646:. Welles had endeavored to personalize the film and develop a nightmarish tone. There is uncertainty about how much of this material was actually shot and how much was removed. Some scenes elaborated on Meinike's flight through Latin America, shadowed by an agent named Marvales and his wife, a woman in distinctive gold earrings who is murdered by savage dogs kept by the Nazis-in-exile. A brief vestige of the sequence remains in the final release version. In a 1982 interview, Nims said 32 pages of the script were eliminated at his suggestion, including the first 16 pages.
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443:, which leads Wilson to realize that Rankin must be Kindler. Even so, not having witnessed the meeting with Meinike, he still has no proof. Only Mary knows that Meinike came to meet her husband. To get her to admit this, Wilson must convince her that her husband is a criminal — before Kindler decides to eliminate the threat to him by killing her. Kindler's facade begins to unravel when Red, the family dog, discovers Meinike's body. To further protect his secret, Kindler poisons Red.
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935:, which called the film "a socko melodrama, spinning an intriguing web of thrills and chills. Director Orson Welles gives the production a fast, suspenseful development, drawing every advantage from the hard-hitting script from the Victor Trivas story. … A uniformly excellent cast gives reality to events that transpire. The three stars, Robinson, Young and Welles, turn in some of their best work, the actress being particularly effective as the misled bride."
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657:"Character development suffers from the loss of these scenes," wrote film historian Bret Wood, who also observes that inclusion of the Latin American pursuit would have increased the sense of foreboding before the story enters the idyllic town of Harper. A sense of mystery would also have been set up by an imaginative but unrealized pre-title sequence in the Welles version; instead, the titles are simply superimposed over the image of the clock.
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683:. The idea was ruled out by budget restrictions, but a few artifacts are seen in the film. A sign in the gymnasium reads "Harper vs. Todd" and refers to Clover Hall, a building on the Todd campus, and "Mrs. Collins"—Annetta Collins, teacher, housemother, and director of kitchen services. It was Collins who had recruited Welles for Todd in 1926, after meeting the boy at his father's hotel in
922:, published in July 1946. Crowther called the film a "bloodless, manufactured show" in which Welles "gave no illusion of the sort of depraved and heartless creatures that the Nazi mass-murderers were. He is just Mr. Welles, a young actor, doing a boyishly bad acting job in a role which is highly incredible—another weak feature of the film. As a matter of fact, the writing of
455:. She is torn between her love and her desire to learn the truth. Meanwhile, Kindler tries to arrange a fatal "accident" for Mary, but she discovers the plot. Finally accepting the truth, she dares her husband to kill her face to face. Kindler tries, but is prevented by the arrival of Wilson and Mary's brother, and escapes from the house.
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926:, by Anthony Veiller, is the weakest thing about it—and that estimation includes another silly performance by Loretta Young as the killer's wife. For the premise is not only farfetched, but the whole construction of the tale relieves very soon all the mystery and suspense that such a story should have."
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No, you must not miss the newsreels. They make a point this week no man can miss: The war has strewn the world with corpses, none of them very nice to look at. The thought of death is never pretty but the newsreels testify to the fact of quite another sort of death, quite another level of decay. This
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Kindler flees into the church belfry, followed by Mary and then Wilson. Meanwhile, most of the town, hearing the repaired clock bell, has arrived outside the building. At the top of the tower, Kindler pulls a gun and a struggle ensues. Mary ends up with the gun and fires. Kindler is shot. He staggers
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The character of Potter—a comic druggist who plays checkers—was played by actor Billy House, a burlesque star who became a particular favorite of Welles. The character was not initially a major part of the film, but Welles expanded the role as filming progressed. Feeling that these revisions came at
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The set facilitated long takes in which conversations begin indoors, move outside to actual storefronts, and continue across the town square. Welles used long takes as a way to protect the integrity of his film, giving "the great supercutter" nothing to cut away to. The long takes are so subtle that
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Meanwhile, Mary begins to suspect her husband is not being honest with her. He admits to killing
Meinike and Red, but claims Meinike was in town to blackmail her and her father. Mary still loves him and wants to protect him in any way she can; she helps by lying about Meinike. Then Wilson shows her
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In the shot where Wilson plays checkers with Potter, you can look behind Potter and see a mirror behind him, and through the mirror see Potter and Wilson again, and then see the window behind the camera, and see through that window to cars, buildings and natural sunlight. It's truly radical. If it
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Editor Ernest J. Nims was given the power to cut any material he considered extraneous from the script before shooting began. "He was the great supercutter," Welles said, "who believed that nothing should be in a movie that did not advance the story. And since most of the good stuff in my movies
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budget—that nothing in the film was his, this despite the fact that the unmistakable
Wellesian moods, shadows, acute angles, and depth-of-focus shots are pervasive. Within the film is a second film, another Wellesian touch, consisting of snatches of documentary footage showing Nazi atrocities."
