500:, Clarkson said he "just jumped off the screen for me. ... He sent me an audition tape, and Andrew just embodied what I imagined the Mountie to be. There is a fearlessness to him ... and he also was a punt return football player, so he actually is pretty tough. I talked to Andrew about how much I wanted Canadian kids to be able to celebrate their icons and their history, and one day he raised his shirt and showed me a maple-leaf tattoo on his chest. Then he said, 'See, I'm true red Canadian too.'" Walker recounted how Clarkson "sold" the film to him as a Canadian
775:, gave the film 2.5 stars, calling it a "taut drama," and thought the Robert Service poems were a "nice touch", at the same time finding "the film stalls during the frequent gun battles, which unfold in an uninspired manner." The film lacks subtlety: "It's as if Grayling had told the townsfolk to boil their dialogue along with their drinking water." Linda Barnard agreed, giving the film 2 stars out of 4, saying the film is "gorgeously shot" but suffers from poor dialogue: "More suited to a made-for-TV movie than theatrical release,
447:, "but always wondered why American sheriffs were depicted onscreen, while Canadian officers were not", arguing the film is educational: "Canada has this rich history and this rich history of iconographic characters that we don't see on our screens and to me that's a real loss, especially for kids who can be so easily influenced to want to learn... For me, it's important as a filmmaker to sort of stir that pot and at least give people access to Canadian stories." In another interview for
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334:- who have set up camp nearby. Olaf, their religious leader, says they killed the man for having stolen from them, the suspended body left as a warning to any other potential thieves. The Cossacks are unhappy about a fort being built on the land they have settled, which means moving. After an encounter with other visiting Cossacks, Grayling realizes why, and why they killed the man: the community's economy is based largely on the
342:. Grayling has personal reasons for putting a stop to it, as he was disgraced in the eyes of his superiors since he was found in a Chinese opium den the previous year. Grayling wages a one-man war against Olaf and the visitors. The matter is complicated by the need to protect the innocent, particularly Olaf's two daughters, the disfigured Amethyst, and young Cleora.
552:. The shooting location was a 45-minute drive for the cast and crew to a logging road, followed by a 30-minute hike to the set itself. Clarkson said he felt "budgetary pressure to shoot the film elsewhere but stood his ground," and suggested "that the best North American westerns of the last 20 years have probably all been shot in Canada."
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redeeming qualities whatsoever: "Perhaps it's cruel to dote on the sheer ineptitude of this production, from its borderline incoherent action sequences to the misguided cinematography and woefully integrated exposition, but it's truly impossible to imagine anyone taking this film seriously beyond mockery and sheer jaw-dropping amazement."
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What
Clarkson ended up with was a handful of screens - mostly on AMC and/or independents, plus a prints and ads budget commensurate with such a small release. The numbers weren't great, but they were surprisingly on a par, if not higher than a number of Hollywood releases within the same multiplexes.
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winds up with a silly ending before it rides off into the sunset." Ken Eisner praises the cinematography, editing, and music, but complains "the story, dialogue, and acting" are sub-par: "The lines themselves—which fall doggedly in the well-charted territory of "Let's finish this!"—sound more like
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gave the film a "mediocre" rating, describing it as "another meticulously made
Canadian feature with a good cast, beautiful music and a gorgeous look," but finding the script extremely lacking: "There isn't a line of believable dialogue or a piece of the action you can't predict, and the ending is
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delivers an entertaining slice of
Canadian history that never feels like it's a patriotic duty to watch," at the same time noting the film is most effective when actions play out against the spectacular backdrop of the Yukon, but "less so when the characters start talking." Liz Braun also gave a
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Robert Bell found the film culturally retrogressive: "Canada has hopped on the male ego bandwagon, purporting the titular enforcer in red as an ersatz cowboy, literally detailing the generic
Western format in the most rudimentary and embarrassing manner possible," opining that the film had no
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Clarkson's "most ambitious project to date", "a solid picture", an "old fashioned western replete with a strange blend of 70s cynicism, grit and ... lush panoramas and a weirdly affecting sentimental streak that would have made John Ford proud." The film is "both unabashedly
Canadian and yet
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A common thread among reviewers, regardless of how they felt about the film, is the similarity of Walker's performance to that of Clint
Eastwood. Linda Barnard in particular did not understand why a Canadian film "spends so much time aping Clint Eastwood it could have been titled
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Craig Morrow and
Cinemavault managing director John Dunstan closed an overseas distribution deal with Jason Price and producer Phillip Daniels of Travesty Productions, retitling the film
453:, he said "I knew to conquer the Canadian West, these guys had to be tough as nails. And I don't think Canadian film has played the resilient qualities of the Mounties up enough."
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territory where the
Commonwealth wants to build a fort. Upon his arrival, Grayling finds a hanged man, a death he correctly deduces to be connected to a small community of
533:. "I think Jessica is as close as we have to someone with the kind of transcendent beauty I needed for that part ... She's got the looks, as well as the acting chops."
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988:"Jessica Paré A lot's at, er, stake for the former "It girl" as she draws blood – and plenty of laughs – in Rob Stefaniuk's rockin' vampire flick"
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film directed by S. Wyeth
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presented in homage to a myriad of great western traditions." Jennie Punter, writing for
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on 4 March 2011, at the Empire Theatre 1. It received a gala screening at
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1121:"GREG KLYMKIW'S CFC PRESENTS THE TOP 10 HEROES OF CANADIAN FILM IN 2011"
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for a new garrison, where he encounters a small group of
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in the United States on 19 July 2011, under the title
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149:Travesty Productions & Releasing
1448:"The Mountie is a good-looking dud"
1014:"The Mountie Wraps Up in the Yukon"
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548:, in 2009, under the working title
338:trade. Olaf maintains and harvests
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872:Macdonald, Gayle (29 June 2011).
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1474:"The Mountie / Wyeth Clarkson"
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1308:(in German). 5 December 2013
1306:Die Nacht der lebenden Texte
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1579:2010s Canadian films
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