Knowledge (XXG)

The Ordinary Women

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listening to a guitarist who drones on and on—the whole proceedings rendered "faintly or overtly repellent". Milton J. Bates speaks of the "Ti-lill-o" of titillation, the guitars as Hollywood fantasies, "beta b and gamma g" as a love scene between a boy and a girl, the women as leading humdrum and sexually unfulfilled lives.
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Stevens' use of the verb "to fub" may be an interpretive choice-point. If that use isn't taken as ironically dismissing the romantic aura surrounding moonlight's effect on candelabras, there is an opening for the "refreshment of reality" reading favored by Buttel as well as Sukenick. "Presumably",
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In support of the ironic reading, the stanza that includes the inscrutable line "Ti-lill-o!" suggests insipid observers of vulgar soap-opera art. The surrounding stanzas find the women bathed in silly moonlight that "fubs the girandoles", leaning out from "the vapid haze of the window-bays",
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Opinion is divided about whether the poem expresses Stevens' distaste for romanticism in art, a "mordant satire...of all the things that other poems hold sacred"; or whether the poem is about "the refreshment that art, in its palace, gives to reality".
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Buttel writes, "the women, having read the 'heavenly script' in their visit to the palace of art, return to reality renewed, 'Puissant' of speech and filled with 'Insinuations of desire'".
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Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs
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Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
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rendition of "The Ordinary Women" set to music on their EP
868: 657:Jasmine's Beautiful Thoughts Underneath The Willow 175: 173: 39: 545:The Curtains in the House of the Metaphysician 53: Turned from their want, and, nonchalant, 888: 259: 76: From the window-sills at the alphabets, 8: 105: The diamond point, the sapphire point, 85: Of heaven and of the heavenly script. 69: In the vapid haze of the window-bays, 895: 881: 266: 252: 244: 87: And there they read of marriage-bed. 67: And the cold dresses that they wore, 64: The moonlight fubbed the girandoles. 307:The Paltry Nude Starts on a Spring Voyage 216:Buttel, Robert. "Teasing the reader into 94: The gaunt guitarists on the strings 121: Then from their poverty they rose, 103: How explicit the coiffures became, 42: Then from their poverty they rose, 748:Thirteen Ways of Looking at a Blackbird 213:. 1985: University of California Press. 169: 123: From dry guitars, and to catarrhs 62: Mumbled zay-zay and a-zay, a-zay. 60: The lacquered loges huddled there 44: From dry catarrhs, and to guitars 240:. 1984: University of Tennessee Press. 797:The Revolutionists Stop for Orangeade 678:The Bird with the Coppery, Keen Claws 114: Puissant speech, alike in each, 96: Rumbled a-day and a-day, a-day. 7: 849: 847: 226:. Volume VI, Numbers 3/4 (Fall 1982) 211:Wallace Stevens: A mythology of self 231:Wallace Stevens: musing the obscure 867:. You can help Knowledge (XXG) by 517:Anecdote of the Prince of Peacocks 496:On the Manner of Addressing Clouds 233:. 1967: New York University Press. 