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The Observatory (band)

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443:, elaborates on the band’s philosophy of perpetual change, and is described by the band as "deliberately loose, eschewing particular themes and genres while embracing unconventional structures, progressive sounds and improvisatory forms, continuing an experimentation with song form, delving into greater depths of musical and lyrical tension, creating a diverse, experimental palette of words, sonic layering, and musical contrasts. The subject matter signals a mood-shift towards a more palpable intensity, exploring various themes from anger to disenchantment, from the quaint and humorous to self-mockery or plain indignation." 80: 1792: 1766:, recorded live at "The Transparency of Turbulence" Playfreely Festival, 29 November 2019, at 72-13 (Singapore). In a four-star review, NME writer Azzief Khaliq says, "Over the album’s 22 minutes, The Observatory and Keiji Haino create improvised music that showcases what talented musicians can achieve in such a setting. It’s an example of steely-eyed energy and musical alchemy, four musicians pushing each other forward and taking everything that comes out of it in their stride. The results are intoxicating, gripping, and more than a bit exhilarating." 1267:" "challenging and disconcerting", "sinister, raw and explosive", and praised how the production, especially the drums, "sounds great". "Designed to grip you and shock you out of apathy and just make you think––that's the sense of hope," they noted, singling out "Everything is Vibration" and "The Weight of It All" as highlights of "their strongest album yet", giving it ratings of 8/10, 7/10 and 8.5/10. In a review of their album launch gig, 1896: 22: 372:, released in March 2004, is described by the band as "a quiet, ruminating album of poignant songs underlined by delicate textures and lush instrumentation. Delivered in hush tones over layers of subtle electronic elements blended with a distinct acoustic feel." It was written and recorded over a period of two-and-a-half years. 1950:
Born in 1985, Bani Haykal is a multidisciplinary artist whose work spans the fields of visual and literary performances, using music and sound as primary mediums. A critically reflective artist and thinker, Bani's work examines the perceptions, relevance and culture of sound and music. In 2013, Bani
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in Singapore. The lyrics deal with political tumult and according to the band's lyricist Leslie Low, reflect "ommon people like us making a stand. Living off the grid in some way or another, (offering) criticism of existing paradigms, alternatives, the view from the ground up". The title track makes
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praised The Observatory for "delving deep and venturing into the unknown...This sense of unease, a constant calibration between heaviness and lightness, informs the way the music switches between jazzy delicacy and far-out phases of post-rock noiseniks. It's both the beauty and the beast... it's a
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in 2007, amongst others. The album was described by the band as "a rich and imaginative musical vision, on which vocalist-guitarist Leslie Low builds his pensive, tender yet elliptical song-craft. The adventurous and epic exist in perfect tandem with restraint and intricacy. Exploring an ocean of
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as an "immediate counterpoint to the prevailing spirit and sentiment widespread through the city" soon after Singapore's golden jubilee celebrations, noting that it "paints a landscape of desolation the infertile and impotent wasteland we are mired in". Observing that the songs "Everything is
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4/5, praising The Observatory for "upp the ante by bringing in new drummer Adam Shah – who gives the band an unexpected edge – and crafting a beautiful opus that is hauntingly powerful." Complimenting The Observatory on how "the audacity can be heard in the way sounds are spliced, unwound and
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gave the album 4/5, noting how it is "full of heartfelt anthems" and features "some of their most visceral and strident anthems to date". Eddino highlighted the songs "You Have No Heart" and "Wait For The Real Storm" as stand-outs, comparing "Low's layered harmonies" on the former to his
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features non-standard packaging designed by Kinetic. Rather than coming in a jewel case, it was released in the form of a diary, complete with paper-clipped photographs and torn pages. The band all had a hand in assembling the packaging. A music video for "Killing Time", directed by
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wrote, "No other Singapore band, past or present, has captured the imagination quite like The Observatory. In two brief years, this experimental space-rock combo has risen from nowhere to become a premier act which everybody talks about with a kind of reverential hush."
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The album was reviewed positively on Midnight Shift Records' blog: "As these artists take The Observatory’s songs further into a digital register, what seemed like a highly personal album dilates into something like a genre unto itself." Reviewing the album in
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As with previous releases, the band chose a non-standard packaging instead of the conventional jewel case. The outer package is a small box with flap, containing a foldout multipanel slipcover with information, and a CD holder in the last section.
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A classically trained pianist, Vivian Wang sang, played keyboards and generated sonic effects on laptops and synthesizer in The Observatory. Wang is a former TV presenter of the arts programme "Artitude" on local channel TV12 and also a host of
763:, is described by the band as containing "a more primal, new dark wave sound... study in delusion, insanity and obsession provokes and inspires in a deeply enigmatic way. Even at its coldest and most abstract, it is human to the core." 1833:
Cheryl Ong is a Singaporean percussionist who is active in music performance and education. In addition to performing with The Observatory, she has also played with SA, a trio that fuses traditional Chinese instruments and electronics.
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as the best The Observatory album, writing that "it stands as the band’s crowning achievement in framing primal emotions within intricate instrumentation...an incredible singular statement of artful intention and uninhibited honesty".
