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easily carve out an evergreen niche churning out droll power pop, but on her second album Third, she expands into other genre influences and challenges herself as a lyricist to bring a sense of specificity to every bar. She doesn’t always succeed, but the joy of the album is hearing her try and feeling the record’s growing pains." Lindner praised the album's immediacy and melodic hooks, but panned the album's length, saying "Those who prize character above all else in their music will likely find
Brennan compelling enough for 13 tracks, but the rest of us should hope that her relentless experimentation on Third helps her find a genre comfort zone that can work for her to create the truly great record she seems capable of producing."
302:"When someone has suffered violence simply for being who they are, there's an urgency to the lyrics “Kinda tried to hide it, but I never denied it.” Cait Brennan sings these words, and everything else on her new album, Third, as if her life depended on it. Not that she can't reveal a light touch, as when she sings, “he knows too much, I think we'll have to kill him.” If the latter is built on a bedrock of T. Rex hand claps and chugging electric guitars, mixing the lighthearted with the murderous, that just comes with the territory."
464:. Perdomo plays most of the instruments and Brennan provides all of the vocals, but it sounds like an ensemble rather than a construct. With tracking laid down in only three days, the productions are full of early-take life that’s magnified by canny overdubs of guitar, mellotron and other atmospheric touches. This has the energy of a live set and the finesse of a crafted studio product...Those new to Brennan should prepare to be dazzled; fans should prepare to be dazzled anew." Writing in
338:, provided a key chord change on "Shake Away", and plays guitar on the track. Two songs from the album were partly or wholly recorded prior to the Ardent sessions; "Goodbye Missamerica" was a spontaneously improvised home demo recording dating from 2011, enhanced with drums and Mellotron at Ardent, while "LA/Amsterdam" was taken from the completed sessions for Brennan's unreleased second album.
326:." Many of the songs were in unfinished or fragmented form when Brennan and Perdomo arrived at Ardent, and sections were hastily written in the studio during the sessions, often just moments before Brennan sang them. Memphis singer-songwriter Van Duren, whose long association with Ardent dates back to auditioning for
473:
Spectrum
Culture's Grant Lindner offered a somewhat contrasting view, praising Brennan as "a fascinating vocalist who is seemingly at war with trite lyrics and musical tropes. Her voice is rich and captivating, a throwback to the days of glam rock with an unmistakable David Bowie influence. She could
321:
in
November and December 2016, during the final days of a particularly painful romantic breakup. "There was a pretty intense romantic relationship involved," Brennan told Popdose writer Keith Creighton. "Maybe romantic isn’t the right word, but I fell head over heels in love with the boy in question.
244:, who invited the pair to record their next album at Ardent. When the Sire deal did not materialize, the duo traveled to Memphis and recorded 13 songs in three days. During the sessions, the pair used many of the same instruments and amplifiers used by Big Star during their heyday, including
29:
355:, which included a surprise performance of Chris Bell's "I Am The Cosmos" with Jody Stephens on drums, Van Duren on guitar, and Brennan singing Bell's vocal. While in Memphis, Brennan and Perdomo returned to Ardent for three days of additional recording for
346:
Brennan and
Perdomo embarked on a series of full-band release shows and promotional appearances, beginning with a sold-out show at Molly Malone's in Los Angeles. The pair returned to Memphis in early May 2017 for televised performances on
440:, saying "Since this is technically her third album, it’s ineligible for a sophomore slump. And slump this is not. ‘Ascent’ is more apt. Together with creative partner Fernando Perdomo, Brennan combines the best of ‘70s pop -
284:. Omnivore's Cheryl Pawelski had been a longtime fan of Brennan's work, as well as having an extensive history with Ardent and Big Star; Pawelski signed Brennan to Omnivore in January 2017, slating Brennan's
383:, which was recorded in the same studio on much of the same gear. However, Brennan has suggested that the title refers to neither of those things, but instead refers to the ill-fated
470:, Jacob Anderson-Minshall described Brennan as "rock's next big thing" and praised the album and her journey "from actress to filmmaker to critically acclaimed rock goddess."
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I wish I could tell you that was mutual, but the songs would rat me out...I think above all else, that’s what changed me the most, and what drove the creation of
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was
Brennan's second official release, it was the third album she recorded, after temporarily shelving the unreleased
268:, Brennan and Perdomo played all of the instruments, with the exception of two guest appearances by longtime Memphis
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216:. The duo produced Brennan's 2016 debut 'Debutante', as well as an unreleased second album and a set of demos for
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guitarist Robert Mache. The album was engineered by Ardent staff producer/engineer Adam Hill, and mastered by
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addressed the high expectations
Brennan faced after the critical acclaim she received from her debut album
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influences so boldly on its sleeve while still serving as its own original, satisfying statement."
