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The Wind Will Carry Us

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422:"Screened in festivals in 1999, but not released in the US until the following year, this fin de siècle/millennium fable by the great Iranian auteur seemed to anticipate many of the dramatic changes that would sweep through filmmaking over the decade to come. In it, an engineer (who turns out to be a kind of filmmaker) travels to a remote Kurdish village with the intent of photographing the funeral rites of a dying 100-year-old woman, and the witty, haunting, poetic film that follows is about his—and Kiarostami's own—struggle to complete that mission, to capture something of real life on film without violating its essence. Kiarostami himself has not worked on a film since, preferring the more portable and less invasive technology of video. Call it the first true movie of the digital revolution." 316:, to film a documentary on Kurdish funeral rites. The locals do not know why they are there and the men spread a rumor that they are looking for treasure. During the course of the story, the team director receives calls from Tehran on his mobile phone, which only has coverage at the top of a nearby hill, where the cemetery is located. Every time it rings he has to take the car to go there. Days of waiting pass, the calls become more urgent and the comings and goings by car to the cemetery multiply while the event they are waiting for and that motivated their stay in the village does not occur. He will make friends with a boy whose uncle is his contact in the town. 1052: 22: 133: 336:
wrote, "This ambiguous comic masterpiece could be Abbas Kiarostami's greatest film to date; it's undoubtedly his richest and most challenging... You have to become friends with this movie before it opens up, but then its bounty is endless." The
389:, the film remained unreleased in the United States until 2000; later it enjoyed a rediscovery among both the public and mainstream critics during the late 2000s after many critics named it one of the best films of that decade. 277:
village to document the locals' mourning rituals that anticipate the death of an old woman. However, she remains alive, and the journalist is forced to slow down and appreciate the lifestyle of the village.
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wrote, "It's part of the movie's formal brilliance that, suddenly, during its final 10 minutes, too much seems to be happening.
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is a film about nothing and everything — life, death, the quality of light on dusty hills." On review aggregator
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Prize, and the CinemAvvenire award at the festival. It received numerous other nominations and awards as well.
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s Sean Axmaker called it "a celebration of the human spirit nothing short of sublime."
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A filmmaker and his two assistants (who are heard but never seen) arrive from
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received positive reviews from critics. It was nominated for the
1070: 597: 15: 515:. Miami New Times (24 December 2009). Retrieved 2014-05-22. 583:
Arts & Faith Top100 Spiritually Significant Films
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It won the Grand Special Jury Prize ( 290:56th Venice International Film Festival 1098:Venice Film Festival Grand Jury Prize 7: 44:adding citations to reliable sources 1388:Death of a Neapolitan Mathematician 1203:The Gospel According to St. Matthew 398:s Scott Foundas placed it ahead of 383:Belgian Syndicate of Cinema Critics 258: 1695:Films directed by Abbas Kiarostami 14: 1051: 1050: 526:"Wind Will Carry Us, The (1999)" 434:one of their 10 favorite films. 20: 1710:Venice Grand Jury Prize winners 31:needs additional citations for 589:Reviews on worldfilm.about.com 1: 876:Two Solutions for One Problem 385:. After its screening at the 312:to Siah Darreh, a village in 1705:1990s Persian-language films 726:Where Is the Friend's House? 1326:Tangos, the Exile of Gardel 1746: 340:Seattle Post-Intelligencer 207:6 September 1999 1294:They Don't Wear Black Tie 1046: 631: 513:Best movies of the decade 130: 1720:Films about spirituality 1364:And Then There Was Light 1113:A Streetcar Named Desire 956:"Where Is My Romeo?" in 405:La Commune (Paris, 1871) 55:"The Wind Will Carry Us" 1531:The Secret of the Grain 1173:Peace to Him Who Enters 1037:Lessons with Kiarostami 890:Tribute to the Teachers 758:Through the Olive Trees 702:First Case, Second Case 430:, seven critics ranked 1450:The Wind Will Carry Us 1165:Rocco and His Brothers 958:To Each His Own Cinema 774:The Wind Will Carry Us 578:The Wind Will Carry Us 567:The Wind Will Carry Us 556:The Wind Will Carry Us 485:The Wind Will Carry Us 454:The Wind Will Carry Us 432:The Wind Will Carry Us 428:British Film Institute 426:In a 2012 poll by the 424: 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A motorbike heading away on a dirt road
Abbas Kiarostami
Abbas Kiarostami
Abbas Kiarostami
Mahmoud Kalari
New Yorker Films
Venice Film Festival
Persian
Persian
Abbas Kiarostami
Forough Farrokhzad
Kurdish
Golden Lion
56th Venice International Film Festival
Silver Lion
FIPRESCI
Tehran
Iranian Kurdistan
Jonathan Rosenbaum

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