Knowledge (XXG)

The Wall Tour (1980โ€“1981)

Source ๐Ÿ“

355: 241: 289:, as I believe you call them, because of the special lighting pods that we used which needed, each one needs a trailer unit to hold it. And the special stage, because of the way the stage was actually used, there was a sort of structural bracing piece for the building of the wall. So it was all special equipment, I mean it was absurdly expensive. It's not something other people will do, generally, because it's just so expensive to put on, it's simply not feasible. But it was great to have done it once. 403:"There was an attempt made to put it on to video, and I have consistently stamped on any moves to get that video out because it does not do justice to what was a very theatrical event. Maybe in twenty years time, as sort of archive material, I might be prepared to release it. But I quite like the fact that the people who went to the shows copped it for what it meant to be, where it was meant to be, and nobody has been allowed to sell a third-rate, tacky version on video." 53: 3208: 1978: 396:
purpose of shooting close-ups. They did several takes of "The Happiest Days of Our Lives"; "Another Brick in The Wall pt. 2"; "Mother"; and "Hey You". The reason that they chose to do the close-ups in a studio as opposed to the live shows is due to the fact that they didn't want the cameras on the stage to distract the audience. The close-ups presented in official teasers from 1981 are from the studio session.
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musician, and consequently ended up being the only member of the group who made any money from the venture. "I did not just want to walk out on this great thing I'd been working on," he recalled. "I just decided I'd go out and play my best, possibly with the hope that, if it worked out, decision to have me out could have been reverted."
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These cameras can be seen in various photographs from the June 1981 leg. Attempts to brighten up the show for the film were successful, however the ISO for the filming was too low, thus Parker deeming the footage "a waste". David Gilmour has stated in an interview that only three tracks were captured on film:
425:, Roger Waters revealed that he had 'discovered a whole load of new footage of The Wall shows' and was busy 'editing it'. He explained that he assumed the cameramen decided to shoot more than they were asked to as they had the cameras and "nobody bothered". Waters has stated that the film was shot on 345:
were parked in a circle with the doors facing away from the centre; an isolated Waters used his own vehicle to arrive at each venue and stayed in separate hotels from Gilmour, Mason and Wright. Despite having left the band upon completion of the album, Wright agreed to complete the tour as a salaried
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However, this is referring to the studio productions for the 1982 movie; shortly before the June 1981 leg ended, the band had come to the realization that they would need close-ups of the musicians on-stage. To solve this, they recreated the Earls Court concert stage at Pinewood Studios for the sole
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footage from the Earls Court 1980 concerts, as well as pristine film footage from the Earls Court 1981 concerts. 27 February, 6-7-8-9 August 1980 concerts were shot on videotape, while 13-14-15-16-17 June 1981 were shot on Eastman 125T film stock, using Panavision (anamorphic) Panaflex Gold cameras.
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The problem, really, with the show is that it wasn't a touring show, so it had to be set up, and left, and taken down again. There were a lot of light operators and stage operators and wall builders. Because of the amount of stuff that went up and down, floated across, did this, did that, there were
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The tour was relatively small compared to previous tours for a major release, with only 31 shows performed across four venues. Concerts were only performed in England, the United States and Germany. The tour was notable for its extensive use of stage theatrics, most notably a giant wall constructed