403:, Yeow Kai Chai wrote that "The Observatory invoke otherworldly beauty through a blend of electric gadgetry and classic instrumentation…gradually laying bare their emotional core while taking your breath away", while Chris Ho praised 650:. Most songs have no drums on them. But there is rhythm. Only the type of rhythm associated with an invisible pulse. An implied rhythm. 5 folks sitting around a fire. A metaphorical fire. Chanting for the rain to come." 1824:(Japan), Yan Jun (China) and Ryu Hankil (South Korea) since 2008. In 2015, he was appointed as Director of the Asian Music Network in Japan, which organises the annual Asian Meeting Festival, of which he is co-curator. 2042:
Veteran drummer in Singapore, his former bands include Swirling Madness, Opposition Party, Sugarflies and Popland. He was concurrently also playing with Throb and The Blues Machine. Joining The Observatory during the
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were developed on a tour with Norwegian noise band MoE in Norway in 2012 and Italy in 2013, then tested on the road during a Southeast Asian tour in October and November 2013, culminating in a divisive performance at
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marks the beginning of a new horizon in local music for the sheer fact that waywardness in Singapore's ultra-leftfield, alternative-rock has been deemed fetching and unanimously praised with this album." Critic
79: 1984:. He is the former bassist of veteran local Singapore band Concave Scream. A classical guitar specialist, Low also performed on drums after Ray Aziz left the band. Low left the band after the release of 683:
awarded the album 4 out of 5, writing that "Album No 4 for The Observatory is a great excursion into what making music in Scandinavia in the wintertime sounds like...the album is wonderfully hypnotic."
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since 15, Adam is musically adept at guitar and bass as well. He joined in January 2005 at 17 years of age, after successfully auditioning for the position, bringing with him a style that reflects his
1563:, singer Low called the album "Eleven musical visions-lessons-perspectives. The interpretations elaborate on Catacombs' theme of madness and reach sonic territories we could never achieve on our own." 1283:
a "seething, fire-breathing monster", declaring this "soundtrack for our times" "The Observatory's – and possibly the local scene's – tightest and most mature effort to date". Interviewing the band in
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amongst the best albums of 2015, noting that while the album is "not their best release by a long shot... this EP of gamelan music spiked with noise and doom rock deserves mad props for its bravery".
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and has since left the band. However, in 2011 he played drums for the band in a special performance commissioned by the Singapore Arts Festival to play a concert pull of reworkings of the Beatles'
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described the song as "growling rock, loud as bulldozers", another critic called it "a searing rock track... raw and loud, melancholic and frustrated, and ends with high-pitched feedback", while
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Dharma been involved in the Singapore underground music scene since the early 1990s as a bassist and sometimes guitarist with Manic Mushroom, a guitarist with the band Heritage from 1995–1998,
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Yuen Chee Wai has been active in the local and international experimental and improv circuit for the past two decades. He is also a part of the Far East Network (FEN) – a quartet comprising
911:, is described by the band as "the imagined swing of our imperfect times", featuring "vibrations of shifting rhythms, synth bass space, oscillators and abused guitars". The four songs on 787:
by calling it "an uncompromising honest work of art that expresses the deepest feelings and emotions of the artist and lays them bare for its audience to dissect, absorb and devour."
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as an "audial commentary on the looming, cataclysmic destruction of the earth" and a "revolutionary record challenges a negative status quo that many have refused to acknowledge".
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a "multi-layered work", while he declared it "their most accessible of their recent releases" and "progressive rock with a conscience" that "succeeds at every level" on his blog.
956:"scans the deplorable state of the world, questions war and strife, and assesses the value of life. To that end, its restless, angular riffs cut and draw blood." Daniel Peters of 1419:, was included on this charity release. Proceeds from this Aging Youth Records release went to Music For Good, a non-profit organisation involved in outreach programs to youths. 1005:
Performed by Dharma - guitar, bass; Bani Haykal - guitar, reyong, cengceng; Vivian Wang - synth, voice; Leslie Low - Acoustic guitar, bass, drums, voice, pemade, jegogan, reyong
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was released on double vinyl. The album was launched on 25 April 2014 at Artistry, featuring performances and DJ sets by Kiat, Xhin, George Chua and former member Evan Tan.
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is cutting-edge art that one can conceivably rock out to, which is no mean feat", awarding it full marks. Yeow Kai Chai gave the album four out of five stars, writing in
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An early incarnation of The Observatory contribute two songs, "Sweetest Man" and "Coffee Break (Intermission)", to the soundtrack of this film, written and directed by
3058: 2701: 929:'s term for the huge mass of mainland Southeast Asia that has historically been beyond the control of governments based in the population centres of the lowlands. 38:
Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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demo were sold, with the official album being picked up by Universal Music SIngapore for distribution, selling out its first run of 2,000 copies. Nominating
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Vibration" and "The Weight of It All" reflect the "group’s effort to return to or construct a Southeast Asian or Singaporean sound", with their quotes from
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Cheryl Ong - Drums, Percussion; Dharma - Guitar; Leslie Low - Guitar, Vocal; Vivian Wang - Synth Bass, Keys, Percussion; Yuen Chee Wai - Electronics, Synth
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The CD album is a hardbound book, designed and drawn by metal/hardcore/underground illustrator and designer, Justin Bartlett, the artist behind the art of
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and others, is described by the band as "a work of political noise, a punishing challenge to look inward and move forward." The title track, inspired by
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called it "a groundbreaking album so ethereally beautiful...a local band as good as comes by once a millennium." Reviewing the album in
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a "sonically stellar mix" and "tenebrous but at the same time, musically cutting-edge and far-out", giving it four out of five stars.
3333:"Local band The Observatory meld gamelan and industrial rock; Mackenzie Scott does family ties; and The Bad Plus meets Joshua Redman" 1074:
finding "the East-meets-West soundscape...hypnotic in the way it tightly enveloped the audience" at the "seamless art-rock concert".
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with a Diploma in Film, Sound and Video. He has also been involved in several side projects. As PAN GU, Low's collaboration with
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tribute that was performed on their 2017 and 2018 tour. "Vibrational" by The Observatory was recorded at their concert at the
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Theatre, featuring appearances by Hanging Up the Moon's Sean Lam, Dean Aziz and former member Victor Low on back-up vocals.