14: 713:Two Figures in Dense Violet Night 51: They flung monotony behind, 851: 524:A High-Toned Old Christian Woman 127: Through the palace walls. 100: Rose on the beachy floors. 783:The Surprises of the Superhuman 734:Hymn from a Watermelon Pavilion 503:Of Heaven Considered as a Tomb 468:Anecdote of Men by the Thousand 391:Hibiscus on the Sleeping Shores 91: And they read right long. 73: As they leaned and looked 48: Through the palace walls. 587:Disillusionment of Ten O'Clock 482:Floral Decorations for Bananas 363:Nuances of a Theme by Williams 1: 762:The Man Whose Pharynx Was Bad 601:The Virgin Carrying a Lantern 412:Homunculus et la Belle Etoile 112: Insinuations of desire, 475:The Apostrophe to Vincentine 426:From the Misery of Don Joost 419:The Comedian as the Letter C 118: To the wickless halls. 78: At beta b and gamma g, 741:Peter Quince at the Clavier 727:To the One of Fictive Music 699:Colloquy with a Polish Aunt 531:The Place of the Solitaires 223:The Wallace Stevens Journal 82: The canting curlicues 945: 859:This article related to a 846: 790:Sea Surface Full of Clouds 622:Six Significant Landscapes 447:The Worms at Heaven's Gate 314:The Plot Against the Giant 238:Words Chosen Out Of Desire 57: The nocturnal halls. 924:Poetry by Wallace Stevens 287: 27:'s first book of poetry, 580:Tea at the Palaz of Hoon 566:The Emperor of Ice-Cream 559:Depression Before Spring 510:Of the Surface of Things 440:Last Looks at the Lilacs 433:O Florida, Venereal Soil 370:Metaphors of a Magnifico 109: Of the civil fans! 929:20th-century poem stubs 356:Le Monocle de Mon Oncle 300:Invective Against Swans 16:Poem by Wallace Stevens 769:The Death of a Soldier 664:Cortège for Rosenbloom 349:The Load Of Sugar-Cane 130: 145:In 1982, Los Angeles 116: Cried quittance 863:from the 1920s is a 643:Palace of the Babies 629:Bantam in Pine-Woods 811:Anatomy of Monotony 636:Anecdote of the Jar 608:Stars at Tallapoosa 538:The Weeping Burgher 377:Ploughing on Sunday 328:Domination of Black 98: The moonlight 71: Were tranquil 398:Fabliau of Florida 342:The Ordinary Women 229:Sukenick, Ronald. 125: They flitted 55: They crowded 46: They flitted 37:The Ordinary Women 21:The Ordinary Women 876: 875: 841: 840: 818:The Public Square 489:Anecdote of Canna 209:Bates, Milton J. 188:Sukenick, p. 224. 159:(fi'-bo-na'-chez) 107: The sequins 23:" is a poem from 936: 897: 890: 883: 855: 848: 804:Lunar Paraphrase 573:The Cuban Doctor 405:Doctor of Geneva 268: 261: 254: 245: 236:Vendler, Helen. 198: 195: 189: 186: 180: 177: 89: Ti-lill-o! 944: 943: 939: 938: 937: 935: 934: 933: 904: 903: 902: 901: 844: 842: 837: 755:Nomad Exquisite 692:The Wind Shifts 454:The Jack-Rabbit 293:Earthy Anecdote 283: 281:Wallace Stevens 272: 206: 201: 196: 192: 187: 183: 179:Vendler, p. 72. 178: 171: 167: 131: 129: 126: 124: 122: 120: 119: 117: 115: 113: 111: 110: 108: 106: 104: 102: 101: 99: 97: 95: 93: 92: 90: 88: 86: 84: 83: 81: 79: 77: 75: 74: 72: 70: 68: 66: 65: 63: 61: 59: 58: 56: 54: 52: 50: 49: 47: 45: 43: 38: 25:Wallace Stevens 17: 12: 11: 5: 942: 940: 932: 931: 926: 921: 919:American poems 916: 906: 905: 900: 899: 892: 885: 877: 874: 873: 856: 839: 838: 836: 835: 828: 821: 814: 807: 800: 793: 786: 779: 772: 765: 758: 751: 744: 737: 730: 723: 716: 709: 702: 695: 688: 685:Life Is Motion 681: 674: 667: 660: 653: 646: 639: 632: 625: 618: 611: 604: 597: 594:Sunday Morning 590: 583: 576: 569: 562: 555: 548: 541: 534: 527: 520: 513: 506: 499: 492: 485: 478: 471: 464: 457: 450: 443: 436: 429: 422: 415: 408: 401: 394: 387: 380: 373: 366: 359: 352: 345: 338: 331: 324: 321:Infanta Marina 317: 310: 303: 296: 288: 285: 284: 273: 271: 270: 263: 256: 248: 242: 241: 234: 227: 214: 205: 202: 200: 199: 197:Buttel, p. 84. 