20:
417:
205:, who was one of the declaimers who resorted to the theatre scene to communicate to the population, promulgated a decree in which "stage art does not inflict infamy on those who profess it", which was shown in the Gazette on January 2, 1822. Although the theatre of Spanish origin remained in the transition to independent Peru, the first completely original work premiered was
172:, who it is the equivalent of the inspector of later centuries. In 1790 Lorenzo Velazco launched the first theatre company in the country with 20 people in his group. In 1786 a series of much more severe guidelines were established to limit the dissemination of some scenes, motivated among them by political censorship, in charge of the new viceroy
233:, replacing the hospitals in the administration of properties, updated the regulation of shows in closed venues with rights and obligations of those involved. However, there was disinterest in visiting the performances, becoming unprofitable, a case that the entrepreneur Bernardo Soffia assigned to
386:
theatre, both in Lima and with a capacity for more than a thousand attendees. At the time they were the oldest and most representative in Lima, but their constructions were precarious. In 1889, with the relocation of the then oldest area, the theatre with the largest capacity is restructured under
149:, whose first venue called San Bartolomé was one of the oldest in South America. It was held between one or two weekly shows, in the afternoon, whose premises did not have a box office to sell tickets. In 1662 a new place was installed, the Colosseum of Comedies, which was destroyed after the
579:; at the same time that the current National Superior School of Dramatic Art was established, which later published the Dictionary of 1905 more than a century later. In addition, the National Comedy Company and the People's Theatre, pillar organizations in modern theatre.
179:
With the independence of the country, in 1821, the functions remained in the zeal of the authorities to avoid consequences for the population. One of the cases that showed an "anti-Spanish" feeling was The patriots of Lima in the Happy Night by Miguel del Carpio in 1821.
407:
by Carlos
Enrique Pasta. In addition, more than forty theatre companies visited Lima until the 20th century. At the same time, Arequipa founded its first venue in 1893, the Fénix Theatre, whose functions were performed by the Spanish Dramatic Company.
402:
Between 1829 and 1905, more than 400 creations by various authors were produced. Of which, around twenty-five works were written during the years 1883 and 1889. An example of them was the national creation of the opera
559:
was established by law 13107, under a financing system for new works. This was complemented with supreme resolutions 3716 and 3717. This would be managed by the then
National Theatre Council by the historian
316:
597:
and company, which sought to promote theatre and dance. In 1953 Reynaldo D'Amore founded the Club de Teatro de Lima, the oldest in the country and trainer of talents for the end of the century such as
456:. However, the title of "municipal" was adopted by the then Principal Theatre." A year later, in 1921, the Excelsior Theatre was built, which later it was renamed British after the purchase of the
500:. In addition, the Baronti children's theatre company was consolidated, one of the first to appeal to the youngest since its creation in 1902. Several schools and companies were founded in
1022:
Huiza, José Luis; Palacios Rodríguez, Raúl; Valdizán Ayala, José (2004). "Educación y cultura en el siglo XIX: El teatro" [Education and culture in the 19th century: The theater].
306:, had a presence in musical performances. In turn, in 1828 the seats were listed for the first time, and in 1835 free access for the highest authorities in boxes was eliminated.
153:. In 1672 they were held at night, in which many performances until 1747 were influenced by showy stage productions or, said otherwise, "Italian style". The first one made was
1559:
1868:
2515:. Antología de teatro latinoamericano (1950–2007) (in Spanish). Vol. 10. Centro Latinoamericano de Creación e Investigación Teatral Buenos Aires. pp. 28–40.
367:
With the economic boost of bringing shows from other countries, in 1856 the first theatre company entered Lima, directed by José Cortez. The function carried out was
244:, to contact various actors in the area and thus promote works of interest; Segura was one of the pioneers in Creole identity, when he published works related to
2068:
1661:
143:
The creations in
Peruvian territory originate from the viceregal period with some evidence of public events in the 16th century AD. C. under the model of a
851:
659:
These advances denoted a golden age in the middle of the century, in which the participation of the first actors who contributed to contemporary theatre,
829:
457:
338:) was born to point out the problems offered by the 1834 regulation, whose annotations were partly corrected in an 1849 update, by the charity based on
2556:
1093:
779:
116:
Although the artistic manifestations are based on rituals, dances and festivities from previous centuries, which were investigated by the historian
448:
was inaugurated, which remained in operation for almost a century. In 1915, in the area occupied by the Olimpo theatre, which was set on fire, the
315:, in 1814, in which it had greater acceptance in 1840 and greater reception with the comic opera in the 1850s. On the other On the other hand, the
2391:
2132:, p. 144: "This fact was due to the fact that the Municipality of Lima acquired the Forero Theatre, which they renamed the Municipal Theatre..
2578:
2463:
2431:
2340:
1675:
1459:
1314:
1451:
1023:
137:
1279:
309:
In those years they marked several milestones: After settling with the opera, it was consolidated with the first original performance,
898:. Actas del Congreso Internacional "La Lengua, la Academia, lo Popular, los Clásicos, los Contemporáneos" (in Spanish). Vol. 2.
520:
experimented with the most recent creations. However, after the death of the latter in 1956, the dynamics slowed down. For his part,
2539:
2491:
2399:
1037:
915:
2197:
19:
439:
was released, considered one of the complete sources to describe the progress of the scene in the country since the viceroyalty.