1577:"meddles with the songs to spectacular effect...Overall, it's a rabbit hole to somewhere riskier and more exciting", while 3066: 2766: 2744: 2622: 2425: 1791: 1256:
noted that "the music evokes anger, frustration, despair and destruction — but perhaps also the slightest trace of hope".
2709: 2333: 3633: 3229: 2508: 2311: 2289: 2966: 2202: 1640:-inspired bronze instruments the band built on their song, "Mankind". Other instruments on the track include a pair of 4194:""We are living in the dark ages, aren't we?" The Observatory talk Shadows, their twilit collaborative album with MoE" 3132: 1285: 1247: 933: 678: 589: 588:"delves even deeper into experimental melodies and rhythms than the band's previous critically acclaimed albums". The 446: 392: 3862: 2905: 2482: 2460: 1951:
was awarded the Young Artist Award by Singapore's National Arts Council. Bani joined the band after the release of
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was launched with Acid Mothers Temple & The Melting Paraiso U.F.O.'s concert in Singapore on 22 November 2018.
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magazine noted that the album "explores a deeper, heavier sound than their previous works". In 2017, music website
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Acid Mothers Temple's 20-minute contribution, "Flatwoods Monster A Go Go ~ Cometary Orbital Drive 00∞00", is a
571:, where the band built on frontman Leslie Low's arrangements, each band member contributed ideas for songs on 4076: 3184: 1470: 1234: 719: 93: 4318: 1149: 305: 4482: 4293:"Keiji Haino & The Observatory – 'Authority Is Alive' review: thrilling and vital group improvisation" 2097: 1271:
also noted that the album "doesn't just see them at their most sonically intrusive — they're pissed off."
1340:, Ng criticised how "they are unavoidably dwarfed by the already heavy weight and influence of Eliot’s". 4120: 3511:"Notes on Revisiting Bukit Brown Cemetery: A review of Drama Box's It Won't Be Too Long - by Clara Chow" 1930:(May 2014), were both released by American label Utech Records. Wang left the band after the release of 1486: 819:, writing that "the band have moved out of the mainstream into the furthest frontiers of the universe." 808: 543: 322: 3736:"LOCAL BANDS IN SINGAPORE: THE OBSERVATORY TAKES ON THE WORLD WITH NEW ALBUM THAT FUSES MUSIC WITH ART" 1795:
The Observatory have appeared at multiple music fests within Singapore, including several times at the
1367:. On 9 March 2016, a black-and-white music video for album closer "The Weight of It All" was released. 1307: 1044:
found The Observatory devising their own six-note scale of E, F, F#, A#, C and D#. Inspired in part by
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as "dark, visceral and multi-faceted", promising that it will "get under your skin – and stay there."
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is a three-track collaborative album with MoE, in which both bands experiment with heavy noise rock,
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featuring the band performing in an 'inverted' music space. "Invisible Room" is also the title of a
677:"A rich sonic feast.. a diving pool that begs to have its depths plumbed", while Christopher Toh of 605:
ghostly, raw, sometimes intense soundscape with minimal overdubs to frighten off lazy lounge cats."
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should strike a chord with fans of experimental and progressive-minded classics such as Radiohead's
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set with acoustic guitar, electric guitar, bass, drums and vocals. "Mankind" was later released on
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inspired by his daughter's piano lessons. In 2019, Victor and former bandmate Leslie Low released
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The fourth album was again recorded and mixed in Bergen, Norway with their longtime collaborator,
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Mixed by The Observatory & Rennie Gomes at members' homes and at Yellow Box Studios, Singapore
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cover, trace The Observatory's evolution through constantly changing trajectories and terrains.
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on the album's combination of freak folk, drony psychedelia and near-metal. Christopher Lim of
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gigs on 18 and 19 March 2016, with special guests Dharma and SA Trio and featuring covers of
3458:"Everything Is Vibration: 8 bands that influenced The Observatory's August is the Cruellest" 3110: 2065: 2021:. Tan toured overseas with former band The Padres during their album promotion organised by 1060:
contributing a remix, "Part 6", to its release. Released on double vinyl, CD and digitally,
4369:"Spin's 20 Best Avant Albums of 2013 – Pan Gu, Primeval Man Born of the Cosmic Egg (Utech)" 4050: 2992: 653:"Moving away from the melodious constraints of song," Ang Song Ming writes in his review, " 2089: 2047:
recording sessions, Ray contributed jazz/avant rock-styled drumming. He did not appear on
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An hour-long improvisational soundtrack to photographer Philipp Aldup's 2013 exhibition,
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was launched on 2 September 2005 at a sold-out, lauded concert at the Recital Studio of
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songs by artists from Singapore, China, Norway, Thailand/Japan, and the US, including
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by declaring, "Someday in the future, some pop historian is gonna look back and say –
284:, Italy, Japan, France, Germany and Singapore, and headlined regional music events in 4633: 4431: 4343: 2264: 2093: 1877: 1556: 1552: 1443: 1364: 1290: 1218: 1183: 1057: 939: 798: 780: 711: 639: 4394:"Leslie Low releases new album 'Be Still, The Mountain' on Singapore's National Day" 4142: 3407: 1895: 4547: 3036: 2022: 1970: 1861: 1692: 1466: 1439: 1312: 1214: 1210: 812: 539: 531: 527: 507: 506:, this was The Observatory's third album in four years. The band was influenced by 2381: 311:
The Observatory is the subject of a crowd-funded experimental music documentary,
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was also released on double vinyl. A music video for "Mind Roots", directed by
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Recorded, Mixed & mastered by Jørgen Træen at Duper Studio (Bergen, Norway)
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was released in support of the crowd-funded, experimental music documentary,
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veers towards ambience – an almost asphyxiating kind", calling it the band's
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in December 2014 and travelled to the CINEDAYS Festival of European Film in
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Rennie Gomes' remix of "This Sad Song" from The Observatory's debut album,
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on 23 July 2015 at a launch concert with an ensemble of 10 musicians, with
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A collection of unreleased and live material, demos, covers and rarities,
4454:"Jenny Hval on her beguiling, inquisitive new album The Practice of Love" 3564:"The Observatory to perform two-night launch for August is the Cruellest" 2007: 1945: 1907: 1857: 1781: 1727: 1688: 1360: 1116: 789: 289: 285: 245: 229: 129: 2679: 4410: 2658:"Dark Folke: A FAR CRY FROM HERE – Launch concert ZOUK 14 April 9.30pm" 1691:. The nearly 20-minute album alludes to the need for self-examination, 1684: 1641: 1637: 1541: 1333: 1153: 1033: 330: 2730:
Lim, Christopher (3 July 2009). "Singapore's music past and present".