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is a subversive glam-rock masterpiece...It’s a pleasure to hear a new album that wears its
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1226:"Phoenix New Times - After A Rough 2016, Cait Brennan Is Back In The Crowdfunding Game"
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1106:"Paste - Watch the Teaser for Cait Brennan's Psychedelic Soul-Glam Barnburner 'Third'"
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1128:"Village Voice -Best Of 2016 Village Voice Pazz & Jop Critics' Poll"
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relationship she was in at the time, which inspired many of the songs.
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1202:"Pause And Play - Updates / Additions: Jack Ingram, Cait Brennan, etc"
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1153:"Conqueroo - Cait Brennan's Third Charts Its Own Groundbreaking Path"
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before ultimately signing with
Omnivore Recordings in January 2017.
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demo sessions, Brennan and
Perdomo attended a presentation at the
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The album was co-produced and performed entirely by
Brennan and
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on April 21, 2017. The follow-up to 2016's critically lauded
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205:, in the same studio and using many of the same instruments
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Goldmine
Magazine: Record Collector & Music Memorabilia
1670:"WPKN - Eric Cocks' Connections - Favourite Songs Of 2017"
351:, radio interviews, and a release show at Bar DKDC in the
1744:(liner notes). Cait Brennan. Omnivore Recordings. 2017.
1249:"Daily Country - Cait Brennan's Groundbreaking "Third""
1560:"Evan "Funk" Davies - WFMU Playlists - Best of 2017"
1081:
Wendy Parks – project assistance (Space 67 Studios)
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732:
377:
Introducing The Breakdown According To Cait Brennan
363:. Additional tour dates continued throughout 2017.
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Introducing The Breakdown According To Cait Brennan
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Introducing The Breakdown According To Cait Brennan
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511:Stephen Thomas Erlewine's 100 Best Albums of 2017
398:received generally positive reviews from critics.
209:used during its Ardent heyday in the early 1970s.
410:42nd on his list of the 100 best albums of 2017.
1433:"Rock's Next Big Thing: Trans Girl Cait Brennan"
1401:
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1054:Cait Brennan - cover photo, cover package design
1754:: CS1 maint: others in cite AV media (notes) (
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1269:"Pause And Play - New Releases: April 21, 2017"
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288:for a late April 2017 release to coincide with
1627:"Best of 2017: Ten Albums for the Buy-Curious"
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330:in the 1970s, and had played extensively with
317:Brennan composed the majority of the songs on
359:as well as tracking for Perdomo's 2017 album
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1484:Stephen Thomas Erlewine (12 December 2017).
1460:"Omnivore Recordings - Cait Brennan's Third"
1431:Jacob Anderson-Minshall (8 September 2017).
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1408:"Review: Cait Brennan: Transforming Glam"
1354:"Review: Cait Brennan: Transforming Glam"
1180:"New Release - Cait Brennan on Omnivore"
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1051:Greg Allen – photography, package design
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1649:"Alan Haber's Pure Pop - Stars of 2017"
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456:, Raspberries, ELO - with the snap of
264:guitar. As with Brennan's debut album
1625:Creighton, Keith (11 December 2017).
1326:"The Popdose Interview: Cait Brennan"
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16:2017 studio album by Cait Brennan
7:
1406:Keith, John Paul (19 October 2017).
1007:Adapted from the album liner notes.
1780:Albums produced by Fernando Perdomo
1379:"Cait Brennan Release Show Preview"
1582:"The Best Things We Heard In 2017"
1182:. Ardent Studios. 24 February 2017
232:During the recording of Brennan's
14:
1533:Borack, John (January 31, 2018).
1324:Keith Creighton (18 April 2017).
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111:Alternative Distribution Alliance
1647:Haber, Alan (January 14, 2018).
1130:. Village Voice. 25 January 2017
1015:– producer, programming, synths
1714:"iTunes - Cait Brennan 'Third'"
1510:Grant Lindner (27 April 2017).
1377:Jackson Truax (20 April 2017).
1087:– A&R (Omnivore Recordings)
676:WPKN's Favourite Songs of 2017
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272:musician Van Duren and former
179:is the second studio album by
1:
1290:"Credits -Cait Brennan Third"
586:Best Things We Heard In 2017
1352:Greene, Alex (8 May 2017).
