368:
292:
408:
445:
and emerge, modestly yet virtuously shining, from the ordeal; that we put in our daily appearance at the Works—for a utility nowadays so vague that I'm fully aware (Lorraine isn't so much) of the deep amusement I excite there, though I also recognize how wonderfully, how quite charitably, they manage not to break out with it: bless, for the most part, their dear simple hearts!
774:
444:
It's in fact in this beautiful desperation that we spend our days, that we face the pretty grim prospect of new ones, that we go and come and talk and pretend, that we consort, so far as in our deep-dyed hypocrisy we do consort, with the rest of the Family, that we have Sunday supper with the
Parents
394:
from 1907 to 1908. In serial form, the chapters were published anonymously, though there was an accompanying list of contributors and a teasing note that an "intelligent reader" would "experience no difficulty in determining which author wrote each chapter—perhaps. Elizabeth Jordan later utilized the
435:
developed, the plot increasingly focused on family misunderstandings and family rivalries, which were mirrored by the artistic rivalries of the authors. The writing of the novel became a contest as much as it was a collaboration, with each author trying hard to impose his vision on the entire work."
350:
It was
Howells's intention that each of the authors would examine the impact of Peggy's engagement on a different member of the Talbert family. The second chapter, by Mary E. Wilkins Freeman, immediately disrupted Howells's intended trajectory. Freeman apparently took issue with Howells's reference
330:
Howells was concerned about which writers would contribute, especially if he intended to contribute a chapter himself. As he wrote to Jordan, "If you find the scheme does not commend itself to the more judicious and able among the writers to whom you propose it, you had better drop it. I should not
379:
Their single state is a deliberate choice on their part, and men are at their feet. Single women have caught up with, and passed, old bachelors in the last half of the century. I don't think Mr. Howells recognizes this. He is thinking of the time when women of thirty put on caps, and renounced the
354:
Jordan, herself unmarried, was impressed by
Freeman's character and, as she called it, the "explosion of a bombshell on our literary hearthstone", but she dealt with considerable negative response from some of the other collaborators, particularly Howells and van Dyke. Howells, never particularly
125:, who (like Howells) would write one of the chapters herself. Howells's idea for the novel was to show how an engagement or marriage would affect and be affected by an entire family. The project became somewhat curious for the way the authors' contentious interrelationships mirrored the sometimes
439:
In his long, dense but insightful chapter, and with charged rhetoric reminiscent of his late novels, Henry James has the aesthetic son
Charles Talbert rail against the frustrations that he and his equally artistic wife Lorraine experience due to the claustrophobic realities of family life in his
423:
The novel's contemporary reception was favorable, with decent sales and mostly positive reviews. Its contemporary popularity was spurred by the literary novelty of the project, as well as the guesswork required from its initial anonymous publication, in addition to rumors of in-fighting between
777:
351:
to the old maid aunt as a quiet old spinster and transformed her from a minor character to be pitied into a major one to be envied. Her character, Aunt
Elizabeth or "Lily", is a vibrant and sexually attractive woman who does not mind getting noticed by Peggy's fiancé.
27:
355:
comfortable with frank sexuality, recoiled from
Freeman's spicy conception of a character he had intended as a harmless old lady. Van Dyke, who would eventually write the concluding chapter, reacted in a half-humorous, half-worried letter to Jordan:
384:
As subsequent critics have pointed out, the rest of the novel became an effort by the later writers to cope somehow with this introduction of Aunt
Elizabeth as a sexual competitor with Peggy for her fiancé's affections.
283:, and a more suitable mate for Peggy is found in a college professor named Stillman Dane. Peggy marries Dane and the couple sails off to Europe with Peggy's brother Charles and his wife Lorraine for a honeymoon tour.
275:
works that turns out ice-pitchers and other mundane household items. Daughter Peggy
Talbert has just returned from her coeducational college engaged to a harmless but rather weak young man named Harry Goward.