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A live collaboration with the legendary Japanese avant garde musician
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Mixed & mastered by Jørgen Træen at Duper Studio (Bergen, Norway)
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Recorded by Jørgen Træen at Boss Studio (Singapore) with Philip Wong
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as one of the most confrontational records we've heard all year."
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Writing that "The Observatory have outdone themselves this time",
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music festival in December 2002. They have released eight albums:
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and noting lyricist Leslie Low's references to Dutch occultist
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awarded the album four out of five stars, comparing it to late
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Additional instrumentation on "The Weight of It All" features
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music tradition. Partially written and recorded in Lodtunduh,
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Typography, layout and additional photography by Yuen Chee Wai
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Offset, Letterpress Printing and Bindery by Stumptown Printers
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Yeow Kai Chai (17 October 2003). "Observatory a Revelation".
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Mastered by Reece Tunbridge at Studios 301, Sydney, Australia
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Photos from "On the blue shores of silence" by Philipp Aldrup
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band, Throb, and member of Meddle, Chöd, and Tenggara Trio.
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This split vinyl single with Norway's MoE features Balinese
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The Observatory's "Waste Your Life" from their debut album,
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Four years in the making, The Observatory's seventh album,
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Yeow Kai Chai (26 August 2005). "Writing's on the Walls".
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The Observatory's "This Sad Song" from their debut album,
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Recorded in Singapore and Norway during the height of the
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ranked it #7 on its list of Top 10 Singapore LPs of 2015.
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Featuring design by Keith Utech and art by Thomas Hooper,
300:'s Pattaya Music Festival, Heineken Fat Festival Bangkok, 4051:"Behind These Eyes: The Catacombs Remixes (Album Launch)" 3660:"ALBUM REVIEW: THE OBSERVATORY – AUGUST IS THE CRUELLEST" 3256:"The Observatory – Continuum: Album Launch & Concert" 2108:, to name a few. Adam left the band after the release of 1475:
G-Stone Master Series №1: Peter Kruder Private Collection
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Music composed, performed and arranged by The Observatory
3761:"Concert review: The Observatory offers a brutal ballet" 3618:
Ong, Iliyas (March 2016). "A Soundtrack for our Times".
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and has since worked on projects including Jenny Hval's
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Mixed by Jorgen Traeen at Duper Studio (Bergen, Norway)
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Released on CD, cassette, double vinyl and digitally,
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was released on deluxe CD, digital and double vinyl.
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Ho, Chris (27 August 2003). "Old Oak Branches Out".
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Acid Mothers Temple & The Melting Paraiso U.F.O.
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Executive Producers: Esan Sivalingam and Bratina Tay
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Recorded live at The Black Axis, Singapore, May 2014
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Illustration by Massimiliano Amati (Redellearinghe)