309:(11). The primary 'tour' consisted of 18 shows in L.A., Uniondale and London in 1980, but the band performed a further eight shows in Dortmund (13โ€“20 February 1981) and five more shows at Earl's Court (13โ€“17 June) for filming, with the intention of integrating the shows into the upcoming 256:. "Then I drew it and started to talk to people about it. And they thought I was mad, because my original idea was to start building a wall at the beginning of the show and, when it's finished, they can't see you or hear you any more, and then the show is over." 328:
and Mason attempted to convince Waters to expand the show for a more lucrative, large-scale stadium tour, but because of the nature of the material (one of the primary themes is the distance between an artist and his audience) Waters balked at this.
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show remains a milestone in rock history though and there's no point in denying it. Never again will one be able to accept the technical clumsiness, distorted sound and meagre visuals of most arena rock concerts as inevitable." It concluded, "The
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which devoted two parts to the making of The Wall that "the London shows in 1980/81 were filmed and he had all of the footage and was thinking of putting it together to be released. However felt extremely reluctant to release the concerts on the
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was dropped shortly before the final shows took place. There are conflicting statements regarding the professionally filmed footage. It had been widely believed that 'the wrong type of film' had been used and the results were dark and murky.
391:"About 20 minutes were shot โ€“ for example, "Hey You", where the camera was behind the wall focusing on us, then it went up and over the wall onto the audience. That's a great bit of footage. But only three tracks were filmed." 378:, partly responsible for designing the show said the footage was: 'very dark and horrible and boring and should be burned'. Alan Parker himself said: ' five blown opportunities'. These rumours were partially scotched when the 447:", labelled as being filmed in Earls Court in 1980, was projected onto the incomplete wall. The first verse comes from the studio session in 1981, and the second verse comes from 7 August 1980. 226:
This was the last tour of Pink Floyd with Roger Waters, before his departure in 1985. 17 June 1981 was the last concert of the tour, and the last concert with Waters (until 2 July 2005 at
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In an interview with Chris Salewicz during the Radio KAOS tour in 1987, Waters claims that attempts to put it out were shut down, as it doesn't do the original concerts justice.
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includes the professionally shot 35mm footage of "The Happiest Days of Our Lives" at Earls Court, 1981, with mixed footage from 13 to 17 June. The footage seen on the bootleg
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The tour's costs were estimated to have reached US$ 1.5 million even before the first performance (equivalent to US$ 4.7 million as of 2021).
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by Harvested DVD is from 6โ€“9 August 1980, while the audio is soundboard from 8 August in the first set, and 9 August in the second set.
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a lot of operators, rather than just people putting stuff up. And, of course we had lots of
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magazine, Waters expresses that the footage would "undoubtedly" be released to the public.
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show will be the touchstone against which all future rock spectacles must be measured."
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across the stage to convey the sense of alienation present in both the album, and
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format". He also would have to refer to the shows as a document of what went on.
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Mannequin dressed in one of Waters' costumes from the tour; displayed at the
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The idea to include live concert footage of any significant length for
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documentary 'Behind the Wall' (2000) used perfectly clear master
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Peter Wood โ€“ keyboards, acoustic guitar on "Outside the Wall"
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The concert was performed just 31 times in four cities:
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throughout 1980โ€“1981 in support of their concept album
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A poster advertising the February 1981 concerts at the
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On tour, relations between Gilmour, Mason, Waters and
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"Wish I was there". 592:The tour set lists comprised the entire album, 401: 389: 282: 2236:The Dark Side of the Moon Live at Wembley 1974 1341:"Pink Floyd โ€“ The Wall 2012 Immersion box set" 2010: 1427: 316:The London shows are documented on the album 8: 3062:Inside Out: A Personal History of Pink Floyd 244:Head of the 'wife' puppet; displayed at the 32: 2798: 2388:The Dark Side of the Moon 50th Anniversary 2296:The Best of Pink Floyd: A Foot in the Door 2017: 2003: 1995: 1455: 1434: 1420: 1412: 51: 31: 1403:Pink Floyd 1980 The Wall Tour Documentary 265:stated in its 2 March 1980 edition: "The 832: 1121: 158: 2929:North American/Wish You Were Here Tour 2924:1974 French Summer/British Winter Tour 1157:: "Roger Waters: The Wall in Berlin"; 567:Gary Yudman โ€“ MC (New York and London) 3106:Pink Floyd: The Music and the Mystery 1228: 7: 3253:Live performances of an entire album 2867:The Pink Floyd and Syd Barrett Story 1854:Another Brick in the Wall: The Opera 1129: 1127: 1125: 341:were at an all-time low: their four 27:1980โ€“1981 concert tour by Pink Floyd 2420:Tonite Lets All Make Love in London 1134:J.C. Maรงek III (5 September 2012). 407:Roger Waters said on an episode of 2609:Another Brick in the Wall (Part 2) 1555:Another Brick in the Wall (Part 3) 1495:Another Brick in the Wall (Part 2) 1481:Another Brick in the Wall (Part 1) 25: 3093:Nick Mason's Saucerful of Secrets 2602:Shine On You Crazy Diamond Part I 2275:A Collection of Great Dance Songs 1836:Us and Them: Symphonic Pink Floyd 926:Nassau Veterans Memorial Coliseum 870:Los Angeles Memorial Sports Arena 698:Another Brick in the Wall, Part 3 642:Another Brick in the Wall, Part 2 628:Another Brick in the Wall, Part 1 223:' personal feelings at the time. 3207: 3206: 2944:A Momentary Lapse of Reason Tour 1977: 1976: 441:Waters' tour of The Wall in 2010 360:Pink Floyd: Their Mortal Remains 246:Pink Floyd: Their Mortal Remains 183:A Momentary Lapse of Reason Tour 2888:The Story of Wish You Were Here 1179:Rockwell, John (2 March 1980). 874:74,900 / 74,900 -- $ 1,106,000 3030:The Australian Pink Floyd Show 2289:Echoes: The Best of Pink Floyd 2085:The Piper at the Gates of Dawn 1870:The Piper at the Gates of Dawn 1488:The Happiest Days of Our Lives 635:The Happiest Days of Our Lives 582:Willi Thomczyk โ€“ MC (Dortmund) 570:Cynthia Fox โ€“ MC (Los Angeles) 421:In the December 2009 issue of 141: 1: 3158:The 14 Hour Technicolor Dream 2540:Careful with That Axe, Eugene 2328:1967: The First Three Singles 1321:"Roger Waters interview 1999" 1081:Earls Court Exhibition Centre 970:Earls Court Exhibition Centre 3178:The Dark Side of the Rainbow 2914:The Man and The Journey Tour 2335:1965: Their First Recordings 1309:Record Collector, March 2000 1260:"Interview with Mark Fisher" 1163:, 25 May 1990; reprinted in 579:Ace Young โ€“ MC (Los Angeles) 555:Stan Farber โ€“ backing vocals 2169:A Momentary Lapse of Reason 1954:A Momentary Lapse of Reason 1587:Is There Anybody Out There? 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547: 544: 530: 524: 518: 512: 505: 504: 503: 501: 497: 496: 493:Richard Wright 490: 484: 478: 471: 470: 468: 463: 460: 416:video cassette 351: 348: 339:Richard Wright 334: 331: 237: 234: 190: 189: 188: 187: 180: 178: 171: 169: 162: 157: 156: 149: 148: 145: 138: 137: 134: 130: 129: 119: 115: 114: 104: 100: 99: 92: 88: 87: 85: 84: 81: 77: 75: 71: 70: 56: 48: 47: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3265: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3234: 3231: 3230: 3228: 3213: 3204: 3203: 3200: 3194: 3191: 3189: 3186: 3184: 3183:Games for May 3181: 3179: 3176: 3174: 3171: 3169: 3166: 3164: 3161: 3159: 3156: 3155: 3153: 3149: 3143: 3142: 3138: 3136: 3135: 3131: 3129: 3128: 3124: 3122: 3121: 3117: 3114: 3110: 3108: 3107: 3103: 3101: 3100: 3096: 3094: 3091: 3089: 3088: 3084: 3082: 3081: 3077: 3073: 3071: 3070: 3066: 3064: 3063: 3059: 3056: 3052: 3049: 3045: 3043: 3042: 3038: 3036: 3033: 3031: 3028: 3026: 3025: 3021: 3019: 3016: 3015: 3013: 3009:Related media 3007: 3001: 2998: 2996: 2993: 2991: 2988: 2986: 2983: 2981: 2978: 2976: 2973: 2971: 2968: 2967: 2965: 2961: 2955: 2952: 2949: 2945: 2942: 2940: 2939:The Wall