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The Strong Breed

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105:, crossed the house. Eman spoke to her affably and even gave her a cloth to dress her effigy. However, the girl did not go near him, as her mother instructed her to stay away from others as she was sick. The little girl told Eman that the other children would not play with her as their mothers instructed them to. She also said that the effigy will be burned in the New Year, and it will take her illness with it. Sunma stops Eman from conversing with the girl and asks her to go away. She tells Eman that, irrespective of age, the people in this village are filled with evil. 572: 625: 82:, is a member of the "strong breed," a group of carriers who dump a boat into the ocean yearly, the contents of which symbolically represent evils that took place that year. Mothers of the strong breed die during childbirth, and when his girlfriend Omae dies, Eman moves to another village and becomes a teacher, with the assistance of leader Jaguna's daughter, Sunma. 116:
before he can send Omae away. The tutor tries to take advantage of Omae, and Eman rebels against him and leaves the village, leaving Omae in his father's care. He returns after a few years and finds Omae still waiting for him. However, Omae dies after giving birth to Eman's child. Eman leaves his village again after her death.
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Eman tries to run away and remembers his past. A twelve-year-old Eman is in a separate hut and is educated under the supervision of his tutor. Omae visits him even though girls are not supposed to go near these huts where the male students reside. Eman tries to make Omae leave, but his tutor arrives
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In the present, having run for a long time, Eman reaches his own hut again. He is scared that he might get caught if he gets in. He sees that little girl with the effigy again and asks her to fetch him some water from his house. However, the girl slips away and calls on the catchers. Eman is filled
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In this village, the "strong breed" is not hereditary; instead, an outsider -- usually a stranger, or someone with a disability -- is chosen by the village as a scapegoat. While in Eman's old village, carriers returned to the village after their ritual was done, in Eman's new village the carrier is
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After a while, Ifada comes running to the house, being chased by a mob. Eman lets him into his house without paying heed to Sunma's protests. The chasers arrive, led by Jaguna and Oroge. They explain that Ifada is to be sacrificed as a carrier and that Eman will face the consequences if he doesn't
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On the eve of the New Year, Sunma tries to convince Eman to leave the village for some reason unknown to Eman. Eman refuses to listen to Sunma, as he is aware that she harbours feelings for him. He insists on staying back in the village, even when Sunma asks him to stay away for a few days.
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He also remembers how his father, a carrier in their village, tried to pass on his legacy to Eman, stating that they belong to the strong breed and have strong blood, and it was their call to work as carriers, and how he refused to carry on the job passed down by his
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4. Soyinka, Wole. Collected Plays 1. Oxford University Press, 1973. 5. “What is the plot summary of the strong breed by wole soyinka?”. Answers, 4 Feb 2022, https://www.answers.com/english-language-arts/What_is_the_plot_summary_of_the_strong_breed_by_wole_soyinka
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Ifada, a mentally invalid man, approaches Eman's hut sheepishly. However, Sunma is disgusted to see him and rebukes him harshly. Eman is surprised at Sunma's behaviour, as she previously used to treat him with kindness. She chases Ifada away.
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to trap him. However, Eman falls to his death in that pit. After his death, the villagers are filled with superficial sadness and direct their blaming sight towards Jaguna and Oroge.
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Jaguna and Oroge hear from the girl that Eman is thirsty and hatch a plan to catch him while he goes to the river, the only source of water Eman can now access. They dig a
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boy named Ifada the same fate. The ritual takes an unexpected turn as Eman flees. His pursuers set a trap for him that results in his death.
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Soyinka's play explores Western classical tragic themes of fate versus free will through African atonement rituals. Critic
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that ends with an individual sacrifice for the sake of a community's benefit. The play is centered on the tradition of
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let them take Ifada. Eman refuses to let them take Ifada; instead, he is taken away to be the carrier.
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Ifada appears at the scene, and the girl takes him with her to the play with the effigy.
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beaten and exiled. Eman nevertheless takes on the role to spare a young
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with disappointment and runs away while he realises what happened.
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literature and Biblical tradition, likening protagonist Eman to a