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Welles recalled
Loretta Young's support in a dispute with Spiegel, when the producer ordered a closeup of Young during a medium-full shot of Mary's fight with Kindler. "It would have been fatal," Welles said. "I told that to Loretta, and she said, 'Well then, we're not going to make it.'" When
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clock in the town square, and tells him it was "brought by sailing ship from the shores of the
Mediterranean" by one of her ancestors. Rankin is familiar with the clock and her family's history, and as they walk through the cemetery he notes the many Longstreets who are buried there and their
434:
Wilson begins investigating newcomers to the small town. Due to Rankin and Mary's marriage, he does not suspect Rankin — until the two meet and discuss about the German people, where Rankin declares them a threat to the world that must be destroyed. When Wilson counters that
Germans also made
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795:"What we tend to forget today is that in the 1940s a large percentage of the population could not believe that the Nazi death camps were real," said Bret Wood. Welles had seen the footage in early May 1945 in San Francisco, as a correspondent and discussion moderator at the
703:. For Welles, Ferguson created a complete town square, an interlocking series of sets in related proximity to each other. Scenes could be filmed that provided deep views of adjacent buildings through windows or reflected in their glass, adding richness and dimension.
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614:. When Huston entered the military, Welles was given the chance to direct the film and prove himself able to make a film on schedule and under budget—something he was so eager to do that he accepted a disadvantageous contract. In September 1945 Welles and his wife
641:
Welles was given some degree of creative control. He worked on the general rewrite of the script, wrote all of the scenes in the drugstore, and wrote scenes at the beginning of the picture that were shot but subsequently cut by
Spiegel and executive producer
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is transformed from a socially relevant drama to a small town murder story, with the villain more a psychopath than a political fugitive. Nims cut the film to play like a conventional thriller with little regard to Welles's subtextual purposes."
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signed a guarantee that Welles would owe
International Pictures any of his earnings, from any source, above $ 50,000 a year if he did not meet his contractual obligations. He also agreed to defer to the studio in any creative dispute.
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966:(1943). "One reason for the similarities is the recutting, supervised by Ernest Nims," wrote film historian Bret Wood. "By removing the Latin American sequence and many of the political elements (such as the clock/fascist analogy),
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Meinike attacks Wilson, leaving him for dead, and meets
Kindler. Meinike is repentant and has become a Christian, and begs Kindler to confess his own crimes. Instead, Kindler strangles Meinike, who might expose him.
375:
687:. A note on a blackboard, in Welles's handwriting, refers to Wallingford Hall, another building at Todd. A notice on the wall is signed "Coach Roskie"—Anthony C. Roskie, Todd's longtime athletic director.
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they go unnoticed. At a time when a one-minute take was a rarity, Welles presents one unbroken scene between
Kindler and Meinike in the woods that is four minutes long—longer than the bravura opening of
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box office success upon its release. Its cost was $ 1.034 million; it earned $ 2.25 million in U.S. rentals in its first six months, and 15 months after its release it had grossed $ 3.216 million.
638:, Welles was to receive $ 2,000 a week plus $ 50,000 when the film was completed, and a chance to sign a four-picture deal with International Pictures, making films of his own choosing.
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1786:
Display advertisement, "What
America's Youngest News Network Is Doing About the Greatest News Story of Our Time". American Broadcasting Company, Inc., The Blue Network.
