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The Woman in the Moon

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272:, Pandora simply runs mad. Stesias is fed up by now, and the other shepherds want nothing to do with Pandora, even when the seven planetary deities have restored her sanity. With no place for her on Earth, the planets vie for the distinction of taking Pandora up to their individual spheres; Pandora chooses Luna, since they are both inherently changeable. 212:("For Nature works her will from contraries"), descends to a pastoral Earth inhabited by four shepherds. At their petition, Nature breathes life into a clothed statue of the first woman. Concord seals her soul to her body with an embrace, and the new woman is given the best gifts of the seven planets of traditional 275:
At the end of the play, Nature chooses to punish Stesias, Pandora's husband, because he is so easily swayed by the opinions of others. He is condemned to "be...her slave, and follow her in the moon." His punishment is to always follow Pandora, but never to act on his anger towards her or inflict pain
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the first of Lyly's plays, written sometime in the early 1580s. As such, it would have been an important early development in English dramatic blank verse. Later critics, however, disputed this conclusion, arguing that the Prologue may only mean that this was Lyly's first play in verse, and that in
235:. The shepherds meet Pandora when she is suffering this baleful influence; when one tries to kiss her hand, she hits him across the lips. She treats the rest as badly, then runs away. Saturn leaves his throne at the end of the first act, pleased with the mess that he has made. 29: 245:
when the queen of the gods comes in search of her husband (he hides himself in a cloud). Pandora inflicts her pride upon the hapless shepherds: she orders them to behead a wild boar, promising her glove to the man who brings the trophy to her.
256:, the Sun, takes over at the start of Act III; for a change, his influence is largely beneficial. Pandora becomes "gentle and kind," and chooses Stesias, one of the shepherds, as her husband. But then comes 324:
Gordon, Ian A. "John Lyly: Overview." Reference Guide to English Literature. Ed. D. L. Kirkpatrick. 2nd ed. Chicago: St. James Press, 1991. Literature Resource Center. Web. 3 November 2013
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takes over from Jupiter, turning Pandora into a "vixen martialist." The shepherds fight over the dead boar and the right to Pandora's glove – but she grabs a spear and bests them all.
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assumes the throne at the start of Act II. He inspires Pandora with ambition, vanity, and superciliousness – so much so that she obtains his sceptre and tosses it to
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The seven planets, however, are unhappy that Pandora has been given their best qualities, and decide to spite Nature with a malevolent demonstration of their power.
308:, who was studying at the university at the time, played the role of Pandora. A production of this play was put on by the Edward's Boys company in March 2018. 487: 472: 268:
succeeds Venus in Act IV; he makes Pandora "false and full of sleights, / Thievish and lying, subtle, eloquent...." By Act V, under the influence of
292:– though dissent from this view can also be found in the critical literature. Lyly's use of astrology has been seen in the context of the craze for 204:, at the time of the very beginning of the human race, when the first woman was not yet created. A personified goddess of Nature, accompanied by 110:
style "The blank verse is that of the nineties, rather than the early eighties." The modern critical consensus tends to favour the view that
492: 457: 20: 433: 388:
Lyly, John. "The Woman in the Moon." The Plays of John Lyly. Ed. Carter A. Daniel. Lewisburg: Bucknell UP, 1988. 317-58. Print.
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in 1597 by the bookseller William Jones. The title page of the quarto states that the play was presented before Queen
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Beforeshakespeare. "The Woman in the Moon: In Conversation with Edward's Boys". Before Shakespeare, 20 Mar. 2018,
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holy bower, / But not the last...." Nineteenth-century critics took this statement at face value, and considered
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DEEP: Database of Early English Playbooks. Ed. Alan B. Farmer and Zachary Lesser. 2007. Web. 3 Nov. 2013. <
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The Predecessors of Shakespeare: A Survey and Bibliography of Recent Studies in English Renaissance Drama,
497: 205: 467: 452: 265: 238: 231:, the eldest, goes first: seating himself on a throne, he afflicts Pandora with his characteristic 434:
https://beforeshakespeare.com/2018/03/13/the-woman-in-the-moon-in-conversation-with-edwards-boys/
228: 49: 305: 257: 482: 247: 242: 209: 56:. Its unique status in that playwright's dramatic canon – it is the only play Lyly wrote in 201: 101:
The play's Prologue maintains that the work "is but a poet's dream, / The first he had in
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Most critics have judged the play as "a satire on women," an expression of traditional
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far from being Lyly's first play, was likely his last, written in the 1590–95 period.