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Chronicles from the Land of the Happiest People on Earth
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Wole Soyinka: Politics, Poetics, and Postcolonialism
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After some time, a little girl, who was dragging an
542: 507: 488: 330: 70:in 1967 at Greenwich Mews Theater in New York. 660: 603: 307: 190:Lindfors, Bernth; Gibbs, James, eds. (1993). 8: 578:This article on a play from the 1960s is a 667: 653: 610: 596: 314: 300: 292: 258:Msiska, Mpalive-Hangson (November 1997). 264:. Northcote House Publishers, Limited. 185: 183: 181: 179: 175: 7: 621: 619: 568: 566: 155:. Critic James Gibbs suggests that 147:places the play in the tradition of 224:Jeyifo, Biodun (13 November 2003). 162:The play makes significant use of 54:. The play was first published in 24:is one of the best-known plays by 14: 458:The Beatification of the Area Boy 62:, then subsequently published by 623: 570: 50:contains an abridged version of 66:in 1971. The play was produced 230:. Cambridge University Press. 1: 711:Oxford University Press books 416:Death and the King's Horseman 639:. You can help Knowledge by 582:. You can help Knowledge by 737: 618: 565: 430:Requiem for a Futurologist 353:The Trials of Brother Jero 58:in 1964 and then 1969 by 388:The Bacchae of Euripides 193:Research on Wole Soyinka 60:Oxford University Press 635:-related article is a 451:A Scourge of Hyacinths 395:Madmen and Specialists 360:A Dance of the Forests 346:The Lion and the Jewel 196:. Africa World Press. 145:Mpalive-Hangson Msiska 686:Plays by Wole Soyinka 402:Camwood on the Leaves 47:Culture in Transition 16:Play by Wole Soyinka. 409:Jero's Metamorphosis 44:Soyinka's 1963 film 696:Plays set in Africa 444:From Zia with Love 339:The Swamp Dwellers 648: 647: 591: 590: 560: 559: 78:Eman, the play's 728: 716:1960s play stubs 669: 662: 655: 627: 620: 612: 605: 598: 574: 567: 543:Related articles 516:The Interpreters 472:Etiki Revu Wetin 437:A Play of Giants 367:The Strong Breed 316: 309: 302: 293: 283: 282: 280: 278: 255: 249: 248: 246: 244: 221: 215: 214: 212: 210: 187: 52:The Strong Breed 21:The Strong Breed 736: 735: 731: 730: 729: 727: 726: 725: 676: 675: 674: 673: 617: 616: 563: 561: 556: 538: 524:Season of Anomy 503: 497:Kongi's Harvest 484: 374:Kongi's Harvest 326: 320: 287: 286: 276: 274: 272: 257: 256: 252: 242: 240: 238: 223: 222: 218: 208: 206: 204: 189: 188: 177: 172: 141: 76: 42: 17: 12: 11: 5: 734: 732: 724: 723: 718: 713: 708: 706:Nigerian plays 703: 701:Yoruba culture 698: 693: 688: 678: 677: 672: 671: 664: 657: 649: 646: 645: 628: 615: 614: 607: 600: 592: 589: 588: 575: 558: 557: 555: 554: 546: 544: 540: 539: 537: 536: 528: 520: 511: 509: 505: 504: 502: 501: 492: 490: 486: 485: 483: 482: 475: 468: 461: 454: 447: 440: 433: 426: 419: 412: 405: 398: 391: 384: 377: 370: 363: 356: 349: 342: 334: 332: 328: 327: 321: 319: 318: 311: 304: 296: 285: 284: 270: 250: 236: 216: 202: 174: 173: 171: 168: 157:Eugene O'Neill 149:existentialist 140: 137: 75: 72: 41: 38: 15: 13: 10: 9: 6: 4: 3: 2: 733: 722: 721:Nigeria stubs 719: 717: 714: 712: 709: 707: 704: 702: 699: 697: 694: 692: 691:Tragedy plays 689: 687: 684: 683: 681: 670: 665: 663: 658: 656: 651: 650: 644: 642: 638: 634: 629: 626: 622: 613: 608: 606: 601: 599: 594: 593: 587: 585: 581: 576: 573: 569: 564: 553: 552: 548: 547: 545: 541: 534: 533: 529: 526: 525: 521: 518: 517: 513: 512: 510: 506: 500: 498: 494: 493: 491: 487: 481: 480: 476: 474: 473: 469: 467: 466: 462: 460: 459: 455: 453: 452: 448: 446: 445: 441: 439: 438: 434: 432: 431: 427: 425: 424: 423:Opera Wonyosi 420: 418: 417: 413: 411: 410: 406: 404: 403: 399: 397: 396: 392: 390: 389: 385: 383: 382: 378: 376: 375: 371: 369: 368: 364: 362: 361: 357: 355: 354: 350: 348: 347: 343: 341: 340: 336: 335: 333: 329: 325: 317: 312: 310: 305: 303: 298: 297: 294: 290: 273: 271:9780746308165 267: 263: 262: 254: 251: 239: 237:9781139439084 233: 229: 228: 220: 217: 205: 203:9780865432192 199: 195: 194: 186: 184: 182: 180: 176: 169: 167: 165: 160: 158: 154: 153:Christ figure 150: 146: 138: 136: 134: 129: 125: 123: 117: 113: 109: 106: 104: 99: 95: 91: 89: 83: 81: 73: 71: 69: 65: 61: 57: 53: 49: 48: 39: 37: 35: 31: 27: 23: 22: 641:expanding it 630: 584:expanding it 577: 562: 549: 530: 522: 514: 496: 477: 470: 463: 456: 449: 442: 435: 428: 421: 414: 407: 400: 393: 386: 379: 372: 366: 365: 358: 351: 344: 337: 324:Wole Soyinka 288: 275:. Retrieved 261:Wole Soyinka 260: 253: 241:. Retrieved 226: 219: 207:. Retrieved 192: 161: 142: 130: 126: 118: 114: 110: 107: 100: 96: 92: 84: 77: 68:Off-Broadway 64:Rex Collings 51: 45: 43: 26:Wole Soyinka 20: 19: 18: 122:forefathers 80:protagonist 680:Categories 489:Screenplay 465:King Baabu 170:References 164:flashbacks 40:Background 28:. It is a 479:Sixty Six 322:Works by 551:Ẹni Ògún 381:The Road 633:Nigeria 277:9 April 243:9 April 209:9 April 34:egungun 30:tragedy 535:(2021) 527:(1973) 519:(1965) 508:Novels 499:(film) 268:  234:  200:  139:Themes 103:effigy 56:London 631:This 331:Plays 637:stub 580:stub 279:2023 266:ISBN 245:2023 232:ISBN 211:2023 198:ISBN 88:mute 74:Plot 133:pit 682:: 178:^ 166:. 124:. 668:e 661:t 654:v 643:. 611:e 604:t 597:v 586:. 315:e 308:t 301:v 281:. 247:. 213:.

Index

Wole Soyinka
tragedy
egungun
Culture in Transition
London
Oxford University Press
Rex Collings
Off-Broadway
protagonist
mute
effigy
forefathers
pit
Mpalive-Hangson Msiska
existentialist
Christ figure
Eugene O'Neill
flashbacks




Research on Wole Soyinka
ISBN
9780865432192
Wole Soyinka: Politics, Poetics, and Postcolonialism
ISBN
9781139439084
Wole Soyinka
ISBN

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