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was raving about "the elemental poetic force emerging from secret depths of a human soul... for
Katerina's love is a woman's nature thing exactly in the way that any of climatic cataclysm is a thing of physical nature", critic Nikolai Filippov lambasted the play as an "example of vulgar primitivism",
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who gave lyrical overtones to the character. In both cities the play angered most of the theatre critics but appealed to audiences and was a tremendous box office success.
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barrier the author made a trip to the capital where he had hard time convincing censor
Nordstrom that in Kabanikha he hadn't shown the late Tsar
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the play was being produced, as in Moscow, under the personal supervision of its author. Katerina there was played by young and elegant
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wrote about the decline of a
Russian comedy and drama, which was "sliding down the ranking stairs" to the bottom of social hierarchy.
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was highly skeptical too, especially about "those two episodes that take place behind the bushes".
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provoked fierce debate in the
Russian press of the time concerning moral issues. While
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calling
Katerina "shameless" and the scene of rendezvous in Act III "scabrous".
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to a great response. To make sure the play makes it through
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This article is about
Ostrovsky's play. For other uses, see
155:, which is directed particularly towards the Russian
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187:. It was premiered on November 16, 1859, as actor
167:Ostrovsky wrote the play between July and October
488:It's a Family Affair-We'll Settle It Ourselves
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361:(October 31, 1896–January 25, 1971)
340:(February 11, 1895–August 13, 1970)
420:Marsh, Cynthia. 1982. "Ostrovsky's play
387:. Iskusstvo, Moscow. Life in Art series
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191:'s benefit and enjoyed warm reception.
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277:, which was first performed in 1931.
175:'s Moscow flat to the actors of the
576:It's Not All Shrovetide for the Cat
147:. As with Ostrovsky's other plays,
560:Enough Stupidity in Every Wise Man
385:"Alexander Nikolayevich Ostrovsky"
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40:Cover of the 1950 Russian edition
654:Russian plays adapted into films
552:Sin and Sorrow Are Common to All
16:1859 play by Alexander Ostrovsky
338:Viktor Nikolayevich Trambitsky
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664:Plays set in the 19th century
611:(1880, with Nikolai Solovyov)
644:Plays by Alexander Ostrovsky
432:. Cambridge: Cambridge UP.
426:Leoš Janáček, Káťa Kabanová
292:based directly on the play)
286:Vladimir Nikitich Kashperov
275:Concert Overture in C minor
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544:A Protégée of the Mistress
383:Lakshin, Vladimir (1982).
173:Lyubov Nikulina-Kositskaya
122:, sometimes translated as
59:16 November 1859
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649:Plays adapted into operas
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119:
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261:Pyotr Ilyich Tchaikovsky
520:Don't Live as You Like
21:Storm (disambiguation)
528:A Profitable Position
504:Stay in Your Own Sled
235:Cinematic adaptations
616:Talents and Admirers
659:Plays set in Russia
476:Alexander Ostrovsky
254:Musical adaptations
145:Aleksandr Ostrovsky
50:Aleksandr Ostrovsky
608:Light Without Heat
512:Poverty is No Vice
243:1934 Russian film
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241:Vladimir Petrov's
220:Mikhail Shchepkin
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85:Original language
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328:Ivan Dzerzhinsky
307:Vincenc Červinka
224:Stepan Shevyryov
196:Saint Petersburg
171:. He read it in
153:social criticism
124:The Thunderstorm
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305:(libretto by
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298:Káťa Kabanová
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389:. Retrieved
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177:Maly Theatre
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136:19th-century
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75:Maly Theatre
230:Adaptations
639:1859 plays
633:Categories
584:The Forest
391:2012-03-01
366:References
181:censorship
142:playwright
63:1859-11-16
46:Written by
536:The Storm
474:Plays by
355:The Storm
345:The Storm
334:The Storm
324:The Storm
314:The Storm
282:The Storm
270:The Storm
263:wrote an
211:The Storm
206:Reception
185:Nikolai I
149:The Storm
111:The Storm
99:Realistic
29:The Storm
290:libretto
265:overture
130:in five
415:Sources
163:History
139:Russian
134:by the
126:) is a
116:Russian
89:Russian
61: (
619:(1881)
603:(1878)
595:(1873)
587:(1871)
579:(1871)
571:(1869)
563:(1868)
555:(1863)
547:(1859)
539:(1859)
531:(1857)
523:(1854)
515:(1854)
507:(1853)
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491:(1850)
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424:." In
353:1962:
343:1952:
332:1941:
322:1940:
312:1940:
295:1921:
280:1867:
259:1864:
79:Moscow
246:Groza
128:drama
120:Гроза
102:drama
95:Genre
434:ISBN
404:See
169:1859
132:acts
428:by
194:In
77:in
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373:^
357:,
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159:.
118::
467:e
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288:(
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