24:
150:
68:
There are a series of works that were published locally, the first known style is the "harmonic comedy", at the request of the
717:
The theatre has diversified by independent movements, with shows appealing to a wider audience. Modern related shows include
583:
452:
was built under the direction of engineer
Alfredo Viale. It was inaugurated on July 28, 1920, and was the predecessor of the
1663:
200 años después. Los escolares preguntan, los historiadores responden. Los escolares preguntan, los historiadores responden
61:. As of 2019, theatre is most consumed in Lima, with 965 thousand people who resorted to this type of recreation, while in
592:
565:
521:
65:
a higher percentage (23.2%) of its inhabitants attend events. In 2022, the performing arts involved 250 thousand people.
2327:
198:
890:
609:
1032:] (in Spanish) (1st ed.). Lima: Fondo de Desarrollo Editorial de la Universidad de Lima. pp. 104–105.
587:
2110:
1667:
837:
544:
517:
416:
357:
194:
58:
2453:
2071:[National Superior School of Dramatic Art reissues the Theatrical Dictionary of Peru from the year 1905].
425:
2473:
2257:
2235:
1306:
649:
526:
430:
2682:
2672:
453:
449:
161:
69:
282:
202:
2521:
2212:
2050:
899:
816:
293:
234:
207:
117:
84:
2565:
2510:
2449:
2417:
Ministerio de
Cultura de Perú (MINCUL); Agencia Española de Cooperación Internacional (AECI), eds. (2011).
2385:
34:
has been developed since the 18th century. During this period, the most emblematic theatres of the city of
2677:
1103:
690:
660:
464:
395:). Due to the advances in legislation and the new society of the public according to the then publication
212:
497:
287:
2648:
569:
331:, later promoted as the "richest theatre in the Pacific" due to the entry of international celebrities.
311:
250:
223:
80:
2653:
598:
475:
443:
2477:
807:
671:
665:
706:
635:
624:
613:
561:
303:
239:
89:
1937:
1375:
2418:
1066:
744:
702:
442:
In 1911 Politeama caught fire, leaving it inoperative to show performances; however, that year the
73:
2069:"Escuela Nacional Superior de Arte Dramático reedita el Diccionario Teatral del Perú del año 1905"
697:, whose setting was a mine. Simultaneously, the so-called "black theatre" appeared. with the work
486:
399:, in 1898, new articles were promulgated, considered as a means of entertainment for all viewers.
2426:(in Spanish) (1st ed.). Fundación Interamericana de Cultura y Desarrollo. pp. 132–145.
2318:
1207:
1098:
725:. The latter first settled in the country with the arrival of the Italian Union company in 1800.
469:
349:
334:
In the face of a series of demonstrations against censorship, the
Critical Examination (Spanish:
145:
2509:
Proaño-Gómez, Lola; Geirola, Gustavo (2015). "Teatro
Peruano. Introducción histórico-cultural".
164:
were decreed to become the main form of entertainment, which counted as the first guests at the
2610:
263:
2618:
2584:
2574:
2550:
2535:
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2437:
2427:
2405:
2395:
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2346:
2336:
2299:
2286:
2267:
2245:
2088:
1959:
1671:
1642:
1630:
1587:
1498:
1455:
1387:
1320:
1310:
1300:
1241:
1199:
1152:
1074:
1043:
1033:
987:
921:
911:
783:
339:
218:
in 1829, with a comic tone elaborated by the pioneer of neoclassical current and qualified by
95:
2312:
2178:
1051:
971:
949:
574:
255:
2527:
1949:
1577:
1567:
1488:
1191:
979:
903:
173:
99:
775:
Perú: observaciones y estudios del pais y sus habitantes durante una permanencia de 25 años
603:
480:
2263:
El teatro de Lima: apuntes históricos (con motivo de la inauguración del Teatro municipal)
1938:"El teatro municipal de Trujillo: Ocaso y Renacimiento de un monumento histórico del Perú"
1560:"Teatro romántico peruano sobre la independencia. La representación de la nobleza incaica"
739:
230:
169:
1869:"La historia de la ópera en el Perú: ¿Cómo llegó esta influencia musical a nuestro país?"
1284:
828:
Alejandra Zúñiga
Meneses; Jose Uzuriaga Ignacio; Jacqueline Sacramento Del Valle (2021).
769:
676:
197:
and with the term "theatre" in mind, the focus was placed on the political discourse of
79:
Years later, other creations focused on dramatic life stood out. The pioneering writers
1446:
Tauzin
Castellanos, Isabelle (2021). "Los reglamentos de teatro en el Perú 1771-1898".
640:
629:
618:
513:
353:
2666:
552:
388:
297:
219:
39:
2602:
2526:(in Spanish). Vol. 2. Routledge, Taylor & Frances Group. pp. 363–376.
2311:
Delgado, Luis
Humberto (1938). "El teatro peruano en la colonia y en la república".
2329:¡Arriba el telón! Historia del teatro en Lima: del siglo XVI a inicios del siglo XX
2115:
1631:"La "unión de todos": teatro y discurso político en la independencia, Lima 1820–21"
734:
705:; Victoria was the director of the Cumanana theatre company founded by her brother
2280:
2261:
2239:
1235:
1142:
773:
491:
229:
In 1829 the exclusion of the seating area by gender was eliminated. In 1834, the
722:
548:
268:
121:
1954:
1476:
568:. In 1946 the National Theatre Award was created, in that the first winner was
2643:
2639:
2635:
2631:
2588:
2441:
2350:
2335:(in Spanish) (1st ed.). Munilibros, Municipalidad Metropolitana de Lima.
