691:, Alvin Klein declared the show "a soul-satisfying new musical", "a complete work of theatrical resourcefulness", and " story that flows with grace and carries the rush of anticipation". He continued, "The warm, indigenous American folk sound of Mr. Valcq's score is, harmonically and melodically, as theatrical as it is grassroots. On first hearing, Mr. Alley's lyrics touch a deeper chord, accomplishing the considerable feat of poetically offering inspiration while holding the syrup. ... The musical is freeing. ... It is penetrated by honesty and it glows."
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and their part in the story. There are plenty of thrilling musical passages, some gentle and heartbreaking ones, as well as joyful and colourful (and tuneful) numbers. It’s the kind of score which engulfs you with its charm and spirit and, at the end, you just want to listen to it again." In his article "The Best of 2015" for Live
Theatre UK, Collins singled out "Union Theatre's magical enlivening of The Spitfire Grill, a heart-warming but difficult American tale of redemption and fortitude which deserves a further, extensive life in the West End." In
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and Gossip"). Her thoughts are interrupted by a cry from Hannah, who has tripped on the stairs and broken her leg. Over the protests of her fiercely protective nephew, Caleb, Hannah has Percy take over the
Spitfire. When it comes to cooking, though, Percy is clueless ("Into the Frying Pan"). That night, without explaining why, Hannah reluctantly asks Percy to wrap a towel around a loaf of bread and to leave it near the old stump out back of the grill.
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the Grill, anyone can enter. At first, Hannah resists, but slowly, something about the craziness of the idea convinces her that it just might work. As the rest of the town watches the long
Wisconsin winter stubbornly give way to spring ("Ice and Snow"), the women at the Spitfire plan the details of the contest. Percy and Shelby share a vision of life as they wish it were, while writing the advertisement for the raffle ("The Colors of Paradise").
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been a deserter in the
Vietnam war. The shame of it killed her husband, and though Hannah has taken care of Eli's basic needs, she has kept his presence in the woods a secret from the entire town. Percy pleads with Hannah to express her forgiveness to Eli. Day passes into night and Hannah calls out to her son ("Way Back Home"). Out of the shadows, Eli appears in the grill once more. Hannah reaches out her hand to welcome him home.
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Moon"). Arriving in Gilead, Percy reports to the local sheriff, Joe Sutter. He leads her through the deserted streets to a ramshackle diner called the
Spitfire Grill, run by a crusty old widow, Hannah Ferguson, who has a bad hip and a sharp tongue. Joe persuades Hannah to take Percy on board and give her work as a waitress.
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wrote of the score: "The songs are part of the storytelling smoothly integrated with a gentle folk influence and an almost operatic treatment in the way they colour in the narrative and elaborate phrases. From individual arias to a complex sextet involving all the characters except a silent outsider,
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raft of great tunes has been uncovered for a UK audience." Genni
Trickett of London Theatre 1 called the show "heart-warming, sincere, thought-provoking, and a jolly good story. Not to mention the original, toe-tapping tunes, which get into your head and refuse to be dislodged, no matter how hard you
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is a musical treat. James Valcq’s score is richly rewarding and creates a genuinely engaging musical atmosphere, which helps shape and drive the narrative. He creates a true musical world for the characters and, within that world, each character has tunes and phrases which assist in illuminating them
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s Joel
Hirschhorn wrote that "Valcq's numbers are consistently exciting, aided by carefully devised orchestrations. More than most musicals, the underscoring feels like an extra character, brimming with creative cello, violin, mandolin, guitar, and keyboard solos. Fred Alley wrote lyrics that contain
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Transformed by her hilltop vision, Percy leads Eli back to the Grill to reunite him with Hannah after so many years. In a painful confrontation, Shelby and Caleb recognize Eli and react with such shock at his battered appearance and broken demeanor that Eli flees. Hannah finally admits that Eli had
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Caleb spots the contest ads as they begin to appear in out-of-town papers. Without a decent job since the local quarry closed, Caleb has been left trying to sell real estate that no one wants. His frustration turns against a world where being a hard-working man is no longer enough ("Digging Stone").