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374:
814:"It is clear that the visual power of the newsreels had struck him deeply, and it is no surprise that clips from them would be included only a few months later in
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Left to right: Edward G. Robinson, Richard Long, Loretta Young, Martha Wentworth, Orson Welles, Philip Merivale, Byron Keith, and an unidentified actress in
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were released by various sources. Some versions were duplicated from second- or third-generation releases, and were severely and badly edited, until
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outside to the belfry's clock face, and is impaled by the sword of one of the moving clock figures. Weakened by his injuries, he falls to his death.
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who has erased all evidence which might identify him. He has left no clue to his identity except "a hobby that almost amounts to a mania — clocks."
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988:. He regards Welles's third completed film as "deceptive and much more complex stylistically and thematically" than has so far been appreciated.
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706:"When we're filming inside the drug store, we get a sense of depth that is extremely rare in a Hollywood movie," said film historian Bret Wood:
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An early scene showing a meeting of Mary and Rankin was filmed but removed. She finds him in the woods, looking at the incongruous 16th-century
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Wilson releases Kindler's former associate Konrad Meinike, hoping the man will lead him to Kindler. Wilson follows Meinike to a small town in
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Contemporary news items about the production add uncredited and unconfirmed cast members Neal Dodd, Nancy Evans, Fred Godoy, Joseph Granby,
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to portray the investigator. "I thought it would be much more interesting to have a spinster lady on the heels of this Nazi," Welles said.
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is a putrefaction of the soul, a perfect spiritual garbage. For some years now we have been calling it Fascism. The stench is unendurable.
407:, but loses him before he meets with Kindler. Kindler has assumed a new identity as "Charles Rankin", and has become a teacher at a local
852:, International Pictures backed out of its promised four-picture deal with Welles. No reason was given, but the impression was left that
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Spiegel continued to insist on the closeup, Young brought in her agent. "Imagine getting a star's agent in to ensure that she
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exists as an answer to the critics who complained that Welles could not make a 'program' picture," wrote film noir scholar
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760:"No one who worked on the film can remember any special anecdotes or problems concerning it," wrote biographer
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Olive Films also put out a Blu-Ray of the film sanctioned from MGM in 2017. The film is also available on the
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based on 29 critic reviews, including two contemporaneous reviews. The sole negative review is that of
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as Movie of the Week in its issue dated June 3, 1946. The film was screened in competition at the
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1038:(the owners of most of the International Pictures catalog) restored the film and released it on
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The copyright on the film originally belonged to The Haig Corporation, but the film is in the
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315:. Welles's third completed feature film as director and his first film noir, it centers on a
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was the first commercial film to use documentary footage from the Nazi concentration camps.
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978:, Wood calls it "an undervalued film" due to the absence of the "stylistic swagger" of
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Wilson (Edward G. Robinson) steps into the projected image of the Holocaust footage in
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1075:. Other extras include four of Welles's World War II radio broadcasts: "Alameda" (
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on December 7, 1946. Robinson re-created his role from the film, performing with
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his expense, Edward G. Robinson complained ineffectually to studio executives.
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2010:
1989:
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Justice Adam Longstreet, and is involved in repairing the town's 400-year-old
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town. It is the first Hollywood film to present documentary footage of the
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Wilson, Kristi M.; Crowder-Taraborrelli, Tomás F., eds. (4 January 2012).
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1766:. Madison, Wisconsin: The University of Wisconsin Press. pp. 55–58.
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Barker, Jennifer L. (2012). "Documenting the Holocaust in Orson Welles's
799:. Welles wrote of the Holocaust footage in his syndicated column for the
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2137:"Return of 'The Stranger': Showing spotlights local man's restoration"
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in October 2013. Kino's release was mastered from a 35mm print at the
1728:. Madison, Wisconsin: The University of Wisconsin Press. p. 11.
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902:. "He did, and it has found a niche in the canon of the film noir."
1641:"Todd School Coach Anthony Roskie and Orson Welles' 'The Stranger'"
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1551:(1979). "The Stranger". In Silver, Alain; Ward, Elizabeth (eds.).
