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called it an "impressive depiction of
Christian faith and steadfastness" and described the two women to be in a "sisterly embrace", while a modern description by
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is one of several paintings by Hare showing shackled and under-dressed women, another notable example being
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Earnshaw, J. Westby (November 1894). "Homiletic Helps from the Fine Arts of the
Columbian Fair".
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123.3 cm × 200 cm (48.5 in × 79 in)
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Capes, Bernard; Eglington, Charles, eds. (1 July 1891). "Art Notes".
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Travel & See: Black
Diasporic Art Practices Since the 1980s
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where the painting now is also gives 1890 as a possibility.
299:. New York: Columbia University Press. pp. 223–224.
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376:. Vol. 27. London: Eglington & Co. p. 42.
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This article about a nineteenth-century painting is a
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345:(2016). "5. Avid Iconographies: Isaac Julien".
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187:named the work as an example of an interracial
349:. Durham: Duke University Press. p. 138.
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145:that was completed in 1891. It is now in the
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161:sentenced to death by beasts (see
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213:in 1893. It is currently at the
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271:National Gallery of Victoria
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179:. A contemporary article in
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467:19th-century painting stubs
329:Funk & Wagnalls Company
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141:painting by Irish artist
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191:couple, likening it to
266:"The victory of faith"
205:was exhibited at the
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203:The Victory of Faith
197:Jules Robert Auguste
181:The Homiletic Review
171:The Victory of Faith
134:The Victory of Faith
29:The Victory of Faith
18:The Victory of Faith
209:of 1891 and at the
164:damnatio ad bestias
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277:28 February
118:/collection
441:Categories
249:References
71:Dimensions
219:Melbourne
151:Melbourne
93:Accession
87:Melbourne
457:Nude art
295:(1996).
193:Les Amis
116:/explore
79:Location
189:lesbian
101:Website
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137:is an
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120:/work
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301:ISBN
279:2022
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155:nude
112:.gov
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114:.au
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