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walking into eternity embraced; these are two charged political symbols. The
Israeli one: Srulik of the famous cartoonist and illustrator Dosh, a character born as early as 1956. And the other a Palestinian: Handala, the well-known refugee figure of cartoonist Naji al-Ali, first published in 1969. And now, in this new work, Srulik and Handala are embracing, walking together on such a high wall that it would be difficult to erase the possibility they represent. What gift could have made our streets happier than this one?
412:. Al-Ali first depicted Handala as a ten-year-old boy. The figure turned his back to the viewer and clasped his hands behind his back. Al-Ali explained that the ten-year-old represented his age when forced to leave Palestine and would not grow up until he could return to his homeland. Handala wears ragged clothes and is barefoot, symbolizing his allegiance to the poor. Al-Ali vowed that Handala would “reveal his face to the readers again only when Palestinian refugees return to their homeland”.
577:", Talya Zax wrote about the mural, describing the "two children with their backs turned to the viewer, standing with their arms around each other." Zax went on to describe the usual pro-Israel advocacy that tourists are subjected to when visiting Israel, without being shown "a single sign of resistance or rebellion against that narrative." Yet, according to Zax,
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as the front cover for their June 2019 issue. Kiss enthusiastically approved, stating that he hoped for the visual message to be used freely with anything associated with peace, reconciliation, and conflict resolution. The work was featured on the front cover of the magazine, crediting the artist for
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I, too, have seen this large-scale graffiti It is doubtful whether such a painting could have been created in the lives of Al-Ali and Dosh. Dosh was a nationalist right-wing, Ali was opposed to Israel's very existence. Nevertheless, this naïve painting has a spirit of reconciliation and brotherhood
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At first glance it seems like an innocent, almost childish painting. But first glances may be deceiving. It turns out John Kiss is not a fool. He only appears to be a goody two shoes. He dreamed of doing this painting for many years. The characters are the main thing. They are not just two children
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The international magazine, a project of the War
Prevention Initiative, aims at closing the gap between the insights of peace science and the working knowledge that policy makers and practitioners use in their day-to-day operations. Wishing to give the magazine a fresh edge, magazine editors asked
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Kiss became involved in peace activities from a young age. Later, traumatized by his three years in Israel's mandatory military service, Kiss began spraying pro-peace and anti-war catchphrases. These catchphrases were often sprayed in Hebrew and Arabic. However, Kiss felt construed and limited by
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The mural triggered enormous controversy. The genius of Kiss and his crew was to bring together these two iconic figures, who already had a life and significance of their own. Kiss' graffito joins them in friendship. Critics on both sides of the divide have said the image is naïve, but to many
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Kiss therefore began sketching the two characters together. For
Handala to be recognizable, he had to be portrayed with his back to the viewer. Kiss wanted Srulik to be depicted next to Handala, in the same manner, and therefore had to place Srulik with his back to the viewer as well.
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mural was a positive deviation from the ethno-centric narrative, and revealed the problems Israel wishes to swipe under the carpet. Zax stated that Kiss' "choice to bring the two together, Srulik’s back turned just like
Handala’s, seemed like an admission that all was
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Art scholar Stav
Shacham noted that "putting these two characters together, hugging, walking together on a path that we cannot see just yet, but there is a lot of optimism here." She called the work "one of the most beautiful works of art we have in Florentin."
557:. As such, it suited Kiss's wish to bring "happiness" to the viewers of his work. Some commented that "this hug shows John Kiss's commitment to peace.” Others saw it as a "yearning of Kiss for peace, essentially asking, 'why can't we all just get along.'"
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In all of the caricatures of Srulik, he was never depicted from the back, and Kiss had to take artistic liberty in envisioning how the late artist Dosh would have sketched his iconic character from the back. Kiss drew the typical
Israeli
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and the curl and ears as they would appear from the back, as well as the white shirt and dark pants, along with the biblical sandals. In this version, both caricatures were turning their backs to the viewer, but their faces "to the
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between the
Israelis and the Palestinians. The work subsequently became a symbol for peace, repainted by other artists, reproduced on shirts, included in artistic films, and appearing on posters and peace conferences invitations.
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In 2014 Kiss joined with
Palestinian artist Moodi Abdallah, and together they met in Bethlehem, creating the large mural on the Bethlehem wall, sized 275 inches (700 cm) high by 118 inches (300 cm)
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The painting was mentioned in numerous articles and considered "subversive" to the commonplace
Zionist narrative which may tend to ignore the existence of the Palestinian people as a national identity.
