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The Tower of Lies

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391:"Notwithstanding that TOWER OF LIES is a sincerely made picture and excellent from the artistic and literary viewpoints, it is too heavy for the picture audiences. When finished the impression left is that one more prostitute has reformed and been forgiven...The acting is aces and the direction masterful. But with all this, TOWER OF LIES can never be anything more than a soggy picture made bearable by the leavening forces of Seastrom, Chaney and Shearer." ---Variety 397:"It seems as if Mr. Chaney had had too much to say about his own performance, for he overacts and his make-up, consisting largely of a rich crop of iron gray hair and whiskers and beard, seem to fit well without looking as if they belonged to him. Mr. Chaney's exaggerated actions and expressions appear to have been contagious, for Mr. Seastrom himself betrays a weakness for overemphasizing a number of points." ---The New York Times 409:"Though Mr. Seastrom's direction and the acting of the players are masterful, the theme is not very pleasant. Some picture-goers may like this picture very well, while others will not. Mr. Chaney does excellent work and awakens warm sympathy in a role that is the exact opposite in nature to these he has been given in pictures lately." ----Harrison's Reports 291:
Jan incurs some debts he cannot pay, and to save him from bankruptcy, his daughter temporarily moves to the big city supposedly to get a job (finally allowing Lars to lead her into prostitution). After a time, the landlord tells Jan his daughter has succeeded in paying off his debts, but will not
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Jan (Lon Chaney) is a Swedish farmer and Glory (Norma Shearer) is his beloved daughter. When she was a child, she and her father used to role-play being the Emperor and Empress of Portugallia, a fairy tale land where dreams come true, and a neighboring farm boy named August would play the Prince.
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Glory boards the local steamboat at the docks in order to leave town, and her father follows her, falling off the pier in his haste and drowning. When the ship's captain throws the boat into reverse in an attempt to save Jan, Lars (who is taunting Glory from the ship's deck) is thrown into the
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Eventually she does return to him, but by this time, Jan's mind has snapped and he actually believes that he is the Emperor of Portugallia and she is his Empress. Jan has taken to wearing a strange military uniform and a circus hat, and his hair and long beard have all turned gray (see photo).
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tell him how she earned the money. Realizing that his daughter has been selling herself to help him avoid bankruptcy, Jan's mind slowly begins to unravel. Years pass and his daughter never returns to the farm, and every day Jan waits down by the riverboat hoping she will come home.
403:"(Chaney) does not resort to the grotesque, but from the first sequences, where he appears as the tiller of the soil who neither loves nor hates....to the last when he becomes a demented old man, his interpretation is pathetically convincing." --- Movie Magazine 279:"Film Mercury" voted Chaney's performance as one of the year's best. It is considered a lost film, although rumors persist that a print may exist in Denmark. Stills exist showing Chaney in his "Jan" makeup, which took him three hours each day to apply. 31: 275:
and Cedric Gibbons. The film was shot on location in the Sacramento River Delta, Lake Arrowhead and the Laurel Canyon area of Los Angeles. It took 53 days to complete at a cost of $ 185,000. It grossed $ 653,000 worldwide.
400:"A distinctive and rare artistic achievement... A very worthy effort and yet probably not the best box office. Chaney passes by his usual grotesque characterization and does something just a bit different." ---Film Daily 406:"Mr. Chaney's performance struck me as being a notable one. Toward the close of the film, Chaney is far more than a mere artificer. He really is Jan, the gnarled, mad old peasant." ---New York Tribune 296:
Glory's fine attire leads the villagers to believe that she has been living as a prostitute and they demand she leave town. Only August is willing to stand by her and protect her honor.
1919: 1924: 633: 394:"THE TOWER OF LIES is a beautiful production with a flash of poignant drama at its end...Chaney and Miss Shearer especially are splendid." ---Moving Picture World 1690: 1410: 1210: 1122: 1909: 1146: 786: 1914: 1904: 596: 1899: 1370: 1282: 1346: 626: 1934: 1929: 1706: 696: 533: 511: 1730: 1242: 1314: 288:
Glory grows up to be a beautiful young woman, and both August and Jan's vile landlord Lars (Ian Keith) vie for her attention.
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paddlewheel and crushed to death. Glory winds up marrying August and settling down in town with him.
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The Library of Congress / FIAF American Silent Feature Film Survival Catalog:
316: 246: 211: 111: 58: 480: 424:. The last known surviving copy of the film was reportedly destroyed in the 421: 373: 322: 258: 174: 1162: 379: 262: 580: 218:. It was written by Agnes Christine Johnston and Max Marcin, based upon 1100: 526:
A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures
1104: 615: 245:, the film marks the second collaboration between Sjöström, 1859: 1832: 1813: 1138: 189: 181: 167: 143: 133: 121: 103: 91: 74: 50: 40: 23: 1116: 627: 8: 455: 453: 1123: 1109: 1101: 634: 620: 612: 29: 20: 787:A Good Girl Keeps Herself in Good Order 498: 496: 494: 475: 473: 471: 449: 1920:Films based on works by Selma Lagerlöf 268:The film's sets were designed by the 7: 1283:The Student Prince in Old Heidelberg 14: 1925:Films directed by Victor Sjöström 313:as Glory (Goldie in some sources) 1315:White Shadows in the South Seas 697:Lady Marion's Summer Flirtation 1910:American black-and-white films 1691:The Barretts of Wimpole Street 907:The Lass from the Stormy Croft 460:Progressive Silent Film List: 1: 1915:Films based on Swedish novels 1905:American silent feature films 1211:Ben-Hur: A Tale of the Christ 528:. Vestal Press. p. 171. 370:Adele Watson as Farmer's Wife 506:. Vestal Press Inc. p. 153. 1900:Silent American drama films 1868:The Love of the Last Tycoon 1147:The Hunchback of Notre Dame 232:, but was later changed to 1966: 1531:The Sin of Madelon Claudet 524:Blake, Michael F. (1997). 502:Blake, Michael F. (1998). 481:"The Tower of Lies (1925)" 230:The Emperor of Portugallia 225:The Emperor of Portugallia 152:October 11, 1925 80:The Emperor of Portugallia 1935:Metro-Goldwyn-Mayer films 1930:Lost American drama films 947:The Monastery of Sendomir 650: 35:Theatrical release poster 28: 1643:Rasputin and the Empress 1371:The Last of Mrs. Cheyney 957:Karin Daughter of Ingmar 937:His Lordship's Last Will 239:Released one year after 55:Agnes Christine Johnston 1787:Broadway Melody of 1938 1347:The Trial of Mary Dugan 917:The Outlaw and His Wife 797:Children of the Streets 597:Alternative film poster 504:The Films of Lon Chaney 1707:What Every Woman Knows 1047:The Masks of the Devil 1007:Confessions of a Queen 1950:Films about landlords 1291:London After Midnight 857:The Price of Betrayal 807:Daughter of the Peaks 717:The Conflicts of Life 196:(English intertitles) 1945:1920s American films 1739:A Night at the Opera 1731:Mutiny on the Bounty 1243:The Road to Mandalay 977:The Phantom Carriage 847:In the Hour of Trial 707:The Voice of Passion 420:is now considered a 253:. 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Index


Victor Sjöström
Agnes Christine Johnston
Max Marcin
Marian Ainslee
Ruth Cummings
The Emperor of Portugallia
Selma Lagerlöf
Irving Thalberg
Norma Shearer
Lon Chaney
French
Metro-Goldwyn-Mayer
reels
Silent film
silent
drama film
Victor Sjöström
Selma Lagerlöf
The Emperor of Portugallia
He Who Gets Slapped
Lon Chaney
Norma Shearer
William Haines
Ian Keith
Lew Cody
art director
James Basevi
Norma Shearer
Lon Chaney

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