184:, while missing art is searched for and recovered art conserved. The book concludes with chapters about post war activities: resolving problems of ownership, coordinating the return of stolen art, and attempting to collect what was yet missing. Philosophically intriguing are issues of who ultimately owns works of art. Since this last phase of recovery and restitution is ongoing, this book has a bearing on current activities.
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Despite the regular accounts of impending destruction of art works, Nicholas also recounts a veneration for art on the part of people of all sides of the conflict, and what amounts to desperate and sometimes heroic activity. The villains, unsurprisingly, are often the Nazis, particularly
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efforts to safeguard their treasures. Midway through the book, the role of
American and Allied organizations is introduced, including the frustratingly tentative planning and lack of resources they faced. The book follows the path of liberation as the Allies push back the
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The book is chronological, starting with scattered events in the decade before World War II. During this time, the Nazis used their influence and money to acquire artwork, while dealers and the public at large were anticipating war. Discussion of
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treasures from occupied countries and the consequences. It covers a range of associated activities: Nazi appropriation and storage, patriotic concealment and smuggling during
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was adapted for a 2006 film of the same name. It was made for US$ 1.3 million. Half of the money came from the
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starts in the third chapter. The middle of the book discusses Nazi plundering during the war, as well as
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The Rape of Europa: The Fate of Europe's
Treasures in the Third Reich and the Second World War
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The Rape of Europa: The Fate of Europe's
Treasures in the Third Reich and the Second World War
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507:. Vol. 22, no. 3. National Endowment for the Humanities. Archived from
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142:, and the extraordinary tasks of preserving, tracking, and returning by the
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Richard Berge, Nicole
Newnham, and Bonni Cohen were nominated for the
501:"On the Trail of Lost Art: A Conversation with Lynn H. Nicholas"
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412:
Writers Guild of
America Award for Best Documentary Screenplay
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872:
Monuments, Fine Arts, and
Archives program ("Monuments Men")
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Among the featured vignettes in the film is Jewish refugee
648:"Maria Altmann: The Real Story Behind 'Woman in Gold'"
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Monuments Men
Foundation for the Preservation of Art
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Art theft, World War II in Europe, art conservation
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595:"The Rape of Europa: Oscar Documentary Shortlist"
1039:National Book Critics Circle Award-winning works
111:(Knopf edition), 0-679-75686-8 (Vintage Edition)
661:Thielman, Sam; McNary, Dave (9 February 2008).
146:and their colleagues. Nicholas was awarded the
887:Washington Principles on Nazi-Confiscated Art
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499:Ferris, William R. (September–October 2000).
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1019:Art theft and looting during World War II
839:Art theft and looting during World War II
428:Art theft and looting during World War II
1029:Documentary films about the visual arts
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374:National Endowment for the Humanities
7:
1024:Documentary films about Nazi Germany
724:, 2006 film, aired November 24, 2008
578:. PBS. November 2008. Archived from
16:1994 book and 2006 documentary film
1054:English-language documentary films
663:"Cody, Coens bros. top WGA Awards"
621:Muchnic, Suzanne (16 March 2006).
194:National Book Critics Circle Award
14:
593:Stewart, Anna (6 December 2007).
196:for general non-fiction in 1994.
813:Reichsleiter Rosenberg Taskforce
530:Nicholas, Lynn H. (May 1995) .
394:Portrait of Adele Bloch-Bauer I
378:National Endowment for the Arts
976:Republic of Austria v. Altmann
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920:(1994 book, 2006 documentary)
881:The Spoils of War (symposium)
1044:2000s English-language films
731:, companion book to the film
397:. Altmann was portrayed by
311:November 12, 2007
144:American Monuments officers
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1014:American documentary films
716:Oregon Public Broadcasting
828:Degenerate Art Exhibition
795:paintings by Adolf Hitler
387:, who in 2006 restituted
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808:Reich Chamber of Culture
735:Google Books preview of
784:and during World War II
782:In Nazi Germany, before
576:"Filmmaker Biographies"
457:Portrait of a Young Man
1004:1994 non-fiction books
623:"LACMA to show Klimts"
138:, discoveries by the
1049:2000s American films
775:Art and World War II
650:. 30 September 2020.
391:'s 1907 masterpiece
31:Paperback book cover
791:Art in Nazi Germany
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20:The Rape of Europa
936:(2007 documentary)
917:The Rape of Europa
901:In popular culture
892:Gurlitt Collection
849:Nazi storage sites
738:The Rape of Europa
721:The Rape of Europa
702:The Rape of Europa
691:The Rape of Europa
511:on 24 October 2008
416:The Rape of Europa
370:The Rape of Europa
207:The Rape of Europa
122:is a 1994 book by
1034:Looting in Europe
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941:The Monuments Men
925:Rescuing Da Vinci
844:Looting of Poland
627:Los Angeles Times
553:978-0-679-40069-1
480:Rescuing Da Vinci
469:Adele Bloch-Bauer
444:The Monuments Men
401:in the 2015 film
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218:Theatrical poster
192:The book won the
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865:Art recovery
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604:. Retrieved
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580:the original
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304:Release date
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156:Adolf Hitler
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136:World War II
128:Nazi plunder
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952:(2015 film)
944:(2014 film)
928:(2006 book)
912:(1964 film)
672:20 February
632:29 February
515:31 December
451:Old Masters
447:, 2014 film
363:US$ 425,000
331:117 minutes
269:Narrated by
257:Bonni Cohen
252:Produced by
245:Bonni Cohen
230:Bonni Cohen
224:Directed by
200:Documentary
150:by France.
1009:2006 films
999:2007 films
993:Categories
505:Humanities
487:References
360:Box office
315:2007-11-12
273:Joan Allen
240:Written by
132:looted art
909:The Train
876:personnel
459:(Raphael)
287:Edited by
282:Jon Shenk
61:Publisher
707:AllMovie
562:32531154
422:See also
344:Language
166:Contents
45:Language
960:Related
667:Variety
600:Variety
347:English
336:Country
313: (
53:Subject
48:English
979:(2004)
971:(1966)
883:(1995)
830:(1937)
560:
550:
376:; the
352:Budget
188:Awards
177:Soviet
140:Allies
37:Author
606:4 May
95:Pages
90:Print
64:Knopf
696:IMDb
674:2019
634:2024
608:2008
558:OCLC
548:ISBN
517:2008
414:for
182:Axis
158:and
104:ISBN
74:1994
718:):
712:PBS
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.