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steaming down the mainline towards the helpless Esther and her horse. Bill
Buckley's son, Johnny, rescues her at the last minute. Esther develops an instant affection for her newfound hero. A grateful Esther gives Johnny her horse, and a content father provides the Buckley family with a new home. Soon, the President's general counselor, J. Lawrence Wilton, reveals he has feelings for Esther and is plotting to win Esther's hand in marriage. Wilton arranges a chain of machinations involving Esther, Bill Buckley, Mrs. Buckley, and Johnny. Johnny thwarts Wilton's schemes and saves his father and hundreds of train passengers from disaster. Johnny rescues Esther from the villainous Wilton and falls in love. Wilton's intrigues finally reap their just rewards, and everybody lives happily ever after.
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signal. Johnny telegraphs the dispatcher, "99" missed the stop signal, and he will take a shortcut to flag down the trains. Johnny mounts his horse and gallops into the darkness. Soon he reaches the edge of a steep embankment. He must reach the bottom of the hill to flag the trains. The horse stumbles as they descend, and both somersault down the hill. When Johnny hits the bottom, he has a broken leg. Since the injury prevents him from signaling the trains, he lights a fire. He hopes both engineers will view the brush fire and halt their engines.
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about his old home when he hears a gunshot. Buckley runs inside and discovers his son and Wilton grappling with a gun. He takes the pistol out of Wilton's hands and threatens him. Johnny calms his dad, then leaves with Esther. Bill
Buckley and Esther drive off in the roadster, trailing Johnny mounted on his horse. Johnny leads his dad to their new home. Johnny tells his dad that Esther's father gave them the house, but Mrs. Buckley wants to surprise him. Mother Buckley and their adopted son, Henry, rush out to greet them.
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he remains. He returns to the house as Esther lights a fire in the fireplace. Wilton asks her if she would like to drive to town, but she declines. He shuts the door, walks over to Esther, and tries to kiss her. Esther resists Wilton's advances. Wilton grabs her and throws her on the couch. She screams and continues struggling while smoking logs burn in the fireplace. Johnny sees the smoke and starts galloping toward the house. Johnny arrives at the Miller house and senses Esther's in trouble.
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259:, her horse gets caught in the tracks and falls. The fallen horse traps Esther. Bill Buckley's son, Johnny, sees Esther's plight from his telegraph hut. With Bill Buckley's engine bearing down, Johnny rushes to save Esther and frees her at the last second. A grateful Esther gives Johnny her horse, and their close encounter has prompted romantic feelings in Esther. After watching the rescue, Miller tells Wilton he plans to reward the Buckley family with a house.
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689:. This mistake was also based on early promotional material released by the studio. The name of Kirby's character Collins is based on visuals from the actual movie when Kirby introduced himself as "Collins." Later in the movie, Wilton also refers to him as "Collins." Some sites incorrectly list the actor as David Dirby. David Kirby is the correct spelling. Kirby would appear in six Emory Johnson productions, the most of any actor in Johnson films.
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have a particular human slant on life. Women are as well equipped as men to take up the important work of writing for the screen is already established by the success of many women writers who have fashioned their stories directly for the screen. The average woman has a deep and well-rounded understanding of life. She has little human qualities developed to a far greater degree than the average man.
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666:. Many sites also incorrectly list Wedgwood Nowell as playing a character named Raymond McKim. This mistaken name credit was due to some early promotional material released by the studio before the film's final version was released. "J Lawrence Wilton ~~the President's general adviser" is the actual credit listing in the film. Nowell's character Wilton would become the Chief
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1339:. This was the eighth and final film of his contractual obligation to FBO. It would be Emory and Emilie Johnson's last film for FBO. In April 1926, FBO decided to let Emory and Emilie Johnson's contracts expire. There were no published reasons for the separation. Emory Johnson's directorial career consisted of 13 films – 11 were silent, and two were
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book the film can be challenging, especially since mixed reviews do not mean it is a bad movie. In the end, it boils down to personal choices and how much value you place in the movie review and the reviewer. Movie critics and theater owners often use the following expressions to describe the movies they are reviewing or showing.
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do now?" Harron asked Mr. Johnson. " Why I simply want you to get on that horse and drop over that mountain – that is all," the
Director replied. Then Harron asked: "Do I really have to do that?" With the cameras grinding, Harron mounted his horse and started his descent. The horse hesitated, and then over the bank they went.
1872:"A theme is the film's central, unifying concept. A theme evokes a universal human experience and can be stated in one word or short phrase (for example, "love," "death," or "coming of age"). The theme may never be stated explicitly, but it is exemplified by the film's plot, dialogue, cinematography, and music."
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everything yet devised by the ingenuity of director and cameraman, was the picturing of an express train running full tilt directly at the audience, neither swerving to left nor right and then – just think – continuing right over the heads of the audience, seemingly, as they looked on the screen agape.
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All-star cast, but all the stars were unknown. One of FBO Gold Bonds, and it is pipin for those who like melodrama. Plenty of good acting and the world's of action, with several thrills that make 'em sit up in their seats—some splendid photographic shots from an airplane. Little town men, this pie is
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Melodrama films have plots appealing to the raised passions of the audience. They concentrate on family issues, direct their attention to a victim's character, and develop the themes of duty and love. The format shows the characters working through their struggles with persistence, sacrificial deeds,
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FBO focused on producing and distributing films for small-town venues. They served this market melodramas, non-Western action pictures, and comedic shorts. These moviehouse reviews were critical for a distributor like FBO. Unlike many major
Hollywood studios, FBO did not own its theaters. Like most
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It tells an interesting story. However, by no means a new one, it provides many thrills that are keener in their anticipation than in their realization. There is no getting away from the fact that it stirs you up at times, but there is something in the climaxes that do not register as heavily as you
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Wilton shows up at the
Buckley home to fetch Esther. Mother Buckley says Esther is not there, but Wilton finds her hiding in a closet. A struggle ensues, but Esther escapes. Mother Buckley grapples with Wilton, but he throws her to the floor. A gun appears, and someone fires a shot, wounding Wilton.
