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Don Juan sends
Catalinón to follow him in secret. Don Juan's plans are also helped along when a servant of Ana's, having just seen Don Juan talking to Mota, asks that he give to Mota a letter from Ana. In the letter, Ana asks Mota to visit her during the night, at 11 o'clock sharp, since it will be their one and only chance to ever be together. Mota comes back again, apparently not having found Ana at home, and Don Juan says he received instructions from Ana that Mota should come to the house at midnight. Mota lends Don Juan his cape at the end of the scene.
288:, the King and Don Diego, Don Juan's father, discuss the impending marriage to Isabela, as well as the newly arranged marriage between Mota and Doña Ana. Octavio then arrives and asks the King for permission to duel with Don Juan, and tells the truth of what has happened to Isabela to Diego, who was until now unaware of this particular misdeed of his son. The King and Diego leave, and Aminta appears, looking for Don Juan since she thinks he is now her husband. Octavio takes her to the king so that she can tell him her story.
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women. Tisbea catches up with the two men, and Don Juan assures her that he intends to marry her. Tisbea is so overcome with grief and anger over what happened that she exclaims "fuego, fuego" (meaning that she is burning up with hate and a desire for revenge). She is also overcome with shame at the undoing of her honor and flings herself into the ocean.
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arrest the offender. But Don Juan cleverly reveals his identity as his nephew and Don Pedro assists him in making his escape just in time. Pedro then claims to the King that the unknown man was Duke
Octavio. The King orders Octavio and Isabela to be married at once, with both of them to be held in prison until the wedding.
228:, a peasant girl named Tisbea happens to find Don Juan and his servant, Catalinón, apparently washed up from a shipwreck. She tries to revive Don Juan, who wakes and immediately declares his love for her. Tisbea takes Juan back to her house, intending to nurse him back to health and mend his clothes.
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The play begins in Naples with Don Juan and the
Duchess Isabela who, alone in her palace room, have just enjoyed a night of love together. However, when Isabela wants to light a lamp, she realizes that he is not her lover, the Duke Octavio, and screams for help. Don Juan's uncle, Don Pedro, comes to
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At the Alcázar, every single character who has been wronged by Don Juan is complaining to the King, when
Catalinón enters and announces the strange story of Don Juan's death. All the women who have claim to Don Juan as their husband are declared widows, and Catalinón admits that Ana escaped from Don
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That same night, as Don Juan sits down for dinner at his home, his servants become frightened and run away. Don Juan sends
Catalinón to investigate, and he returns, horrified, followed by the ghost of Gonzalo in the form of the statue on his tomb. Don Juan is initially frightened but quickly regains
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Elsewhere
Isabela and her servant, Fabio, are travelling, looking for Don Juan, whom she has now been instructed to marry. She complains of this arrangement and declares that she still loves Octavio. While travelling, they happen upon Tisbea, whose suicide attempt was unsuccessful. When Isabela asks
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Next, Don Juan and
Catalinón arrive and talk to the Marquis de la Mota, who is a womanizer nearly as bad as Don Juan. The Marquis confesses, however, that he is actually in love with his cousin Doña Ana, but laments that she is arranged to marry someone else. Mota says he is going to visit Ana, and
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Don Juan pretends to have known Aminta long ago and deflowered her already, and by law she must now marry him. He goes to enjoy Aminta for the first time and convinces her that he means to marry her at once. The two of them go off together to consummate the union, with Juan having convinced Aminta
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At home, after
Octavio speaks of his love for Isabela, Don Pedro comes to arrest him, claiming that Octavio had violated Isabela the previous night. Octavio, of course, had done no such thing, and starts to believe that Isabela has been unfaithful to him. He flees from Don Pedro, planning to leave
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That night at Don
Gonzalo's home, Ana is heard screaming that someone has dishonored her, and her father, Don Gonzalo, rushes to her aid with his sword drawn. Don Juan draws his own sword and kills Don Gonzalo. With his final breath, Don Gonzalo swears to haunt Don Juan. Don Juan leaves the house
