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to every orchestration assignment, so his students could look over his shoulder, as it were. Theo Verbey was held in high esteem by his colleagues, and there was no dispute about his authority as a theorist and orchestrator. He was also known for his kind and considerate approach to students outside the classroom. He demonstrated a similar regard for his colleagues, always being well informed and utterly professional. As a composer, he belonged to a dying species, the "composer-theorist." In the
Netherlands, he represented one of the few remaining links between the two disciplines, which have been bound together throughout the history of music.
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and loved his music can feel at home. The foundation collects, organizes, preserves, makes accessible and helps publish Theo’s teaching materials, scores, and performance recordings, and has also consulted with specialized institutions in the
Netherlands and abroad to professionalize its activities in areas such as archiving, preservation, management and providing access. The Theo Verbey Foundation is a non-profit organization. The foundation’s board is made up of people whose lives were touched by Theo, and board members receive no remuneration; all funds received go directly to fulfilling the foundation’s objectives.
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As a teacher, Verbey was known for his extensive knowledge of the history and development of the art of instrumentation, as well as his precise arrangements and orchestrations. He was devoted to teaching, and took his obligation extremely seriously. He would work out his own solution
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His earliest musical memories were of singing nursery rhymes with one of his numerous aunts. He later began playing the recorder and singing in the boys’ choir of his grammar school. He started composing music at the age of seven, writing small pieces for his school orchestra. While in high school,
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In
September 2020, the non-profit Theo Verbey Foundation was established to honour Theo’s artistic legacy by serving as a platform to preserve and distribute his work. By building a network of people who were connected with Theo, the foundation hopes to create a space in which people who knew Theo
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in
Brussels in 1992 and 1997. His work shows high regard for structure, beauty, and a great historical awareness, as well as a special regard for instrumental color and subtle harmonies. Verbey was a member of a reading club devoted to the study of contemporary thought.
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for string orchestra. At the invitation of ECHO (European
Concert Hall Organization) this version of the Lyric Suite was included in Amsterdam Sinfonietta's successful 2011 tour of six major European cities. Mr. Verbey was granted permission by the heirs of
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and Jan van
Vlijmen. Upon completing his studies Verbey rapidly became one of the most performed living Dutch composers. In 1987 he was awarded the Amsterdam Arts Fund's incentive award for young composers, and since received commissions from the
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In 2009/2010, Theo Verbey was
Composer-in-Residence of the Brabant Philharmonic Orchestra, based in Eindhoven, the Netherlands. In celebration of that orchestra’s 60th jubilee, Verbey was commissioned to compose
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since 1984 as a teacher of Music Theory, where he was known as an intelligent and dedicated teacher with a strong commitment to the education of young musicians. In 1995, he joined the faculty of the
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for 4 part female choir, a cappella (1-Na de
Bevrijding; 2-Geluk) based on poems by Dutch poet Jakobus Cornelis (Jacques) Bloem and commissioned by The National Committee for 4 and 5 May
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for mixed choir, a cappella (1-Na de
Bevrijding; 2-Geluk) based on poems by Dutch poet Jakobus Cornelis (Jacques) Bloem and commissioned by The National Committee for 4 and 5 May
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for The Stolz
Quartet, a work which is included on their CD, Dutch Masters and Their Inspiration. More recently, the duo Andrea Vasi & Sebastiaan Kemner performed
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was premiered by Larissa Groeneveld as part of the Amsterdam Cello Biënnale. It was Mr. Verbey's second commission for the Biënnale.
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In 2007, Theo Verbey completed his second commission for the Royal Concertgebouw Orchestra: LIED, for Trombone and Orchestra, with
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for transverse flute, strings and continuo, in honor of the 250th anniversary of Bach's death; from the collection of pieces,
486:, after BWV 1068, for large ensemble. Written in honor of the 250th anniversary of Bach's death. From the collection entitled
471:, after BWV 1066, for large ensemble. Written in honor of the 250th anniversary of Bach's death. From the collection entitled
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In addition to composing his own works, Theo Verbey earned high regard for his orchestrations. One of his earliest successes,
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for solo violin, strings and continuo, in honor of the 250th anniversary of Bach's death; from the collection of pieces,
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in 2009. Van Berkel also based a second ballet based on Verbey's music, which was performed by the ballet company of the
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song cycles (Sunless, the Nursery, and Songs and Dances of Death), which are regularly performed. He also arranged
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he also wrote some pop songs as well as music for a jazz/rock band of which he was a member.