331:
like to appear in co-operation with young or unimportant writers." Jordan set about finding contributors, though only half of those approached agreed to the project. Howells had predicted that neither
259:
The highest paid of the contributors was Ward, who asked for $ 750. Van Dyke was paid $ 600, Brown $ 500, James $ 400, Cutting $ 350, Freeman $ 250, and
Howells contributed without additional payment.
339:
would be willing, though James ultimately did contribute. James, in fact, was immediately impressed with the idea and wrote to Jordan he was interested in writing any of several characters' chapters.
359:
Heavens! What a catastrophe! Who would have thought that the old maiden aunt would go mad in the second chapter? Poor lady. Red hair and a pink hat and boys in beau knots all over the costume. What
1407:
1300:
311:
family of authors". Jordan was excited and hoped "to bring together the greatest, grandest, most gorgeous group of authors ever collaborating on a literary production".
1402:
1293:
279:
Eventually, after many twists and turns introduced by the subsequent contributors, Harry Goward is dismissed as a suitor, Aunt
Elizabeth is sent off to
1286:
1164:
810:
541:
1417:
761:
449:
James might as well have been talking about the frustrations that many of the authors felt with the "family" of their collaborators.
1366:
736:
723:
701:
681:
661:
641:
621:
601:
581:
561:
521:
501:
476:
380:
world. That was because they married at fifteen and sixteen, and at thirty had about a dozen children. Now they simply do not do it.
375:
Freeman, who had been single until her marriage at age 49, defended herself to Jordan by noting the changing role of single women:
363:
Mr. Howells say? For my part I think it distinctly cruel work to put a respectable spinster into such a hattitude before the world.
1358:
1227:
1148:
181:
1412:
1397:
1309:
632:
Kilcup, Karen L. "The Conversation of 'The Whole Family': Gender, Politics, and Aesthetics in Literary Tradition", from
512:
Kilcup, Karen L. "The Conversation of 'The Whole Family': Gender, Politics, and Aesthetics in Literary Tradition", from
235:
217:
163:
1212:
1116:
1089:
883:
803:
1220:
907:
828:
367:
1374:
1132:
1062:
1196:
891:
1054:
1011:
971:
939:
316:
108:
859:
796:
315:
may have inspired the collaboration after previously suggesting a similar project involving himself,
244:
154:
126:
112:
56:
291:
111:
told in twelve chapters, each by a different author. This unusual project was conceived by novelist
344:
299:
William Dean Howells conceived of the project in the spring of 1906 as a showpiece of his brand of
199:
85:
1204:
1180:
875:
308:
272:
390:
371:
Mary Wilkins Freeman's chapter on the "Old Maid Aunt" was controversial among her collaborators.
117:
1351:
1140:
1046:
755:
732:
719:
697:
677:
657:
637:
617:
597:
577:
557:
537:
517:
497:
472:
172:
1324:
1266:
1156:
1124:
1030:
963:
947:
915:
300:
190:
122:
427:
Many years after the book was published, Elizabeth Jordan exclaimed in her autobiography: "
1245:
1003:
987:
979:
955:
931:
923:
851:
407:
133:
would be one of the authors, but Twain did not participate. Other than Howells himself,
899:
843:
718:, foreword by June Howard, introduction by Alfred Bendixen, Duke University Press 2001
340:
253:
1391:
1250:
1188:
1172:
867:
332:
280:
1097:
1038:
1255:
1081:
819:
336:
295:
William Dean Howells thought of the collaborative project in the spring of 1906.
268:
226:
208:
134:
1278:
26:
1260:
995:
320:
312:
137:
was probably the best-known author to contribute. The novel was serialized in
130:
267:
In the opening chapter Howells introduces the Talbert family, middle-class
654:
The Twentieth-Century World of Henry James: Changes in His Work After 1900
554:
The Twentieth-Century World of Henry James: Changes in His Work After 1900
783:
766:, dissertation by Heidi Michelle Hanrahan with an extensive chapter on
327:, Twain was offered the light-hearted school-boy chapter but declined.
399:(1917), in which several authors wrote on behalf of woman's suffrage.
