Knowledge (XXG)

Le chant du rossignol

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284: 172: 1588: 1599: 225:, as each liked to be the director in charge. As Balanchine was allowed more of a role, however, it was clear that the Balanchine-Stravinsky relationship was a lasting one. They had similar taste in art, music, and movement and lived to create. Stravinsky and Balanchine continued as a team for several years, creating a number of famous ballets. 262:, due to illness and suffering from having lost the nightingale. Then the Nightingale appears outside the Emperor's window and convinces Death to let the Emperor go. The final scene shows the courtiers discovering that the Emperor is now well, although his Nightingale leaves once again, returning to nature. 89:
I reached the conclusion — very regretfully, since I was the author of many works for the theatre — that a perfect rendering can be achieved only in the concert hall, because the stage presents a combination of several elements upon which the music has often to depend, so that it cannot rely upon the
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The story's themes include the natural versus the artificial, with the real Nightingale juxtaposed with its mechanical replacement. This was not the first (or last) piece by Stravinsky centered on the character of a bird, nor was it his first fascination with a seemingly perfect machine, as records
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Stravinsky also wrote a reduction of the whole symphonic poem for solo piano. As opposed to the original four-movement version for orchestra finished in 1917, the version for solo piano consists of three movements, with the full original material intact but rearranged into different movement
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Stravinsky was always specific about the use of movement with music. He once said, "I do not see how one can be a choreographer unless, like Balanchine, one is a musician first", in praise of the famous choreographer who began working with Stravinsky for the revival of
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derives its material mostly from the latter two acts, which were completed in 1914 after Stravinsky had established himself as a ballet composer and five years after he had completed the first act. He was in fact unsure about returning to
299:. Balanchine was in fact a musician himself, and already a fan of Stravinsky's work. He was immediately willing to take the challenge, saying, "I learned the music well, and so ... when Diaghilev asked me to stage Stravinsky's ballet 126:. Stravinsky's nontraditional use of dissonance and instruments was unwelcome in later performances of the piece as well. It is possibly due to this public reaction that he then let Diaghilev turn it into a ballet. 255:. All are mesmerized by its song and ignore the real Nightingale, who flies away. The music here is short and clear, without the smooth runs of the "real" Nightingale and more sounds of a mechanical automaton. 2518: 2503: 283: 214:
Stravinsky agreed to do a revival of the ballet in 1925. Originally, the choreography was to be Massine's, but when that fell through, Diaghilev chose one of his newest students,
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is divided into four movements of varying length, which follow a non-linear, episodic structure. The music is taken from acts II and III. The movement list is as follows:
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and swooping, it sounds free and natural, like the song of a bird. The second scene introduces the gift of the mechanical nightingale from the
331:(The Two Nightingales). Cadenza — Adagio — Presto — Vivace — Jeu du Rossignol mécanique. Moderato — Pochissimo più largo. Maestoso — Larghetto 2488: 2266: 1665: 905: 1441: 2318: 2179: 1193: 438:
Joseph, Charles M. (2002) "Stravinsky and Balanchine, A Journey of Invention," New Haven: Yale University Press. ISBN ML 410 S932 J6 652002