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Although most of Lyly's plays were acted by the children's company Paul's Boys, the
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is thought to have been first produced between 1590 and 1595, most likely in 1593.
232: 84: 57: 28: 334: 285: 32: 64:– has presented scholars and critics with a range of questions and problems. 293: 217: 213: 80: 53: 412:
Tamburlaine's Malady and Other Essays on Astrology in Elizabethan Drama,
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The play was performed by Bryn Mawr College in 1928. Future actress
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English Writers: An Attempt Toward a History of English Literature,
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Lincoln, NE, University of Nebraska Press, 1973; pp. 135, 137.
353:, 4 Volumes, Oxford, Clarendon Press, 1923; Vol. 3, p. 416-17. 414:
Tuscaloosa, AL, University of Alabama Press, 1953; pp. 38–49.
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Vol. 11., London, Cassell & Co., 1892; pp. 197–200.
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that acted this particular work is a mystery. However,
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Freedland, Michael. Katharine Hepburn. Crescent, 1986.
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Cambridge, MA, Harvard University Press, 1962; p. 219.
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shoots his arrows, and romantic disruptions follow.
79:on 22 September 1595, and was first published in 87:, though no specific performance is mentioned. 362:Terence P. Logan and Denzell S. Smith, eds., 8: 335:http://deep.sas.upenn.edu/advancedsearch.php 296:-casting that typified the Elizabethan era. 375:Henry Morley and William Hall Griffin, 317: 7: 399:John Lyly: The Humanist as Courtier, 52:era stage play, a comedy written by 488:Greek and Roman deities in fiction 473:Plays based on classical mythology 21:Woman in the Moon (disambiguation) 14: 260:turn: Joculus inspires dancing, 200:The play is set in the world of 182:Ganymede – Jupiter's attendant 179:Gunophilus – Pandora's servant 1: 493:Plays set in ancient Greece 397:George Kirkpatrick Hunter, 68:Publication and performance 16:Elizabethan era comedy play 514: 18: 458:English Renaissance plays 136:Discord – Nature's Maiden 133:Concord – Nature's Maiden 122:In Order of Appearance: 188:Joculus – son of Venus 112:The Woman in the Moon, 40: 351:The Elizabethan Stage 185:Juno – Jupiter's wife 107:The Woman in the Moon 96:The Woman in the Moon 75:was entered into the 73:The Woman in the Moon 45:The Woman in the Moon 37:The Woman in the Moon 31: 191:Cupid – son of Venus 77:Stationers' Register 19:For other uses, see 152:Learchus – shepherd 149:Iphicles – shepherd 463:Plays by John Lyly 300:Other performances 146:Stesias – shepherd 41: 306:Katharine Hepburn 505: 478:Eris (mythology) 437: 430: 424: 421: 415: 410:Johnstone Parr, 408: 402: 395: 389: 386: 380: 373: 367: 360: 354: 344: 338: 331: 325: 322: 155:Melos – shepherd 513: 512: 508: 507: 506: 504: 503: 502: 443: 442: 441: 440: 431: 427: 422: 418: 409: 405: 396: 392: 387: 383: 374: 370: 361: 357: 345: 341: 332: 328: 323: 319: 314: 302: 286:male chauvinism 282: 280:Interpretations 220:. She is named 202:Greek mythology 198: 120: 92:playing company 70: 24: 17: 12: 11: 5: 511: 509: 501: 500: 495: 490: 485: 480: 475: 470: 465: 460: 455: 445: 444: 439: 438: 425: 416: 403: 390: 381: 368: 355: 347:E. K. Chambers 339: 326: 316: 315: 313: 310: 301: 298: 281: 278: 197: 194: 193: 192: 189: 186: 183: 180: 177: 174: 171: 168: 165: 162: 159: 156: 153: 150: 147: 144: 140: 139: 138: 137: 134: 128: 127: 119: 118:Character List 116: 69: 66: 15: 13: 10: 9: 6: 4: 3: 2: 510: 499: 496: 494: 491: 489: 486: 484: 481: 479: 476: 474: 471: 469: 466: 464: 461: 459: 456: 454: 451: 450: 448: 435: 429: 426: 420: 417: 413: 407: 404: 400: 394: 391: 385: 382: 378: 372: 369: 365: 359: 356: 352: 348: 343: 340: 336: 330: 327: 321: 318: 311: 309: 307: 299: 297: 295: 291: 287: 279: 277: 273: 271: 267: 263: 259: 255: 251: 249: 244: 240: 236: 234: 230: 225: 223: 219: 215: 211: 207: 203: 195: 190: 187: 184: 181: 178: 175: 172: 169: 166: 163: 160: 157: 154: 151: 148: 145: 142: 141: 135: 132: 131: 130: 129: 125: 124: 123: 117: 115: 113: 108: 104: 99: 97: 93: 88: 86: 82: 78: 74: 67: 65: 63: 59: 55: 51: 47: 46: 38: 34: 30: 26: 22: 498:Comedy plays 428: 419: 411: 406: 398: 393: 384: 376: 371: 363: 358: 350: 342: 329: 320: 303: 283: 274: 252: 237: 226: 199: 121: 111: 106: 100: 95: 89: 72: 71: 60:rather than 44: 43: 42: 36: 25: 468:Elizabeth I 85:Elizabeth I 58:blank verse 50:Elizabethan 453:1593 plays 447:Categories 312:References 276:upon her. 233:melancholy 33:Title page 294:horoscope 218:astrology 214:astronomy 54:John Lyly 196:Synopsis 103:Phoebus' 483:Pandora 266:Mercury 258:Venus's 239:Jupiter 222:Pandora 210:Discord 206:Concord 173:Mercury 164:Jupiter 143:Pandora 290:sexism 229:Saturn 158:Saturn 126:Nature 81:quarto 48:is an 337:>. 262:Cupid 170:Venus 62:prose 288:and 270:Luna 248:Mars 243:Juno 216:and 208:and 176:Luna 161:Mars 254:Sol 167:Sol 35:of 449:: 349:, 224:. 436:. 39:. 23:.

Index

Woman in the Moon (disambiguation)

Title page
Elizabethan
John Lyly
blank verse
prose
Stationers' Register
quarto
Elizabeth I
playing company
Phoebus'
Greek mythology
Concord
Discord
astronomy
astrology
Pandora
Saturn
melancholy
Jupiter
Juno
Mars
Sol
Venus's
Cupid
Mercury
Luna
male chauvinism
sexism

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