2271:
2249:
2073:
1572:
1493:
856:
356:
established its own regulations to install its own theatre, while in 1859 the
344:
165:
2376:
1963:
1646:
1591:
1502:
1391:
1324:
1245:
1203:
1078:
991:
787:
2501:
2409:
2290:
1156:
1047:
925:
983:
2531:
2481:
1376:"El teatro cortesano en la Lima colonial: recepción y prácticas escénicas"
501:
104:
2567:
Teatro popular en Lima : zarzuelas, sainetes y revistas (1890–1945)
1582:
1151:] (in Spanish). Unión de Escritores y Artistas de Cuba. p. 43.
907:
496:, among others, were vitalized; as well as international guests such as
1873:
1211:
2366:
718:
2420:
Atlas de infraestructura y patrimonio cultural de las Américas, Perú
1195:
551:. In 1945, thanks to the intervention of the Minister of Education
160:
It is the eighteenth century that a series of codes of the viceroy
509:
505:
415:
361:
136:, an area of artificial forests with no other additions. With the
98:
of Peru from 1820 to 1850. There were also productions created in
62:
18:
2244:(in Spanish). Lit. y Tip. de Badiola y Berrio. pp. 191–196.
854:[What is the situation of the performing arts in Peru?].
57:(now disappeared); which were popular means of shows compared to
693:
stand out. Another playwright, Enrique Solari Swayne, published
342:. In May 1863, a much more flexible regulation was published in
140:, the first representation of a religious type dates from 1568.
35:
1514:
1512:
1280:"Teatro Segura de Lima celebró sus primeros cien años de vida"
531:
was the one who brought modernity to dramaturgy with his play
1182:
Leonard, Irving A. (1940). "El teatro en Lima, 1790–1793".
832:[How are we doing in theater consumption in Peru?]
543:
Simultaneously, alternatives to theatre were developed for
463:
In these years, works developed by various authors such as
869:
867:
852:"¿Cuál es la situación de las artes escénicas en el Perú?"
124:, the representations are classified in the Quechua terms
1766:
1764:
1762:
2573:(in Spanish) (1st ed.). Estación La Cultura S.A.C.
1942:
Devenir – Revista de estudios sobre patrimonio edificado
1529:
1527:
1749:
1747:
1259:
1257:
1255:
956:(in Spanish). Vol. 4, no. 10. pp. 62–74.
277:
At that stage authors such as Ricardo Palma, known for
2390:(in Spanish). Escuela de Ciencias de la Comunicación,
648:
In 1942, the Colina cinema theatre was inaugurated in
2282:
Lima "La ciudad de los virreyes": (el libro peruano)
1017:
1015:
1013:
168:. Since 1774 there was a commissioner chosen by the
2615:— with the participation of the Ministry of Culture
1237:
Guía ilustrada de Lima, el Callao y sus alrededores
681:, stands out. In the dramatic genre, works such as
2486:(in Spanish). Editorial MAPFRE. pp. 197–198.
1069:[The origins of theatre in ancient Peru].
420:Interior of the municipal theatre of Lima in 1924.
302:, in the opera genre. Since then its interpreter,
1477:"El arte dramático en Lima durante el virreinato"
1240:(in Spanish). Impresión del Estado. p. 166.
965:
963:
1234:Cisneros, Carlos B.; García, Rómulo E. (1898).
1144:Aproximaciones a la literatura hispanoamericana
978:. Vol. 11, no. 14. pp. 101–127.
830:¿Cómo vamos en el consumo de teatro en el Perú?
656:by Hortensia Luna de la Puente were performed.
2523:The World Encyclopedia of Contemporary Theatre
2285:(in Spanish). Editorial Perú. pp. 80–98.
1558:Vallejo Sameshima, Miguel Ángel (2021-01-21).
1302:Behind Spanish American footlights / monograph
970:Ventura Vásquez, Williams Nicks (2017-12-01).
2317:(in Spanish). Vol. 1. American Express (
2198:"Las tres últimas décadas del teatro peruano"
1025:El Perú republicano: de San Martín a Fujimori
972:"Posibilidad de un teatro modernista peruano"
261:, which was well received by the public, and
8:
2153:
1518:
1067:"Los orígenes del teatro en el antiguo Perú"
1030:Republican Peru: from San Martín to Fujimori
943:
941:
939:
937:
935:
764:
762:
760:
1274:
1272:
1229:
1227:
1225:
1223:
1221:
801:
799:
797:
132:(comedy), in which they were staged in the
2623:— Section of the Grand National Theatre's
2089:"El amago de incendio en el Teatro Olimpo"
1936:Aguado Peña, Sergio Enrique (2022-04-27).
327:), an additional venue next to the future
222:as "one of the glories of Latin America",
2557:Universidad Peruana de Ciencias Aplicadas
1953:
1581:
1571:
1492:
1441:
1439:
1437:
1435:
1433:
1431:
1429:
1427:
1425:
1374:Rodríguez Garrido, José A. (2008-03-08).