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591:. Filming took place from late September to November 21, 1945, at
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Produced by Sam Spiegel (who then billed himself as S. P. Eagle),
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The Stranger, DVD #9_9346, Madacy Entertainment Group, Inc. 2002
1762:". In Wilson, Kristi M.; Crowder-Taraborrelli, Tomás F. (eds.).
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was the last International Pictures Production distributed by
1879:, With Edward G. Robinson, Loretta Young and Orson Welles..."
1099:, 1946). The disc is not captioned for the hearing impaired.
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because the producers did not renew the copyright in 1973.
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It's All True: Based on an Unfinished Film by Orson Welles
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Film Noir: An Encyclopedic Reference to the American Style
1938:. Vol. 20, no. 22. June 3, 1946. pp. 75–78
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was Welles's first job as a film director in four years.
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In his audio commentary for the 2013 Blu-ray release of
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Welles planned to use the campus of his alma mater, the
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Magician: The Astonishing Life and Work of Orson Welles
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United Nations Conference on International Organization
2068:. Crime, Mystery & Gangster Fiction Magazine Index
1703:. Lewisburg, Pennsylvania: Bucknell University Press.
1137:
The debut issue (July–August 1946) of the short-lived
439:
as an example, Rankin says that since Marx was a Jew,
1662:"Todd School for Boys 1848–1954, Woodstock, Illinois"
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Three of the four post-liberation scenes included in
338:(then-called the ‘Grand International Prize’) at the
411:. He is about to marry Mary Longstreet, daughter of
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2175:is available for free viewing and download at the
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757:get a closeup!" Welles said. "She was wonderful."
435:positive contributions to the world and specifies
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1633:
1380:Jewell, Richard B. (1982). Harbin, Vernon (ed.).
551:, Gabriel Peralta, Gerald Pierce, Robert Raison,
303:directed and (although uncredited) co-written by
1071:documentary on the Nazi death camps directed by
1045:An archival restoration was released on DVD and
883:was the only film made by Welles to have been a
631:, you can imagine what a nemesis he was to me."
873:Contemporary response featured on a poster for
451:and explains how Kindler developed the idea of
1130:(July–August 1946) featured a novelization of
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1293:Orson Welles box office information in France
8:
3253:Films shot in Los Angeles County, California
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1057:. The release includes audio commentary by
1965:Academy of Motion Picture Arts and Sciences
1516:Citizen Welles: A Biography of Orson Welles
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1667:. Woodstock Public Library. Archived from
1359:. Westport, Connecticut: Greenwood Press.
1272:. New York: Alfred A. Knopf. p. 268.
818:," wrote film scholar Jennifer L. Barker.
27:
18:
2039:"DVD Savant Blu-ray Review: The Stranger"
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472:as Franz Kindler/Professor Charles Rankin
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764:. "Welles has said, since the making of
423:with religious automata that crowns the
3138:Orson Welles Paul Masson advertisements
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1502:
1500:
1214:
1030:, a number of poor-quality versions of
1006:Writing (Original Motion Picture Story)
3243:Films with screenplays by Orson Welles
1643:. Wellesnet, May 13, 2014. 13 May 2014
538:as Farbright (not in released version)
340:8th Venice International Film Festival
3198:American psychological thriller films
3018:The Mercury Summer Theatre of the Air
1799:Welles, Orson. "Orson Welles Today".
1226:
1224:
1222:
1220:
1218:
1114:and YouTube video-sharing platforms.
929:More favorable coverage was found in
319:investigator tracking a high-ranking
7:
390:United Nations War Crimes Commission
1093:, 1942), and "Bikini Atomic Test" (
3193:1940s psychological thriller films
2751:Around the World with Orson Welles
1270:Rosebud: The Story of Orson Welles
1004:received an Oscar nomination for
848:Within weeks of the completion of
606:Spiegel initially planned to hire
14:
2135:McCarthy, Gail (8 October 2010).