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He goes inside Miller's home and rushes toward the source of the screams. He breaks down the door, finds Wilton trying to assault Esther, and the two men struggle. Wilton draws a pistol, and a shot rings out. Bill
Buckley is walking up to the front porch of the Miller house. Buckley wants to inquire
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Bernard Miller is the
President of a railroad, and Lawrence Wilton is his general counselor. Both are traveling in an open car, paralleling the tracks when they see Bill Buckley's engine steaming down the rails. Miller's only daughter, Esther, and her mother ride horses in the same area. When Esther
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Esther Miller, the daughter of the railway
President, and her mother are riding horses alongside the railroad tracks. When Ester tries to cross the tracks, her horse gets its hoof caught on the track. While attempting to help the horse, Ester also becomes entangled. Railroad engineer Bill Buckley is
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Emory
Johnson said the following about his mother: My mother, Mrs. Emily Johnson, has that invaluable ability to cram human emotions into a photoplay. She has the ripened, matured viewpoint of the average mother. Sometimes I think mothers would make the greatest of all scenario writers because they
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Movie reviews were critical opinions for theater owners and fans. Critiques of movies printed in different trade journals were vital in determining whether to book or watch the movie. Movie critics' evaluations of this film were mixed. When critics have divergent reviews, deciding whether to see or
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Emory
Johnson had Johnny Harron risks his life when filming one of the scenes in the movie. In the film, Johnny galloped away on his horse to warn the two trains about to collide. They reach the edge of a steep embankment. They must get to the bottom to flag the two trains. "What do you want me to
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They usually worked side by side before production started and then on the movie sets after filming began. Mrs. Johnson supplied her son with stories that seemed custom-tailored for Ralph Lewis. Their unique collaboration produced melodramas until the late 1920s. By the early 1930s, their successes
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allowed him to direct his first film. Johnson was 29 years old when he took charge of this production. During his directorial career at FBO, he would gain sobriquets like the "Master of Melodrama," "King of Exploitation," and "Hero of the Working Class." This melodrama would be added to all of the
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film studio. The company released around 110 features and shorts a year. The company focused on producing low-budget films emphasizing first-class westerns, action films, romantic melodramas, and comedy shorts. The company mainly distributed its pictures to small-town venues and independent theater
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The Miller special is barreling down the track when the engineer notices the brushfire. He stops his train to investigate. Bill Buckley, coming from the opposite direction, sees the same fire stop his train. They avert the head-on collision. Johnny lights a railroad flare, and Bill Buckley sees the
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At the Miller home, Wilton tells the housemaid to "Have Sylvester bring the roadster around for me — then he can take you marketing in the other car." Esther hears Wilton's request and starts stacking wood in the fireplace. Wilton has second thoughts, realizing that he will be alone with Esther if
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years. The agreement stipulated Emory was to make eight attractions for FBO. The agreement specified that his previous four films would count toward the total. FBO also agreed to invest two and a half million dollars (In today's money – equivalent to $ 40,472,167 in 2021) on the remaining four
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The following morning, Wilton drives the Millers to the passenger depot for an arranged trip to San Francisco. As Wilton is leaving, a man approaches him and demands money. He threatens Wilton by claiming he will "spill the beans about you and your kid." Wilton gives him cash and rides off. Wilton
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In addition, special screenings were scheduled for local railroad executives and railway organizations in other cities with the same impetus of getting these industry leaders on board and having them give the movie free advertising and promotion. The attitude of the railway officials is that this
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To secure atmosphere for my railroad story, westbound limited, Emory and I have ridden in the engine cab, in the caboose, on the cowcatcher, and almost every place on the train that is an unusual one for a layman to occupy. We have visited the railroad yards, roundhouses, dispatchers' offices and
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Johnny receives instructions from the dispatcher to flag down "99" and park his train. Johnny promptly raises the red light. However, Collins climbs the signal pole and covers the red light with a green filter. As Bill Buckley steams down the track, he sees the green light and blows past the stop
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The Millers are relaxing in a San Francisco hotel. Mr. Miller receives a letter from Esther. She begs the couple to return home. The following morning, Wilton discovers the Millers are returning home on a special train. Collins shows up at the house. He confronts Wilton, saying he needs more cash
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When Bill Buckley comes to work, he learns he has a new crew member – Collins. The crewman is the same man who extorted Wilton for cash. Buckley mounts his engine along with Collins and starts his daily run. Buckley notices Collins take a quick drink from a bottle he had concealed. Collins offers
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Catapultic, as the crack train itself, around which the plot is woven, "Westbound Limited" crashed through the screen at the T.D. & L. theater yesterday and left capacity audiences are gasping. A photographic effect never before witnessed on the screen, and which for sheer realism discounted
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Johnny's dog appears at the Miller home. Esther sees the dog and comes up with a plan to see Johnny. She attaches a note to the dog's collar, telling Johnny to look for smoke from the chimney. It will be a signal that Wilton has left the house. The dog returns to Johnny's shack. Johnny reads the
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have been made by the publicity department of Film Booking Offices with some of the big railroad companies. The exploitation is to be handled by the railroads. Several big railroad companies created national tie-ups that would be used locally. This exploitation was handled by the railroads e.g.
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Bill Buckley's Westbound 99 will steam down the mainline in one direction. In contrast, Miller's special train 66 will travel down the same track from the opposite direction. Since Miller's special will have priority, Johnny Buckley will have to signal his father to stop and move his train to a
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These are brief published observations from moviehouse owners. Theater owners would subscribe to various movie magazines, read the movie critic's reviews, then read the theater owner's reports. These reviews would assist them in deciding if the film was a potential moneymaker in their venue.
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What the world needs most today is a better understanding of humanity. What it wants are love and human sympathy. Thus, I have set out to make love the theme of all my productions. I have sought to show how whole families are lifted from sorrow to contentment by love and kindly sediments.
1252:, sometimes called a production title or a tentative title, is the temporary title of a product or project used during its development. This movie was shot under the working title of "Westbound 99." In March 1923, the working title was changed to a release title of "Westbound Limited."
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like law enforcement officers, firefighters, mail carriers, railroad engineers, patriots, baseball players, and newspaper press operators. Emilie Johnson felt her human-interest stories would be relatable on the silver screen and her son brought them to the screen in epic melodramas.
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films. Another part of the new contract stipulated – "The contract also provides that Emory Johnson's mother, Mrs. Emilie Johnson, shall prepare all of the stories and write all the scripts for the Johnson attractions in addition to assisting her son in filming the productions."
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Buckley a drink, which he refuses, and a struggle ensues with Buckley finally tossing the bottle out of the cab. Buckley's Westbound 99 arrives two hours early, and Collins is drunk. A supervisor sees a drunken Collins and fires him. Collins blames Buckley and swears revenge.
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It is often claimed that 75 percent of all American silent films are gone and 50 percent of all films made prior to 1950 are lost, but such figures, as archivists admit in private, were thought up on the spur of the moment, without statistical information to back them
588:. The 27 year-old actress was selected to play the feminine lead in this film. She would portray Esther Miller, the daughter of railroad president Bernard Miller. During this filming, Hall was married to Emory Johnson. She previously had feminine leads –
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The various media of the time list the length of this film as 5,100 feet or 6,500 feet. These reel lengths equate to running times of 57 minutes or 67 minutes. This film's length in the copyright filing is seven reels or a running time of 77 minutes.
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The greatest appeal in pictures is not in extravagant spectacles, historical pageants, or adaptations of fairy tales. I think the straightforward, clean, wholesome Melodrama will always have the choice corner in the hearts of the American
534:. The 50 year-old actor would reprise his role as a rugged middle-aged working-class hero. In this go-around, he would assume the role of Western Division engineer Bill Buckley. He previously had starring roles in Emory Johnson's past two
606:(1903–1939) was born on March 31, 1903, in New York City. The 20 year-old actor was selected to be the male lead and fill the role of Johnny Buckley, Bill Buckley's son and a "Chip of the Old Block." At the time, he was best known as
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provided the ideal environment for shooting the exteriors. Permission was received from one of the big terminals in the Los Angeles area to film the railroad scenes. A steam locomotive was chartered for several days by Johnson.
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Melodrama is our meat – but it's high-class melodrama. It allowed the public to weep and sympathize with the handsome hero and the beautiful heroine. We don't want to label our pictures, we must make pictures that appeal to all.
829:. Emilie Johnson and her son became famous as Hollywood's only mother-son writing/directing team. The decade saw the team develop into the most financially successful directing and writing team in motion picture history.
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My son and I always work out our story together. Emory is always with me on these occasions, and we are in, and we are in consultation daily regarding angles of the story that present themselves as a result of our
556:, released in November 1925. The Last Edition was Lewis's fifth and final film in an Emory Johnson production. Lewis will always be remembered for his role as abolitionist U.S. Representative Austin Stoneman in
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Star cast. Very good picture. Helped pay for the poor ones. Packed to the doors. Has a very good moral tone and is suitable at any time. Had good attendance. Draw mixed class in a city of 12,000. Admission
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siding. The two trains will collide if Johnny fails, killing Bill Buckley and the Millers. They will blame Johnny for the crash. Wilton will assume the presidency of the railroad and become Esther's guardian.
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Love, devotion, family, integrity, duty, faithful, bravery, loyalty, sacrifice, and honor are themes interwoven throughout the fabric of this Emory Johnson special and become the heart of the movie.
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Why, I simply want you to get on that horse and drop over that mountain – that's all, the Director replied. Harron stood aghast. His heart leaped into his throat, making it difficult to swallow.
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There can be no doubt in the minds of any that Mr. Johnson uses keen judgment and a developed sense of showmanship in the selection of his subjects from the standpoint of public appeal.
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The above pictures will be preceded by the already announced releases of F. B. O. These include "Westbound 99," an Emory Johnson production which will be classed as a super-special
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This spotlight, lighted at all times during the day and night, shone down from the marquee into the street below, attracting the attention of all pedestrians by its powerful rays
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was a former actor turned director when he directed this film. He had acted in 73 movies between 1913 and 1922 for the likes of Essanay, Universal, Pathé, and Goldwyn before
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Buckley's adopted son, Henry, is gripping the pistol. Wilton looks at Henry and says – "by my flesh and blood." Buckley's orphan lad turns out to be Wilton's mysterious son.
