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Young Laroon plans to marry Isabel, but Father Martin manipulates Isabel's father, Jourdain, to seduce Isabel. However, other characters, including both of the
Laroons, try to manipulate Jourdain for their own ends; they accomplish it through disguising themselves as priests and using his guilt to
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is an allusion to a real individual and his corrupt actions. The basis of the play is connected to an
October 1731 trial of Father Girard. Part of the plot incorporates Fielding's own anti-Catholic bias, but he does so in a way that is traditional to English theatre during his time. However, his
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has been critically dismissed since its initial appearance. Nonetheless, the drama is successful as a piece of social commentary that is both entertaining and enlightening." The
Battesins character the play as a "tasteless attempt to capitalize on the sensational case of Father Girard" but that
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248:, portrayed the events for which Girard was put on trial. He was a Jesuit tried for using magic on Cadière. Fielding differs from other accounts by reducing Cadiere as a victim and instead makes her intelligent enough to see through Girard's plot.
232:. This understanding of the play, combined with Fielding's own unorthodox behavior and frequent questioning of social doctrines at this time in his life, marks him to some degree as an advocate of the libertine tradition."
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convince him of what they say. As Father Martin pursues Isabel, she is clever enough to realise what is happening and plans her own trap. After catching him and exposing his lust, Father Martin is set to be punished.
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and how society views morality. He discusses doubt and faith along with politics when he takes on most aspects of society. It is possible that there are connections within the play's commentary to
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stated that the play was a success and credited
Theophilus Cibber's portrayal of Father Martin. However, the writer did complain that Fielding's critique was not limited to just Catholics.
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and ran 25 times during the season. This version was published by Watts with the various revisions indicated. It was brought back to promote anti-Catholic sentiment during the
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points out that "For all its vitality, especially in its celebration of sexuality, in and out of marriage, and its farcical management of Father Martin,
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The obvious source of the play is the Father Girard's trial for seducing Marie
Catharine Cadière. This was a popular subject and other plays, including
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was well received. The play ran for six nights with one scheduled night cancelled, the 13 June performance. After that night, the play was paired with
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were written by 4 April 1732 when
Fielding signed an agreement with John Watts to publish the plays for a small sum of only 30 guineas.
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will be Acted no more, both the Author and the Actors being unwilling to continue any Piece contrary to the
Opinion of the Town." The
54:. The play tells the story of Catholic priest's attempt to manipulate a man to seduce the man's daughter, ultimately unsuccessfully.
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is an unusual combination of farcical buffoonery and harsh invective, and not an effective one." Likewise, Potter points out that "
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in Old Laroon's speeches undermines the comedic nature of the words and caused the sentiment to fall flat among audiences.
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reported on 2 June that both were well-received, but retracted that claim on 5 June to say that only
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was well received. The play discussed morality and society's perceptions of morality and was an
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countered that the play fell apart by the third night. However, the 13 July 1732
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Honest Sins: Georgian
Libertinism & the Plays & Novels of Henry Fielding
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300:"Fielding was merely doing for his own theatre what others had already done".
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disputes between the
British government and the Stuarts during 1745 and 1746
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includes a dark element which its comic force controls only fleetingly."
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on 1 June 1732 at the Royal
Theatre, Drury Lane and was later revived as
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Vol. 1 (1728–1731). Ed. Thomas Lockwood. Oxford: Clarendon Press, 2004.
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mocking those who thoughtlessly accept the constraints of
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wrote again that the play was successful but the 29 June
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wrote on 5 June 1732: "We are assured the Comedy call'd
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reprinted this on 8 June and proceeded to criticise
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Isabel – Jourdain's daughter, played by Kitty Clive
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124:The Debauchees; or, The Jesuit Caught
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332:Battestin and Battestin 1993 p. 400
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