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Percy sets to work in a swirl of small-town suspicions led by Effy, the postmistress and village busybody ("Something's
Cooking at the Spitfire Grill"). In the face of all the gossip and Hannah's constant haranguing, Percy begins to wonder whether she made a mistake in coming to Gilead ("Coffee Cups
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feels as if it has been transplanted to Times Square directly from an obscure patch of the
American heartland. The longing for a place like Gilead, well removed from the big, troublesome world, is real enough – perhaps now more than ever. The show's creators tap into that longing with unembarrassed
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Wanting to escape painful memories, Hannah has had the Grill on the real estate market for 10 years with no takers. In a moment of inspiration, Percy proposes a way for Hannah to get rid of the
Spitfire and make some money at the same time: a raffle. For $ 100 and an essay about why they might want
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Rural Wisconsin. February. A young woman, Percy Talbott, gazes out the window of her prison cell, from which she is about to be released. In her pocket is a photograph clipped from a travel book with a caption that states "Autumn colors along Copper Creek near Gilead, Wisconsin" ("A Ring Around the
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As summer approaches, the first raffle entry arrives in the mail, complete with $ 100 and a rather depressing essay, which stirs up some of Hannah's old wounds ("Forgotten Lullaby"). That night, while placing the usual loaf of bread out back, Percy encounters a silent visitor. She attempts to make
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has been produced over 700 times worldwide in regional theatres, festivals, stock, community, and school productions. Foreign-language versions have been produced in Germany in 2005; in South Korea in 2007, 2012, and 2015; in Japan in 2009; and in The Netherlands in 2018. Notable American versions
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Hannah, Percy, and Shelby sit in the Spitfire Grill after hours, reading essays and drinking from a jug of Hannah's infamous applejack. As they read the letters, some funny, some sad, Hannah expresses her appreciation for what Percy and Shelby have done ("Come Alive Again"). Before long, it seems
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Late one October night on the back porch, Joe tells Percy that he no longer wants to leave Gilead. He plans to build a house on a plot of land his father has given to him ("Forest for the Trees"). Deeply troubled, Percy abruptly rejects Joe's proposal of marriage and confides to Shelby the harsh
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On the last day of the contest, everybody reads their favorite essays. Finally, Hannah reads the words that have touched her the most - the ad describing the grill, written by Percy and Shelby. In gratitude for their role in reuniting mother and son, while admitting she is not offering much in
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has a simplicity and emotional resonance that has become all too rare in musical theater. This is a show that succeeds by not trying: it simply is." He described the score as "simply astonishing, due no small part to Valcq's stunning arrangements, which consist of folk instruments and
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When Percy awakens, she sees the mysterious visitor and at last realizes he is none other than Eli, Hannah's own son. Eli leads Percy deep into the forest and then to a clearing atop a hill. The leaves have turned to autumn colors and as the sun rises, they burn like flame ("Shine").
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Percy is joined at the Spitfire by Caleb's wife Shelby, an excellent cook. In the heat of the kitchen, the two women are drawn together. Shelby tells Percy about Hannah and Gilead's past, the day her childhood hero went off to war and her hometown changed forever ("When Hope Goes").
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directness. At a time when cynicism seems downright unpatriotic, sophisticates may find themselves powerless to resist. Well before the show reaches its conclusion, many of the New York city slickers in the audience may be ready to enter Percy's raffle themselves." Elysa Gardner in
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details of her life. Impregnated by her stepfather when she was 16, Percy suffered untold abuse resulting in the loss of her unborn child. While on the run, she killed her stepfather with his own straight razor. Shelby comforts Percy and gently sings her to sleep ("Wild Bird").
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wrote that the score offered "some of the most engaging and instantly infectious melodies I've heard in a musical in some time. Valcq's resonant, folk-based orchestrations make the fetching tunes even more accessible and poignant. Open your heart and visit the Spitfire Grill."