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Emory Johnson has been called the glorifier of the American working man because he prefers to take the man in the street for his heroes rather than some darling of fortune.
600:, which became one of her best-known works. After filming the Dutchman, Ella Hall retired from silent movies to focus on her kids and her failing marriage to Emory Johnson.
737:. Johnson would continue to thrive as an independent director because he didn't make epic films; he made bankable movies focusing on subjects he and his mother held dear.
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As mentioned previously, Johnson signed an 8-picture contract with FBO. This film was the third film honoring the terms of that contract. In March 1926, Johnson released
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visits Buckley's home and shows Mrs. Buckley the deed to their new home. Mrs. Buckley tells Wilton to keep the gift a secret because she wants to surprise her husband.
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Bernard Miller is the President of the transcontinental railroad. Twelve minutes into the movie, Mr. and Mrs. Miller leave on a pre-planned trip. They departed from a
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Motion Pictures, 1912-1939, is a cumulative catalog listing works registered in the Copyright Office in Classes L and M between August 24, 1912, and December 31, 1939
710:. The 42 year-old actress played Mrs. Bernard Miller, President Miller's wife and Esther's mother. This would be the last appearance of the actress in a Johnson film.
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which were distributed by their agents all along with their trans-continental trains. Many western railroads had allowed free advertising posters in their stations.
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was especially creative. Attendees were greeted by a large cutout of Ralph Lewis standing with his arm upheld before the cross-sign warning "Stop — Listen — See
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was copyrighted to R-C (Robertson-Cole) Pictures Corp with a registration number of LP18949. The copyrights for FBO Films were registered with their original
1385:. They were treated to the first screening at Emory Johnson's latest film, "Westbound Limited." Most attendees were impressed and predicted future success.
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Feature films on 8mm and 16mm: A directory of feature films available for rental, sale and lease in the United States, with serials and directors' indexes
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He has painted the railroad man as a human, sincere, and self-sacrificing individual who is used to authority and knows what to do with it in an emergency
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classifications. This film was the third film honoring his 8-picture contract with FBO. His two previous FBO films had all been financially successful –
578:. She would play Mrs. Buckley, Bill Buckley's wife, another mother figure in this photoplay. She would act in a total of four Emory Johnson productions.
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The check-up is a presentation in the briefest form of reports received from exhibitors . . to see what the picture has done for other theatre managers.
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The film glorifies the Railroad Man. It shows him as a loyal, faithful, and brave human at his work, risking his life so that others might have safety"
658:(born Harry Wedgwood Nowell) (1878–1957) was an American film actor, director, producer, musician, and stage actor who was born on January 24, 1878, in
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Archive: UCLA Film And Television Archive (Los Angeles) , Filmoteca de la UNAM (México) , Academy Film Archive (Beverly Hills) , Library of Congress ,
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labeled "Gold Bond" or "Special" productions. Emory Johnson's eight films for FBO were all specials. This film would be classified as a Super-Special.
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With every foot of film that is lost, we lose a link to our culture, to the world around us, to each other, and ourselves – Martin Scorsese, filmmaker
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Most reviewers and theater owners referenced the movie as "Westbound Limited." To add to the confusion, a 1937 movie was copyrighted under the name –
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was Emory Johnson's first choice for Johnny Buckley. However, Walker was having a banner year and was unavailable for the role because he was filming
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and will sell them, keeping a small percentage of the profits for their own organization. Similar arrangements have been made for selling tickets in
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torch and rushes towards the bright light. Buckley sees his son lying helpless at the edge of the brushfire, rescues him, and carries him to safety.
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Small towns were FBO mainstays versus big cities. The movie received positive reviews. Most small-town and large-city venues enjoyed the movie.
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and other authoritative sources. This schedule traces a film's evolution from Cradle-to-grave. This film started shooting in January 1923 and was
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The affair was made possible by a tie-up with the New York Central railroad, who had contributed heavily to the Mayor's Fund for the jubilee.
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According to information received from the F.B.O. studio, "Westbound 99" will combine heart interest appeal with vigorous physical activity.
768:"Bill Buckley, the westbound limited engineer, knows no creed but God, home, and duty. Duty the inspiring creed of the westbound limited"
696:. The 26 year-old actor landed the role of the Buckley family's adopted son - Henry. His next appearance in a Johnson production would be
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Everything that has been said about it is O.K. only not good enough. Gave a money-back guarantee and not a kick. Neighborhood Patronage
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opened La Grande Station on July 29, 1893. The movie was completed in 1923, making the station 30 years old at the time of the filming.
662:. The 45 year-old actor would portray J. Lawrence Wilton, the President's general adviser. His name credit is misspelled in the movie -
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Smithsonian - National Museum of American History - Behring Center - Riding and Working on the Railroad - Railroaders behind the Scenes
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and courage. Movie critics and theater owners often use the following expressions to describe the movies they are reviewing or showing.
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chains, which changed their pictures three times a week. FBO would make their pictures appeal to every member of the American family.
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Star cast. Very nice entertainment. Plenty of excitement. Tone, good. Sunday or special, no. Appeal, 75%. Draw general class
947:"The American Cinematographer" credits Ross Fisher as the film's cameraman. The art director for this film is W. L. Heywood.
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In the 1920s, there were over 1.7 million rail employees nationwide. FBO saw a vast potential market in railroad employees.
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have climbed into switch towers. We feel that this procedure enables us to work out the story's details more intelligently.
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If the theater owners had questions about exploiting this movie, FBO would provide a 22-page newspaper-size campaign book.
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banner over a vintage New York Central railroad engine entered in New York's 1923 Silver Jubilee parade on Fifth Avenue.
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California. Identification of the train station is possible by examining the background of the movie frame, viewing the
636:. The 61 year-old actor played Bernard Miller, President of a transcontinental railroad. Morris had previously acted in
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FBO policy was to produce pictures for Main Street's entertainment rather than the more sophisticated broadway tastes.
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The Motion Picture News Check-up lists the length as 6,529 feet, rounded to 7 reels, or a running time of 72 minutes.
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only 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats;
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Guarded by armed watchman and insured for more than $ 200,000 for the negative of Emory Johnson's next production
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808:(1867–1941) was 55 years old when she wrote the story for this film. Emilie Johnson was born on June 3, 1867, in
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Although the majority of silent films did not survive, this film was preserved through chance. According to the
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especially creating local tie-ins with the particular working-class or public servants portrayed in the movie.
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This production offers a train deluxe which unfortunately is hampered just slightly by none to smooth a roadbed
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website, this film has a status of: "Digital files produced from 16mm print on loan from a private collector."
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independents, FBO was dependent on the moviehouse owners to rent their films for the company to show a profit.
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574:(1877–1966) was born on November 2, 1877, in New York City. The 45 year-old actress had previously acted in
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distributed special time-tables which had "Westbound Limited" advertising printed on its reverse side. The
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The Best Moving Pictures of 1922-1923 also WHO'S WHO IN THE MOVIES and the YEARBOOK OF THE AMERICAN SCREEN
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1923 marked the release of Johnnie Walker's two biggest starring release by the Film Booking Offices in
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owners. FBO was the official name of the film-distributing operation for Robertson-Cole Pictures Corp.
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Interiors were shot at the Robertson-Cole Studios at Melrose Avenue and Gower Street in Hollywood, CA.
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812:, Sweden. After emigrating to America, she married Alfred Jönsson. Their only son was born in 1894 –
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Thus, we have the 1923 movie referred to in the printed media using one of the titles shown below:
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In the 1920s, Emilie and Emory Johnson developed one of the unique collaborations in the annals of
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production was $ 50,000 to $ 75,000 equivalent to $ 910,139 to $ 1,365,209 in 2021 compared to the
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was the third film in the 8-picture FBO contract. Emilie wrote both the story and the screenplay.