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arranged by the composer for choreographer Regina van Berkel for her ballet of the same name
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which showcases each section of the orchestra both individually and within the ensemble.
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and many others. Theo Verbey taught at both the Royal Conservatory of The Hague and the
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This was not Theo Verbey's first contact with the medium of film: in 1994, film maker
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1570:"Cappella Gabrieli - Rotterdam Chamber Choir - early music - polyphonic renaissance"
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was chosen by choreographer Regina van Berkel as music to accompany her ballet
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1519:"Deuss Music - nieuw gecomponeerde kunstmuziek en opera - Werken - TheoVerbey"
1505:"Deuss Music - nieuw gecomponeerde kunstmuziek en opera - Werken - TheoVerbey"
1465:"Deuss Music - nieuw gecomponeerde kunstmuziek en opera - Werken - TheoVerbey"
1364:"Deuss Music - nieuw gecomponeerde kunstmuziek en opera - Werken - TheoVerbey"
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commissioned Verbey to provide a segment for their celebrated song cycle,
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and the Netherlands Radio Choir, conducted by James Gaffigan, as well as
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1118:(Orchestral exercise - arrangements and style copies after J.S. Bach).
1059:, for voice and orchestra, based on texts by A.A. Golenishchev-Kutusov
1044:(Orchestral exercise - arrangements and style copies after J.S. Bach).
587:(In the Garden of Paracelsus) for soprano and string quartet, text by
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490:(Orchestral exercise - arrangements and style copies after J.S. Bach)
475:(Orchestral exercise - arrangements and style copies after J.S. Bach)
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for large orchestra, written to commemorate the end in 1976 of coal
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where he graduated in 1986. His principal composition teachers were
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to complete the orchestration of the unfinished 1919 version of
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received its Dutch premiere in 2017, when it was performed by
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composer. His style could be considered to be associated with
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chose it for her annual Queen's Day Concert in her palace in
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Orchesterübung - Bearbeitungen und stilkopien nach J.S. Bach
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Orchesterübung - Bearbeitungen und stilkopien nach J.S. Bach
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Orchesterübung - Bearbeitungen und stilkopien nach J.S. Bach
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Orchesterübung - Bearbeitungen und stilkopien nach J.S. Bach
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Completion of the missing bassus and sextus (sixth part)
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as the basis of his short film which formed a segment of
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Zwei letzte Lieder (1-Beim schlafengehen; 2-Im Abendrot)
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for string orchestra Nr. 1,5 & 6, arr. Theo Verbey
1265:"Pagina niet gevonden | Cello Biënnale Amsterdam"
1314:"Newsletter. Dutch-Flemmish Society of Music Theory"
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for flute, oboe, clarinet, bassoon, violin and cello
343:for large orchestra, written to mark the ending of
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1301:Alban Berg – Lyrische Suite/ for string orchestra
1303:, Universal Edition Retrieved 28 September 2010.
652:for trombone and orchestra, commissioned by the
625:for baritone and orchestra, based on poems by
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928:for voice and orchestra. Commissioned by the
635:for soprano and orchestra, based on poems by
606:Twee Gedichten van Bloem (Two poems of Bloem)
599:Twee Gedichten van Bloem (Two poems of Bloem)
460:, string orchestra and percussion instruments
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1616:Theo Verbey at the Music Centre Netherlands
1545:Les Noces (1919 Version; Verbey completion)
1097:Andante from Piano Sonata in A major no. 13
615:for baritone and piano, based on poems by
576:for choir and orchestra based on poems by
1204:"Composer in the Spotlight: Theo Verbey""
378:for large orchestra, a ballet version of
333:for large orchestra, commissioned by the
173:. In November 2010, Theo Verbey's piece
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1439:"Death in Venice – Concertgebouworkest"
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945:Drie Choralvorspiele (Chorale Preludes)
161:in February/March 2011 under the title
85:and the Dutch Radio Chamber Orchestra,
1727:Royal Conservatory of The Hague alumni
1108:Ouverture in the French Style, BWV 831
32:(5 July 1959 – 13 October 2019) was a
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1611:Theo Verbey's publisher, Deuss Music
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1187:Mijnheer, J. (2000). "Theo Verbey",
418:for orchestra inspired by the book,
846:for 7 wind instruments inspired by
1291:idfa.nl Retrieved 4 December 2011
1189:The Essential Guide to Dutch Music
951:for oboe, violin, viola and cello.