420:(2002), which featured Phyllis Somerville as Hannah, the West Coast premiere at Laguna Playhouse (2002), which won the OC Award for Best Musical, and the Idaho Shakespeare Festival production in 2006, which was conducted by James Valcq. The musical had its UK premiere at the
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with direction by Tony Knight and musical direction by Ben Kiley. The cast consisted of Erin Clare (Percy Talbott), Alison Eaton (Hannah Ferguson), Timothy Langan (Joe Sutter), Kelly White (Shelby), Emma Etherington (Effy), Vanessa Powell (Caleb) and Brett Khaou (Eli).
705:, Mark Shenton found the show "a chamber musical that mines surprising depths in its portrait of the healing qualities of small-town community life. Set to a haunting score, the cast of seven gives it a gritty heart, aching with longing and regret but also hope."
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as Percy Talbott and directed by Alastair Knights in July 2015. This production was acclaimed as a Top 10 Critic's Choice musical by BritishTheatre.com and was awarded Best New Production of a Musical (Fringe/Regions) in the Broadway World UK Awards.
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s cannot begin to approach. What even in normal times would be a joy is, in these troubled ones, sheer nourishment." He later included the show in his Best of 2001 list. Other critics also commented on the show's poignancy after the
644:, David Hurst wrote, "The score by James Valcq is a mixture of country, bluegrass, and Broadway-styled pop ballads that is always stirring and pure Americana in sound with heartfelt lyrics by the late Fred Alley." According to
270:. The musical depicts the journey of a young woman just released from prison, who decides to start her life anew in a rural town in Wisconsin. She participates in a journey within the town toward its own tenuous reawakening.
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wrote, "The songs are shiny with tunefulness, hope, and all-American inflections of country and folk." He said the score "has a gentle American vernacular charm" and the "lyrics have a matching ease and simplicity." Also in
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would open the 2000–2001 season at Playwrights Horizons after a May workshop. One week before the workshop, Alley suffered a fatal heart attack at the age of 38 while jogging in the woods near his Wisconsin home.
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During a parole session with Sheriff Joe Sutter, Percy tells of her bleak past growing up in the West Virginia coal mines. Joe, in turn, spills out his dissatisfaction with life in Gilead ("This Wide Woods").
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began previews at the Duke Theatre on 42nd Street on September 7, 2001, and concluded its scheduled run on October 14, 2001. It won the Richard Rodgers Production Award, administered by
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is one of the most heartfelt musicals of recent years, its homespun charms as inviting as a warm winter blanket", wrote Matthew Murray reviewing the show for Talkin' Broadway.
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as Joe, Armand Schultz as Caleb, Mary Gordon Murray as Effie, and Stephen Sinclair as Eli. It was directed by David Saint. The show received Best Musical nominations from the
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premiered in the Netherlands at the Fontys School of Fine and Performing Arts for a limited run, with direction by Yannick Plugers and musical direction by Rick van den Belt.
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The New York/Off-Broadway Production was nominated for two Drama Desk Awards: Outstanding Actress in a Musical (Garrett Long) and Outstanding Featured Actress in a Musical (
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mentored the creative team, encouraging them to find their own emotional truth in the material. The ending of the musical is entirely different from the ending of the film.
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conversation, but the mysterious man merely takes the bread and flees. Weeks go by, and essays begin to pour into the grill from far and wide ("Shoot the Moon").
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everyone in town is helping Hannah to sift through the letters, and a magical shift occurs, not only at the Spitfire, but throughout Gilead, as well.
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333:, associate producer of musicals at Playwrights Horizons, and Tim Sanford, the artistic director, saw the George Street production and announced that
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The Laguna production won the OC Award for Best Musical. Actor Misty Cotton (as Percy) received a nomination for Best Performance in a Musical.
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closed off-Broadway in 1995. They wanted to create a piece of populist theatre with elements of myth and folktale. Upon seeing the film
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nominations for Garrett Long as Outstanding Actress in a Musical and Liz Callaway as Outstanding Featured Actress in a Musical.