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Women's Auxiliary of the Brotherhood of Railroad Trainmen, has taken a big block of tickets for
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picture is the first photoplay that has ever put the roads up to the public in the right light.
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Brief listings of feature motion pictures available in non-theatrical reduction prints in 1973.
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In 1923, Emilie and Emory Johnson signed a contract extension with FBO. The contract was for 2
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made for you to serve. Sunday, yes Special, not quite. Appeal, very strong. Draw all types.
929:
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887:
320:
302:
In the last scene, Johnny and Esther are on the back of a train departing on their honeymoon.
3944:
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1628:
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553:
878:
3984:
1929:
A report by Library of Congress film historian and archivist David Pierce estimates that:
1774:
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655:
571:
396:
338:
210:
3697:
1942:
11% survive only in full-length foreign versions or film formats of lesser image quality.
1901:
The copyright was filed with U.S. Copyright Office and entered into the record as shown:
1687:
1327:
The actual preserved length of the movie is 5580 feet with a running time of 62 minutes.
2676:
Settings in keeping with the heroic keynote of the story will dominate in the production
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2447:
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1945:
Many silent-era films did not survive for reasons as explained on this Knowledge (XXG)
805:
797:
623:
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568:(1916). "Ralph Lewis is especially good in parts built upon the strength of character."
557:
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256:
222:
65:
3712:
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1461:
Film Booking Offices implemented the same advertising strategy they used in promoting
1458:
hoped to gather support from this segment of the working force to promote their film.
1377:
On Thursday, April 26, 1923, Film Booking Offices of America invited critics from the
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Collaborative effort begins between Emory Johnson and his mother to develop scenario
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Straight from the Shoulder Reports – A department for the information of Exhibitors
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1980:
Note: Digital files produced from 16mm print on loan from private collector: Usw
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761:"Love, the greatest of human emotions, is the theme of Emory Johnson's drama,
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162:
2394:
552:
released in December 1923. He also landed a role in Johnson's seventh film –
3628:
Record of the Motion Pictures release between June 1, 1922, and June 1, 1923
3414:
3210:
Several roads in the west have given free billboard space at their stations.
2922:"Catalog of Copyright Entries Cumulative Series Motion Pictures 1912 - 1939"
2735:
Emory Johnson producer has commenced production on his third for the company
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1946:
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581:
386:
218:
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2136:. New York, Motion Picture News, Inc. September–October 1923. p. 1185.
452:
3810:
3456:. Council on Library and Information Resources and the Library of Congress
2098:"F. B. O. Announces Six Super-Specials in Addition to Other Feature Films"
1503:
Taking a page from the advertising playbook of his first two movies, "the
3764:
973:
The section also displayed the column headers and entries for this film:
961:
833:
3758:
3736:
3380:
What the Picture did for Me - Verdicts on films in language of exhibitor
1444:
1429:
3614:. Boston, MA: Small, Maynard & Company. p. 345. Archived from
1531:
1340:
678:
670:
in this film. This would be Nowell's only appearance in a Johnson film.
3481:
Nitrate Won't Wait: History of Film Preservation in the United States
967:
April 1923. The Camera! timetable gives the studio and location as —
205:
released the film in April 1923. The film's "All-Star" cast included
596:. Her next film would be the 1923 production of Lloyd B. Carleton's
3583:
Book Two: The Kennedys (1915-1940) - Chapter 20 This is a gold mine
2264:
The Unbiased Reviewing Service! With Specially Written Program Copy
2215:. Moving Picture World (Nov-Dec 1923). November 3, 1923. p. 66
677:. The 42 year-old actor played Collins and would become one of the
3255:. New York, Motion Picture News, Inc. August 11, 1922. p. 679
673:
David Kirby (1880–1954) (1880–1964) was born on July 16, 1880, in
548:. Lewis would go on to star in Emory Johnson's next production –
229:
was the third film in Johnson's eight-picture contract with FBO.
3853:
3517:"The Westbound Limited / Emory Johnson [motion picture]"
1563:
Chester J. Smith reviewed the movie in the May 5, 1923 issue of
3857:
3229:. New York, Motion Picture News, Inc. May 19, 1923. p. 313
3200:. New York, Motion Picture News, Inc. June 2, 1923. p. 595
3171:. New York, Motion Picture News, Inc. June 9, 1923. p. 683
2527:"Actor risks His Life in Stupendous Fall Down Side of Mountain"
1472:
As shown in the graphic, F.B.O. was allowed to drape a 60-foot
1479:
National tie-ups would be used utilized locally in exploiting
3769:
3564:. Manhattan, New York City: St. Martin's Press. p. 932.
500:
also produced and distributed a limited number of big-budget
2845:
has been changed from "Westbound 99" to "Westbound Limited."
2707:
Emory Johnson is haunting the Los Angeles railroad terminals
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1031:
778:
283:
because Buckley fired him. Wilton hatches a nefarious plan.
243:
2928:. Copyright Office * Library of Congress. 1951. p. 942
2590:"On the History of the Santa Fe Freight Depot, Los Angeles"
1496:
also printed over a million postcards featuring the words,
1671:
earned $ 225,697 (equivalent to $ 3,653,779 in 2021)
492:
which could spend five times as much to produce a movie.
225:, Johnson's mother, wrote both the story and screenplay.
1978:
Format: 35mm dupe neg: Mxu 16 mm: Usl Digital files: Usw
706:(1880–1972) was born on December 6, 1880, and raised in
1578:
The film was reviewed in the July 6, 1923 issue of the
1412:
The film was officially released on April 15, 1923, by
724:
692:
Taylor Graves (1896–1960) was born on May 28, 1896, in
536:
496:
484:
3609:
3194:"Railroads Lending Support to "The Westbound Limited""
1317:
by signing him to a long-term contract in April 1923.
3819:
3415:"Famed Movie Producer Lives Quietly in S.M. He Loves"
3092:. San Francisco, California. June 1, 1923. p. 13
2592:. Southern California Institute of Architecture. 2004
3116:
3114:
2720:"Westbound 99 is the latest johnson film for F.B.O."
2613:"Union Station Helped Turn a City Into a Metropolis"
896:
Passenger depot pictured in the movie is on the left
3593:. Englewood Cliffs, NJ: Prentice-Hall. p. 14.
3165:"Westbound Limited Ballyhoo Gotten Into Big Parade"
622:the only appearance in a Johnson production, while
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3561:The Fitzgeralds and the Kennedys: An American Saga
3447:"The Survival of American Silent Films: 1912-1929"
3413:
3083:
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2493:
2471:. Universal Weekly (1924 - 1936). October 30, 1926
2429:
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2308:
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2147:
181:$ 226,000 (equivalent to $ 3,653,779 in 2021).
2829:"The Title of the third Emory Johnson Production"
2800:"Who's Who and What's What in Filmland This Week"
2748:"Who's Who and What's What in Filmland This Week"
2534:. Stockton, California. June 20, 1923. p. 12
2154:Poughkeepsie Eagle-News (Poughkeepsie, New York)
969:R. C. Picture Corp located at Melrose and Gower.
644:. He would appear in future Johnson productions
3249:"Elaborate Marquee Cutout on Westbound Limited"
2892:The Los Angeles Times (Los Angeles, California)
2395:"Visit railroad shops in search of local color"
2278:"Love best theme for films, Emory Johnson Says"
2130:"FBO Signs Emory Johnson for Eight Productions"
1654:
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1587:
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1350:
789:
745:
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173:$ 50,000 (equivalent to $ 809,443 in 2021).
3638:. New York: R.R. Bowker Company. p. 368.
2823:
2821:
2500:Battle Creek Enquirer (Battle Creek, Michigan)
2124:
2122:
1550:Terms used in reviewing silent movie melodrama
1409:would rectify this confusion at a later date.