Tour 2937: 2935: 2932: 2930: 2927: 2925: 2922: 2920: 2917: 2915: 2912: 2910: 2907: 2906: 2904: 2900: 2890: 2889: 2885: 2883: 2882: 2878: 2876: 2875: 2871: 2869: 2868: 2864: 2863: 2861: 2859:Documentaries 2857: 2851: 2850: 2846: 2845: 2843: 2839: 2833: 2832: 2828: 2826: 2825: 2821: 2819: 2818: 2814: 2812: 2811: 2807: 2806: 2804: 2800: 2797: 2793: 2786: 2782: 2779: 2775: 2772: 2768: 2765: 2761: 2758: 2754: 2751: 2747: 2744: 2740: 2737: 2733: 2729: 2726: 2722: 2719: 2715: 2711: 2708: 2704: 2701: 2697: 2694: 2690: 2687: 2683: 2679: 2676: 2672: 2669: 2665: 2661: 2658: 2654: 2650: 2647: 2643: 2639: 2636: 2632: 2628: 2625: 2621: 2620:Run Like Hell 2617: 2614: 2610: 2606: 2603: 2599: 2595: 2591: 2588: 2584: 2580: 2577: 2573: 2569: 2566: 2562: 2559: 2555: 2551: 2548: 2547:The Nile Song 2544: 2541: 2537: 2533: 2530: 2526: 2522: 2519: 2515: 2511: 2508: 2504: 2500: 2497: 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2096: 2094: 2093: 2089: 2087: 2086: 2082: 2081: 2079: 2077:Studio albums 2075: 2069: 2066: 2064: 2061: 2059: 2056: 2054: 2051: 2050: 2047: 2046: 2042: 2040: 2039: 2038:David Gilmour 2035: 2034: 2031: 2027: 2020: 2015: 2013: 2008: 2006: 2001: 2000: 1997: 1985: 1984: 1975: 1974: 1970: 1969: 1965: 1963: 1962: 1958: 1956: 1955: 1951: 1949: 1948: 1947:The Final Cut 1944: 1942: 1941: 1937: 1935: 1934: 1930: 1928: 1927: 1923: 1921: 1920: 1916: 1914: 1913: 1909: 1907: 1906: 1902: 1900: 1899: 1895: 1893: 1892: 1888: 1886: 1885: 1881: 1879: 1878: 1874: 1872: 1871: 1867: 1866: 1862: 1856: 1855: 1851: 1850: 1848: 1846:Miscellaneous 1844: 1838: 1837: 1833: 1831: 1830: 1826: 1824: 1823: 1819: 1818: 1816: 1812: 1806: 1805: 1804:The Wall Live 1801: 1799: 1798: 1797:The Wall Tour 1794: 1793: 1791: 1787: 1781: 1780: 1776: 1774: 1773: 1769: 1768: 1766: 1762: 1756: 1755: 1751: 1749: 1748: 1744: 1742: 1741: 1737: 1736: 1734: 1730: 1723: 1719: 1718: 1716: 1712: 1705: 1701: 1698: 1694: 1693: 1691: 1687: 1676: 1672: 1669: 1665: 1662: 1658: 1655: 1651: 1648: 1647:Run Like Hell 1644: 1641: 1637: 1634: 1630: 1629: 1627: 1623: 1616: 1612: 1609: 1605: 1602: 1598: 1595: 1591: 1588: 1584: 1581: 1577: 1576: 1574: 1570: 1563: 1559: 1556: 1552: 1549: 1545: 1542: 1538: 1535: 1531: 1528: 1524: 1521: 1517: 1516: 1514: 1510: 1503: 1499: 1496: 1492: 1489: 1485: 1482: 1478: 1475: 1471: 1468: 1467:In the Flesh? 1464: 1463: 1461: 1457: 1454: 1450: 1446: 1445: 1437: 1432: 1430: 1425: 1423: 1418: 1417: 1414: 1408: 1404: 1401: 1399: 1396: 1395: 1391: 1385: 1379: 1375: 1374: 1368: 1367: 1363: 1346: 1342: 1336: 1333: 1328: 1327: 1322: 1316: 1313: 1310: 1305: 1302: 1290: 1286: 1280: 1277: 1265: 1261: 1255: 1252: 1247: 1245: 1237: 1234: 1230: 1225: 1222: 1209: 1205: 1201: 1194: 1191: 1186: 1182: 1175: 1172: 1168: 1167: 1162: 1161: 1156: 1155:Turner, Steve 1151: 1148: 1143: 1142: 1137: 1130: 1128: 1126: 1122: 1115: 1110: 1104:17 June 1981 1103: 1102: 1099:16 June 1981 1098: 1097: 1094:15 June 1981 1093: 1092: 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476: 475:David Gilmour 473: 472: 469: 466: 465: 461: 459: 457: 453: 448: 446: 442: 437: 435: 434:Rolling Stone 430: 428: 424: 419: 417: 412: 411: 404: 400: 397: 392: 388: 385: 381: 377: 372: 370: 361: 356: 349: 347: 344: 340: 332: 330: 327: 326:David Gilmour 323: 321: 320: 314: 312: 308: 304: 300: 296: 290: 288: 281: 279: 275: 273: 268: 264: 263: 257: 255: 247: 242: 235: 233: 231: 230: 224: 222: 216: 214: 213: 208: 204: 200: 196: 195:The Wall Tour 184: 181: 179: 175: 174:The Wall Tour 172: 170: 166: 163: 161: 160: 154: 150: 146: 139: 135: 131: 120: 116: 105: 101: 98: 97: 93: 89: 82: 80:United States 79: 78: 76: 72: 68: 64: 60: 54: 49: 45: 36: 33:The Wall Tour 30: 19: 3139: 3132: 3125: 3118: 3104: 3097: 3085: 3079: 3075: 3067: 3060: 3039: 3022: 3011:and tributes 2990:Band members 2938: 2886: 2879: 2872: 2865: 2847: 2829: 2822: 2815: 2808: 2778:Brain Damage 2714:Take It Back 2693:Keep Talking 2653:Not Now John 2594:Have a Cigar 2470:Arnold Layne 2439: 2432: 2425: 2418: 2411: 2404: 2386: 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Index

The Wall Tour (1980โ€“81)
Pink Floyd

Westfalenhallen
Dortmund
West Germany
The Wall
Pink Floyd
In the Flesh Tour
A Momentary Lapse of Reason Tour
concert tour
progressive rock
Pink Floyd
The Wall
Roger Waters
Live 8

Pink Floyd: Their Mortal Remains
Roger Waters
The New York Times
Nick Mason
semis
Los Angeles
Uniondale
Dortmund
London
movie
Is There Anybody Out There? The Wall Live 1980-81
David Gilmour
Richard Wright

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