207: 203: 181: 177: 165: 161: 153: 143: 121: 113: 108: 70: 2643:Yeow Kai Chai (6 April 2007). "Seeking out Soul". 1969:– Electric Guitar, Classical Guitar, Bass Guitar, 1389:Music Supervisors: Vivian Wang and Esan Sivalingam 859:in its entirety in the studio, was also released. 3558: 3556: 3554: 2926:Yeow Kai Chai (27 April 2012). "Wormy Goodness". 1263:, three critics called this "proper follow-up to 1127:. The one-night performance was supported by the 983:was released on CD, digital, vinyl and cassette. 578:Reviewing the album for the Singapore edition of 407:for being "ender and beautiful in its intimacy". 2597:"The Observatory :: Features :: Music" 2017:specialising in audio-visual restoration at the 1926:(May 2010) and a web-only commemorative release 960:observed the "politically-charged" dimension of 456:transplanted without warning", Yeow Kai Chai of 335:Bare Bones International Music and Film Festival 4121:"Moe & Observatory, The – i.i.i. / Mankind" 3685:"Catchy gothic overtones and post-punk grooves" 3185:"A Fire Incantation: Observing the Observatory" 3089:"The Observatory: From revolution to evolution" 1980:by profession, Low is an Economics graduate of 873:Music composed and performed by The Observatory 646:has morphed into a fluid mystical beast called 432:Produced by The Observatory & Jorgen Traeen 2942:"The Observatory: Deeper, Darker & Louder" 2485:. syntaxfree. 6 September 2005. Archived from 706:, The Observatory collaborated with filmmaker 391:as the Best Album of 2004, Razali Abdullah of 361:Produced by The Observatory & Rennie Gomes 3997:. Midnight Shift. 20 May 2014. Archived from 3995:"Review: The Observatory – Behind These Eyes" 3587: 3585: 3335:. Singapore Press Holdings. The Straits Times 3289:. Singapore Press Holdings. The Straits Times 3207:"The Observatory's Oscilla album launch: 5/5" 2577:. Michele Adriaens, Culturepush. 23 July 2007 2064:Formerly the youngest member of the group. A 1988:. In 2015, he recorded an instrumental album 8: 4619:Some material for this article adapted from 3811:"City Sharks: Music from the Motion Picture" 2882:. Kevin Mathews, Power of Pop. 16 March 2012 1845:– Lead Vocals, Electric + Acoustic Guitars, 1485:, whom The Observatory opened up for at the 740:Produced by Jørgen Træen and The Observatory 631:Produced by Jørgen Træen and The Observatory 542:, whom The Observatory opened up for at the 488:Produced by Jørgen Træen and The Observatory 2993:"The Observatory – Catacombs – The Concert" 32:promotes the subject in a subjective manner 3861:. my Paper. 8 January 2010. Archived from 1377:City Sharks: Music From the Motion Picture 1008:Concept & direction by The Observatory 897:Concept & direction by The Observatory 67: 4548:"The Monsoon Leslie Low & Victor Low" 2791:. The Observatory on Vimeo. 13 April 2011 2682:. Ang Song Ming, s/pores. 21 October 2009 2406:. The Observatory on Vimeo. 12 April 2011 1718:Art direction and layout by Yuen Chee Wai 1675:Art direction and layout by Yuen Chee Wai 987:was launched on 16 and 17 August 2014 at 979:Featuring photographs by Philipp Aldrup, 54:Learn how and when to remove this message 2967:"Every album by The Observatory, ranked" 1586:Behind These Eyes: The Catacombs Remixes 1575:Behind These Eyes: The Catacombs Remixes 1561:Behind These Eyes: The Catacombs Remixes 1540:Jointly released by The Observatory and 1531:Behind These Eyes: The Catacombs Remixes 1477:. Other acts on the compilation include 1235:Singapore International Festival of Arts 847:was launched on 20 and 21 April 2012 at 4075:. Ujikaji Records. 2013. Archived from 3929:"The Observatory – Album (Anatomicron)" 3485:"It Won't Be Long: The Cemetery (Dusk)" 3059:"Laneway Festival roars to a high note" 2880:"THE OBSERVATORY >> POWER OF POP" 2623:"The Observatory – A Far Cry From Here" 2533:. The Observatory on Vimeo. 9 June 2011 2334:"To See Stars, Look at The Observatory" 2284: 2282: 2125: 1709:Mixed by Kawabata Makoto and Leslie Low 2904:. my Paper. 4 May 2012. Archived from 2483:"The Observatory – Blank Walls Launch" 1868:by profession. Low graduated from the 1626:Mixing by Leslie Low and Håvard Skaset 2836:"The Observatory – Album (Catacombs)" 2234: 2232: 2230: 2228: 1632:Design and album art by Lasse Marhaug 1355:was launched at the band's acclaimed 1111:In February 2016, the band performed 319:Singapore International Film Festival 7: 4611:Video Interview with The Observatory 4603:Video Interview with The Observatory 4475:"2013 Young Artist Award recipients" 3973:"Behind the eyes of The Observatory" 3786:"The Weight of It All (Music Video)" 2930:. Page D6. Retrieved 19 August 2014. 2734:. Page 29. Retrieved 18 August 2014. 2647:. Page 94. Retrieved 18 August 2014. 2463:. andy yang illustrates. 2 June 2010 2450:. Page 10. Retrieved 18 August 2014. 2358:. Page L6. Retrieved 18 August 2014. 925:, historian Willem van Schendel and 4073:"Observatory, The – Gezeitentümpel" 2708:. 16 September 2009. Archived from 2371:. Page 2. Retrieved 18 August 2014. 2265:"The Observatory's Time of Rebirth" 1882:Primeval Man Born of the Cosmic Egg 1752:Mixed and mastered by Lasse Marhaug 1672:Mixed and mastered by Lasse Marhaug 1666:Produced by The Observatory and MoE 743:Recorded and Mixed by Jorgen Traeen 29:This article contains wording that 4655:Musical groups established in 2001 4590:Interview with frontman Leslie Low 3535:Martin, Mayo (21 September 2015). 