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62:" op. 14 directed by Narcisse Girard and at the end of the concert she knelt in front of Berlioz as a sign of admiration. After the successes in Paris, he performed as a violinist in numerous concerts in France and conducted numerous tours in Europe in the following years. Hauman was elected in 1842 as a member of the Royal Academy of Music in Stockholm. Hauman is mentioned several times in the diaries of
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Theodore Hauman was a prominent
Belgian violinist born in a Jewish family in Ghent. He studied violin with Joseph François Snel of the Grand théâtre of Brussels. During his training, he alternated for several periods the study of the violin, with university studies. At the behest of his parents he
74:, Paganini's famous pupil, and Hauman challenged each other in a public performance, a sort of 'skill contest', of Paganini's Venice Carnival. According to Berlioz, in 1844 Hauman after a triumphal tour in Russia decided to open a music school in Paris to devote himself to teaching.
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was particularly lashing in his critique of Hauman, classifying him as the prototype of the "virtuoso of the void". For Heine, Hauman tended to move away from the composer's language by adding "embellishments" and other bright flourishes that were irrelevant to the original text.
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Since 1827, he was successful soloist in performances in Paris and devoted himself entirely to music, practicing violin for up to ten hours a day. He made a new appearance in Paris in 1832 with great success. The following year Hauman met
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The testimonies of contemporaries on Hauman's playing do not seem to have always been favorable. Despite an excellent technique, it seems that he had a strong inclination to mannerism, "
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François-Joseph Fétis, voice Hauman (Théodore), in
Biographie universelle des musiciens, tome quatrième, deuxième édition, Paris, Firmin Didot, 1862, pp. 244–245
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Baron de
Bazancourt (tr. JA Munkelt), Theodore Haumann the Belgian violinist, in "The Musical Standard", Vol. 15, Fasc. 741, (12 Oct. 1878), p. 231
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58:'s memorable concert on December 22, 1833. It was on that occasion that Paganini, who had come mainly to encourage his "protégé", heard the "
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studied at the
University of Leuven but he left it after two years to devote himself to the violin, but ultimately graduated in Law in 1830.
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Pierret, Philippe. Le livre des petits : répertoire des familles juives à Bruxelles. Bruxelles: Musée Juif de
Belgique, 2015.
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who took a friendly interest in him so much that he became his protégé. Hauman took part in
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108:, for violin and piano op. 13, Paris, Launer, sa ; dedicated to Madame Malibran
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The Violin and Its Music By George Hart, George Hart Ditson, 1883 p .322
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Berlioz, Feuilleton du
Journal des débats, 29 December 1844, pp. 1-2
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33:(Ghent, 3 July 1808 - Brussels, 21 August 1878) also written
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Termanini, Inspirations and
Paganinian echoes, pp. 553-554
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Borer, The Twenty-Four
Caprices of Niccolò Paganini, p. 59
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FĂ©tis, Biographie universelle des musiciens, 1862, p. 244
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