1149:Approaches to Spanish American literature
1073:(in Spanish). Vol. 2. pp. 1–9.
952:[Notes on the Peruvian theater].
884:
882:
814:(in Spanish). No. 9. pp. 77–91.
378:stable theatre was inaugurated; in 1878,
2306:. Editorial "Minerva". pp. 729–733.
2304:Lima en el IV centenario de su fundación
780:Universidad Nacional Mayor de San Marcos
248:, together with Pardo y Aliaga, such as
2266:(in Spanish). Librería é imprenta Gil.
2036:
2012:
2000:
1988:
1976:
1923:
1911:
1887:
1854:
1842:
1818:
1806:
1794:
1782:
1770:
1738:
1726:
1702:
1616:
1545:
1533:
1416:
1404:
1349:
1337:
1263:
1169:
1004:
873:
810:[Aspects of Peruvian theater].
756:
2552:Centro metropolitano de arte dramático
2387:Historia general del teatro en el Perú
806:Hernández, José Alfredo (1947-05-01).
564:, who would be the predecessor of the
2564:Von Bischoffshausen, Gustavo (2018).
2326:Rengifo Carpio, David Carlos (2021).
2165:
2141:
2129:
2051:"El teatro en Arequipa hace un siglo"
2024:
1899:
1830:
1753:
1714:
1690:
1635:Apuntes: Revista de Ciencias Sociales
1604:
1361:
1128:
1116:
1096:[Masks and theater in Peru].
458:British–Peruvian Cultural Association
352:. Outside of Lima, the department of
7:
2458:(in Spanish). Fondo editorial PUCP.
2455:Antología general del teatro peruano
2298:De la Fuente Chávez, Germán (1935).
1629:Cosamalón Aguilar, Jesús A. (1996).
516:, among others. Solario Swayner and
2549:Ponce Peña, Jennifer Paola (2016).
2392:Universidad de San Martín de Porres
2049:Ugarte Chamorro, Guillermo (1993).
1481:Hispanic American Historical Review
1452:Presses universitaires de Perpignan
2604:Página de los Dramaturgos Peruanos
1867:Mamani, María Elena (2022-08-06).
1092:Miguel Rubio Zapata (2009-12-13).
812:Revista de la Universidad Nacional
14:
2612:Proyecto Nodos Culturales en Lima
2111:"Se inaugura el Teatro Municipal"
2057:. Vol. 22. pp. 329–339.
1475:Johnson, Harvey L. (1946-08-01).
948:Hernández, José A. (1950-04-29).
1065:Roca Rey, Ricardo (1981-07-01).
319:promulgated the creation of the
2371:(in Spanish). Madrid: Aguilar.
950:"Notas sobre el teatro peruano"
889:Márquez Montes, Carmen (2003).
685:by Sebastián Salazar Bondy and
1094:"Máscaras y teatro en el Perú"
588:Alejandro Miró Quesada Garland
584:Association of Amateur Artists
1:
2607:— Database of authors in Peru
2258:Moncloa y Covarrubias, Manuel
2236:Moncloa y Covarrubias, Manuel
2179:"Compañía juvenil e infantil"
1666:(in Spanish) (2nd ed.).
808:"Aspectos del teatro peruano"
566:National Institute of Culture
437:Theatrical Dictionary of Peru
2368:Teatro peruano contemporaneo
2241:Diccionario teatral del Perú
1299:Jones, Willis Knapp (2011).
1102:(in Spanish). Archived from
892:La nueva dramaturgia peruana
426:Manuel Moncloa y Covarrubias
2520:Rubin, Don (2013). "Peru".
2300:"Los espectáculos públicos"
557:Fomento del Teatro Nacional
72:. It was highly popular in
16:Overview of theatre in Peru
2699:
2474:Lohmann Villena, Guillermo
2450:Silva-Santisteban, Ricardo
2279:Laos, Cipriano A. (1927).
2196:Morris, Robert J. (1978).
1955:10.21754/devenir.v9i17.987
1448:Études: Théâtre et pouvoir
94:stand out, who marked the
2659:, a Peruvian TV programme
2077:(in Spanish). 2016-02-26.
1573:10.14198/AMESN.2021.25.21
1494:10.1215/00182168-26.3.359
1307:University of Texas Press
860:(in Spanish). 2022-11-18.
782:. pp. 184, 423–425.
582:In addition, in 1938 the
454:Municipal Theatre of Lima
389:Principal Theatre of Lima
1141:Bueno, Salvador (1984).
283:Carlos Augusto Salaverry
162:Manuel de Amat y Junyent
2213:Universidad Veracruzana
2185:(1): 69–70. 1903-01-03.
1660:Del Pozo, Odín (2021).
900:Universidad de Alicante
836:(Report) (in Spanish).
522:Ventura García Calderón
518:Sebastián Salazar Bondy
348:, it was supervised by
317:Marquess of Torre Tagle
294:National Anthem of Peru
2365:Gibson, Percy (1963).
2314:Comentarios históricos
984:10.35626/cl.14.2017.16
652:, where plays such as
421:
335:
235:Manuel Ascencio Segura
208:Frutos de la educación
155:La gloria de la niquea
138:arrival of the Spanish
85:Manuel Ascencio Segura
28:
25:Grand National Theatre
2532:10.4324/9781315011165
2478:Günther Doering, Juan
2359:Complementary sources
1668:Ministerio de Cultura
838:Ministerio de Cultura
586:(AAA) was founded by
419:
312:Il matrimonio segreto
292:emerged. In 1821 the
224:Felipe Pardo y Aliaga
108:as one of the first.
