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he is expected to keep the house clear of sand with the woman living there, with whom he is also to produce children. He ultimately finds a way to collect water which gives him a purpose and a sense of liberty. He also wants to share the knowledge of his technique of water collection with the villagers someday. He eventually gives up trying to escape when he comes to realize that returning to his old life would give him no more liberty. He accepts his new identity and family. After seven years, he is proclaimed officially dead. (In the original
Japanese version, he is proclaimed officially as a missing person.)
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In 1955, Jumpei Niki, a school teacher from Tokyo, visits a fishing village to collect insects. After missing the last bus, he is led by the villagers, in an act of apparent hospitality, to a house in the dunes that can be reached only by rope ladder. The next morning the ladder is gone and he finds
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The novel is intended as a commentary on the claustrophobic and limiting nature of existence, as well as a critique of certain aspects of
Japanese social behavior. The story is preceded by the aphorism "Without the threat of punishment there is no joy in flight."
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The book attracted much attention in Japan on its publication in 1962, earning praise from critics as well as contemporaries such as
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308:(1990). "Self, Place and Body in The Woman in the Dunes". In Toyama, J.; Ochner, N. (eds.).
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Masterworks of Asian
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275:(1994). "The Woman in the Dunes". In Miller, Barbara Stoler (ed.).
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for literature. An
English translation appeared in 1964, as did
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Kimball, Arthur G. (1962). "Identity Found: Suna no onna".
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Crisis in
Identity and the Contemporary Japanese Novel
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86:for literature, and an English translation by
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263:O'Neil, Patrick M., ed. (2004). "Abe KÅbÅ".
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19:For the film adaptation of this novel, see
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41:Cover of the first Japanese edition by
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82:, published in 1962. It won the 1962
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267:. Vol. 1. Marshall Cavendish.
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