42:
210:, in its original version, also lacks winds. But Haydn has turned this lack into a virtue, the ensemble in each case imparting to the work a unique aura or personality that sets it off from its neighbors: in the Nelsonmesse the hard, metallic, fiery brilliance of D trumpets and solo organ; in the Theresienmesse the mellow glow and at times darkish hues of the B-flat instruments.
704:
557:
526:
493:
453:
422:
338:
1000:
231:
has attracted critical admiration; Ehrlich for instance refers to it as an "extraordinary work." Another commentator writes, "Haydn's choral writing has all the variety, rhythmic energy and contrapuntal skill of a composer at the height of his powers."
856:
197:
The mass is scored for solo quartet, chorus, strings, two clarinets, two trumpets, timpani and organ continuo. Concerning the paucity of winds (no oboes, bassoons, horns, or flutes)
921:
206:
The drastic reduction of the wind choir ... is unusual. We are indebted to Brand for an explanation: a shortage of wind players at
Eisenstadt in 1798 and 1799. This is why the
175:
926:
169:
847:
851:
888:
1027:
160:
in May 1801 at the
Viennese Court. The title does not appear on the autograph score, which is labeled simply with the Latin word "Missa".
936:
141:
46:
182:, written in 1799, belongs in this series. The work is thought to have been premiered on 8 September 1799. The location was the
952:
1022:
897:
797:
145:
33:
990:
860:
1032:
881:
164:
183:
1004:
957:
223:
874:
244:. The soloists often appear as an ensemble, without arias. Haydn scored the mass for a large orchestra.
931:
916:
198:
187:
150:
832:
156:
125:
66:
41:
962:
240:
The vocal parts of the mass are performed by four soloists (soprano, alto, tenor and bass) and a
217:
207:
972:
703:
556:
525:
492:
452:
421:
337:
941:
252:
163:
Between 1796 and 1802, Haydn composed six masses to celebrate the name-day of
Princess
1016:
977:
903:
518:
330:
137:
133:
129:
804:
263:. The choir is present in all movements, except the Et incarnatus of the Credo.
256:
248:
148:. The empress herself was the soprano soloist at private performances of both
260:
191:
88:
866:
738:
696:
414:
410:
215:
While probably not as frequently performed as its companions the
241:
100:
870:
295:
792:
790:
798:"Program Notes: Somerset Chamber Choir at Wells Cathedral"
255:
are taken from the choral score, using the symbols for
247:
In the following table of the movements, the markings,
922:
Missa
Cellensis in honorem Beatissimae Virginis Mariae
988:
101:
109:
96:
73:
62:
54:
21:
203:
882:
731:
689:
660:
623:
575:
544:
511:
480:
440:
403:
365:
322:
316:
310:
8:
927:Missa in honorem Beatissimae Virginis Mariae
174:(1768-1845), who was the wife of his patron
23:
761:
722:
715:
679:
672:
651:
613:
606:
565:
534:
501:
471:
464:
430:
393:
356:
349:
889:
875:
867:
265:
40:
18:
852:International Music Score Library Project
828:
826:
824:
995:
786:
7:
937:Missa brevis Sancti Joannis de Deo
14:
142:Maria Theresa of the Two Sicilies
47:Maria Theresa of the Two Sicilies
998:
953:Missa Sancti Bernardi von Offida
702:
555:
524:
491:
451:
420:
336:
49:, for whom the mass is nicknamed
1:
857:Free scores of Theresienmesse
833:John W. Ehrlich program notes
1028:Compositions in B-flat major
861:Choral Public Domain Library
176:Prince Nikolaus Esterhazy II
1049:
165:Maria Josepha Hermenegilde
78:8 September 1799
912:
742:
714:
711:
653:Pleni sunt coeli et terra
632:
629:
605:
602:
463:
460:
348:
345:
286:
283:
280:
277:
274:
271:
268:
39:
32:
567:Et vitam venturi saeculi
432:Quoniam tu solus Sanctus
917:Missa Brevis in F major
296:
1023:Masses by Joseph Haydn
958:Missa in tempore belli
762:
732:
723:
716:
690:
680:
673:
661:
652:
624:
614:
607:
576:
566:
545:
535:
512:
502:
481:
472:
465:
441:
431:
404:
394:
366:
358:Gloria in excelsis Deo
357:
350:
323:
317:
311:
224:Missa in tempore belli
213:
24:
236:Scoring and structure
188:Esterházy family seat
144:, empress consort of
932:Missa Sancti Nicolai
681:Benedictus qui venit
34:Mass by Joseph Haydn
16:Mass by Joseph Haydn
395:Gratias agimus tibi
963:Missa in Angustiis
473:Credo in unum Deum
105:choir and soloists
1033:1799 compositions
986:
985:
778:
777:
503:Et incarnatus est
117:
116:
1040:
1003:
1002:
1001:
994:
949:Esterházy masses
907:
906:
891:
884:
877:
868:
850:: Scores at the
835:
830:
819:
818:
816:
815:
809:
803:. Archived from
802:
794:
765:
763:Dona nobis pacem
756:
755:
754:
753:
735:
726:
719:
707:
706:
693:
683:
676:
664:
655:
646:
645:
644:
643:
627:
617:
610:
598:
597:
596:
595:
579:
569:
560:
559:
548:
538:
529:
528:
515:
505:
496:
495:
484:
475:
468:
456:
455:
444:
434:
425:
424:
407:
397:
388:
387:
386:
385:
369:
360:
353:
341:
340:
326:
320:
314:
299:
266:
173:
140:and named after
103:
92:
91:
85:
83:
44:
27:
19:
1048:
1047:
1043:
1042:
1041:
1039:
1038:
1037:
1013:
1012:
1009:
1005:Classical Music
999:
997:
989:
987:
982:
973:Schöpfungsmesse
942:Missa Cellensis
908:
902:
901:
895:
844:
839:
838:
831:
822:
813:
811:
807:
800:
796:
795:
788:
783:
752:
747:
746:
745:
744:
743:
701:
642:
637:
636:
635:
634:
633:
615:Sanctus Dominus
594:
589:
588:
587:
586:
585:
554:
523:
490:
450:
419:
413:
384:
379:
378:
377:
376:
375:
335:
327:
321:
315:
306:
305:
253:time signatures
242:four-part choir
238:
199:John W. Ehrlich
167:
87:
81:
79:
77:
50:
17:
12:
11:
5:
1046:
1044:
1036:
1035:
1030:
1025:
1015:
1014:
1008:
1007:
984:
983:
981:
980:
975:
970:
968:Theresienmesse
965:
960:
955:
945:
944:
939:
934:
929:
924:
919:
913:
910:
909:
896:
894:
893:
886:
879:
871:
865:
864:
854:
848:Theresienmesse
843:
842:External links
840:
837:
836:
820:
785:
784:
782:
779:
776:
775:
772:
769:
766:
758:
757:
748:
741:
736:
729:
727:
720:
713:
709:
708:
699:
694:
687:
684:
677:
670:
666:
665:
658:
656:
648:
647:
638:
631:
628:
621:
618:
611:
604:
600:
599:
590:
583:
580:
573:
570:
562:
561:
552:
549:
542:
539:
531:
530:
521:
516:
509:
506:
498:
497:
488:
485:
478:
476:
469:
462:
458:
457:
448:
445:
438:
435:
427:
426:
417:
408:
401:
398:
390:
389:
380:
373:
370:
363:
361:
354:
347:
343:
342:
333:
328:
308:
302:
300:
293:
289:
288:
285:
282:
279:
276:
273:
270:
237:
234:
229:Theresienmesse
180:Theresienmesse
128:XXII/12) is a
121:Theresienmesse
115:
114:
111:
107:
106:
98:
94:
93:
75:
71:
70:
64:
60:
59:
56:
52:
51:
45:
37:
36:
30:
29:
25:Theresienmesse
15:
13:
10:
9:
6:
4:
3:
2:
1045:
1034:
1031:
1029:
1026:
1024:
1021:
1020:
1018:
1011:
1006:
996:
992:
979:
978:Harmoniemesse
976:
974:
971:
969:
966:
964:
961:
959:
956:
954:
950:
947:
946:
943:
940:
938:
935:
933:
930:
928:
925:
923:
920:
918:
915:
914:
911:
905:
899:
892:
887:
885:
880:
878:
873:
872:
869:
862:
858:
855:
853:
849:
846:
845:
841:
834:
829:
827:
825:
821:
810:on 2006-05-04
806:
799:
793:
791:
787:
780:
774:B-flat major
773:
770:
767:
764:
760:
759:
751:
740:
737:
734:
730:
728:
725:
721:
718:
710:
705:
700:
698:
695:
692:
688:
685:
682:
678:
675:
671:
668:
667:
663:
659:
657:
654:
650:
649:
641:
626:
622:
619:
616:
612:
609:
601:
593:
584:
581:
578:
574:
571:
568:
564:
563:
558:
553:
550:
547:
543:
540:
537:
536:Et resurrexit
533:
532:
527:
522:
520:
517:
514:
510:
507:
504:
500:
499:
494:
489:
486:
483:
479:
477:
474:
470:
467:
459:
454:
449:
446:
443:
439:
436:
433:
429:
428:
423:
418:
416:
412:
409:
406:
402:
399:
396:
392:
391:
383:
374:
371:
368:
364:
362:
359:
355:
352:
344:
339:
334:
332:
329:
325:
319:
313:
309:
303:
301:
298:
294:
291:
290:
267:
264:
262:
258:
254:
250:
245:
243:
235:
233:
230:
226:
225:
220:
219:
212:
211:
209:
202:
201:has written:
200:
195:
194:, Austria.
193:
189:
185:
181:
177:
171:
166:
161:
159:
158:
153:
152:
147:
143:
139:
135:
131:
127:
123:
122:
112:
108:
104:
99:
95:
90:
76:
72:
68:
65:
61:
57:
53:
48:
43:
38:
35:
31:
28:
26:
20:
1010:
967:
948:
904:Joseph Haydn
863:(ChoralWiki)
812:. Retrieved
805:the original
749:
639:
630:B-flat major
591:
582:B-flat major
551:B-flat major
519:B-flat minor
487:B-flat major
447:B-flat major
381:
372:B-flat major
331:B-flat major
278:Solo voices
246:
239:
228:
222:
216:
214:
205:
204:
196:
179:
162:
155:
151:The Creation
149:
138:Joseph Haydn
134:B-flat major
120:
119:
118:
110:Instrumental
58:B-flat major
22:
257:common time
218:Nelson Mass
208:Nelsonmesse
186:, near the
168: [
157:The Seasons
136:written by
1017:Categories
814:2006-12-20
674:Benedictus
261:alla breve
192:Eisenstadt
184:Bergkirche
146:Francis II
89:Eisenstadt
82:1799-09-08
724:Agnus Dei
717:Agnus Dei
113:orchestra
74:Performed
63:Catalogue
691:Moderato
405:Moderato
281:Marking
275:Incipit
859:in the
771:Allegro
768:S A T B
739:G minor
697:G major
686:S A T B
662:Allegro
625:Andante
620:S A T B
608:Sanctus
577:Allegro
572:S A T B
546:Allegro
541:S A T B
508:S A T B
482:Allegro
437:S A T B
415:C minor
411:C major
400:S A T B
367:Allegro
318:Allegro
307:S A T B
304:S A T B
221:or the
80: (
69:XXII/12
991:Portal
898:Masses
733:Adagio
513:Adagio
442:Vivace
351:Gloria
324:Adagio
312:Adagio
227:, the
178:. The
808:(PDF)
801:(PDF)
781:Notes
466:Credo
297:Kyrie
287:Time
272:Part
172:]
97:Vocal
284:Key
269:No.
259:and
251:and
249:keys
154:and
130:mass
102:SATB
67:Hob.
900:by
190:in
132:in
55:Key
1019::
951::
823:^
789:^
170:de
126:H.
86::
993::
890:e
883:t
876:v
817:.
750:4
712:6
669:5
640:4
603:4
592:8
461:3
382:4
346:2
292:1
124:(
84:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