694:
The Dean of American Letters: The Late Career of William Dean Howells
494:
The Dean of American Letters: The Late Career of William Dean Howells
469:
The Dean of American Letters: The Late Career of William Dean Howells
750:
674:
Making Noise, Making News: Suffrage Print Culture and U.S. Modernism
307:, and pitched the book as an opportunity to create "a showplace for
431:
was a mess!" Critic Alfred Bendixen sympathized when he wrote: "As
406:
366:
290:
636:(Karen L. Kilcup, editor). University of Iowa Press, 1999: 7–8.
614:
In a Closet Hidden: The Life and Work of Mary E. Wilkins Freeman
594:
In a Closet Hidden: The Life and Work of Mary E. Wilkins Freeman
1282:
792:
788:
516:(Karen L. Kilcup, editor). University of Iowa Press, 1999: 6.
141:
in 1907–08 and published as a book by Harper's in late 1908.
303:. He enlisted the help of Elizabeth Jordan, then editor of
696:. The University of Massachusetts Press, 1999: 96–97.
596:. The University of Massachusetts Press, 1996: 88–89.
574:
Family Plots: The De-Oedipalization of Popular Culture
676:. New York: Oxford University Press, 2014: 165–166.
129:
they described in their chapters. Howells had hoped
1343:
1316:
1238:
1108:
1073:
1022:
835:
616:. The University of Massachusetts Press, 1996: 92.
556:. Louisiana State University Press, 2000: 122–123.
496:. The University of Massachusetts Press, 1999: 96.
471:. The University of Massachusetts Press, 1999: 97.
92:
80:
72:
62:
52:
44:
36:
576:. The University of Pennsylvania Press, 1995: 16.
323:, and others, though the idea was dismissed. For
656:. Louisiana State University Press, 2000: 122.
377:
357:
395:collaborative authorship approach in the book
1408:Works originally published in Harper's Bazaar
1294:
804:
8:
19:
731:by June Howard, Duke University Press 2001
488:
486:
484:
463:
461:
104:The Whole Family: a Novel by Twelve Authors
1301:
1287:
1279:
811:
797:
789:
25:
18:
457:
115:and carried out under the direction of
1403:Novels first published in serial form
1165:William Wetmore Story and His Friends
7:
634:Soft Canons: American Women Writers
536:. New York: Free Press, 2005: 387.
514:Soft Canons: American Women Writers
411:First page of the first chapter of
347:withdrew after initially agreeing.
287:Composition and publication history
14:
1367:The Pot of Gold and Other Stories
388:The book was first serialized in
1359:Young Lucretia and Other Stories
772:
1149:Essays in London and Elsewhere
1:
1310:Mary Eleanor Wilkins Freeman
236:Mary Raymond Shipman Andrews
218:Elizabeth Stuart Phelps Ward
1418:Harper & Brothers books
782:public domain audiobook at
1434:
1213:Notes of a Son and Brother
1117:French Poets and Novelists
1090:Theatricals: Second Series
343:declined to take part and
826:
24:
1246:Henry James Sr. (father)
908:The Princess Casamassima
763:Competing for the Reader
440:small New England town:
250:The Friend of the Family
16:1908 collaborative novel
1375:Collected Ghost Stories
1251:William James (brother)
1133:A Little Tour in France
1063:The Beast in the Jungle
692:Crowley, John William.
492:Crowley, John William.
467:Crowley, John William.
164:Mary E. Wilkins Freeman
1197:A Small Boy and Others
892:The Portrait of a Lady
420:
382:
372:
365:
296:
1055:The Turn of the Screw
1012:The Sense of the Past
972:The Wings of the Dove
940:The Spoils of Poynton
729:Publishing the Family
612:Glasser, Leah Blatt.
592:Glasser, Leah Blatt.
410:
370:
317:Thomas Bailey Aldrich
294:
57:Harper & Brothers
1413:Collaborative novels
1398:1908 American novels
1256:Alice James (sister)
652:Tintner, Adeline R.
552:Tintner, Adeline R.