493:-controlled Bethlehem, where Israelis were not allowed to enter. Kiss stated later that "some laws need breaking, especially if through the violation there is a possibility of furthering peace."
427:, wished to examine the possibility of incorporating it into his art. It was then that he wondered whether Israel had a character that personified the Israeli people. He immediately thought of
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Kiss wished to create an iconic image, one that could "be reproduced on shirts and stickers, and could be immediately identified as a peace sign specifically to
Palestinians and Israelis."
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a well-known Palestinian caricature. He had seen these caricatures before, but he did not know enough about the caricature or its meaning. Asking his Palestinian friends, Kiss found that
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The artwork highlighted the development of the artist's oeuvre beyond merely entertaining and decorative street art, featuring his criticism at the state of the stagnant
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Kiss wished to paint the mural both in the Palestinian territories as well as within Israel, for the message of peace needed to be directed at both sides of the conflict.
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right. I found it oddly comforting." According to Zax, the painting in the center of Tel Aviv was a sign of "rebellion" and its message "nuanced, hopeful, inclusive."
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Kiss thought that juxtaposing the two characters together could be a "powerful visual message to represent the hope for peace in the Middle East."
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1040:"Discourse, Culture, and Education in the Israeli-Palestinian Co nflict 49 The Connection between Palestinian Culture and the Conflict"
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347:, his graffiti work, political installations, community-based projects and public artworks have granted him the title the “Israeli
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An optimistic piece by Jonathan Kislev with iconic Israeli cartoon "Srulik" embracing the iconic Palestinian cartoon "Handala."
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The work was received with mixed criticism. It was called "naïve" and "delusional" by both Israeli and Palestinians. Israeli
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dedicated an entire article to the new Kiss mural on Frenkel street, titled "Sparkle on Frenkel Street" in which she wrote:
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Wisdom Around the World - Muki Jankelowitz, Israel "Graffiti in Southern Tel Aviv: An insight into Israeli society"
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1182:חן מלול, "ספר שרוליק": הפרויקט הסודי של דוש שלא הושלם מעולם, "הספרנים": בלוג הספרייה הלאומית, 1 בינואר 2018
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Being an Israeli citizen, Kiss was committing a crime by disobeying Israeli military orders and entering
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creating a "political" work portraying "Israeli Srulik and Palestinian Handala embracing each other."
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1069:"Recovering the Palestinian History of Dispossession through Graphics in Leila Abdelrazaq's Baddawi"
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Imagining Collective Futures : Perspectives from Social, Cultural and Political Psychology
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Begin watching at minute 51:08, Baltimore Zionist District online lecture, 21 October 2020,
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456:, and dark khaki shorts. Srulik was described as an icon of Israel in the same way that
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mere words, and wished to express his yearning for peace in a non-verbal and visual way.
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conference titled "Peace and Conflict: Childhood Under Conflict," on 4 November 2019,
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He chose Tel Aviv as the location of the Israeli mural, on a street called Frenkel.
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Srulik is generally depicted as a young man "Zionist, pioneer, farmer" wearing an
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1715:"Art in Focus: The Peace Kids: Jonathan Kis-Lev and crew, spray and wall paint"
709:. Constance De Saint-Laurent, Sandra Obradović, Kevin R. Carriere. Cham. 2018.
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948:"Weekend Activities: Jonathan Kis-Lev about Street Art (beginning at 33 min.)"
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In 2020 Kiss officially changed his name from Jonathan Kis-Lev to John Kiss.
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895:"Jonathan Kis-Lev: Developing the Confidence to Master Your Creative Craft"
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Kiss thought extensively and sketched hundreds of images trying to depict
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1348:"Take a Tour with the Graffiti Geek of Tel Aviv — and Learn Hebrew, Too"
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7 m × 3 m (280 in × 120 in)
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7 m × 3 m (280 in × 120 in)
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Israel. The character was created in 1956 by the Israeli cartoonist
320:, Palestine (together with Palestinian artist Moodi Abdallah) and
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Virtual Graffiti/Street Art tour through Tel Aviv with Niro Trip
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Art journalist Zipa Kampinski of Israel's largest newspaper,
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The work was considered "an optimistic piece" according to
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In a visit to the Bethlehem area, Kiss saw caricatures of
312:, a symbol of Palestine. It was created by Israeli artist
1588:"מיכל קרק - סיורים מחוץ למסגרת, Biron 4, Tel Aviv (2021)"
845:"Not your normal tour of Tel Aviv | Hamilton Jewish News"
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were respectively icons of France and the United States.