81:Felipe Pardo y Aliaga
22:
2384:Balta, Aída (2001).
1454:. pp. 343–354.
976:Cuadernos Literarios
902:. pp. 805–813.
770:Middendorf, Ernst W.
465:Juan Rivera Saavedra
279:El santo de Panchita
118:Arturo Jiménez Borja
70:viceroys of the time
745:Peruvian literature
703:Victoria Santa Cruz
691:Julio Ramón Ribeyro
450:Forero installation
382:; and in 1886, the
321:Siete de Septiembre
102:, which highlights
38:arose, such as the
2649:Sucedió en el Perú
2321:). pp. 17–37.
2055:Historia y Cultura
1902:, pp. 99–100.
1564:América sin Nombre
570:Percy Gibson Parra
422:
369:El valle de Andora
350:Pedro Diez Canseco
325:Plazuela de Teatro
251:El sargento Canuto
203:José de San Martín
151:earthquake of 1746
146:corral de comedias
29:
23:Auditorium of the
2580:978-612-47584-1-6
2465:978-9972-42-549-3
2433:978-607-00-4877-7
2342:978-9972-726-45-3
2154:De la Fuente 1935
2039:, pp. 59–61.
1833:, pp. 69–70.
1717:, pp. 63–64.
1693:, pp. 66–67.
1677:978-612-48506-2-2
1607:, pp. 65–66.
1548:, pp. 15–16.
1519:De la Fuente 1935
1461:978-2-35412-387-1
1419:, pp. 6, 14.
1340:, pp. 17–18.
1316:978-1-4773-0015-2
876:, pp. 20–23.
599:Yvonne Frayssinet
562:Luis E. Valcárcel
476:Juan Gonzalo Rose
397:La Revista Social
358:Municipal Theatre
340:national identity
296:premiered at the
96:national identity
2690:
2657:
2592:
2572:
2560:
2545:
2516:
2505:
2469:
2445:
2425:
2413:
2380:
2354:
2334:
2322:
2307:
2294:
2275:
2253:
2217:
2216:
2202:
2193:
2187:
2186:
2175:
2169:
2163:
2157:
2151:
2145:
2139:
2133:
2127:
2121:
2120:
2107:
2101:
2100:
2099:(8). 1918-03-02.
2085:
2079:
2078:
2065:
2059:
2058:
2046:
2040:
2034:
2028:
2022:
2016:
2010:
2004:
1998:
1992:
1986:
1980:
1974:
1968:
1967:
1957:
1933:
1927:
1921:
1915:
1909:
1903:
1897:
1891:
1885:
1879:
1878:
1864:
1858:
1852:
1846:
1840:
1834:
1828:
1822:
1816:
1810:
1804:
1798:
1792:
1786:
1780:
1774:
1768:
1757:
1751:
1742:
1736:
1730:
1724:
1718:
1712:
1706:
1700:
1694:
1688:
1682:
1681:
1657:
1651:
1650:
1626:
1620:
1614:
1608:
1602:
1596:
1595:
1585:
1575:
1555:
1549:
1543:
1537:
1531:
1522:
1516:
1507:
1506:
1496:
1472:
1466:
1465:
1443:
1420:
1414:
1408:
1402:
1396:
1395:
1371:
1365:
1359:
1353:
1347:
1341:
1335:
1329:
1328:
1296:
1290:
1289:
1276:
1267:
1261:
1250:
1249:
1231:
1216:
1215:
1179:
1173:
1167:
1161:
1160:
1138:
1132:
1126:
1120:
1114:
1108:
1107:
1089:
1083:
1082:
1062:
1056:
1055:
1050:. Archived from
1019:
1008:
1002:
996:
995:
967:
958:
957:
945:
930:
929:
897:
886:
877:
871:
862:
861:
848:
842:
841:
835:
825:
819:
815:
803:
792:
791:
766:
680:
672:Ricardo Roca Rey
669:
645:, among others.
644:
633:
622:
610:Carlos Alcántara
607:
596:
578:
530:
498:Santiago Ontañón
495:
484:
473:
434:
329:Teatro Principal
299:Teatro Principal
291:
272:
259:
243:
216:
174:Teodoro de Croix
93:
41:Teatro Principal
2698:
2697:
2693:
2692:
2691:
2689:
2688:
2687:
2683:Theatre in Peru
2673:History of Lima
2663:
2662:
2651:
2620:Artes escénicas
2599:
2581:
2570:
2563:
2548:
2542:
2519:
2512:Paraguay y Perú
2508:
2494:
2472:
2466:
2448:
2434:
2423:
2416:
2402:
2383:
2364:
2361:
2343:
2332:
2325:
2310:
2297:
2278:
2256:
2234:
2231:
2229:Primary sources
2226:
2221:
2220:
2200:
2195:
2194:
2190:
2177:
2176:
2172:
2164:
2160:
2152:
2148:
2140:
2136:
2128:
2124:
2109:
2108:
2104:
2087:
2086:
2082:
2067:
2066:
2062:
2048:
2047:
2043:
2035:
2031:
2023:
2019:
2011:
2007:
1999:
1995:
1987:
1983:
1975:
1971:
1935:
1934:
1930:
1922:
1918:
1910:
1906:
1898:
1894:
1886:
1882:
1866:
1865:
1861:
1853:
1849:
1841:
1837:
1829:
1825:
1817:
1813:
1805:
1801:
1793:
1789:
1781:
1777:
1769:
1760:
1752:
1745:
1737:
1733:
1725:
1721:
1713:
1709:
1701:
1697:
1689:
1685:
1678:
1659:
1658:
1654:
1628:
1627:
1623:
1615:
1611:
1603:
1599:
1566:(25): 245–254.