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In the churchyard, Don Juan tells
Catalinón about how lovely Isabela looks and how they are to be married in a few hours. The ghost of Gonzalo appears again, and he sets out a table on the cover of a tomb. He serves a meal of vipers and scorpions, which Juan bravely eats. At the end of the meal,
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In Seville, Don Diego, Don Juan's father, tells the king that the man who seduced the Duchess Isabela was not Octavio, but Don Juan, and shows a letter from Don Pedro as proof. The King declares Don Juan banished from Seville and retracts his plans to have him marry Doña Ana. Just then, Octavio
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Back at the seashore, Don Juan and Catalinón flee, apparently after Don Juan has already seduced Tisbea. Catalinón scolds him, but Don Juan reminds him that this is not his first seduction, and jokes that he has a medical condition in which he must seduce. Catalinón says that he is a plague for
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Don Juan and Catalinón are back in Seville, passing by a churchyard. They see the tomb of Don Gonzalo, and Don Juan jokingly invites the statue on the tomb to have dinner with him and laughs about how the hauntings and promised vengeance have not yet come.
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The next day, near Dos Hermanas, Don Juan happens upon a peasant wedding and takes a particular interest in the bride, Aminta. The groom, Batricio, is perturbed by the presence of a nobleman at his wedding but is powerless to do anything.
235:, the King speaks to Don Gonzalo, a nobleman and military commander, about arranging a marriage between Don Juan and Gonzalo's daughter, Doña Ana. Gonzalo likes the idea and goes to discuss it with his daughter.
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Juan before he could dishonor her. Mota plans to marry Ana, Octavio chooses to marry Isabela, Tisbea is free to marry again if she chooses, and Batricio and Aminta go back home.
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Gonzalo grabs Don Juan by the wrist, striking him dead. In a clap of thunder, the ghost, the tomb, and Don Juan disappear, leaving only Catalinón, who runs away in terror.
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control of himself and calmly sits to dine while his servants cower around him. Gonzalo invites Juan to dine again in the churchyard with him, and he promises to come.
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just in time to find Mota and give him his cape back and flees. Mota is immediately seen wearing the same cloak as the man who murdered Don Gonzalo and is arrested.
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around 1630, though it may have been performed as early as 1616. Set in the 14th century, the play is the earliest fully developed dramatisation of the
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arrives, begging the king's forgiveness for having fled earlier. The King grants it, and allows him to stay as a guest in the palace.
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Tisbea why she is so sad, Tisbea tells the story of how Don Juan seduced her. Isabela then asks Tisbea to accompany her.
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Doña Ana – noble woman and Don Gonzalo's daughter; is engaged to Don Juan for a time (but the engagement is broken off)
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Don Juan – protagonist (a young noble); relentlessly seduces all women possible by promising them marriage
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Duchess Isabela – Duchess that Don Juan tricks; she was going to marry Duke Octavio
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By Tirso de Molina. Hispanic Classics ser. Warminster: Aris & Phillips.
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Eric Bentley's Dramatic Repertoire v.2. New York: Applause. 137–218.
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Marqués de la Mota – another womanizer, who is in love with Doña Ana
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Bunn, Elaine. 1998. "Tirso de Molina." In Banham (1998, 1112–1113).
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383:. Ninth edition, International edition. Boston: Allyn and Bacon.
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Don Gonzalo – nobleman and military commander, Doña Ana's father
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that it is the surest way to nullify her last marriage.
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The play was adapted into Italian in Florence in 1657.
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Brockett and Hildy (2003, 144) and Bunn (1998, 1112).
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Batricio – peasant man who is newly married to Aminta
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379:Brockett, Oscar G. and Franklin J. Hildy. 2003.