1368:Terms used in reviewing silent movie melodrama
928:dome, and comparing the structure against the
3869:
1966:Copyright claimant: Emory Johnson Productions
632:(1862–1924) was born on January 30, 1862, in
8:
1305:F.B.O. rewarded Ralph Lewis for his work in
530:(1872–1931) was born on October 8, 1872, in
3223:"Theatre and Film Row Items from Cleveland"
2567:. The Moving picture world. January 6, 1923
2242:
2240:
2026:
2024:
2022:
1936:of original silent-era films have perished;
916:allows us to identify the depot as the old
584:(1896–1981) was born on March 17, 1896, in
3876:
3862:
3854:
3608:Sherwood, Robert Emmet (January 1, 1923).
2916:
2914:
2912:
2887:"Film Negative of Rail Story Well Guarded"
2495:"Emory Johnson gives credit to his mother"
1625:Owner, Goodwin & Hilton, Park Theatre
1259:by Universal Pictures Co on July 1, 1937,
1025:
681:. Most movie databases for this film list
652:before his untimely death in October 1924.
38:
29:
3541:
3390:
3388:
2347:The Press-Tribune (Roseville, California)
2104:. Moving Picture World. February 24, 1923
474:) was an energetic, independent American
236:The film was released on April 15, 1923.
3591:RKO The Biggest Little Major of Them All
2949:
2611:Rasmussen, Cecilia; Times staff writer.
2561:"Westbound 99 Big F.B.O. Railroad Drama"
2459:
2457:
2342:"Westbound Limited Big Railroad Picture"
2315:The Modesto Herald (Modesto, California)
2177:
2175:
1910:Credits: Director, Emory Johnson; story,
1264:
1191:Title changed from the working title of
975:
309:
4106:English-language action adventure films
3826:
3782:
3308:"Westbound Limited Is Sensational Film"
3041:
2855:
2853:
2465:"Emory Johnson, Director Extraordinary"
2431:"This Writer has Produced 19 Scenarios"
2149:"Westbound limited a thrilling picture"
2084:
2049:
1993:
1863:
1702:
2283:Detroit Free Press (Detroit, Michigan)
1906:Film Booking Offices of America. 1923.
918:Atchison, Topeka, and Santa Fe Railway
4071:Film Booking Offices of America films
3335:"Moving Picture World (Nov-Dec 1923)"
3333:Van Buren Powell (December 1, 1923).
3120:
2310:"Love is Victor in westbound limited"
2061:
1914:R-C Pictures Corp,. 15Apr23; LP18949.
1609:C.G.Couch, Grand Theatre (288 seats)
1172:Taylor Graves has completed his role
1153:"Pulse of the Studios" stops listing
7:
4101:Silent American romantic drama films
3396:"Straight From The Shoulder Reports"
3279:"Motion Picture News (May-Jun 1923)"
3055:"Motion Picture News (Mar-Apr 1923)"
2689:"Coast Film News by Edward G. Krieg"
1037:Weekly progress timetable according
960:
723:
535:
495:
483:
2835:. Exhibitors Herald. March 24, 1923
1904:THE WEST~BOUND LIMITED. Released by
1236:shipped to New York for processing
1134:John Harron has completed his role
832:Emilie Johnson wrote stories about
626:would act in five Johnson vehicles.
442:Member FBO board of directors,
27:1923 American silent melodrama film
3364:"Exhibitors Herald (Sep-Dec 1923)"
2992:Motion Picture News (Jul-Aug 1923)
14:
3420:The Times (San Mateo, California)
2804:Camera (Apr.7-Apr. 15, 1922-1923)
2752:Camera (Apr.7-Apr. 15, 1922-1923)
2209:"Johnnie Walker's 1923 Successes"
3841:
3829:
3802:
3785:
3370:. September 29, 1923. p. 80
2806:. February 17, 1923. p. 963
2436:Riverside Independent Enterprise
2400:The Butte Miner (Butte, Montana)
1962:Star: Ralph Lewis (Bill Buckley)
1842:
1829:
1813:
1797:
1783:
1767:
1753:
1737:
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1705:
1443:
1428:
1095:
886:
877:
845:and box-office magic had ended.
451:
319:
4081:Films directed by Emory Johnson
4041:American action adventure films
3134:"Railroaders behind the Scenes"
2780:. January 27, 1923. p. 895
2725:. January 13, 1923. p. 439
2697:. January 25, 1923. p. 185
2189:. December 18, 1922. p. 17
2074:Film Booking Offices of America
1414:Film Booking Offices of America
955:The film schedule according to
932:images on Knowledge (XXG). The
468:Film Booking Offices of America
461:FBO distribution logo from 1926
108:Film Booking Offices of America
4051:American black-and-white films
3558:Goodwin, Doris Kearns (1991).
3277:Smith, Chester (May 5, 1923).
3085:"Railroad Drama Due at Strand"
2994:. August 11, 1923. p. 669
2254:. January 1, 1923. p. 162
1699:Principal Players and Director
1690:and from various DVD vendors.
1039:Camera! "Pulse of the Studios"
957:Camera! "Pulse of the Studios"
1:
4066:American silent feature films
4061:American romantic drama films
3402:. July 31, 1926. p. 293.
2968:. April 28, 1923. p. 475
2666:. March 3, 1923. p. 1011
2532:Stockton Daily Evening Record
2248:"Screen Opinions (1923-1924)"
1912:and scenario, Emilie Johnson.
4086:1920s English-language films
4036:1920s action adventure films
3521:www.loc.gov/film-and-videos/
2902:– via newspapers.com.
2894:. April 18, 1923. p. 26
2373:"What Is a Theme in Movies?"
2038:AFI Catalog of Feature Films
1968:Registration number: Lp18949
3634:Limbacher, James L (1974).
3422:. July 25, 1959. p. 21
3023:. April 18, 1926. p. 2
2502:. March 1, 1923. p. 10
2402:. June 17, 1923. p. 10
2349:. April 25, 1923. p. 3
2285:. July 15, 1923. p. 73
1490:Baltimore and Ohio Railroad
810:Gothenburg, Västra Götaland
564:(1915) and the governor in
4122:
3090:The San Francisco Examiner
3017:"Emory Johnson leaves FBO"
2640:. January 1923. p. 18
1870:What Is a Theme in Movies?
1094:
634:Charlestown, Massachusetts
318:
17:
3891:
3760:West-Bound Limited (1923)
3314:. July 6, 1923. p. 2
2438:. May 14, 1922. p. 5
2317:. June 6, 1923. p. 3
2156:. June 5, 1923. p. 5
1976:Completeness: abridgement
1686:The film is available on
1028:
902:is pictured on the right.
660:Portsmouth, New Hampshire
37:
4046:American adventure films
3484:. McFarland. p. 5.
3400:The Moving picture world
2963:"The Film Mart - F.B.O."
2861:"The West-Bound Limited"
2660:"Settings Are Realistic"
2638:American Cinematographer
2002:"The West-Bound Limited"
1974:Completeness: incomplete
122:April 15, 1923
57:Charles M. Watt Asst dir
18:Not to be confused with
3659:American Film Institute
1960:Director: Emory Johnson
1958:Copy of the LOC listing
4096:Silent adventure films
4056:American romance films
3969:The Fourth Commandment
3913:The West~Bound Limited
3897:In the Name of the Law
3772:The West~Bound Limited
3738:The West~Bound Limited
3727:The West~Bound Limited
2774:"Pulse of the Studios"
2183:"Pulse of the Studios"
1970:Holdings: U.S. Archive
1669:The West~Bound Limited
1659:
1647:
1636:
1621:
1613:Carnegie, Pennsylvania
1592:
1575:
1515:and other towns where
1463:In the Name of the Law
1399:THE WEST-BOUND LIMITED
1362:
1315:The West~Bound Limited
1307:In the Name of the Law
1288:The West Bound Limited
1285:The West-Bound Limited
1282:The West~Bound Limited
820:The West~Bound Limited
794:
786:
750:
731:In the Name of the Law
638:In the Name of the Law
590:In the Name of the Law
576:In The Name of The Law
542:In the Name of the Law
435:
255:attempts to go over a
251:
249:Opening Frame to Movie
227:The West~Bound Limited
188:The West~Bound Limited
33:The West~Bound Limited
4076:1920s melodrama films
3929:The Spirit of the USA
3774:at Knowledge (XXG)'s
3749:The Westbound Limited
3589:Lasky, Betty (1984).