214:The Married Daughter
182:Mary Stewart Cutting
155:William Dean Howells
145:Chapters and authors
127:dysfunctional family
113:William Dean Howells
1336:(contributor; 1908)
345:Kate Douglas Wiggin
200:John Kendrick Bangs
178:The Daughter-in-Law
109:collaborative novel
21:
1205:Notes on Novelists
1181:The American Scene
534:Mark Twain: A Life
421:
415:as it appeared in
373:
297:
1385:
1384:
1352:A New England Nun
1276:
1275:
1141:Partial Portraits
1047:The Aspern Papers
884:Washington Square
756:Project Gutenberg
542:978-0-7432-4899-0
403:Critical response
271:proprietors of a
173:Mary Heaton Vorse
160:The Old-Maid Aunt
100:
99:
73:Publication place
20:The Whole Family
1425:
1333:The Whole Family
1303:
1296:
1289:
1280:
1267:New York Edition
1228:The Middle Years
1157:Picture and Text
1031:Madame de Mauves
964:The Sacred Fount
948:What Maisie Knew
916:The Reverberator
813:
806:
799:
790:
779:The Whole Family
776:
775:
768:The Whole Family
758:
751:The Whole Family
716:The Whole Family
704:
690:
684:
670:
664:
650:
644:
630:
624:
610:
604:
590:
584:
570:
564:
550:
544:
530:
524:
510:
504:
490:
479:
465:
433:The Whole Family
429:The Whole Family
413:The Whole Family
325:The Whole Family
301:literary realism
191:Elizabeth Jordan
123:Elizabeth Jordan
68:October 15, 1908
64:Publication date
29:
22:
1433:
1432:
1428:
1427:
1426:
1424:
1423:
1422:
1388:
1387:
1386:
1381:
1339:
1312:
1307:
1277:
1272:
1234:
1104:
1069:
1018:
1004:The Ivory Tower
988:The Golden Bowl
980:The Ambassadors
956:The Awkward Age
932:The Other House
924:The Tragic Muse
852:Roderick Hudson
831:
822:
817:
773:
748:
745:
712:
710:Further reading
707:
691:
687:
672:Chapman, Mary.
671:
667:
651:
647:
631:
627:
611:
607:
591:
587:
571:
567:
551:
547:
531:
527:
511:
507:
491:
482:
466:
459:
455:
419:, December 1907
405:
289:
265:
205:The Married Son
187:The School-Girl
169:The Grandmother
147:
139:Harper's Bazaar
118:Harper's Bazaar
81:Media type
65:
32:
17:
12:
11:
5:
1431:
1429:
1421:
1420:
1415:
1410:
1405:
1400:
1390:
1389:
1383:
1382:
1380:
1379:
1371:
1363:
1355:
1347:
1345:
1341:
1340:
1338:
1337:
1329:
1320:
1318:
1314:
1313:
1308:
1306:
1305:
1298:
1291:
1283:
1274:
1273:
1271:
1270:
1263:
1258:
1253:
1248:
1242:
1240:
1236:
1235:
1233:
1232:
1224:
1217:
1209:
1201:
1193:
1185:
1177:
1169:
1161:
1153:
1145:
1137:
1129:
1121:
1112:
1110:
1106:
1105:
1103:
1102:
1094:
1086:
1077:
1075:
1071:
1070:
1068:
1067:
1059:
1051:
1043:
1035:
1026:
1024:
1020:
1019:
1017:
1016:
1008:
1000:
992:
984:
976:
968:
960:
952:
944:
936:
928:
920:
912:
904:
900:The Bostonians
896:
888:
880:
872:
864:
856:
848:
844:Watch and Ward
839:
837:
833:
832:
827:
824:
823:
818:
816:
815:
808:
801:
793:
787:
786:
770:
759:
744:
743:External links
741:
740:
739:
726:
711:
708:
706:
705:
685:
665:
645:
625:
605:
585:
572:Heller, Dana.
565:
545:
525:
505:
480:
456:
454:
451:
447:
446:
424:contributors.