1930:"Movie of the Week: The Stranger"
599:. The film's musical score is by
523:Isabel O'Madigan as Mrs. Lawrence
1357:Orson Welles: A Bio-Bibliography
427:of a church in the town square.
3233:Films scored by Bronisław Kaper
2555:The Spirit of Charles Lindbergh
1061:. The DVD includes excerpts of
334:The film was nominated for the
3223:Films directed by Orson Welles
3203:American black-and-white films
3061:The Begatting of the President
2940:The Mercury Theatre on the Air
2064:Stephensen-Payne, Phil (ed.).
388:Mr. Wilson is an agent of the
356:film entered the public domain
307:, starring himself along with
1:
3228:Films produced by Sam Spiegel
3160:They'll Love Me When I'm Dead
1026:After the film fell into the
3026:The Adventures of Harry Lime
2500:An Evening with Orson Welles
2189:AFI Catalog of Feature Films
1902:"Film Reviews: The Stranger"
1822:. January 8, 1947. p. 8
1237:AFI Catalog of Feature Films
1203:List of United Artists films
1110:streaming services, and the
956:was unfavorably compared to
841:and used as evidence in the
829:(1945), a film assembled by
768:—which he completed one day
634:For directing and acting in
3111:Rita Hayworth (second wife)
1790:, April 30, 1945, pp. 22–23
1699:The Theatre of Orson Welles
526:Pietro Sosso as Mr. Peabody
285:931,868 admissions (France)
3269:
3238:Films about Nazi fugitives
3121:Beatrice Welles (daughter)
2775:In the Land of Don Quixote
2416:The Other Side of the Wind
1910:. May 22, 1946. p. 10
1155:A half-hour adaptation of
741:Welles and Billy House in
701:Samuel Goldwyn Productions
693:, production designer for
627:doesn't advance the story
396:fugitive Franz Kindler, a
3010:Orson Welles Commentaries
2743:Orson Welles' Sketch Book
2320:The Magnificent Ambersons
2265:
1814:"60 Top Grossers of 1946"
1475:Orson Welles, A Biography
1471:Leaming, Barbara (1985).
1096:Orson Welles Commentaries
985:The Magnificent Ambersons
947:1947 Venice Film Festival
484:as Mary Longstreet Rankin
96:
33:Theatrical release poster
26:
16:1946 film by Orson Welles
3218:Films set in Connecticut
3213:Films about Nazi hunters
2994:The Orson Welles Almanac
2547:Orson Welles' Magic Show
2066:"Movie Mystery Magazine"
1081:, 1942), "War Workers" (
827:Nazi Concentration Camps
490:as Judge Adam Longstreet
449:Nazi concentration camps
441:he could not be a German
3116:Paola Mori (third wife)
2865:The Mercury Wonder Show
2759:Orson Welles and People
2468:The Miracle of St. Anne
2086:"Those Were the Days".
1990:"The Stranger on Video"
1961:Academy Awards Database
1555:. Woodstock, New York:
1522:Charles Scribner's Sons
1268:Thomson, David (1996).
1242:American Film Institute
1198:List of Holocaust films
508:as Dr. Jeffrey Lawrence
2962:The Campbell Playhouse
2521:The Merchant of Venice
2336:The Lady from Shanghai
1148:of the screenplay for
1146:novelized condensation
1142:Movie Mystery Magazine
1134:
1128:Movie Mystery Magazine
1126:The premiere issue of
1036:MGM Home Entertainment
1015:Vacation from Marriage
908:holds a 97% rating at
877:
856:would not make money.
812:
792:
745:
725:
593:Samuel Goldwyn Studios
580:
385:
222:July 2, 1946
197:International Pictures
3167:Orson Welles (crater)
2970:The Orson Welles Show
2955:The War of the Worlds
2783:The Orson Welles Show
2767:The Fountain of Youth
2665:Three Cases of Murder
2094:(3): 39. Summer 2016.
1311:Film Noir of the Week
1307:"The Stranger (1946)"
1167:, Roland Morris, and
1159:aired on CBS Radio's
1125:
872:
807:
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740:
708:
679:, as the setting for
574:
381:
3248:1940s American films
3080:This is Orson Welles
2833:The Cradle Will Rock
1559:. pp. 268–269.