2231:Captain Fly-by-Night.
2032:THE WESTBOUND LIMITED
1530:One theater owner in
1526:Exhibitor advertising
1517:The Westbound Limited
1498:See Westbound Limited
1494:Pennsylvania Railroad
1486:Pennsylvania Railroad
1407:Joseph P. Kennedy Sr.
1347:Release and reception
1271:The Westbound Limited
1113:Principal photography
920:passenger station in
782:
763:The Westbound Limited
708:Boston, Massachusetts
650:The Spirit of the USA
562:The Birth of a Nation
482:The average cost per
247:
4091:1920s American films
4021:1923 adventure films
3937:Life's Greatest Game
3618:on February 22, 2012
2227:The Fourth Musketeer
1640:David City, Nebraska
1581:Glendale Daily Press
926:Moorish architecture
838:paycheck-to-paycheck
814:Alfred Emory Johnson
704:Jennie (Jane) Morgan
616:The Fourth Musketeer
381:Mrs. Bernard Miller
377:Jennie (Jane) Morgan
271:request and smiles.
69:Story and Screenplay
44:Film's opening title
4026:1920s romance films
3993:The Phantom Express
3977:The Shield of Honor
3953:The Non-Stop Flight
3454:Library Of Congress
3253:Motion Picture News
3227:Motion Picture News
3198:Motion Picture News
3169:Motion Picture News
3142:. February 28, 2017
2134:Motion Picture News
1808:Mrs. Bernard Miller
1681:Library of Congress
1675:Preservation status
1651:Melville, Louisiana
1565:Motion Picture News
1397:On April 15, 1923,
1379:New York Daily News
1337:The Non-Stop Flight
1277:West-bound limited
694:Alameda, California
675:St. Louis, Missouri
598:The Flying Dutchman
586:Hoboken, New Jersey
532:Englewood, Illinois
401:J. Lawrence Wilton
190:is a 1923 American
3754:TCM Movie Database
2754:. January 27, 1923
1982:Record No.: 42315
1778:J. Lawrence Wilton
1536:Westbound Limited.
1292:West Bound Limited
1257:WEST BOUND LIMITED
1042:
1035:
912:, which the movie
836:characters living
787:
490:Major film studios
343:Mrs. Bill Buckley
252:
20:West Bound Limited
4003:
4002:
3571:978-0-312-06354-2
3432:GenealogyBank.com
2966:Exhibitors Herald
2865:www.silentera.com
2723:Exhibitors Herald
2634:"In Camerafornia"
1732:Mrs. Bill Buckley
1631:population 71,227
1615:population 11,516
1595:Audience response
1573:are prepared for.
1555:Critical response
1509:Westbound Limited
1481:Westbound Limited
1474:Westbound Limited
1456:Westbound limited
1298:
1297:
1274:Westbound Limited
1242:
1241:
1234:Westbound Limited
1215:Westbound Limited
1197:Westbound Limited
1024:
1023:
900:La Grande Station
610:younger brother.
413:
412:
197:film directed by
185:
184:
4113:
4031:1923 drama films
3945:The Last Edition
3878:
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3698:Wedgewood Nowell
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3339:Internet Archive
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3283:Internet Archive
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3061:. April 23, 1923
3059:Internet Archive
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1709:
1653:population 1,000
1642:population 2,250
1629:Sioux City, Iowa
1513:Youngstown, Ohio
1447:
1432:
1393:Official release
1373:New York showing
1360:
1265:
1099:
1048:
1047:
1043:
1036:
1032:
1026:
1020:See table below
976:
965:
890:
881:
801:
784:Emilie and Emory
757:
726:
664:Wedgewood Nowell
554:The Last Edition
538:
516:
515:
511:
498:
486:
455:
443:
397:Wedgewood Nowell
323:
310:
129:
127:
42:
30:
4121:
4120:
4116:
4115:
4114:
4112:
4111:
4110:
4006:
4005:
4004:
3999:
3985:The Third Alarm
3905:The Third Alarm
3887:
3882:
3852:
3842:
3840:
3830:
3828:
3820:
3818:
3808:
3803:
3801:
3791:
3786:
3784:
3781:
3777:sister projects
3776:
3726:
3722:
3717:
3663:
3655:
3646:
3633:
3621:
3619:
3607:
3601:
3588:
3576:
3574:
3572:
3557:
3553:
3548:
3540:
3536:
3526:
3524:
3515:
3514:
3510:
3496:
3494:
3492:
3474:
3473:
3469:
3459:
3457:
3449:
3445:Pierce, David.
3444:
3443:
3439:
3425:
3423:
3412:
3411:
3407:
3394:
3393:
3386:
3373:
3371:
3362:
3361:
3357:
3344:
3342:
3332:
3331:
3327:
3317:
3315:
3306:
3305:
3301:
3288:
3286:
3276:
3275:
3271:
3258:
3256:
3247:
3246:
3242:
3232:
3230:
3221:
3220:
3216:
3203:
3201:
3192:
3191:
3187:
3174:
3172:
3163:
3162:
3158:
3145:
3143:
3132:
3131:
3127:
3119:
3112:
3095:
3093:
3082:
3081:
3077:
3064:
3062:
3053:
3052:
3048:
3040:
3036:
3026:
3024:
3015:
3014:
3010:
2997:
2995:
2986:
2985:
2981:
2971:
2969:
2961:
2960:
2956:
2948:
2944:
2931:
2929:
2920:
2919:
2910:
2897:
2895:
2884:
2883:
2879:
2869:
2867:
2859:
2858:
2851:
2838:
2836:
2827:
2826:
2819:
2809:
2807:
2798:
2797:
2793:
2783:
2781:
2772:
2771:
2767:
2757:
2755:
2746:
2745:
2741:
2728:
2726:
2718:
2717:
2713:
2700:
2698:
2687:
2686:
2682:
2669:
2667:
2658:
2657:
2653:
2643:
2641:
2632:
2631:
2627:
2617:
2615:
2610:
2609:
2605:
2595:
2593:
2588:
2587:
2583:
2570:
2568:
2559:
2558:
2554:
2537:
2535:
2524:
2523:
2519:
2505:
2503:
2492:
2491:
2487:
2474:
2472:
2463:
2462:
2455:
2441:
2439:
2428:
2427:
2423:
2405:
2403:
2392:
2391:
2387:
2377:
2375:
2371:
2370:
2366:
2352:
2350:
2339:
2338:
2334:
2320:
2318:
2307:
2306:
2302:
2288:
2286:
2275:
2274:
2270:
2257:
2255:
2246:
2245:
2238:
2218:
2216:
2207:
2206:
2202:
2192:
2190:
2181:
2180:
2173:
2159:
2157:
2146:
2145:
2141:
2128:
2127:
2120:
2107:
2105:
2096:
2095:
2091:
2083:
2079:
2072:
2068:
2060:
2056:
2048:
2044:
2029:
2020:
2010:
2008:
2000:
1999:
1995:
1991:
1986:
1981:
1979:
1977:
1975:
1973:
1972:Studio: R-C/FBO
1971:
1969:
1967:
1965:
1963:
1961:
1959:
1957:
1953:
1928:
1924:
1920:
1913:
1911:
1909:
1907:
1905:
1900:
1896:
1890:
1886:
1880:
1876:
1871:
1869:
1865:
1861:
1854:
1852:
1847:
1838:
1836:
1834:
1825:
1823:
1818:
1809:
1807:
1802:
1793:
1791:
1788:
1779:
1777:
1775:Wedgwood Nowell
1772:
1763:
1761:
1758:
1749:
1747:
1742:
1733:
1731:
1729:Claire McDowell
1726:
1717:
1715:
1710:
1701:
1696:
1677:
1666:
1597:
1557:
1548:
1544:
1528:
1467:The Third Alarm
1452:
1451:
1450:
1449:
1448:
1437:
1436:
1435:
1434:
1433:
1422:
1395:
1389:
1386:
1375:
1366:
1361:
1358:
1355:
1349:
1333:
1311:The Third Alarm
1303:
1301:Post production
1250:A working title
1247:
1075:
1070:
1065:
1060:
1055:
1045:
1041:
1034:
1030:
1029:
988:Ass't Director
966:
953:
942:
906:
905:
904:
903:
897:
893:
892:
891:
883:
882:
860:
851:
803:
796:
785:
777:
759:
752:
743:
735:The Third Alarm
727:
717:
656:Wedgwood Nowell
642:The Third Alarm
594:The Third Alarm
572:Claire McDowell
546:The Third Alarm
539:
524:
513:
509:
508:
499:
487:
465:
464:
463:
462:
458:
457:
456:
445:
441:
437:
428:
423:
418:
371:Bernard Miller
353:Johnny Buckley
339:Claire McDowell
308:
250:
242:
211:Claire McDowell
142:62 – 72 minutes
139:
132:
125:
123:
116:
80:
68:
56:
45:
28:
23:
12:
11:
5:
4119:
4117:
4109:
4108:
4103:
4098:
4093:
4088:
4083:
4078:
4073:
4068:
4063:
4058:
4053:
4048:
4043:
4038:
4033:
4028:
4023:
4018:
4008:
4007:
4001:
4000:
3998:
3997:
3989:
3981:
3973:
3965:
3961:The Lone Eagle
3957:
3949:
3941:
3933:
3925:
3917:
3909:
3901:
3892:
3889:
3888:
3883:
3881:
3880:
3873:
3866:
3858:
3851:
3850:
3838:
3817:
3816:
3799:
3770:
3768:
3767:
3756:
3745:
3734:
3721:
3720:External links
3718:
3716:
3715:
3713:Emilie Johnson
3710:
3705:
3703:Richard Morris
3700:
3695:
3690:
3685:
3680:
3675:
3673:Clair McDowell
3670:
3664:
3662:
3656:
3654:
3653:
3645:978-0835207096
3644:
3631:
3605:
3599:
3586:
3570:
3554:
3552:
3549:
3547:
3546:
3542:Limbacher 1974
3534:
3508:
3491:978-0786408368
3490:
3476:Slide, Anthony
3467:
3437:
3405:
3384:
3355:
3325:
3299:
3269:
3240:
3214:
3185:
3156:
3125:
3110:
3102:Newspapers.com
3075:
3046:
3044:, p. 347.
