381:Gallica 601:(2005). 585:(1861). 328:in his 316:Romulus 217:Servius 2378:Ysopet 2341:Screen 1818:Fables 1772:online 732:esurio 557:Fables 367:in an 286:Tachƍs 221:Jerome 219:, and 213:Probus 105:Horace 2368:Print 1808:Aesop 1431:p. 19 1051:p.441 535:Music 235:-urio 1680:2019 1654:2019 1628:2019 1602:2019 1528:2019 1342:1872 720:139. 2556:: 1696:. 1548:. 1544:. 1493:. 1489:. 1407:, 1383:. 1379:. 1317:. 1313:. 1288:. 1263:. 1259:. 1241:. 1187:. 1183:. 1146:. 1101:, 1077:. 1009:. 1005:. 823:". 779:, 757:, 705:^ 681:. 647:. 643:. 632:^ 515:. 460:. 258:: 215:, 56:: 2415:" 2411:" 2408:" 2404:" 2401:" 2397:" 2394:" 2390:" 1800:e 1793:t 1786:v 1707:. 1559:. 1504:. 1475:. 1394:. 1328:. 1299:. 1274:. 1245:. 1227:. 1198:. 1157:. 1088:. 1020:. 744:. 742:' 736:' 685:. 658:. 171:(

Index


Aesop's Fables
Perry Index
Jean de la Fontaine
Phaedrus
Horace
The Art of Poetry
Probus
Servius
Jerome
Richard Bentley
Plutarch
Porphyrio
Athenaeus
Sotadean metre
Tachƍs
Agesilaus
Romulus
William Caxton
John Gower
Confessio Amantis
Belling the cat
Nicolas Boileau
Ars Poetica
La Fontaine's Fables
Norman Shapiro
Isaac de Benserade
quatrain
Friedrich von Hagedorn
Lord Byron

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