1057:Robert Mache – lead guitar
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1790:Omnivore Recordings albums
1075:Glenn Schwartz - licensing
1027:; lead and backing vocals
238:Grammy Museum at L.A. Live
1692:"Albums Of The Year 2017"
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811:"At The End Of The World"
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1604:"10 Best Albums of 2017"
1535:"25 Best Albums of 2017"
1039:(tracks: 4–5, 7, 11, 13)
727: – Standard edition
698:Albums of the Year 2017
280:-winning audio engineer
228:Background and recording
608:10 Best Albums of 2017
535:25 Best Albums of 2017
404:Stephen Thomas Erlewine
1017:(tracks: 4, 8, 11, 13)
862:"Benedict Cumberbatch"
845:"Caitiebots Don't Cry"
562:' Best Albums of 2017
304:
1512:"Cait Brennan: Third"
1486:"Best Albums Of 2017"
976:"Goodbye Missamerica"
694:I Don't Hear A Single
1048:Adam Hill – engineer
959:"Perish The Thought"
828:"A Hard Man To Love"
274:Continental Drifters
1785:Cait Brennan albums
1750:cite AV media notes
1606:. December 12, 2017
1584:. December 19, 2017
1063:Van Duren – guitar
794:"He Knows Too Much"
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1694:. January 14, 2018
1514:. Spectrum Culture
755:"Bad At Apologies"
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560:Evan "Funk" Davies
424:Velvet Underground
391:Critical reception
342:Promotion and tour
60:December 2–4, 2016
1672:. January 1, 2018
1562:. January 3, 2018
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914:Brennan, Perdomo
908:"The Angels Lie"
897:Brennan, Perdomo
888:Fernando Perdomo
868:Brennan, Perdomo
851:Brennan, Perdomo
834:Brennan, Perdomo
831:Brennan, Perdomo
817:Brennan, Perdomo
800:Brennan, Perdomo
783:Brennan, Perdomo
777:"Stack Overflow"
765:Fernando Perdomo
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381:Big Star's Third
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290:Record Store Day
214:Fernando Perdomo
197:was recorded at
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1021:(tracks 10-11)
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402:senior editor
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307:—Alex Greene,
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282:Michael Graves
260:'s cherry red
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183:, released by
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52:April 21, 2017
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991:Total length:
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630:Best of 2017
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433:No Depression
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1724:. Retrieved
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1676:February 11,
1674:. Retrieved
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1620:
1610:December 14,
1608:. Retrieved
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1588:February 11,
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1566:February 11,
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1442:. Retrieved
1438:The Advocate
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1273:. Retrieved
1271:. 2017-03-02
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1206:. Retrieved
1204:. 2016-05-07
1196:
1184:. Retrieved
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1132:. Retrieved
1122:
1110:. Retrieved
1100:
1029:(all tracks)
1013:Cait Brennan
1006:
885:Cait Brennan
879:"Shake Away"
759:Cait Brennan
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467:The Advocate
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246:Alex Chilton
234:Sire Records
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218:Sire Records
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181:Cait Brennan
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131:Cait Brennan
42:Cait Brennan
37:Studio album
1775:2017 albums
1726:11 December
1698:11 February
1654:11 February
1632:11 December
1518:14 December
1495:14 December
1466:14 December
1444:14 December
1413:14 December
1388:14 December
1359:14 December
1332:14 December
1300:14 December
1186:25 February
1159:24 February
1155:. Conqueroo
1134:25 February
1072:– mastering
744:Producer(s)
420:David Bowie
385:polyamorous
296:Composition
1769:Categories
1275:2017-03-03
1254:2017-02-25
1231:2017-02-25
1208:2016-06-17
1093:References
1059:(track 10)
1025:(track 13)
925:"Collapse"
336:Chris Bell
258:Chris Bell
133:chronology
71:Indie rock
1383:LA Weekly
1328:. Popdose
1065:(track 8)
1043:(track 2)
1019:; guitar
1003:Personnel
891:Van Duren
741:Writer(s)
444:, Bowie,
438:Debutante
412:LA Weekly
371:Although
270:power pop
266:Debutante
254:Mellotron
190:Debutante
144:Debutante
75:glam rock
1045:, mixing
1031:, mixing
1023:; piano
648:Pure Pop
530:Goldmine
460:’s ‘80s
400:AllMusic
328:Big Star
220:founder
207:Big Star
185:Omnivore
118:Producer
107:Omnivore
57:Recorded
49:Released
39: by
1294:Discogs
1112:3 March
979:Brennan
962:Brennan
945:Brennan
928:Brennan
911:Brennan
865:Brennan
848:Brennan
814:Brennan
797:Brennan
780:Brennan
626:Popdose
442:Nilsson
406:ranked
349:WREG-TV
203:Memphis
164:(2018)
157:(2017)
148:(2016)
1719:iTunes
1490:Medium
747:Length
506:Medium
458:Prince
454:Sparks
278:Grammy
262:Gibson
252:amps,
250:Hiwatt
85:Length
1742:Third
995:52:45
738:Title
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494:Rank
491:Year
488:List
428:Queen
416:Third
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367:Title
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102:Label
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1756:link
1728:2017
1700:2018
1678:2018
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1634:2017
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1334:2017
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1114:2017
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871:3:17
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820:4:26
803:3:48
786:3:03
769:3:45
702:2017
680:2017
671:WPKN
656:2017
634:2017
612:2017
590:2017
566:2017
554:WFMU
539:2017
515:2017
498:Ref.
462:funk
334:and
256:and
79:soul
973:13.
956:12.
939:11.
922:10.
734:No.
248:'s
201:in
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