1557:
1556:
1552:
1544:
1540:
1532:
1525:
1517:
1510:
1474:
1473:
1469:
1462:
1445:
1444:
1423:
1415:
1411:
1403:
1399:
1373:
1372:
1368:
1360:
1356:
1348:
1344:
1336:
1332:
1317:
1309:. p. 253.
1298:
1297:
1293:
1278:
1277:
1270:
1262:
1253:
1233:
1232:
1219:
1184:Hispanic Review
1181:
1180:
1176:
1168:
1164:
1140:
1139:
1135:
1127:
1123:
1115:
1111:
1091:
1090:
1086:
1064:
1063:
1059:
1040:
1021:
1020:
1011:
1003:
999:
969:
968:
961:
947:
946:
933:
918:
895:
888:
887:
880:
872:
865:
850:
849:
845:
833:
827:
826:
822:
805:
804:
795:
768:
767:
758:
753:
740:Culture of Peru
731:
715:
674:
663:
638:
636:Giovanni Ciccia
627:
625:Tatiana Astengo
616:
614:Sergio Galliani
601:
590:
572:
541:
524:
489:
478:
467:
428:
414:
285:
266:
253:
237:
231:Charity of Lima
210:
193:Already in the
191:
186:
170:Cabildo of Lima
114:
87:
74:viceregal times
32:Theatre in Peru
17:
12:
11:
5:
2696:
2694:
2686:
2685:
2680:
2675:
2665:
2664:
2661:
2660:
2628:
2616:
2608:
2598:
2597:External links
2595:
2594:
2593:
2579:
2561:
2555:(in Spanish).
2546:
2540:
2517:
2506:
2492:
2470:
2464:
2446:
2432:
2414:
2400:
2381:
2360:
2357:
2356:
2355:
2341:
2323:
2308:
2295:
2276:
2254:
2230:
2227:
2225:
2222:
2219:
2218:
2188:
2170:
2168:, p. 116.
2158:
2156:, p. 731.
2146:
2144:, p. 341.
2134:
2122:
2102:
2080:
2060:
2041:
2029:
2027:, p. 105.
2017:
2005:
1993:
1981:
1969:
1928:
1916:
1904:
1892:
1880:
1859:
1847:
1835:
1823:
1811:
1799:
1787:
1775:
1773:, p. 197.
1758:
1756:, p. 364.
1743:
1731:
1719:
1707:
1695:
1683:
1676:
1670:. p. 31.
1652:
1621:
1609:
1597:
1550:
1538:
1523:
1521:, p. 729.
1508:
1487:(3): 359–361.
1467:
1460:
1450:(in Spanish).
1421:
1409:
1397:
1386:(1): 115–143.
1366:
1354:
1342:
1330:
1315:
1305:(in Spanish).
1291:
1268:
1251:
1217:
1196:10.2307/470060
1174:
1162:
1133:
1121:
1109:
1106:on 2009-12-17.
1084:
1057:
1054:on 2022-09-24.
1038:
1009:
997:
959:
931:
916:
878:
863:
843:
820:
793:
778:(in Spanish).
755:
754:
752:
749:
748:
747:
742:
737:
730:
727:
714:
711:
699:Espantapájaros
545:national radio
540:
537:
413:
410:
336:Examen crítico
195:Republican era
190:
187:
185:
182:
113:
110:
15:
13:
10:
9:
6:
4:
3:
2:
2695:
2684:
2681:
2679:
2678:Colonial Peru
2676:
2674:
2671:
2670:
2668:
2658:
2655:
2650:
2645:
2641:
2637:
2633:
2629:
2626:
2622:
2621:
2617:
2614:
2613:
2609:
2606:
2605:
2601:
2600:
2596:
2590:
2586:
2582:
2576:
2569:
2568:
2562:
2558:
2554:
2553:
2547:
2543:
2541:9781315011165
2537:
2533:
2529:
2525:
2524:
2518:
2514:
2513:
2507:
2503:
2499:
2495:
2493:84-7100-407-0
2489:
2485:
2484:
2479:
2475:
2471:
2467:
2461:
2457:
2456:
2451:
2447:
2443:
2439:
2435:
2429:
2422:
2421:
2415:
2411:
2407:
2403:
2401:9972-54-072-3
2397:
2393:
2389:
2388:
2382:
2378:
2374:
2370:
2369:
2363:
2362:
2358:
2352:
2348:
2344:
2338:
2331:
2330:
2324:
2320:
2316:
2315:
2309:
2305:
2301:
2296:
2292:
2288:
2284:
2283:
2277:
2273:
2269:
2265:
2264:
2259:
2255:
2251:
2247:
2243:
2242:
2237:
2233:
2232:
2228:
2223:
2214:
2210:
2206:
2205:Texto Crítico
2199:
2192:
2189:
2184:
2180:
2174:
2171:
2167:
2162:
2159:
2155:
2150:
2147:
2143:
2138:
2135:
2131:
2126:
2123:
2119:. 2011-04-08.