417:Harper's Bazar
404:
401:
397:The Sturdy Oak
391:Harper's Bazar
341:Hamlin Garland
305:Harper's Bazar
288:
285:
264:
261:
257:
256:
254:Henry van Dyke
247:
238:
232:The School-Boy
229:
220:
211:
202:
196:The Son-in-Law
193:
184:
175:
166:
157:
146:
143:
98:
97:
94:
90:
89:
82:
78:
77:
74:
70:
69:
66:
63:
60:
59:
54:
50:
49:
46:
42:
41:
38:
34:
33:
30:
15:
13:
10:
9:
6:
4:
3:
2:
1430:
1419:
1416:
1414:
1411:
1409:
1406:
1404:
1401:
1399:
1396:
1395:
1393:
1377:
1376:
1372:
1369:
1368:
1364:
1361:
1360:
1356:
1353:
1349:
1348:
1346:
1344:Short stories
1342:
1335:
1334:
1330:
1327:
1326:
1322:
1321:
1319:
1315:
1311:
1304:
1299:
1297:
1292:
1290:
1285:
1284:
1281:
1269:
1268:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1243:
1241:
1237:
1230:
1229:
1225:
1223:
1222:
1218:
1215:
1214:
1210:
1207:
1206:
1202:
1199:
1198:
1194:
1191:
1190:
1189:Italian Hours
1186:
1183:
1182:
1178:
1175:
1174:
1173:English Hours
1170:
1167:
1166:
1162:
1159:
1158:
1154:
1151:
1150:
1146:
1143:
1142:
1138:
1135:
1134:
1130:
1127:
1126:
1122:
1119:
1118:
1114:
1113:
1111:
1107:
1100:
1099:
1095:
1092:
1091:
1087:
1084:
1083:
1079:
1078:
1076:
1072:
1065:
1064:
1060:
1057:
1056:
1052:
1049:
1048:
1044:
1041:
1040:
1036:
1033:
1032:
1028:
1027:
1025:
1021:
1014:
1013:
1009:
1006:
1005:
1001:
998:
997:
993:
990:
989:
985:
982:
981:
977:
974:
973:
969:
966:
965:
961:
958:
957:
953:
950:
949:
945:
942:
941:
937:
934:
933:
929:
926:
925:
921:
918:
917:
913:
910:
909:
905:
902:
901:
897:
894:
893:
889:
886:
885:
881:
878:
877:
873:
870:
869:
868:The Europeans
865:
862:
861:
857:
854:
853:
849:
846:
845:
841:
840:
838:
834:
830:
825:
821:
814:
809:
807:
802:
800:
795:
794:
791:
785:
781:
780:
771:
769:
765:
764:
760:
757:
753:
752:
747:
746:
742:
738:
737:0-8223-2771-6
734:
730:
727:
725:
724:0-8223-2838-0
721:
717:
714:
713:
709:
703:
702:1-55849-240-2
699:
695:
689:
686:
683:
682:9780199988303
679:
675:
669:
666:
663:
662:0-8071-2534-2
659:
655:
649:
646:
643:
642:0-87745-688-7
639:
635:
629:
626:
623:
622:1-55849-027-2
619:
615:
609:
606:
603:
602:1-55849-027-2
599:
595:
589:
586:
583:
582:0-8122-3294-1
579:
575:
569:
566:
563:
562:0-8071-2534-2
559:
555:
549:
546:
543:
539:
535:
532:Powers, Ron.
