517:. December 1963. p. 17. Retrieved August 7, 2023. "Joyce nods. 'Now about Theatre West... Betty Garrett, Charlie Aidman and I founded it a couple of years ago. TV's responsible for Theatre West. The Group owes it existence to the fact that a group of New York actors, living in Hollywood, were financially rewarded but artistically stifled. So Betty Garrett, Charlie Aidman and I decided to do something about it. We called Curt Conway and asked him if he'd like to take over a closed class. Curt agreed. There were Phil Abbott, Sandy Kenyon, Scott Marlowe, Robert Elston, Barbara Rush and some others.. I hate the word because it's lost its meaning, but the people in Theatre West are honestly dedicated. We have no Lee Strasberg getting rid of his ego problems. This is–it's really an actor's theatre in the truest sense.'"
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Originally conceived as a venue for working professional actors in the film and television industries to exercise their artistic skills in roles and material far different from what they were called upon to do in front of the camera, Theatre West was founded by
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The company is a democratic membership company, run by an artistic board of directors elected by the membership. In addition to producing plays, the theatre presents workshops for actors, writers, musical comedy performers, and students of
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premiered after Mr. Dickey's death. Both plays were selected by the
California Arts Council for inclusion in the Touring Artists Directory and played throughout California as well as in Atlanta, South Carolina and other states.
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in addition to scores of local theatre and civic awards and commendations. Storybook
Theatre presents interactive, non-threatening musicals with a message.
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Marlowe also performed on stage, including the
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A vital part of the company is
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One of the company's earliest and most successful productions went on to become a
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by Leslie Caveny traveled to Dublin and is produced around the United States.
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was developed in the
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hit and a treasured perennial of the
American theatre.
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154:and came together as an informal workshop led by
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478:The Night Forlorn, or Waitin' on Godsford
382:(Shakespeare). The managing director is
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