2118:
2117:
2112:
2106:
2103:
2098:
2094:
2090:
2084:
2081:
2076:
2075:
2070:
2064:
2061:
2056:
2052:
2045:
2042:
2038:
2033:
2030:
2026:
2021:
2018:
2015:, p. 25.
2014:
2009:
2006:
2003:, p. 22.
2002:
1997:
1994:
1991:, p. 52.
1990:
1985:
1982:
1979:, p. 37.
1978:
1973:
1970:
1965:
1961:
1956:
1951:
1948:(17): 65–80.
1947:
1943:
1939:
1932:
1929:
1926:, p. 20.
1925:
1920:
1917:
1914:, p. 20.
1913:
1908:
1905:
1901:
1896:
1893:
1890:, p. 16.
1889:
1884:
1881:
1876:
1875:
1870:
1863:
1860:
1857:, p. 26.
1856:
1851:
1848:
1845:, p. 27.
1844:
1839:
1836:
1832:
1827:
1824:
1821:, p. 25.
1820:
1815:
1812:
1809:, p. 18.
1808:
1803:
1800:
1797:, p. 30.
1796:
1791:
1788:
1785:, p. 24.
1784:
1779:
1776:
1772:
1767:
1765:
1763:
1759:
1755:
1750:
1748:
1744:
1741:, p. 29.
1740:
1735:
1732:
1729:, p. 27.
1728:
1723:
1720:
1716:
1711:
1708:
1705:, p. 26.
1704:
1699:
1696:
1692:
1687:
1684:
1679:
1673:
1669:
1665:
1664:
1656:
1653:
1648:
1644:
1640:
1636:
1632:
1625:
1622:
1619:, p. 13.
1618:
1613:
1610:
1606:
1601:
1598:
1593:
1589:
1584:
1579:
1574:
1569:
1565:
1561:
1554:
1551:
1547:
1542:
1539:
1536:, p. 29.
1535:
1530:
1528:
1524:
1520:
1515:
1513:
1509:
1504:
1500:
1495:
1490:
1486:
1482:
1478:
1471:
1468:
1463:
1457:
1453:
1449:
1442:
1440:
1438:
1436:
1434:
1432:
1430:
1428:
1426:
1422:
1418:
1413:
1410:
1406:
1401:
1398:
1393:
1389:
1385:
1381:
1377:
1370:
1367:
1364:, p. 54.
1363:
1358:
1355:
1352:, p. 18.
1351:
1346:
1343:
1339:
1334:
1331:
1326:
1322:
1318:
1312:
1308:
1304:
1303:
1295:
1292:
1288:. 2009-07-10.
1287:
1286:
1281:
1275:
1273:
1269:
1265:
1260:
1258:
1256:
1252:
1247:
1243:
1239:
1238:
1230:
1228:
1226:
1224:
1222:
1218:
1213:
1209:
1205:
1201:
1197:
1193:
1190:(2): 93–112.
1189:
1185:
1178:
1175:
1172:, p. 17.
1171:
1166:
1163:
1158:
1154:
1150:
1146:
1145:
1137:
1134:
1131:, p. 31.
1130:
1125:
1122:
1119:, p. 30.
1118:
1113:
1110:
1105:
1101:
1100:
1095:
1088:
1085:
1080:
1076:
1072:
1068:
1061:
1058:
1053:
1049:
1045:
1041:
1039:9972-45-169-0
1035:
1031:
1027:
1026:
1018:
1016:
1014:
1010:
1007:, p. 29.