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1327:"BWW TV Exclusive: Caitlin Kinnunen Belts Out Her Favorite Under-Rated Musical on It's the Day of the Show Y'all!"
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The London production received Best New Production of a Musical (Fringe/Regions) in the Broadway World UK Awards.
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The show premiered in Singapore at the Creative Cube in September 2012. The musical was performed by
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The show received its London premiere at the Union Theatre, Southwark, in a production starring
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wrote, "It is not often that material moves me to tears, but this was one of those occasions.
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in Wisconsin. New York-based Valcq was seeking a follow-up project for the pair after his
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in New Jersey. The theatre presented a workshop of the show in June, 2000, featuring
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The San Francisco production won the Bay Area Critics Circle Award for Best Musical.
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described it as "a lovely new musical in the Rodgers and Hammerstein tradition." In
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include a co-production by American Folklore Theatre (co-founded by Fred Alley) and
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in conjunction with the composer, and has been re-released as a digital download.
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as Hannah, and produced the world premiere production in November 2000, featuring
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included the song "When Hope Goes" on her career-spanning retrospective album
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and its Australian premiere in July 2010 by the Margaret River Theatre Group.
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1247:"The Spitfire Grill - Album by James Royal Valcq, Original off-Broadway Cast"
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sang "The Colors of Paradise" with Spencer Glass on a 2020 segment of the
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nominations including Outstanding Production of a Musical, and won 2.
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Of the London production, Stephen Collins in British Theatre wrote, "
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return, Hannah turns over the Grill to Percy and Shelby ("Finale").
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A demonstration tape of a few songs from the score found its way to
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in 2013. "Shine" was performed by Teresa Fischer on her 2013 album
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The Milwaukee Journal-Sentinel (Article about the collaborators)
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is like a breath of fresh country air." Jonathan Frank wrote in
1266:"Curtain Up: Watch the First Episode of 'Off Pitch' Right Now!"
1289:"Talkin' Broadway Sound Advice: Shana Farr and Teresa Fischer"
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The Florida production received 3 Carbonell Award nominations.
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1092:"THEATER REVIEW; Play Charts a Quest For Balm for the Spirit"
1066:"THEATER REVIEW; Bottomless Cups Of Redemption, Sunnyside Up"
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The Spitfire Grill plot summary & character descriptions
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instrumentations, acting as a character unto themselves."
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was presented with the Richard Rodgers Production Award.
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1383:"Playwrights Horizons Mainstage Bulletin", Fall, 2001
1308:"'The Essential Liz Callaway' is Essential Listening"
1222:"Theatre review: The Spitfire Grill at Union Theatre"
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as the winner. The remainder of the group comprised
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58:. Unsourced material may be challenged and removed.
1346:It Would Be Enough for Me: The Songs of Fred Alley
740:The New York/Off-Broadway Production received an
747:The New York/Off-Broadway Production received a
242:is an American musical with music and book by
673:the ring of plain-spoken, believable truth."
555:. Consider transferring direct quotations to
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883:"Richard Rodgers Awards for Musical Theater"
1118:"REVIEW: The Spitfire Grill, Union Theatre"
411:Since the Playwrights Horizons production,
1413:Playwrights Horizons Site (Cast Recording)
218:Richard Rodgers Awards for Musical Theatre
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751:nomination for Best Off Broadway Musical.
744:nomination for Best Off Broadway Musical.
426:Royal Scottish Academy of Music and Drama
118:Learn how and when to remove this message
764:The Washington DC production received 2
268:the American Academy of Arts and Letters
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861:. The posthumously-released collection
771:The Los Angeles production received a
1380:September, 2001, Volume 117, Number 9
1038:Hirschhorn, Joel (November 4, 2002).
823:The song "Shine" was featured on the
546:too many or overly lengthy quotations
384:The off-Broadway production featured
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1408:Concord Theatricals Site (Publisher)
1325:Glass, Spencer (February 13, 2020).
887:American Academy of Arts and Letters
222:American Academy of Arts and Letters
56:adding citations to reliable sources
960:Murray, Matthew (October 2, 2001).