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exclusive consideration which it receives at a concert. I was confirmed in this view when two months later, under the direction of ...
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for the concert platform, and a choreographic rendering seemed to me to be quite unnecessary," he says later in his autobiography.
218:, to choreograph the ballet. This is when Stravinsky first met Balanchine, who later became his most important creative partner. 1843: 1628: 1506: 766: 759: 2327: 561: 2207: 1230: 910: 797: 2493: 2426: 2058: 1869: 1293: 1235: 1177: 1142: 1003: 717: 119: 2073: 1736: 2200: 1149: 1135: 857: 585: 2394: 2362: 1931: 1810: 1328: 936: 239: 69: 2410: 2402: 1983: 1976: 1948: 1621: 957: 864: 819: 614: 2473: 2342: 2134: 2106: 1924: 1910: 1891: 963: 814: 752: 665: 375: 2099: 1300: 1276: 1211: 1183: 850: 1258: 161:(The Mechanical Nightingale). Moderato — Sempre {{music|quarter}} = 60 — Molto ritmico — Pianissimo — Tranquillo 2335: 2228: 2214: 1592: 1323: 578: 1788: 2378: 2358: 1955: 1829: 1563: 1533: 1336: 1270: 1107: 630: 548: 259: 65: 48: 2508: 2172: 2155: 2120: 1405: 1042: 982: 679: 673: 248: 72:
and was set to a Russian-language libretto in three acts told from the point of view of a fisherman. The
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The work had its first performance on December 6, 1919, in Geneva, conducted by Ernest Ansermet at the
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Stravinsky did not record the music during his extensive recording sessions for
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at all, and this doubt may have led him to create the purely instrumental
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The piece's ballet debut occurred on February 2, 1920, at the
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tell us Stravinsky often preferred the sound of a mechanical
155:(Song of the Nightingale). Cadenza — Adagio — Presto — Vivace 221:
The Diaghilev and Stravinsky relationship weakened during
186:(debut February 2, 1920) with the mechanical Nightingale 529:. New York: Gordon and Breach. ISBN ML 410 S932 A6 1989 358:, other than a 1932 reduction for violin and piano of 233:
The ballet follows the main plot line of Stravinsky's
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with dancers. Costume designs by Henri Matisse, 1920
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The choreography was by 167:Premiere as a choreographed ballet 25: 2222:Tschaikovsky Piano Concerto No. 2 1963:Movements for Piano and Orchestra 1507:Coco Chanel & Igor Stravinsky 932:Capriccio for Piano and Orchestra 900:Movements for Piano and Orchestra 1597: 1587: 1586: 303:, I was able to do it quickly". 2469:Compositions by Igor Stravinsky 1231:Three Pieces for String Quartet 911:Canon on a Russian Popular Tune 466:. London: Boosey & Hawkes. 2524:Arrangements of opera excerpts 2430:(2002 children's picture book) 1294:Symphonies of Wind Instruments 1236:Three Pieces for Solo Clarinet 1178:Three Movements from Petrushka 120:Orchestre de la Suisse Romande 1: 2489:Ballets by George Balanchine 540:. ISBN ML 410 S932 J6 652002 464:Chant du Rossignol (HPS 633) 366:only, recorded in 1933 with 143:Presto — Andantino — Tempo I 2180:Symphony in Three Movements 1949:Metastaseis and Pithoprakta 865:The Song of the Nightingale 820:Symphony in Three Movements 551:. 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(2002). 342:The piece was published by 197:Théâtre National de l'OpĂ©ra 70:fairy tale of the same name 18:The Song of the Nightingale 2540: 2484:Ballets by LĂ©onide Massine 2149:Stravinsky Violin Concerto 1844:L'enfant et les sortilèges 376:Chicago Symphony Orchestra 159:Jeu du rossignol mĂ©canique 60:Stravinsky's first opera, 2395:The Emperor's Nightingale 2316: 2142:The Steadfast Tin Soldier 2100:Slaughter on Tenth Avenue 1737:Brahms–Schoenberg Quartet 1666:A Midsummer Night's Dream 1655: 1582: 1301:Fanfare for a New Theatre 1212:Two Sketches for a Sonata 1018:The Owl and the Pussy Cat 608: 525:Albright, Daniel (1989). 