1436:This is Orson Welles
1008:. The award went to
699:, was borrowed from
673:Todd School for Boys
2897:Moby Dick—Rehearsed
2889:The Lady in the Ice
2614:Filming 'The Trial'
2484:The Dominici Affair
2295:Unrealized projects
2106:"This Is Hollywood"
1603:Wood, Bret (2013).
1431:Rosenbaum, Jonathan
1295:at Box Office Story
1087:, 1942), "Brazil" (
1078:Nazi Eyes on Canada
1069:U.S. War Department
1055:Library of Congress
998:19th Academy Awards
677:Woodstock, Illinois
654:patriotic service.
447:graphic footage of
392:who is hunting for
296:is a 1946 American
2724:The Big Brass Ring
2392:The Immortal Story
2384:Chimes at Midnight
2223:TCM Movie Database
1882:The New York Times
1557:The Overlook Press
1427:Bogdanovich, Peter
1193:Public domain film
1135:
941:magazine featured
891:Critical reception
878:
793:
746:
668:was cast instead.
666:Edward G. Robinson
581:
496:as Noah Longstreet
476:Edward G. Robinson
386:
309:Edward G. Robinson
208:RKO Radio Pictures
136:Edward G. Robinson
3175:
3174:
2978:Ceiling Unlimited
2681:The Southern Star
2673:David and Goliath
2641:Journey into Fear
2443:The Hearts of Age
1873:(July 11, 1946).
1773:978-0-299-28564-7
1764:Film and Genocide
1735:978-0-299-28564-7
1726:Film and Genocide
1490:978-0-618-15446-3
1161:This Is Hollywood
1084:Ceiling Unlimited
963:Shadow of a Doubt
597:Universal Studios
536:Theodore Gottlieb
502:as Konrad Meinike
500:Konstantin Shayne
379:
362:was not renewed.
289:
288:
3260:
3053:The Happy Prince
3034:The Black Museum
2873:Around the World
2849:Too Much Johnson
2716:Cradle Will Rock
2700:Monsieur Verdoux
2574:Too Much Johnson
2566:Unfinished films
2492:Portrait of Gina
2460:Around the World
2252:
2245:
2238:
2229:
2177:Internet Archive
2162:
2145:
2144:
2141:Gloucester Times
2132:
2126:
2123:
2117:
2116:
2114:
2113:
2108:. RadioGOLDINdex
2102:
2096:
2095:
2088:Nostalgia Digest
2083:
2077:
2076:
2074:
2073:
2061:
2055:
2054:
2052:
2051:
2031:
2025:
2024:
2022:
2021:
2007:
2001:
2000:
1998:
1997:
1986:
1980:
1979:
1977:
1976:
1967:. Archived from
1953:
1947:
1946:
1944:
1943:
1926:
1920:
1919:
1917:
1915:
1898:
1892:
1891:
1889:
1888:
1871:Crowther, Bosley
1867:
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1606:Audio commentary
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1228:
958:Alfred Hitchcock
952:On its release,
843:Nuremberg Trials
835:James B. Donovan
561:Josephine Victor
518:Martha Wentworth
380:
229:
227:
31:
19:
3268:
3267:
3263:
3262:
3261:
3259:
3258:
3257:
3178:
3177:
3176:
3171:
3106:Mercury Theatre
3094:
3067:
3040:
3002:This Is My Best
2986:Hello Americans
2911:
2789:
2730:
2708:Treasure Island
2687:
2649:Follow the Boys
2633:Partly directed
2628:
2561:
2422:
2408:Filming Othello
2299:
2280:Theatre credits
2261:
2256:
2158:
2154:
2149:
2148:
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2133:
2129:
2124:
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2099:
2085:
2084:
2080:
2071:
2069:
2063:
2062:
2058:
2049:
2047:
2035:Erickson, Glenn
2033:
2032:
2028:
2019:
2017:
2009:
2008:
2004:
1995:
1993:
1988:
1987:
1983:
1974:
1972:
1955:
1954:
1950:
1941:
1939:
1928:
1927:
1923:
1913:
1911:
1900:
1899:
1895:
1886:
1884:
1869:
1868:
1864:
1855:
1853:
1846:Rotten Tomatoes
1839:
1838:
1834:
1825:
1823:
1812:
1811:
1807:
1798:
1794:
1785:
1781:
1774:
1757:
1756:
1743:
1736:
1723:
1722:
1718:
1711:
1693:France, Richard
1691:
1690:
1686:
1677:
1675:
1671:
1664:
1660:
1659:
1655:
1646:
1644:
1639:
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1574:
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1498:
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1396:
1386:Arlington House
1379:
1378:
1374:
1367:
1351:
1350:
1325:
1315:
1313:
1304:
1303:
1299:
1291:
1287:
1280:
1267:
1266:
1255:
1246:
1244:
1230:
1229:
1216:
1211:
1189:
1177:
1120:
1090:Hello Americans
1024:
994:
920:Bosley Crowther
910:Rotten Tomatoes
893:
867:
862:
805:(May 7, 1945).