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was the most famous caricature by Palestinian cartoonist
1437:"דרום תל אביב: כפר שלם, שכונת התקווה ושכונת פלורנטין"
614:
In October 2019 the work was featured in the British
821:"6 Incredible Street Art Pieces To Find In Tel Aviv"
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Disappointed, he felt that "all attempts were lame."
1158:Watch beginning at minute 29:49. Online lecture by
954:
http://10tv.nana10.co.il/Article/?ArticleID=1006332
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1067:Priyadarshini, Arya; Sigroha, Suman (2020-07-03).
680:"A Tel Aviv, une méthode pour apprendre l'hébreu"
415:Kiss, realizing the caricature's importance as a
1125:"The Lessons They Didn't Teach Me on Birthright"
1614:Florentin Tel Aviv - The Street is your gallery
623:others, it is an image of hope and aspiration.
1761:The Lessons They Didn't Teach Me on Birthright
966:"Graffiti artist Banksy goes to the Holy Land"
1535:"רשימות תל אביביות | קילומטר של אמנות יפואית"
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8:
1511:"Esra Magazine - Iconic Message On the Wall"
1414:The Tel Aviv Street Museum with Stav Shachaf
573:titled "The Lessons They Didn't Teach Me on
1375:http://www.ncity.co.il/article.asp?aID=1101
804:: CS1 maint: numeric names: authors list (
597:In 2019 Kiss was contacted by the magazine
1686:"Volume 4, Issue 2 · Peace Science Digest"
1387:"Tel Aviv Graffiti- Virtual Tour with BZD"
737:: CS1 maint: location missing publisher (
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43:
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1634:"Peace Science Digest Volume 4, Issue 2"
1763:". The Forward. Retrieved July 6, 2021.
1489:See for example the invitation for the
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1752:Kampinski, Zipa (September 26, 2014),
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1495:The Harry S. Truman Research Institute
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1463:"שרוליק וחנדלה גרפיטי בתל אביב - 2021"
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332:The work was created by John Kiss, an
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29:Mural by John Kiss in Tel Aviv, Israel
1723:. October 2019: 12–13. Archived from
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1756:(in Hebrew), Yedioth Ahronoth's Xnet
1193:"דוש, שרוליק ומיתוס 'היהודי הנצחי'"
869:"Walls With Stories In Every Crack"
391:Kiss had in mind the location: the
678:Kiner, Saloma (21 November 2016).
25:
1804:Israeli–Palestinian peace process
1766:Kichka, Michel (July 16, 2016). "
1346:Zeveloff, Naomi (7 August 2016).
989:Watch beginning at minute 36:04,
786:Jonathan Kis-Lev Official Website
639:Israeli–Palestinian peace process
1749:(magazine). October 2019: 12–13.
1610:See for example, minute 1:09 in
819:Fishman, Daniella (2021-04-30).
181:The work as seen from the street
49:The work as seen from the street
1166:, Baltimore Hebrew Congregation
1741:Doney, Meryl (October 2019). "
1491:Hebrew University of Jerusalem
1461:Krak, Michal (18 March 2020).
1038:Ashley, John; Jayousi, Nedal.
1012:Faber, Michel (11 July 2009).
496:Muki Jankelowitz, director of
1:
1713:Doney, Meryl (October 2019).
1559:Kark, Michal (17 June 2018).
1324:Kichka, Michel (2016-07-16).
1221:(in Hebrew), 27 December 2018
893:Srinivas, Rao (23 May 2018).
1743:ART IN FOCUS: The Peace Kids
380:"), and many other sketches.
1123:Zax, Talya (31 July 2016).