529:
526:
523:
522:0-87745-688-7
519:
515:
509:
506:
503:
502:1-55849-240-2
499:
495:
489:
487:
485:
481:
478:
477:1-55849-240-2
474:
470:
464:
462:
458:
452:
450:
443:
442:
441:
437:
434:
430:
425:
418:
414:
409:
402:
400:
398:
393:
392:
386:
381:
376:
369:
364:
362:
356:
352:
348:
346:
342:
338:
334:
333:Edith Wharton
328:
326:
322:
318:
314:
310:
306:
302:
293:
286:
284:
282:
281:New York City
277:
274:
270:
262:
260:
255:
251:
248:
246:
242:
239:
237:
233:
230:
228:
224:
221:
219:
215:
212:
210:
206:
203:
201:
197:
194:
192:
188:
185:
183:
179:
176:
174:
170:
167:
165:
161:
158:
156:
152:
149:
148:
144:
142:
140:
136:
132:
128:
124:
120:
119:
114:
110:
106:
105:
95:
91:
87:
83:
79:
76:United States
75:
71:
67:
61:
58:
55:
51:
47:
43:
39:
35:
31:First edition
28:
23:
1373:
1365:
1357:
1332:
1331:
1323:
1265:
1226:
1219:
1211:
1203:
1195:
1187:
1179:
1171:
1163:
1155:
1147:
1139:
1131:
1123:
1115:
1098:Guy Domville
1096:
1088:
1080:
1061:
1053:
1045:
1039:Daisy Miller
1037:
1029:
1010:
1002:
994:
986:
978:
970:
962:
954:
946:
938:
930:
922:
914:
906:
898:
890:
882:
874:
866:
860:The American
858:
850:
842:
829:Bibliography
778:
767:
762:
749:
728:
715:
693:
688:
673:
668:
653:
648:
633:
628:
613:
608:
593:
588:
573:
568:
553:
548:
533:
528:
513:
508:
493:
468:
448:
438:
432:
428:
426:
422:
416:
412:
396:
389:
387:
383:
378:
374:
360:
358:
353:
349:
329:
324:
304:
298:
278:
266:
263:Plot summary
258:
249:
240:
231:
222:
213:
204:
195:
186:
177:
168:
159:
150:
138:
116:
107:(1908) is a
103:
102:
101:
1109:Non-fiction
1082:Theatricals
820:Henry James
337:Henry James
273:silverplate
269:New England
245:Alice Brown
227:Edith Wyatt
209:Henry James
135:Henry James
1392:Categories
1261:Lamb House
996:The Outcry
876:Confidence
453:References
321:Bret Harte
313:Mark Twain
223:The Mother
151:The Father
131:Mark Twain
1221:Notebooks
1125:Hawthorne
53:Publisher
1354:" (1891)
1325:Pembroke
1023:Novellas
784:LibriVox
309:Harper's
45:Language
1239:Related
121:editor
84:Print (
48:English
40:Various
1378:(1974)
1370:(1892)
1362:(1892)
1328:(1894)
1317:Novels
1231:(1917)
1216:(1914)
1208:(1914)
1200:(1913)
1192:(1909)
1184:(1907)
1176:(1905)
1168:(1903)
1160:(1893)
1152:(1893)
1144:(1888)
1136:(1884)
1128:(1879)
1120:(1878)
1101:(1895)
1093:(1895)
1085:(1894)
1066:(1903)
1058:(1898)
1050:(1888)
1042:(1878)
1034:(1874)
1015:(1917)
1007:(1917)
999:(1911)
991:(1904)
983:(1903)
975:(1902)
967:(1901)
959:(1899)
951:(1897)
943:(1897)
935:(1896)
927:(1890)
919:(1888)
911:(1886)
903:(1886)
895:(1881)
887:(1880)
879:(1879)
871:(1878)
863:(1877)
855:(1875)
847:(1871)
836:Novels
735:
722:
700:
680:
660:
640:
620:
600:
580:
560:
540:
520:
500:
475:
96:317 pp
86:Serial
37:Author
1074:Plays
241:Peggy
93:Pages
733:ISBN
720:ISBN
698:ISBN
678:ISBN
658:ISBN
638:ISBN
618:ISBN
598:ISBN
578:ISBN
558:ISBN
538:ISBN
518:ISBN
498:ISBN
473:ISBN
361:will
335:nor
754:at
252:by
243:by
234:by
225:by
216:by
207:by
198:by
189:by
180:by
171:by
162:by
153:by
1394::
483:^
460:^
319:,
1350:"
1302:e
1295:t
1288:v
812:e
805:t
798:v
88:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.