662:Agnes Moorehead
601:Bronisław Kaper
569:
549:Lillian Molieri
541:
530:Erskine Sanford
488:Philip Merivale
465:
421:clock mechanism
370:
368:
350:nomination for
342:. Screenwriter
284:
275:$ 1.034 million
248:
241:
225:
223:
216:
199:
192:
190:
182:Bronisław Kaper
155:
141:Philip Merivale
92:
73:
56:Anthony Veiller
34:
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5:
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3096:
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3084:
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3048:
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3038:
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3014:
3006:
2998:
2990:
2982:
2974:
2966:
2958:
2951:
2944:
2936:
2928:
2924:Les Misérables
2919:
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2910:
2909:
2901:
2893:
2885:
2877:
2869:
2861:
2853:
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2837:
2829:
2825:Horse Eats Hat
2821:
2817:Voodoo Macbeth
2813:
2810:Bright Lucifer
2806:
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2153:
2152:External links
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2056:
2026:
2011:"The Stranger"
2002:
1981:
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1851:Fandango Media
1841:"The Stranger"
1832:
1805:
1803:, May 7, 1945.
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831:George Stevens
691:Perry Ferguson
660:Welles wanted
568:
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532:as Party Guest
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173:Ernest J. Nims
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2802:Marching Song
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2582:It's All True
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2304:Feature films
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2275:Radio credits
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2003:
1991:
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1971:on 2009-02-08
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1674:on 2014-09-05
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1616:Kino Classics
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1423:Welles, Orson
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1028:public domain
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2110:. Retrieved
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1969:the original
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1669:the original
1656:
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1612:Blu-ray Disc
1607:
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1520:. New York:
1515:
1510:Brady, Frank
1481:Viking Press
1479:. New York:
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146:Richard Long
126:Orson Welles
65:Orson Welles
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22:The Stranger
3132:Frozen Peas
3045:Spoken-word
3029:(1951–1952)
3013:(1945–1946)
2989:(1942–1943)
2981:(1942–1943)
2973:(1941–1942)
2965:(1938–1940)
2935:(1937–1938)
2844:(1937–1938)
2692:Adaptations
2657:Black Magic
2625:(1980–1982)
2609:(1967–1970)
2598:The Heroine
2593:(1957–1969)
2590:Don Quixote
2550:(1976–1985)
2532:(1968–1971)
2507:Orson's Bag
2476:Magic Trick
2360:Mr. Arkadin
2285:Discography
2270:Filmography
2015:Kino Lorber
1992:. Wellesnet
1549:Macek, Carl
1316:13 December
1169:Gerald Mohr
1165:Ruth Hussey
1139:pulp digest
1118:Adaptations
1064:Death Mills
839:Ray Kellogg
762:Frank Brady
608:John Huston
512:Billy House
506:Byron Keith
409:prep school
405:Connecticut
336:Golden Lion
325:Connecticut
232:Los Angeles
151:Billy House
113:S. P. Eagle
109:Produced by
69:John Huston
61:Uncredited:
39:Directed by
3188:1946 films
3182:Categories
2932:The Shadow
2905:Rhinoceros
2857:Native Son
2735:Television
2400:F for Fake
2112:2016-10-18
2072:2016-10-18
2050:2015-03-16
2020:2015-03-16
1996:2015-03-16
1975:2015-03-14
1942:2015-03-17
1887:2021-02-26
1856:2021-02-19
1826:2016-10-19
1678:2014-09-05
1647:2014-09-22
1353:Wood, Bret
1247:2015-03-14
1209:References
1067:(1945), a
1022:Home media
900:Carl Macek
865:Box office
713:deep focus
610:to direct
567:Production
352:Best Story
317:war crimes
280:Box office
251:95 minutes
226:1946-07-02
189:Production
49:Written by
3208:Film noir
3126:Oja Kodar
3037:(1951–52)
2539:Moby Dick
2376:The Trial
1624:862466296
1305:Steve-O.