901:. The Unmistakable Creative
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873:The Mediterranean Observer
606:for permission to use the
170:The Peace Kids (Bethlehem)
1754:Sparkle on Frenkel Street
1391:American Zionist Movement
1304:Sparkle on Frenkel Street
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1326:"Reconciled Caricatures"
649:Negation of the Diaspora
362:peace in the Middle East
1515:magazinepre.esra.org.il
1309:Yedioth Ahronoth's Xnet
1047:Netanya Academic Centre
437:is a cartoon character
150:32.057271°N 34.768021°E
1768:Reconciled Caricatures
1262:Jewish Virtual Library
849:hamiltonjewishnews.com
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343:. Known previously as
18:The Peace Kids (mural)
1794:Paintings of children
1273:"The press in Israel"
950:(in Hebrew). Nana 10.
741:) CS1 maint: others (
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618:. The magazine noted:
603:The Peace Kids Mural.
549:that warms the heart.
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491:Palestinian-Authority
366:Arab–Israeli conflict
304:is a mural depicting
1799:Public art in Israel
1690:Peace Science Digest
1660:Peace Science Digest
761:Combatants For Peace
599:Peace Science Digest
538:Bezalel Arts Academy
155:32.057271; 34.768021
1441:עמירם במשעולי ישראל
1160:Jankelowitz, Muki,
376:") and in Hebrew ("
316:in dual locations:
282:31.7233°N 35.2059°E
278: /
146: /
1592:www.findglocal.com
1561:"The Power of Art"
1085:10.5209/eiko.73329
425:Palestinian people
364:and an end to the
1260:The Israeli Press
1241:Tel Aviv Graffiti
1014:"Pens and swords"
716:978-3-319-76051-3
634:Culture of Israel
567:In an article in
393:west bank barrier
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1770:" (in Hebrew).
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1736:External links
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1694:. Retrieved
1692:. 2019-06-05
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1467:Go Be Travel
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1443:. 2018-05-20
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1393:. 2020-09-29
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1023:17 September
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972:. 2007-12-03
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899:Radio Public
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875:. 2021-05-01
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1569:(in Hebrew)
1541:(in Hebrew)
1469:(in Hebrew)
1352:The Forward
1328:(in Hebrew)
1129:The Forward
1079:: 395–418.
686:(in French)
570:The Forward
534:illustrator
450:Israeli hat
439:symbolizing
410:Naji al-Ali
285: /
259:Coordinates
252:, Palestine
153: /
127:Coordinates
1778:Categories
1696:2021-08-01
1644:2021-08-01
1620:2021-08-10
1597:2021-08-01
1573:2021-08-01
1545:2021-08-08
1520:2021-08-07
1473:2021-08-08
1447:2021-06-09
1420:2021-08-10
1397:2021-08-10
1357:2021-06-03
1332:2021-06-03
1247:2021-08-10
1225:2021-08-10
1202:2021-08-05
1170:2021-08-10
1134:2021-07-06
999:2021-08-10
976:2021-10-09
905:2021-09-10
879:2021-07-26
854:2021-06-02
830:2021-06-02
791:2021-10-09
766:2021-07-06
725:1040613419
690:2021-07-06
660:References
575:Birthright
540:professor
324:, Israel.
273:35°12′21″E
270:31°43′24″N
238:Dimensions
232:Street art
141:34°46′05″E
138:32°03′26″N
106:Dimensions
100:Street art
38:(Tel Aviv)
1672:2575-3886
1283:April 25,
1093:2254-8718
733:cite book
512:Reception
462:Uncle Sam
318:Bethlehem
314:John Kiss
250:Bethlehem
195:John Kiss
63:John Kiss
1566:Facebook
800:cite web
757:"Awards"
644:Graffiti
628:See also
480:future."
458:Marianne
402:Handala,
322:Tel Aviv
246:Location
227:Movement
220:Graffiti
120:, Israel
118:Tel Aviv
114:Location
95:Movement
88:Graffiti
970:Reuters
423:of the
406:Handala
334:Israeli
328:History
310:Handala
206: (
74: (
1747:Reform
1720:Reform
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544:wrote:
499:Machon
435:Srulik
429:Srulik
378:shalom
374:salaam
349:Banksy
306:Srulik
216:Medium
191:Artist
84:Medium
59:Artist
1638:Issuu
1043:(PDF)
684:L'Obs
654:Sabra
486:wide.
1668:ISSN
1539:הארץ
1499:here
1493:and
1285:2019
1089:ISSN
1054:2014
1025:2014
806:link
743:link
739:link
721:OCLC
711:ISBN
536:and
460:and
443:Dosh
419:and
339:and
208:2014
204:2014
201:Year
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1277:BBC
1197:NRG
1081:doi
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