874:for flute, bass clarinet and piano
815:for flute, harp and string quartet
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1732:20th-century Dutch male musicians
986:(1919 Version; Verbey completion)
962:for oboe, violin, viola and cello
709:for oboe, violin, viola and cello
278:. Verbey also orchestrated three
99:Queen Elisabeth Music Competition
1712:21st-century classical composers
1707:20th-century classical composers
532:(parts I/IV), for large ensemble
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537:Tegenbeweging (Contrary Motion)
296:Royal Conservatory of The Hague
200:program, providing a score for
62:Royal Conservatory of The Hague
48:in 1984 while still a student.
40:. Verbey was also orchestrated
1697:Dutch male classical composers
1231:. Retrieved 1 September 2010.
349:Tampere Philharmonic Orchestra
220:, a film project made for the
192:Verbey also collaborated with
1:
1254:, Retrieved 8 September 2010.
767:Trumpet Concerto (Arutiunian)
681:for oboe, 2 horns and strings
654:Royal Concertgebouw Orchestra
482:(Suite) in D in the style of
467:(Suite) in G in the style of
335:Royal Concertgebouw Orchestra
73:, Amsterdam Sinfonietta, the
71:Royal Concertgebouw Orchestra
1378:"Theo Verbey - Compositions"
300:Conservatorium van Amsterdam
95:Conservatorium van Amsterdam
1737:21st-century male musicians
1269:amsterdamsecellobiennale.nl
1013:Cantiones sacrae (Gesualdo)
794:for violin, cello and piano
734:inspired by a character in
110:Later commissions included
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1343:"Foundation – Theo Verbey"
1175:"In Memoriam: Theo Verbey"
832:1992 Duet for two trumpets
674:for clarinet and orchestra
272:Beatrix of the Netherlands
116:Radio Filharmonisch Orkest
83:Radio Filharmonisch Orkest
16:Dutch composer (1959–2019)
1702:Dutch classical composers
1663:Theo Verbey: On composing
1076:Songs and Dances of Death
1070:, for voice and orchestra
1033:Italian Concerto, BWV 971
585:Der Garten des Paracelsus
420:Invitation to a Beheading
416:Invitation to a Beheading
992:, harmonium, percussion
988:for solo voices, choir,
324:Orchestra/Large Ensemble
1672:for choir and orchestra
1421:"Videos (not archived)"
1233:(subscription required)
997:Drei Stücke (No. 1,5,6)
881:for 12 wind instruments
801:for percussion ensemble
667:for piano and orchestra
433:, le Retour à la Raison
359:Lumen Ad Finem Cuniculi
120:Lumen ad Finem Cuniculi
1601:Theo Verbey's web site
1252:Deutsche Oper am Rhein
1089:Trois Chansons (Ravel)
707:4 preludes to Infinity
702:for trombone and piano
591:, commissioned by the
411:ringtone for orchestra
347:, commissioned by the
310:Theo Verbey Foundation
290:Educational activities
159:Deutsche Oper am Rhein
132:4 Preludes to Infinity
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1229:. Oxford Music Online
1147:Sonata for two pianos
1112:Johann Sebastian Bach
1038:Johann Sebastian Bach
1007:for string orchestra
956:Piano Preludes op. 33
949:Johann Sebastian Bach
839:for saxophone quartet
748:piano and electronics
525:for chamber orchestra
484:Johann Sebastian Bach
469:Johann Sebastian Bach
369:Orchestral Variations
187:Orchestral Variations
128:Trees, Walls, Cities.
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1722:Musicians from Delft
1384:on 17 September 2016
1248:by Regina van Berkel
1140:Ludwig van Beethoven
1103:for large orchestra
1027:for string orchestra
895:for bassoon and bass
867:, for 10 instruments
808:for recorder quartet
688:for harp and strings
511:for chamber ensemble
442:for string orchestra
353:Residentie Orchestra
212:used Verbey's piece
91:Deutsche Oper Berlin
79:Residentie Orchestra
1670:Traurig wie der Tod
1556:"Universal Edition"
1533:"Universal Edition"
1427:on 2 December 2020.
1126:Piano Sonata (Berg)
934:Eva-Maria Westbroek
930:Concertgebouworkest
926:Sergei Rachmaninoff
771:Concertgebouworkest
574:Traurig wie der Tod
560:Caprice symphonique
497:for large orchestra
404:for large orchestra
371:for large orchestra
341:After the Great War
294:Theo worked at the
233:Piano Sonata, Op. 1
206:Retour à la Raison.