1175:Copyright
1059:Bret Wood
1042:in 2004.
885:bona fide
825:are from
719:had shot
437:Karl Marx
360:copyright
358:when its
329:Holocaust
301:film noir
170:Edited by
2957:" (1938)
2950:" (1938)
2606:The Deep
2212:AllMovie
2044:DVD Talk
1957:"Search"
1695:(1977).
1512:(1989).
1433:(1992).
1355:(1990).
1187:See also
755:wouldn't
734:(1958).
715:the way
545:Ruth Lee
453:genocide
417:Habrecht
298:thriller
264:Language
178:Music by
119:Starring
101:Story by
3099:Related
2948:Dracula
2881:Othello
2794:Theatre
2453:trailer
2352:Othello
2344:Macbeth
2221:at the
2186:at the
2166:YouTube
1907:Variety
1819:Variety
1104:Netflix
996:At the
932:Variety
918:critic
860:Release
520:as Sara
419:-style
267:English
256:Country
224: (
191:company
3163:(2018)
3155:(2014)
3147:(1993)
3091:(1996)
3083:(1992)
3064:(1970)
3056:(1946)
3021:(1946)
3005:(1945)
2997:(1944)
2943:(1938)
2927:(1937)
2908:(1960)
2900:(1955)
2892:(1953)
2884:(1951)
2876:(1946)
2868:(1943)
2860:(1941)
2852:(1938)
2841:Caesar
2836:(1937)
2828:(1936)
2820:(1936)
2805:(1932)
2786:(1979)
2778:(1964)
2770:(1958)
2762:(1956)
2754:(1955)
2746:(1955)
2727:(1999)
2719:(1999)
2711:(1972)
2703:(1947)
2684:(1969)
2676:(1960)
2668:(1955)
2660:(1949)
2652:(1944)
2644:(1943)
2617:(1981)
2601:(1967)
2585:(1942)
2577:(1938)
2558:(1984)
2542:(1971)
2524:(1969)
2516:(1968)
2513:Vienna
2503:(1970)
2495:(1958)
2487:(1955)
2479:(1953)
2471:(1950)
2463:(1946)
2455:(1940)
2446:(1934)
2438:(1933)
2427:Shorts
2419:(2018)
2411:(1978)
2403:(1973)
2395:(1968)
2387:(1965)
2379:(1962)
2371:(1958)
2363:(1955)
2355:(1951)
2347:(1948)
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2315:(1941)
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992:Awards
770:before
651:Gothic
629:at all
579:(1946)
559:, and
425:belfry
354:. The
272:Budget
230: (
3072:Books
2916:Radio
1672:(PDF)
1665:(PDF)
774:under
711:were
348:Oscar
2201:IMDb
1935:Life
1916:2023
1768:ISBN
1730:ISBN
1705:ISBN
1620:OCLC
1561:ISBN
1526:ISBN
1485:ISBN
1445:ISBN
1390:ISBN
1361:ISBN
1318:2018
1274:ISBN
1106:and
982:and
938:Life
837:and
595:and
463:Cast
394:Nazi
366:Plot
321:Nazi
311:and
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2199:at
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