190: 181: 168: 166: 163: 151:The Fibonaccis 80: To study 40: 36: 35: 15: 13: 10: 9: 6: 4: 3: 2: 941: 930: 927: 925: 922: 920: 917: 915: 912: 911: 909: 898: 893: 891: 886: 884: 879: 878: 872: 870: 866: 862: 857: 854: 850: 845: 833: 829: 826: 822: 819: 815: 812: 808: 805: 801: 798: 794: 791: 787: 784: 780: 777: 773: 770: 766: 763: 759: 756: 752: 749: 745: 742: 738: 735: 731: 728: 724: 721: 717: 714: 710: 707: 703: 700: 696: 693: 689: 686: 682: 679: 675: 672: 668: 665: 661: 658: 654: 651: 647: 644: 640: 637: 633: 630: 626: 623: 619: 616: 612: 609: 605: 602: 598: 595: 591: 588: 584: 581: 577: 574: 570: 567: 563: 560: 556: 553: 552:Banal Sojourn 549: 546: 542: 539: 535: 532: 528: 525: 521: 518: 514: 511: 507: 504: 500: 497: 493: 490: 486: 483: 479: 476: 472: 469: 465: 462: 461:Valley Candle 458: 455: 451: 448: 444: 441: 437: 434: 430: 427: 423: 420: 416: 413: 409: 406: 402: 399: 395: 392: 388: 385: 381: 378: 374: 371: 367: 364: 360: 357: 353: 350: 346: 343: 339: 336: 332: 329: 325: 322: 318: 315: 311: 308: 304: 301: 297: 294: 290: 289: 286: 282: 278: 277: 269: 264: 262: 257: 255: 250: 249: 246: 239: 235: 232: 228: 225: 224: 219: 215: 212: 208: 207: 203: 194: 191: 185: 182: 176: 174: 170: 164: 162: 160: 156: 152: 148: 143: 139: 135: 128: 34: 32: 31: 26: 22: 869:expanding it 858: 843: 825:Indian River 341: 335:The Snow Man 274: 237: 230: 221: 217: 210: 193: 184: 158: 144: 140: 136: 132: 41: 28: 20: 18: 615:Explanation 155:spoken word 153:recorded a 914:1922 poems 908:Categories 204:References 276:Harmonium 218:Harmonium 30:Harmonium 776:Negation 706:Gubbinal 147:art rock 720:Theory 671:Tattoo 165:Notes 149:band 865:stub 861:poem 832:Tea 279:by 220:. 910:: 172:^ 161:. 33:. 896:e 889:t 882:v 871:. 834:" 830:" 827:" 823:" 820:" 816:" 813:" 809:" 806:" 802:" 799:" 795:" 792:" 788:" 785:" 781:" 778:" 774:" 771:" 767:" 764:" 760:" 757:" 753:" 750:" 746:" 743:" 739:" 736:" 732:" 729:" 725:" 722:" 718:" 715:" 711:" 708:" 704:" 701:" 697:" 694:" 690:" 687:" 683:" 680:" 676:" 673:" 669:" 666:" 662:" 659:" 655:" 652:" 648:" 645:" 641:" 638:" 634:" 631:" 627:" 624:" 620:" 617:" 613:" 610:" 606:" 603:" 599:" 596:" 592:" 589:" 585:" 582:" 578:" 575:" 571:" 568:" 564:" 561:" 557:" 554:" 550:" 547:" 543:" 540:" 536:" 533:" 529:" 526:" 522:" 519:" 515:" 512:" 508:" 505:" 501:" 498:" 494:" 491:" 487:" 484:" 480:" 477:" 473:" 470:" 466:" 463:" 459:" 456:" 452:" 449:" 445:" 442:" 438:" 435:" 431:" 428:" 424:" 421:" 417:" 414:" 410:" 407:" 403:" 400:" 396:" 393:" 389:" 386:" 382:" 379:" 375:" 372:" 368:" 365:" 361:" 358:" 354:" 351:" 347:" 344:" 340:" 337:" 333:" 330:" 326:" 323:" 319:" 316:" 312:" 309:" 305:" 302:" 298:" 295:" 291:" 267:e 260:t 253:v 19:"

Index

Wallace Stevens
Harmonium
art rock
The Fibonaccis
spoken word


The Wallace Stevens Journal
v
t
e
Harmonium
Wallace Stevens
Earthy Anecdote
Invective Against Swans
The Paltry Nude Starts on a Spring Voyage
The Plot Against the Giant
Infanta Marina
Domination of Black
The Snow Man
The Ordinary Women
The Load Of Sugar-Cane
Le Monocle de Mon Oncle
Nuances of a Theme by Williams
Metaphors of a Magnifico
Ploughing on Sunday
Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
Hibiscus on the Sleeping Shores
Fabliau of Florida
Doctor of Geneva

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