112:Traurig wie der Tod
46:Piano Sonata, Op. 1
1485:on 13 January 2018
1445:on 24 October 2020
1244:World premiere of
1227:Grove Music Online
1142:for string quartet
1092:for large ensemble
960:Alexander Scriabin
787:for string quartet
627:Rainer Maria Rilke
623:Sechs Rilke-Lieder
617:Rainer Maria Rilke
613:Sechs Rilke-Lieder
546:for large ensemble
440:Fractal variations
75:London Sinfonietta
60:He studied at the
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1081:Modest Mussorgsky
1068:Modest Mussorgsky
1057:Modest Mussorgsky
1025:Modest Mussorgsky
860:, for string trio
848:Jorge Luis Borges
780:for 6 instruments
672:Clarinet Concerto
551:Random symphonies
363:Mining in Limburg
210:Alejandro Agresti
167:Memory of a Shape
151:Memory of a Shape
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658:Jörgen van Rijen
554:electronic music
542:1985, rev. 1989
528:1988, rev. 1990
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454:Schaduw (Shadow)
447:Fractal symphony
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380:Schaduw (Shadow)
239:'s piano sonata
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145:as soloist. His
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38:Postmodern music
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1487:. Retrieved
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1386:. Retrieved
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81:, the Dutch
59:
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1692:2019 deaths
1687:1959 births
1656:Lyric Suite
1639:Berg Sonata
1274:29 November
1246:Frozen Echo
1220:Samama, L.
1064:The Nursery
1053:Without Sun
1049:Bez solnca
1001:Lyric Suite
888:, for piano
785:Spring Rain
755:violoncello
740:Jabberwocky
578:Hans Bethge
397:and strings
376:Frozen Echo
345:World War I
302:, as well.
252:Lyric Suite
163:Frozen Echo
66:Peter Schat
30:Theo Verbey
25:Theo Verbey
1681:Categories
1619:(in Dutch)
1158:References
1130:Alban Berg
1106:1990-2000
1005:Alban Berg
872:Contractie
844:De Peryton
837:Passamezzo
820:Hommage II
660:as soloist
597:2007-2012
523:De Simorq
409:No Comment
280:Mussorgsky
247:Alban Berg
242:1. X. 1905
229:Alban Berg
42:Alban Berg
1631:Les Noces
1489:22 August
1449:22 August
1388:12 August
1321:dfsmt.net
1021:Une Larme
978:Les Noces
829:for flute
822:for viola
738:'s poem,
480:Ouverture
465:Ouverture
402:Inquietus
395:harmonium
276:The Hague
263:Les noces
196:on their
171:Introdans
52:Biography
1647:1.X.1905
1289:Projects
1101:Schubert
893:Sonatine
886:Nocturne
865:Inversie
858:Chaconne
813:Sestetto
806:Fandango
746:Graduale
679:Notturno
643:Concerto
530:Expulsie
391:cimbalom
351:and the
339:2017-18
329:2019
284:Scriabin
106:Projects
1327:23 July
990:pianola
879:Triplum
852:Peryton
827:Hammage
799:Sospeso
778:Perplex
763:Cadenza
732:pianola
700:Ballade
633:Whitman
509:Produkt
502:Conciso
495:Alliage
431:Man Ray
387:Tractus
331:Ariadne
268:pianola
218:Hexagon
202:Man Ray
179:pianola
136:Ballade
1654:Score
1629:Score
1099:by
580:(poet)
516:Triade
89:, the
77:, the
1317:(PDF)
1145:1983
1134:1983
1121:1984
1095:1990
1086:1990
1073:1994
1062:1994
1055:) by
1047:1994
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999:from
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954:2011
943:2013
920:2017
905:2018
891:1976
884:1980
877:1982
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825:1993
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776:2004
761:2006
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726:2010
719:2011
712:2013
705:2013
698:2016
684:1995
677:1995
670:2005
663:2006
656:with
648:2007
631:1992
621:1998
611:1998
604:2007
583:2012
572:2015
567:Vocal
558:1976
549:1985
535:1986
521:1989
507:1992
500:1996
493:1997
478:2000
463:2000
452:2002
445:2004
438:2005
428:2007
414:2008
407:2008
400:2008
385:2009
374:2009
367:2009
357:2015
319:Works
34:Dutch
1491:2020
1451:2020
1390:2016
1329:2023
1276:2010
913:for
850:the
792:Trio
765:for
757:solo
650:LIED
544:Aura
456:for
389:for
1149:by
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1128:by
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