126:, although several scholars now attribute it to
16:Play written by Tirso de Molina around 1616–30
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364:By Tirso de Molina. Trans. Roy Campbell. In
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109:The Trickster of Seville and the Stone Guest
442:has original text related to this article:
366:Life is a Dream and Other Spanish Classics.
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184:Tisbea – peasant girl seduced by Don Juan
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122:) is a play traditionally attributed to
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42:Title page of an early printed edition
720:Don Juan, or If Don Juan Were a Woman
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789:Have You Ever Really Loved a Woman?
19:For the play by Derek Walcott, see
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142:. The play was first published in
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320:Brockett and Hildy (2003, 144).
178:Octavio – Duke, Isabela's lover
991:Madamina, il catalogo è questo
397:Edwards, Gwynne, trans. 1986.
187:Catalinón – Don Juan's servant
21:The Joker of Seville (Walcott)
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1260:Plays set in the 14th century
521:Don Gil of the Green Breeches
190:Don Diego – Don Juan's father
630:The Private Life of Don Juan
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1245:Plays adapted into ballets
1160:El estudiante de Salamanca
342:Banham, Martin, ed. 1998.
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1240:Plays adapted into operas
1019:Réminiscences de Don Juan
650:The Adventures of Mandrin
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362:The Trickster of Seville.
346:Cambridge: Cambridge UP.
202:Fabio – Isabela's servant
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1225:Plays by Tirso de Molina
1181:Don Giovanni in Sicilia
640:Adventures of Don Juan
445:El burlador de Sevilla
381:History of the Theatre
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962:La pravità castigata
451:Full text of the play
1255:Plays set in Seville
1039:Margarita la tornera
1009:Don Giovanni Tenorio
430:at Wikimedia Commons
173:Secondary characters
128:Andrés de Claramonte
52:Andrés de Claramonte
1090:Don Juan Triumphant
982:Là ci darem la mano
931:A Free Man of Color
610:The Lucky Horseshoe
224:By the seashore of
1235:Plays set in Spain
1201:Mary and the Giant
700:Don Juan in Sicily
92:Spanish Golden Age
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459:Plot summary
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101:14th century
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1061:Other music
999:Discography
300:Adaptations
1230:1630 plays
1219:Categories
440:Wikisource
308:References
65:c. 1616–30
48:Written by
264:Act Three
226:Tarragona
1150:Don Juan
1130:Don Juan
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564:Don Juan
231:Back in
150:legend.
148:Don Juan
82:Don Juan
1049:Flammen
820:Don Jon
337:Sources
286:Alcázar
284:At the
243:Act Two
233:Seville
212:Act One
207:Summary
114:Spanish
98:Setting
78:Subject
73:Spanish
1204:(1987)
1194:(1957)
1184:(1941)
1172:Novels
1163:(1840)
1153:(1821)
1052:(1932)
1042:(1909)
1032:(1872)
1022:(1841)
1012:(1787)
975:(1787)
965:(1730)
955:(1669)
943:Operas
934:(2010)
924:(2006)
914:(1959)
904:(1905)
894:(1862)
884:(1844)
874:(1830)
864:(1676)
854:(1665)
844:(1630)
823:(2013)
813:(2005)
803:(1998)
773:(1995)
763:(1995)
753:(1979)
743:(1979)
733:(1974)
723:(1973)
713:(1969)
703:(1967)
693:(1960)
683:(1956)
673:(1955)
663:(1954)
653:(1952)
643:(1948)
633:(1934)
623:(1926)
613:(1925)
603:(1922)
593:(1913)
583:(1898)
405:
387:
372:
350:
1141:Poems
832:Plays
571:Films
144:Spain
88:Genre
403:ISBN
385:ISBN
370:ISBN
348:ISBN
136:and
54:or
1221::
116::
1128:"
993:"
989:"
984:"
980:"
791:"
787:"
782:"
778:"
556:e
549:t
542:v
487:e
480:t
473:v
409:.
391:.
376:.
354:.
112:(
23:.
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