3228:Peters, Daniel (4 November 2015). 3111:"The Observatory – Oscilla Lyrics" 2312:"The Observatory's Star is Rising" 2178:"ABOUT The Obs: A Singapore Story" 1679:Recorded in Singapore and Norway, 1612:, released as a seven-track CD-R. 1123:as part of a programme curated by 1115:at the Performing Arts Meeting in 1011:Recorded & mixed by Leslie Low 280:(2016). The band has performed in 34:without imparting real information 14: 4481:. 25 October 2013. Archived from 4319:"Transcension Dharma (Singapore)" 4220:"Trails to the Cosmic Vibrations" 4021:"Other hits from home-grown acts" 3907:"Various – G-Stone Master Series" 3065:. 29 January 2014. Archived from 2860:. X' Ho, s/pores. 23 October 2012 1830:– Drums, Percussion, Electronics 702:In the lead-up to the release of 613:was launched on 14 April 2007 at 4507:. Concavescreamband.blogspot.com 3354:Ong, Iliyas (30 November 2015). 3285:Yong, Shu Hoong (25 July 2015). 3161:. 16 August 2014. Archived from 3133:"Oscilla (The Observatory): 5/5" 2290:"What's the Story, Observatory?" 1870:School of Film and Media Studies 1732:National University of Singapore 1644:and pemade, one cengceng, and a 1547:Featuring 11 interpretations of 1172:Recorded at Solslottet Studios, 888:Engineered by Johnny Sarcophagus 78: 20: 4027:. 12 April 2014. Archived from 3634:"Observing the changes in life" 3331:Yeow, Kai Chai (15 July 2015). 3308:Mathews, Kevin (24 July 2015). 2461:"The Observatory – Blank Walls" 2156:"The Observatory – Past Events" 1755:Cover photography by Darren Soh 1736:Trails to the Cosmic Vibrations 1700:Trails to the Cosmic Vibrations 1592:Split Albums and Collaborations 1451:Peter Kruder Private Collection 907:The Observatory's sixth album, 759:The Observatory's fifth album, 472:Esplanade – Theatres on the Bay 337:in the United States and more. 3155:"Observing diversity in unity" 2019:National Archives of Singapore 1758:Art direction by Yuen Chee Wai 375:Reviewing the demo version of 84:The Observatory performing at 1: 4645:Singaporean rock music groups 4640:Singaporean indie rock groups 3859:"S'pore indie treasure trove" 3039:. The Observatory on Bandcamp 3015:"Catacombs – The Observatory" 2902:"CD Review – The Observatory" 2858:"Review of Catacombs by X'Ho" 1899:Leslie Low performing in 2014 1715:Artwork by Takahiro Kurashima 1020:Album design by Yuen Chee Wai 918:St. Jerome's Laneway Festival 663:. Noah Berlatsky remarked in 4222:. Bandcamp. 22 November 2018 2940:Alia, Azmi (8 August 2014). 2404:"Killing Time (Music Video)" 1906:– Vocals, Piano, keyboards, 1669:Co-produced by Lasse Marhaug 1598:Gezeitentümpel | Tidal Pools 1584:Featuring art by Mark Wong, 1559:and Xhin. Interviewed about 1078:was partially funded by the 718:, a multimedia work for the 691:, Moss, Aura Noir and more. 466:Featuring art by Andy Yang, 302:St Jerome's Laneway Festival 3287:"Seamless art-rock concert" 3187:. Bandwagon. 19 August 2014 3037:"Oscilla – The Observatory" 1749:Released: 30 September 2020 1695:, instincts and illusions. 1573:, Yeow Kai Chai wrote that 882:Produced by The Observatory 4676: 4432:"Arcn Templ / Glass Blood" 2811:"SAF 2009: Invisible Room" 2789:"Mind Roots (Music Video)" 2182:The Obs: A Singapore Story 1722:A split vinyl single with 1712:Mastering by James Plotkin 1706:Released: 22 November 2018 1629:Mastering by James Plotkin 1523:The Obs: A Singapore Story 1512:’s 13 tracks, including a 1142:Released: 29 February 2016 314:The Obs: A Singapore Story 3835:. MusicSG. Archived from 3433:"August is the Cruellest" 2769:. TODAY. 24 December 2009 2511:. TODAY. 5 September 2005 2428:. TODAY. 20 December 2005 2336:. TODAY. 27 December 2004 2314:. TODAY. 2 September 2005 1924:Emanations of a New World 1203:2015 Southeast Asian haze 1014:Mastered by James Plotkin 894:Mastered by James Plotkin 746:Mastered by James Plotkin 563:." Unlike the process on 317:, which premiered at the 77: 4627:, accessed 3 March 2006 4582:The Observatory on Vimeo 4344:"Cheryl Ong - Nusasonic" 4147:The Observatory Bandcamp 3437:The Observatory Bandcamp 1853:, Harmonica, Percussion 1471:Kruder & Dorfmeister 972:intensity...establishes 429:Released: September 2005 4650:Electronic music groups 4572:The Observatory website 4246:NUS Centre for the Arts 4101:. The Observatory. 2013 3975:. inSing. 18 April 2014 3887:. Mosaic Music Festival 3209:. TODAY. 