1006:
1001:
998:
993:
989:
985:
981:
977:
973:
966:
964:
960:
955:
951:
944:
942:
940:
938:
936:
932:
927:
923:
919:
917:84-7908-732-3
913:
909:
905:
901:
894:
893:
885:
883:
879:
875:
870:
868:
864:
859:
858:
853:
847:
844:
839:
831:
824:
821:
818:
813:
809:
802:
800:
798:
794:
789:
785:
781:
777:
776:
771:
765:
763:
761:
757:
750:
746:
743:
741:
738:
736:
733:
732:
728:
726:
724:
720:
712:
710:
708:
704:
700:
696:
692:
688:
684:
683:El rabdomante
678:
673:
667:
662:
657:
655:
651:
646:
642:
637:
631:
626:
620:
615:
611:
605:
600:
594:
589:
585:
580:
576:
571:
567:
563:
558:
554:
553:Jorge Basadre
550:
546:
538:
536:
534:
528:
523:
519:
515:
511:
507:
503:
499:
493:
488:
482:
477:
471:
466:
461:
459:
455:
451:
447:
446:
440:
438:
432:
427:
418:
411:
409:
406:
400:
398:
394:
393:Teatro Segura
390:
385:
381:
377:
372:
370:
365:
363:
359:
355:
351:
347:
346:
341:
337:
332:
330:
326:
322:
318:
314:
313:
307:
305:
301:
300:
295:
289:
284:
280:
275:
273:
270:
265:
260:
257:
252:
247:
241:
236:
232:
227:
225:
221:
220:Ricardo Palma
217:
214:
209:
204:
200:
196:
188:
183:
181:
177:
175:
171:
167:
163:
158:
156:
152:
148:
147:
141:
139:
135:
131:
127:
123:
120:. During the
119:
111:
109:
107:
106:
101:
97:
91:
86:
82:
77:
75:
71:
66:
64:
60:
56:
52:
48:
46:
42:
37:
33:
26:
21:
2647:
2625:Cultura24.tv
2624:
2619:
2611:
2603:
2566:
2551:
2522:
2511:
2482:
2454:
2419:
2386:
2367:
2328:
2313:
2303:
2281:
2262:
2240:
2224:Bibliography
2208:
2204:
2191:
2183:Actualidades
2182:
2173:
2161:
2149:
2137:
2125:
2116:RPP Noticias
2114:
2105:
2096:
2093:Sudamericana
2092:
2083:
2072:
2063:
2054:
2044:
2037:Moncloa 1909
2032:
2020:
2013:Moncloa 1909
2008:
2001:Delgado 1938
1996:
1989:Moncloa 1909
1984:
1977:Moncloa 1909
1972:
1945:
1941:
1931:
1924:Delgado 1938
1919:
1912:Moncloa 1909
1907:
1895:
1888:Moncloa 1909
1883:
1872:
1862:
1855:Moncloa 1909
1850:
1843:Moncloa 1909
1838:
1826:
1819:Delgado 1938
1814:
1807:Moncloa 1909
1802:
1795:Delgado 1938
1790:
1783:Delgado 1938
1778:
1771:Lohmann 1992
1739:Rengifo 2021
1734:
1727:Delgado 1938
1722:
1710:
1703:Delgado 1938
1698:
1686:
1662:
1655:
1638:
1634:
1624:
1617:Moncloa 1909
1612:
1600:
1583:10045/111944
1563:
1553:
1546:Moncloa 1909
1541:
1534:Moncloa 1909
1484:
1480:
1470:
1447:
1417:Moncloa 1909
1412:
1407:, p. 5.
1405:Moncloa 1909
1400:
1383:
1379:
1369:
1357:
1350:Delgado 1938
1345:
1338:Delgado 1938
1333:
1301:
1294:
1285:La República
1283:
1266:, p. 4.
1264:Moncloa 1909
1236:
1187:
1183:
1177:
1170:Delgado 1938
1165:
1148:
1143:
1136:
1124:
1112:
1104:the original
1097:
1087:
1070:
1060:
1052:the original
1029:
1024:
1005:Delgado 1938
1000:
975:
953:
908:10553/112286
891:
874:Moncloa 1905
855:
846:
840:. p. 7.
823:
811:
774:
735:Peruvian art
723:puppet shows
716:
713:21st century
698:
694:
686:
682:
661:Luis Álvarez
658:
653:
647:
581:
556:
549:radio dramas
547:, including
542:
532:
487:Julio Ortega
462:
445:Teatro Colón
444:
441:
436:
423:
412:20th century
404:
401:
396:
392:
387:the name of
383:
379:
375:
374:In 1850 the
373:
368:
366:
343:
333:
328:
324:
320:
310:
308:
298:
278:
276:
262:
249:
246:costumbrismo
245:
228:
206:
199:independence
192:
189:19th century
178:
159:
154:
144:
142:
133:
129:
128:(drama) and
125:
115:
103:
78:
67:
59:bullfighting
54:
50:
44:
40:
31:
30:
2652: [
2319:El Comercio
1641:: 129–143.
1099:El Comercio
954:Mar del Sur
675: [
664: [
639: [
628: [
617: [
602: [
591: [
573: [
525: [
490: [
479: [
468: [
429: [
391:(today the
304:Rosa Merino
286: [
267: [
254: [
238: [
211: [
122:Inca empire
88: [
43:(today the
2667:Categories
2589:1057895566
2442:1025891551
2351:1351938892
2272:1142467063
2250:1031655366
2215:: 120–125.
2166:Balta 2001
2142:Ponce 2016
2130:Balta 2001
2025:Balta 2001
1900:Balta 2001
1831:Balta 2001
1754:Rubin 2013
1715:Balta 2001
1691:Balta 2001
1605:Balta 2001
1362:Balta 2001
1129:Balta 2001
1117:Balta 2001
751:References
695:Collacocha
650:Miraflores
539:Golden Age
533:Holofernes
376:Variedades
360:opened in
345:El Peruano
166:Perricholi
112:Background
2377:956280053
1964:2616-4949
1647:2223-1757
1592:1989-9831
1503:0018-2168
1392:2223-375X
1380:Histórica
1325:974489446
1246:680018634
1204:0018-2176
1079:2523-6318
992:2708-9983
788:632403555
707:Nicomedes
687:Atusparia
535:in 1931.
424:In 1905,
405:La fronda
380:Politeama
264:Ña Catita
55:Politeama
2627:platform
2502:28157476
2480:(1992).
2452:(2000).
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2291:55387767
2260:(1909).
2238:(1905).
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772:(1973).
729:See also
719:circuses
514:Trujillo
502:Arequipa
354:Trujillo
105:Ollantay
51:Olímpico
2074:Perú 21
1874:Infobae
857:Perú 21
323:(later
184:History
130:araguay
100:Quechua
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