323:as Hannah. Throughout the process,
1276:from the original on June 2, 2023.
1170:"What to book: The Spitfire Grill"
1168:Halfhead, Lucy (August 11, 2015).
1116:Collins, Stephen (July 27, 2015).
1090:Klein, Alvin (December 10, 2000).
781:The Chicago production received 3
388:as Hannah, Garrett Long as Percy,
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1306:Gans, Andrew (December 4, 2015).
1194:Trickett, Genni (July 25, 2015).
1064:Brantley, Ben (October 3, 2001).
986:Gamerman, Amy (October 3, 2001).
791:The Dallas production received 4
595:has the heart and soul that your
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67:"The Spitfire Grill" musical
1220:Loxton, Howard (July 23, 2015).
934:Simon, John (October 15, 2001).
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1142:Shenton, Mark (July 27, 2015).
807:The off-Broadway cast album of
731:they are beautifully crafted."
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1264:Exton, Emily (April 8, 2013).
855:It's the Day of the Show Y'all
422:2008 Edinburgh Festival Fringe
233:Fred Alley (L) and James Valcq
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1287:Lester, Rob (April 4, 2013).
988:"Hosannahs to the Heartland"
775:nomination for Best Musical.
909:LASALLE College of the Arts
440:LASALLE College of the Arts
311:, artistic director of the
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843:The Essential Liz Callaway
742:Outer Critics Circle Award
606:September 11, 2001 attacks
252:1996 film of the same name
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1448:Musicals set in Wisconsin
1357:– via WorldCat.org.
863:It Would Be Enough For Me
721:The British Theatre Guide
433:American Folklore Theatre
292:American Folklore Theatre
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621:s Amy Gamerman wrote, "
553:summarize the quotations
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992:The Wall Street Journal
803:Original cast recording
615:The Wall Street Journal
424:in a production by the
313:George Street Playhouse
296:Zombies from the Beyond
246:and lyrics and book by
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911:. 2012. Archived from
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735:Awards and nominations
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716:The Spitfire Grill’s
642:Show Business Weekly
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52:improve this article
845:. Broadway actress
1372:The New York Times
1174:Harper's Bazaar UK
1096:The New York Times
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859:The Spitfire Grill
809:The Spitfire Grill
749:Drama League Award
711:Harper's Bazaar UK
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679:The New York Times
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525:Critical reception
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768:nominations.
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390:Liz Callaway
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50:Please help
45:verification
42:
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853:web series
837:. In 2015,
392:as Shelby,
379:Robert Ward
359:Jack Beeson
355:Lynn Ahrens
321:Beth Fowler
309:David Saint
288:The Passage
280:James Valcq
244:James Valcq
203:Productions
180:James Valcq
158:James Valcq
108:August 2021
1427:Categories
869:References
601:Full Monty
589:John Simon
561:Wikisource
406:Drama Desk
363:John Guare
284:Fred Alley
248:Fred Alley
193:1996 film
184:Fred Alley
168:Fred Alley
78:newspapers
1148:The Stage
1017:Billboard
919:March 11,
835:Let It Go
830:Off Pitch
702:The Stage
647:Billboard
629:USA Today
597:Producers
569:June 2023
557:Wikiquote
544:contains
454:In 2018,
431:In 2011,
1378:Playbill
1355:51925451
1312:Playbill
1274:Archived
940:New York
585:magazine
583:New York
462:Synopsis
278:Authors
1251:Spotify
1231:June 2,
1205:June 2,
1179:June 2,
1153:June 2,
1127:June 2,
1101:June 2,
1075:June 2,
1049:June 2,
1044:Variety
1023:June 2,
997:June 2,
971:June 2,
945:June 2,
666:Variety
274:History
92:scholar
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500:Act II
377:, and
258:. The
214:Awards
164:Lyrics
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220:from
206:2001
190:Basis
154:Music
99:JSTOR
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1351:OCLC
1233:2023
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1155:2023
1129:2023
1103:2023
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