18 August 2014 2555:. MOSAIC Music Festival 2509:"Hypnotic Stars Dazzle" 1932:August is the cruellest 1890:August is the cruellest 1353:August is the Cruellest 1346:August is the Cruellest 1325:August is the Cruellest 1295:August is the Cruellest 1281:August is the Cruellest 1259:Reviewing the album on 1207:August is the Cruellest 1136:August is the Cruellest 1082:'s Arts Creation Fund. 1056:had the noise musician 932:Reviewing the album in 815:and French philosopher 720:Singapore Arts Festival 584:, Chris Toh wrote that 278:August is the Cruellest 3408:"Continuum | TPAM2016" 3135:. TODAY. 7 August 2014 3091:. TODAY. 9 August 2014 2660:. theobs. 2 April 2007 2625:. TODAY. 10 April 2007 2531:"Olives (Music Video)" 2292:. TODAY. 23 April 2004 1900: 1860:of veteran local band 1800: 1581:called it "stunning". 1166:Recorded and mixed by 1002:Released: 15 July 2015 109:Background information 3356:"Best albums of 2015" 2575:"A Far Cry From Here" 1959:, but contributed to 1944:– Drums, Percussion, 1898: 1794: 1663:Released: 1 July 2018 1487:Mosaic Music Festival 1442:, The Oddfellows and 1424:+65 Indie Underground 1150:Natalie Alexandra Tse 1129:National Arts Council 1119:, Japan, directed by 1080:National Arts Council 870:Released: August 2014 749:Design by Keith Utech 710:and theatre director 699:, was also released. 544:Mosaic Music Festival 418:, was also released. 306:Seoul Fringe Festival 4577:The Observatory blog 2747:. TODAY. 3 July 2009 2680:"Review: Dark Folke" 2061:– drums, percussion 2039:– Drums, Percussion 1936:The Practice of Love 1874:Ngee Ann Polytechnic 1465:, was handpicked by 1306:music correspondent 879:Lyrics by Leslie Low 752:Art by Thomas Hooper 737:Released: April 2012 485:Released: April 2007 439:Their second album, 358:Released: March 2004 4273:. 25 September 2018 3236:. Bandwagon Pte Ltd 3069:on 22 December 2014 2114:A Far Cry From Here 2082:Broken Social Scene 2072:influences such as 2045:A Far Cry From Here 1623:Released: June 2013 1504:Released: Sep 2012 1323:magazine described 1273:Time Out Singapore' 1028:, is their take on 891:Mixed by Leslie Low 644:A Far Cry From Here 628:Released: July 2009 611:A Far Cry From Here 596:A Far Cry From Here 586:A Far Cry From Here 573:A Far Cry From Here 549:A Far Cry From Here 547:sound and emotion, 479:A Far Cry From Here 258:A Far Cry From Here 4595:Leslie Low website 4411:"Music LESLIE LOW" 3620:Time Out Singapore 3570:. 29 February 2016 3539:. MediaCorp. TODAY 3360:Time Out Singapore 3312:. MediaCorp. TODAY 2815:Time Out Singapore 2732:The Business Times 2601:Time Out Singapore 2240:"Band Information" 1901: 1801: 1777:– Electric Guitar 1743:Authority is Alive 1537:Released: Apr 2014 1469:of electronic duo 1097:Time Out Singapore 1050:Jiddu Krishnamurti 853:Enter the Catacomb 670:The Business Times 498:Following on from 4485:on 19 August 2014 4479:The Straits Times 4400:, 10 August 2020. 4299:. 21 October 2020 4079:on 19 August 2014 4053:. The Observatory 4031:on 19 August 2014 4025:The Straits Times 3953:. The Observatory 3931:. The Observatory 3839:on 19 August 2014 3689:The Straits Times 3622:(March 2016): 12. 3266:on 3 January 2016 3165:on 19 August 2014 3159:The Straits Times 3063:The Straits Times 3017:. The Observatory 2995:. The Observatory 2928:The Straits Times 2908:on 19 August 2014 2838:. The Observatory 2767:"Life in Plastic" 2712:on 19 August 2014 2645:The Straits Times 2489:on 19 August 2014 2448:The Straits Times 2369:The Straits Times 2356:The Straits Times 2158:. The Observatory 2134:"The Observatory" 1990:Songs of the Well 1982:Boston University 1570:The Straits Times 1308:Eddino Abdul Hadi 1302:The Straits Times 1237:2015 production, 1087:The Straits Times 1071:The Straits Times 949:The Straits Times 804:The Straits Times 601:The Straits Times 594:review noted how 459:The Straits Times 400:The Straits Times 368:The debut album, 329:film festival in 223: 222: 126:experimental rock 64: 63: 56: 4667: 4660:Musical quintets 4621:The Observatory 4559: 4558: 4556: 4554: 4544: 4538: 4537: 4535: 4533: 4523: 4517: 4516: 4514: 4512: 4505:"Concave Scream" 4501: 4495: 4494: 4492: 4490: 4471: 4465: 4464: 4462: 4460: 4450: 4444: 4443: 4441: 4439: 4428: 4422: 4421: 4419: 4417: 4407: 4401: 4391: 4385: 4384: 4382: 4380: 4365: 4359: 4358: 4356: 4354: 4340: 4334: 4333: 4331: 4329: 4315: 4309: 4308: 4306: 4304: 4289: 4283: 4282: 4280: 4278: 4263: 4257: 4256: 4254: 4252: 4238: 4232: 4231: 4229: 4227: 4216: 4210: 4209: 4207: 4205: 4190: 4184: 4183: 4181: 4179: 4164: 4158: 4157: 4155: 4153: 4139: 4133: 4132: 4130: 4128: 4117: 4111: 4110: 4108: 4106: 4095: 4089: 4088: 4086: 4084: 4069: 4063: 4062: 4060: 4058: 4047: 4041: 4040: 4038: 4036: 4017: 4011: 4010: 4008: 4006: 3991: 3985: 3984: 3982: 3980: 3969: 3963: 3962: 3960: 3958: 3947: 3941: 3940: 3938: 3936: 3925: 3919: 3918: 3916: 3914: 3903: 3897: 3896: 3894: 3892: 3881: 3875: 3874: 3872: 3870: 3855: 3849: 3848: 3846: 3844: 3829: 3823: 3822: 3820: 3818: 3807: 3801: 3800: 3798: 3796: 3782: 3776: 3775: 3773: 3771: 3757: 3751: 3750: 3748: 3746: 3740:The Honeycombers 3732: 3726: 3725: 3723: 3721: 3707: 3701: 3700: 3698: 3696: 3681: 3675: 3674: 3672: 3670: 3658:Mathews, Kevin. 