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For a long time it was uncertain what the poet was doing with the fingers of his right hand. An obvious assumption is that he is chanting a verse. According to another interpretation, he crushes a flea between his fingers, with which
Spitzweg would ironically represent the discrepancy between the
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is leaning against the wall on the far left of the picture. Snow-covered roofs are seen behind the window, in an indication that it is cold. However, the poet is so poor that he remains in bed to keep himself warm. He can only heat himself if he burns his works.
280:. This painting was the subject of a political art campaign by Frank Uwe Laysiepen in 1976. He stole the work, but returned it after a few hours. On September 3, 1989, art robbers stole it together with another one of Spitzweg's works,
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hangs, to protect the sleeping area from the moisture dripping through the roof. The room door can be seen on the right edge of the painting. Opposite the door, on the left edge of the picture, there is a green tiled
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from 1722 to 1782 and suffered financial hardships. There are three completed versions of the painting, all from 1839: the alleged first version is privately owned and used to be on loan to the
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hangs on the unheated stovepipe. There are sheets of paper in the furnace hole, which probably belong to the papers that lie in front of it, and which, also in Latin, are labeled
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272:. This painting was given by Spitzweg to his nephew Ludwig as a gift. He offered it to its current owners in 1887. Another version was held in the
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on his head. On his knees he holds some pages of a manuscript with his left hand. With the fingers of his right hand he appears to be counting the
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in front of the stove. To the left of the stove is a pot, the dressing gown is hanging on the wall next to it and the
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in red. There is a candle in the bottle on the green tiled stove, next to it the wash bowl, and a towel hangs on a
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was the first to deal with this subject in 1736. Spitzweg possibly borrowed his title from the drama by
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room. The narrow room is illuminated by a small window on the left. On the right there are the
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The subject of "artists in a poor room" was dealt with before
Spitzweg. The British painter
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is
Spitzweg's earliest masterpiece. The role model was most likely the German poet
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of a poem. In front of the mattress, there are thick books and two boxes with an
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36.2 cm × 44.6 cm (14.3 in × 17.6 in)
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or, most likely, the instructions for writing Latin verses published by the
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Ausgabe 4/2007, S. 4 f., Bundesministerium der
Finanzen, Berlin (German)
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on them. On the spine of the upright book on the far right are the
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in 1702. On the wall, the poet probably painted the meter of the
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100:) is the best known and most popular painting by German painter
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without fire. The poor poet has no bed: instead he lies on a
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Meister des
Biedermeier – 200. Geburtstag Carl Spitzweg.
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Lisa
Schirmer: Carl Spitzweg. Seemann, Leipzig 1998,
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for the 200 years of the birth of
Spitzweg, in 2008.
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104:. It was executed in 1839 and had three versions.
414:"The Poor Poet, Neue Pinakothek, Munich (German)"
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399:, 12. Januar 2012 Die Zeit Nr. 3/2012 (
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112:The painting depicts a poet in his poor
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264:. The best known version is now in the
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436:Carl Spitzweg - Der arme Poet
624:Cultural depictions of poets
497:Gnome Watching Railway Train
369:Carl Spitzwegs Malerparadies
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191:The third bundle of my works
187:Operum meorum fasciculum III
529:The Intercepted Love Letter
258:Germanisches Nationalmuseum
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604:Paintings by Carl Spitzweg
403:) 23 January 2016 (German)
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16:Painting by Carl Spitzweg
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373:Herrsching am Ammersee
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576:Das kleine Hofkonzert
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286:Charlottenburg Palace
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609:Stolen works of art
298:commemorative stamp
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537:The Warlock
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108:Description
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308:References
189:(English:
64:Dimensions
532:(c. 1860)
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516:(c. 1857)
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480:Paintings
262:Nuremberg
239:Poor Poet
195:boot jack
175:hexameter
157:(German:
137:, with a
513:Justitia
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206:Analysis
131:mattress
122:umbrella
72:Location
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183:top hat
171:Cologne
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118:rafters
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114:garret
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54:Medium
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151:Latin
143:meter
127:stove
377:ISBN
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