488:. : Boosey & Hawkes. 484:Stravinsky, Igor (2007). 462:Stravinsky, Igor (1922). 98:was given as a ballet by 2499:Music about nightingales 2267:Variations for Orchestra 2229:Tschaikovsky Suite No. 3 2215:Tschaikovsky Pas de Deux 1725:Le Bourgeois Gentilhomme 378:recorded the ballet for 2359:Hans Christian Andersen 1956:Monumentum pro Gesualdo 1564:Charles Ferdinand Ramuz 1534:Monday Evening Concerts 1337:Monumentum pro Gesualdo 1194:Concerto for Two Pianos 549:Oxford University Press 66:Hans Christian Andersen 34:Song of the Nightingale 2208:Le Tombeau de Couperin 1800:Divertimento Brillante 291: 237:, based on Andersen's 187: 108: 2494:1920 ballet premieres 2387:Le chant du rossignol 2286:Walpurgisnacht Ballet 2167:Symphonie Concertante 2093:The Seven Deadly Sins 2007:Pas de Trois (Minkus) 2002:Pas de Trois (Glinka) 1870:The Four Temperaments 1758:Le chant du rossignol 1206:Sonata for Two Pianos 562:Le chant du rossignol 538:Yale University Press 370:on violin. 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Retrieved 411: 402: 372:Fritz Reiner 363: 359: 353: 341: 334: 328: 322: 315: 307:Arrangements 300: 296: 293: 269: 257: 238: 235:Le rossignol 234: 232: 222: 220: 213: 208: 194: 183: 158: 152: 146: 135: 133: 123: 117: 112: 95: 88: 82: 78: 73: 61: 59: 47: 37: 33: 28: 27: 26: 2419:Nightingale 2414:(1981 film) 2406:(1979 film) 2398:(1949 film) 2371:Adaptations 1818:Don Quixote 1324:Tchaikovsky 1130:Four Études 858:Four Études 718:discography 660:Oedipus rex 615:Discography 191:Productions 104:Paris Opera 2463:Categories 2300:Who Cares? 2260:Variations 2241:Union Jack 2194:Tarantella 2025:Pulcinella 1997:Pas de Dix 1970:Mozartiana 1938:Meditation 1776:Concertino 1415:Amanuensis 1271:Epitaphium 1108:Tarantella 1036:Zvezdoliki 990:Pribaoutki 791:Symphonies 732:Pulcinella 667:PersĂ©phone 622:Operas and 547:. London: 545:Stravinsky 520:References 380:RCA Victor 312:Solo piano 32:(English: 2156:Swan Lake 2121:La source 1771:Clarinade 1574:Serialism 1098:Piano and 1043:Ave Maria 983:Pastorale 920:Concertos 844:Fireworks 725:Les noces 706:Petrushka 681:The Flood 412:imslp.org 350:Recording 346:in 1927. 249:chromatic 130:Structure 100:Diaghilev 2365:" (1843) 2248:La Valse 2114:Sonatine 2086:Serenade 2042:Ragtime 2032:Ragtime 1904:Ivesiana 1851:Episodes 1789:CoppĂ©lia 1751:Chaconne 1593:Category 1394:Children 1386:(second) 1363:(father) 1122:♯ 945:♭ 801:♭ 417:30 April 374:and the 92:Ansermet 68:'s 1843 2307:Zenobia 2235:Tzigane 1991:Orpheus 1705:Ballade 1645:Ballets 1474:Related 1380:(first) 1354:Parents 1222:Chamber 1114:Scherzo 1100:pianola 1061:Cantata 774:Orpheus 691:Ballets 512:, 1993. 273:pianola 102:at the 2012:Pavane 1918:Jewels 1837:ÉlĂ©gie 1744:Bugaku 1700:Le Bal 1687:Apollo 1591:  1510:(film) 1347:Family 1322:(from 1265:Septet 1074:Threni 1028:Choral 739:Apollo 639:Renard 492:  266:Themes 2438:Other 2187:Tango 1718:Bayou 1603:Audio 1371:Wives 1286:Other 1259:Elegy 1248:Octet 1224:music 1200:Tango 1125:minor 1050:Babel 975:vocal 653:Mavra 394:Notes 260:Death 136:Chant 56:Opera 2361:'s " 1673:Agon 1056:Mass 973:Solo 781:Agon 490:ISBN 468:ISMN 419:2023 382:in " 362:and 229:Plot 178:and 134:The 1647:by 1326:'s 879:Ode 42:by 2465:: 2044:II 476:^ 427:^ 410:. 94:, 52:. 2351:e 2344:t 2337:v 2034:I 1637:e 1630:t 1623:v 1332:) 1138:" 1134:" 1110:" 1106:" 1020:" 1016:" 952:) 948:( 720:) 716:( 594:e 587:t 580:v 498:. 451:. 421:. 106:. 20:)

Index

The Song of the Nightingale
poème symphonique
Igor Stravinsky
The Nightingale
Hans Christian Andersen
fairy tale of the same name
Ansermet
Diaghilev
Paris Opera
Orchestre de la Suisse Romande

Henri Matisse
LĂ©onide Massine
Théâtre National de l'Opéra
Leonid Massine
Henri Matisse
George Balanchine
The Nightingale
Emperor of China
chromatic
Emperor of Japan
Death
pianola

Tamara Karsavina
Hawkes & Son
Columbia Records
Samuel Dushkin
Fritz Reiner
Chicago Symphony Orchestra

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