3655: 3649: 3648: 3646: 3644: 3630: 3624: 3623: 3615: 3609: 3608: 3606: 3604: 3589: 3580: 3579: 3577: 3575: 3560: 3549: 3548: 3546: 3544: 3532: 3526: 3525: 3523: 3521: 3515:We Are A Website 3506: 3500: 3499: 3497: 3495: 3480: 3474: 3473: 3471: 3469: 3454: 3448: 3447: 3445: 3443: 3429: 3423: 3422: 3420: 3418: 3404: 3398: 3397: 3395: 3393: 3388:. 3 January 2016 3378: 3372: 3371: 3369: 3367: 3351: 3345: 3344: 3342: 3340: 3328: 3322: 3321: 3319: 3317: 3305: 3299: 3298: 3296: 3294: 3282: 3276: 3275: 3273: 3271: 3262:. 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Kinetic Design 2378: 2372: 2365: 2359: 2352: 2346: 2345: 2343: 2341: 2330: 2324: 2323: 2321: 2319: 2308: 2302: 2301: 2299: 2297: 2286: 2277: 2276: 2274: 2272: 2267:. BigO Worldwide 2261: 2255: 2254: 2252: 2250: 2236: 2223: 2222: 2220: 2218: 2213:on 14 April 2016 2209:. Archived from 2199: 2193: 2192: 2190: 2188: 2174: 2168: 2167: 2165: 2163: 2152: 2146: 2145: 2143: 2141: 2130: 1976:Victor Low is a 1955:and left before 1920:Honours in Music 1617:i.i.i. / Mankind 1194:Album design by 1064:was launched at 219: 216: 214: 184: 146: 82: 68: 59: 52: 48: 45: 39: 24: 23: 16: 4675: 4674: 4670: 4669: 4668: 4666: 4665: 4664: 4630: 4629: 4601:NYLON SINGAPORE 4568: 4563: 4562: 4552: 4550: 4546: 4545: 4541: 4531: 4529: 4525: 4524: 4520: 4510: 4508: 4503: 4502: 4498: 4488: 4486: 4473: 4472: 4468: 4458: 4456: 4452: 4451: 4447: 4437: 4435: 4434:. 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Discogs. 2013 4119: 4118: 4114: 4104: 4102: 4097: 4096: 4092: 4082: 4080: 4071: 4070: 4066: 4056: 4054: 4049: 4048: 4044: 4034: 4032: 4019: 4018: 4014: 4004: 4002: 4001:on 16 July 2014 3993: 3992: 3988: 3978: 3976: 3971: 3970: 3966: 3956: 3954: 3949: 3948: 3944: 3934: 3932: 3927: 3926: 3922: 3912: 3910: 3905: 3904: 3900: 3890: 3888: 3883: 3882: 3878: 3868: 3866: 3865:on 4 March 2016 3857: 3856: 3852: 3842: 3840: 3831: 3830: 3826: 3816: 3814: 3809: 3808: 3804: 3794: 3792: 3784: 3783: 3779: 3769: 3767: 3759: 3758: 3754: 3744: 3742: 3734: 3733: 3729: 3719: 3717: 3709: 3708: 3704: 3694: 3692: 3683: 3682: 3678: 3668: 3666: 3657: 3656: 3652: 3642: 3640: 3632: 3631: 3627: 3617: 3616: 3612: 3602: 3600: 3599:. 20 March 2016 3591: 3590: 3583: 3573: 3571: 3562: 3561: 3552: 3542: 3540: 3534: 3533: 3529: 3519: 3517: 3508: 3507: 3503: 3493: 3491: 3482: 3481: 3477: 3467: 3465: 3456: 3455: 3451: 3441: 3439: 3431: 3430: 3426: 3416: 3414: 3406: 3405: 3401: 3391: 3389: 3380: 3379: 3375: 3365: 3363: 3353: 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426: 411:Time of Rebirth 405:Time of Rebirth 389:Time of Rebirth 385:Time of Rebirth 377:Time of Rebirth 370:Time of Rebirth 355: 352:Time of Rebirth 348: 343: 250:Time of Rebirth 226:The Observatory 211: 198: 196: 194: 192: 190: 188: 182: 172: 170: 144: 104: 73: 72:The Observatory 60: 49: 43: 40: 37: 25: 21: 12: 11: 5: 4673: 4671: 4663: 4662: 4657: 4652: 4647: 4642: 4632: 4631: 4614: 4613: 4605: 4597: 4592: 4584: 4579: 4574: 4567: 4566:External links 4564: 4561: 4560: 4539: 4518: 4496: 4466: 4445: 4423: 4402: 4386: 4360: 4335: 4310: 4284: 4258: 4233: 4211: 4185: 4174:. 19 June 2018 4159: 4134: 4112: 4090: 4064: 4042: 4012: 3986: 3964: 3942: 3920: 3898: 3876: 3850: 3824: 3802: 3777: 3752: 3727: 3702: 3691:. 9 March 2016 3676: 3650: 3625: 3610: 3581: 3550: 3527: 3501: 3483:Ng, Yi-Sheng. 3475: 3464:. 9 March 2016 3449: 3424: 3399: 3373: 3346: 3323: 3300: 3277: 3260:The Substation 3247: 3220: 3198: 3176: 3146: 3124: 3102: 3080: 3050: 3028: 3006: 2984: 2958: 2932: 2919: 2893: 2871: 2849: 2827: 2802: 2780: 2758: 2736: 2723: 2693: 2671: 2649: 2636: 2614: 2603:. 30 June 2007 2588: 2566: 2553:"Jaga Jazzist" 2544: 2522: 2500: 2474: 2452: 2439: 2417: 2395: 2373: 2360: 2347: 2325: 2303: 2278: 2256: 2224: 2194: 2169: 2147: 2136:. 19 SIXTYFIVE 2124: 2123: 2121: 2118: 2102:The Mars Volta 2027:Coast to Coast 1978:music composer 1916:Cathay Pacific 1866:sound designer 1839: 1836: 1771: 1768: 1760: 1759: 1756: 1753: 1750: 1745: 1740: 1720: 1719: 1716: 1713: 1710: 1707: 1702: 1697: 1677: 1676: 1673: 1670: 1667: 1664: 1659: 1654: 1634: 1633: 1630: 1627: 1624: 1619: 1614: 1610:Gezeitentümpel 1606: 1605: 1604:Released: 2013 1600: 1595: 1593: 1590: 1545: 1544: 1538: 1533: 1528: 1506: 1505: 1500: 1495: 1459: 1458: 1453: 1448: 1432: 1431: 1426: 1421: 1413: 1412: 1409: 1404: 1399: 1391: 1390: 1387: 1384: 1379: 1374: 1372: 1369: 1357:The Substation 1227:The Waste Land 1209:, inspired by 1199: 1198: 1192: 1186: 1180: 1170: 1164: 1146: 1143: 1138: 1133: 1066:The Substation 1022: 1021: 1018: 1015: 1012: 1009: 1006: 1003: 998: 993: 989:The Substation 927:James C. 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