3034:
3021:The Film Daily
3008:
2988:"The Check-up"
2979:
2954:
2952:, p. 195.
2942:
2908:
2877:
2849:
2817:
2791:
2765:
2739:
2711:
2680:
2651:
2625:
2603:
2581:
2552:
2544:Newspapers.com
2517:
2512:Newspapers.com
2485:
2453:
2448:Newspapers.com
2421:
2412:Newspapers.com
2385:
2364:
2359:Newspapers.com
2332:
2327:Newspapers.com
2300:
2295:Newspapers.com
2268:
2236:
2232:
2228:
2200:
2171:
2166:Newspapers.com
2139:
2118:
2089:
2087:, p. 340.
2077:
2066:
2054:
2052:, p. 348.
2042:
2040:
2018:
1992:
1990:
1987:
1985:
1984:
1951:
1944:
1943:
1940:
1937:
1918:
1916:
1915:
1894:
1884:
1874:
1862:
1860:
1857:
1856:
1855:
1848:
1841:
1839:
1835:
1828:
1826:
1819:
1812:
1810:
1803:
1796:
1794:
1792:Bernard Miller
1790:Richard Morris
1789:
1782:
1780:
1773:
1766:
1764:
1759:
1752:
1750:
1748:Johnny Buckley
1743:
1736:
1734:
1727:
1720:
1718:
1711:
1704:
1700:
1697:
1695:
1692:
1676:
1673:
1665:
1662:
1661:
1660:
1648:
1637:
1626:
1622:
1610:
1596:
1593:
1586:
1585:
1569:
1568:
1556:
1553:
1543:
1540:
1537:
1527:
1524:
1518:
1510:
1499:
1482:
1475:
1457:
1442:
1441:
1440:
1439:
1438:
1427:
1426:
1425:
1424:
1423:
1421:
1418:
1400:
1394:
1391:
1374:
1371:
1356:
1351:
1348:
1345:
1332:
1329:
1316:
1302:
1299:
1296:
1295:
1289:
1286:
1283:
1279:
1278:
1275:
1272:
1269:
1246:
1243:
1240:
1239:
1237:
1235:
1231:
1228:
1225:
1221:
1220:
1218:
1216:
1212:
1209:
1206:
1202:
1201:
1199:
1198:
1194:
1189:
1186:
1183:
1179:
1178:
1176:
1175:
1170:
1167:
1164:
1160:
1159:
1157:
1156:
1151:
1148:
1145:
1141:
1140:
1138:
1137:
1132:
1129:
1126:
1122:
1121:
1119:
1118:
1110:
1108:
1105:
1101:
1100:
1093:
1091:
1088:
1086:
1083:
1079:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1050:
1049:
1022:
1021:
1018:
1015:
1014:Emilie Johnson
1012:
1009:
1006:
1003:
999:
998:
995:
992:
989:
986:
983:
980:
970:
964:
952:
949:
941:
938:
895:
894:
885:
884:
876:
875:
874:
873:
872:
859:
856:
850:
847:
821:
806:Emilie Johnson
798:Emilie Johnson
788:
783:
776:
773:
764:
744:
742:
739:
716:
713:
712:
711:
701:
690:
671:
653:
630:Richard Morris
627:
624:Johnnie Walker
612:Johnnie Walker
601:
579:
569:
558:D. W. Griffith
523:
520:
460:
459:
450:
449:
448:
447:
446:
429:
427:
424:
422:
421:Pre production
419:
417:
414:
411:
410:
407:
403:
402:
399:
393:
392:
391:Esther Miller
389:
383:
382:
379:
373:
372:
369:
367:Richard Morris
363:
362:
359:
355:
354:
351:
345:
344:
341:
335:
334:
331:
325:
324:
317:
314:
307:
304:
257:level crossing
248:
241:
238:
228:
223:Emilie Johnson
183:
182:
179:
175:
174:
171:
167:
166:
156:
152:
151:
148:
144:
143:
140:
137:
134:
133:
131:
130:
119:
117:
114:
111:
110:
105:
104:Distributed by
101:
100:
97:
96:Cinematography
93:
92:
87:
83:
82:
75:
71:
70:
66:Emilie Johnson
63:
59:
58:
51:
47:
46:
43:
35:
34:
26:
13:
10:
9:
6:
4:
3:
2:
4118:
4107:
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4087:
4084:
4082:
4079:
4077:
4074:
4072:
4069:
4067:
4064:
4062:
4059:
4057:
4054:
4052:
4049:
4047:
4044:
4042:
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4017:
4014:
4013:
4011:
3995:
3994:
3990:
3987:
3986:
3982:
3979:
3978:
3974:
3971:
3970:
3966:
3963:
3962:
3958:
3955:
3954:
3950:
3947:
3946:
3942:
3939:
3938:
3934:
3931:
3930:
3926:
3923:
3922:
3918:
3915:
3914:
3910:
3907:
3906:
3902:
3899:
3898:
3894:
3893:
3890:
3886:
3885:Emory Johnson
3879:
3874:
3872:
3867:
3865:
3860:
3859:
3856:
3849:
3839:
3837:
3827:
3823:
3814:from Wikidata
3813:
3812:
3800:
3796:
3795:
3783:
3779:
3773:
3766:
3762:
3761:
3757:
3755:
3751:
3750:
3746:
3744:
3740:
3739:
3735:
3733:
3729:
3724:
3723:
3719:
3714:
3711:
3709:
3708:Emory Johnson
3706:
3704:
3701:
3699:
3696:
3694:
3693:Taylor Graves
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
3665:
3660:
3657:
3651:
3647:
3641:
3637:
3632:
3629:
3617:
3613:
3612:
3606:
3602:
3600:0-13-781451-8
3596:
3592:
3587:
3584:
3573:
3567:
3563:
3562:
3556:
3555:
3550:
3543:
3538:
3535:
3522:
3518:
3512:
3509:
3505:
3493:
3487:
3483:
3482:
3477:
3471:
3468:
3455:
3448:
3441:
3438:
3433:
3421:
3416:
3409:
3406:
3401:
3397:
3391:
3389:
3385:
3381:
3369:
3365:
3359:
3356:
3352:
3341:. p. 475
3340:
3336:
3329:
3326:
3313:
3309:
3303:
3300:
3296:
3284:
3280:
3273:
3270:
3266:
3254:
3250:
3244:
3241:
3228:
3224:
3218:
3215:
3211:
3199:
3195:
3189:
3186:
3182:
3170:
3166:
3160:
3157:
3153:
3141:
3140:
3135:
3129:
3126:
3122:
3117:
3115:
3111:
3107:
3103:
3091:
3086:
3079:
3076:
3072:
3060:
3056:
3050:
3047:
3043:
3038:
3035:
3022:
3018:
3012:
3009:
3005:
2993:
2989:
2983:
2980:
2967:
2964:
2958:
2955:
2951:
2950:Sherwood 1923
2946:
2943:
2939:
2927:
2923:
2917:
2915:
2913:
2909:
2905:
2893:
2888:
2881:
2878:
2866:
2862:
2856:
2854:
2850:
2846:
2834:
2830:
2824:
2822:
2818:
2805:
2801:
2795:
2792:
2779:
2775:
2769:
2766:
2753:
2749:
2743:
2740:
2736:
2724:
2721:
2715:
2712:
2708:
2696:
2695:
2690:
2684:
2681:
2677:
2665:
2661:
2655:
2652:
2639:
2635:
2629:
2626:
2614:
2607:
2604:
2591:
2585:
2582:
2578:
2566:
2562:
2556:
2553:
2549:
2545:
2533:
2528:
2521:
2518:
2513:
2501:
2496:
2489:
2486:
2482:
2470:
2466:
2460:
2458:
2454:
2449:
2437:
2432:
2425:
2422:
2418:
2417:observations.
2413:
2401:
2396:
2389:
2386:
2374:
2368:
2365:
2360:
2348:
2343:
2336:
2333:
2328:
2316:
2311:
2304:
2301:
2296:
2284:
2279:
2272:
2269:
2265:
2253:
2249:
2243:
2241:
2237:
2233:
2230:
2226:
2214:
2210:
2204:
2201:
2188:
2184:
2178:
2176:
2172:
2167:
2155:
2150:
2143:
2140:
2135:
2131:
2125:
2123:
2119:
2115:
2103:
2099:
2093:
2090:
2086:
2081:
2078:
2075:
2070:
2067:
2064:, p. 14.
2063:
2058:
2055:
2051:
2046:
2043:
2039:
2036:
2034:
2033:
2027:
2025:
2023:
2019:
2007:
2006:silentera.com
2003:
1997:
1994:
1988:
1955:
1952:
1948:
1941:
1938:
1935:
1931:
1930:
1927:
1922:
1919:
1903:
1902:
1898:
1895:
1888:
1885:
1878:
1875:
1867:
1864:
1858:
1851:
1850:Emory Johnson
1845:
1840:
1832:
1827:
1824:Esther Miller
1822:
1816:
1811:
1806:
1800:
1795:
1786:
1781:
1776:
1770:
1765:
1760:Taylor Graves
1756:
1751:
1746:
1740:
1735:
1730:
1724:
1719:
1714:
1708:
1703:
1698:
1693:
1691:
1689:
1684:
1682:
1674:
1672:
1670:
1663:
1658:
1652:
1649:
1646:
1641:
1638:
1635:
1630:
1624:
1623:
1620:
1614:
1608:
1607:
1606:
1605:
1601:
1594:
1591:
1583:
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3616:the original
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3285:. p. 84
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3049:
3042:Goodwin 1991
3037:
3027:February 26,
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2101:
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2045:
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2009:. Retrieved
2005:
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1716:Bill Buckley
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1519:will play."
1505:Canton, Ohio
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1268:Westbound 99
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1174:Westbound 99
1155:Westbound 99
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187:
186:
138:Running time
115:Release date
24:
15:
3921:The Mailman
3688:David Kirby
3678:John Harron
3668:Ralph Lewis
3577:January 12,
3426:January 12,
3318:January 28,
3259:January 20,
3204:January 20,
3175:January 20,
3139:Smithsonian
3096:January 20,
3065:January 23,
2998:January 12,
2898:January 19,
2870:January 19,
2810:January 19,
2784:January 19,
2758:January 19,
2729:January 19,
2701:January 19,
2670:January 12,
2538:January 20,
2506:January 12,
2442:January 12,
2406:January 12,
2258:January 19,
2193:January 12,
2011:January 12,
1805:Jane Morgan
1745:John Harron
1713:Ralph Lewis
1420:Advertising
1383:Astor Hotel
1115:started on
1008:Ross Fisher
910:train depot
863:Los Angeles
698:The Mailman
685:as playing
683:David Kirby
646:The Mailman
620:John Harron
618:. This was
604:John Harron
566:Intolerance
550:The Mailman
540:vehicles –
528:Ralph Lewis
439:Joe Kennedy
426:Development
406:David Kirby
349:John Harron
329:Ralph Lewis
207:Ralph Lewis
163:intertitles
99:Ross Fisher
90:Ralph Lewis
74:Produced by
50:Directed by
4016:1923 films
4010:Categories
3661:cast links
3121:Lasky 1984
2839:January 2,
2644:January 1,
2571:January 2,
2475:January 1,
2108:January 1,
2062:Lasky 1984
1989:References
1837:Jack Smith
1664:Box Office
1567:, stating:
1294:1937 film
991:Scenarist
985:Cameraman
963:In The Can
867:California
834:lunch pail
775:Screenplay
687:Jack Smith
668:Antagonist
476:silent era
416:Production
178:Box office
126:1923-04-15
78:Pat Powers
62:Written by
3683:Ella Hall
3497:March 25,
3233:March 10,
2378:March 16,
2353:March 16,
2321:March 16,
2160:March 16,
1821:Ella Hall
997:Progress
979:Director
940:Interiors
930:La Grande
922:La Grande
858:Exteriors
827:Hollywood
582:Ella Hall
387:Ella Hall
219:Ella Hall
195:melodrama
161:(English
3765:AllMovie
3622:March 5,
3478:(2000).
1853:Director
1357:—
1069:Progress
1005:All-Star
951:Schedule
934:Santa Fe
715:Director
502:features
409:Collins
155:Language
86:Starring
3822:Portals
3752:at the
3732:YouTube
2778:Camera!
2694:Variety
2664:Camera!
2187:Camera!
2035:at the
1932:around
1908:7 Reels
1892:public.
1694:Gallery
1688:YouTube
1542:Reviews
1532:Seattle
1403:British
1341:Talkies
1331:Studios
849:Filming
679:Heavies
522:Casting
512:⁄
147:Country
124: (
3996:(1932)
3988:(1930)
3980:(1928)
3972:(1927)
3964:(1927)
3956:(1926)
3948:(1925)
3940:(1924)
3932:(1924)
3924:(1923)
3916:(1923)
3908:(1922)
3900:(1922)
3642:
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3568:
3523:. 1923
3488:
1627:
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800:,
756:,
741:Themes
361:Henry
217:, and
192:silent
170:Budget
159:Silent
3848:1920s
3794:Media
3450:(PDF)
1859:Notes
1762:Henry
1619:10-25
1224:1923
1205:1923
1182:1923
1163:1923
1144:1922
1125:1923
1104:1923
1082:1922
1059:Month
1011:Wyatt
994:Type
982:Star
914:frame
313:Actor
3836:Film
3811:Data
3743:IMDb
3640:ISBN
3624:2022
3595:ISBN
3579:2021
3566:ISBN
3529:2022
3499:2013
3486:ISBN
3462:2020
3428:2022
3376:2020
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3291:2022
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2229:and
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2110:2021
2013:2021
1947:page
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