590:, I think. Anyway it was brave of him to invite us despite the withering contempt of the posh music establishment. Before our bit, I went out the back for a quick fag and then the doorman didn't want to let me back in. "I've got to play in there", I said. "You must be kidding, son", he said, "they only have proper music in there". Not that night they didn't.
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which varied in live performances. Wyatt plays all the instruments in this section. The lyrics borrow from Soft
Machine's earlier "That's How Much I Need You Now" and "You Don't Remember", but largely from new vignettes recorded in a demo by Wyatt in October 1968 while on holiday in New York state.
312:
project. While a large part of the finished product is essentially a live recording, parts involve tape collage and speeding up, slowing down, looping and backwards-playing of tapes. The ending section is particularly interesting in that two different treatments of the same basic riff (one from the
278:
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nonetheless pushed the boundaries of rock into areas previously unexplored, and it managed to do so without sounding self-indulgent. A better introduction to the group is either of the first two records, but once introduced, this is the place to go."
31:
613:
album a few years later. This version does not contain the lyrics found in the original, but it does include some scat singing from Wyatt. All three pieces on the bonus disc are performed as one continuous suite. (The original vinyl edition of
573:
in the first, marked the first time that a popular-music band played at the classical festival. The disparity of Soft
Machine's concert as compared to the hall's usual fare is explained by Robert Wyatt on the Reckless album's liner notes:
296:
on the live recordings and abrupt editing. "Slightly All the Time" and "Out-Bloody-Rageous" are the most straightforward tracks on the album, representing the jazz-rock sound that would be explored further on subsequent albums.
265:) makes substantial contributions on flute and clarinet on "Slightly All the Time", free-jazz violinist Rab Spall (then a bandmate of Wyatt's in the part-time ensemble Amazing Band) is heard on the coda to "Moon in June", and
337:"Moon in June" is the last song with lyrics that Soft Machine recorded, and their last look back to their progressive rock, pre-jazz sound. The song is in three parts. The first is a pastiche of vocal themes delivered in a
317:) are heard simultaneously, backwards. At the time of the five-piece line-up, "Facelift" was typically expanded with solo improvisations and showcases by Lyn Dobson on flute, vocals and harmonica.
269:(who had been a member of Soft Machine during late 1969 when they spent a short time as a seven-piece band) makes brief appearances on trombone in "Slightly All the Time" and "Out-Bloody-Rageous".
350:
featuring Wyatt and violinist Rab Spall; Spall's part was recorded separately and was sped up and slowed down to make the violin fit the beats of the music. This section also features Wyatt
1398:
461:
582:, who had an evening using the hall to do what he liked with. I believe he'd heard our second LP, asked us on the strength of that. He discovered us on the way to discovering
253:
on saxophone and flute alongside
Ratledge, Wyatt, Hopper and Dean. The remaining tracks are studio recordings by the four-piece line-up, augmented by a few session musicians.
362:" and "Hat Song". A demo of the second and third parts was recorded in Spring 1969, which was spliced onto the October 1968 demo to be included on Soft Machine's 2002
320:"Slightly All the Time" is a medley of different instrumental pieces, including Ratledge's "Backwards" and Hopper's "Noisette". "Backwards" later appeared on fellow
1147:
304:, Croydon, 4 January 1970 (Soft Machine's first gig of the 1970s and the first with the Ratledge/Wyatt/Hopper/Dean/Dobson line-up), with a brief section from the
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1713:
607:, and no longer includes its cacophonous introduction, but adds a new section, "Pigling Bland", which appeared as a track on its own on the group's
346:
archive compilation. The second part features the whole band, and is an instrumental similar to other jazz-rock pieces on the album. The third is a
338:
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1748:
374:
performance that includes a shortened instrumental Part 1 was recorded live at the
Fairfield Halls concert and appears on Soft Machine's 2000
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1967:
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168:
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with a single composition on each of the four sides, and was the first of two albums recorded with a four-piece line-up of keyboardist
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561:, which had been previously released by a small independent company called Reckless Records in 1988. This album was recorded at
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had a fade-out and fade-in of the drum solo connecting the second and third pieces, as was necessary for a two-sided LP.)
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2007:
1991:
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including "Pig", "Orange Skin Food", "A Door Opens and Closes", "Pigling Bland" and "10:30 Returns to the
Bedroom"
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1999:
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An excerpt from a different demo of Part 1, recorded in
November 1968, was included on Robert Wyatt's 2001
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praised the exotic instrumentation and fusion of genres, and concluded, "Not exactly rock,
2015:
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Both discs were re-mastered for the re-issue, improving the sound quality significantly.
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381:"Out-Bloody-Rageous" is an instrumental composed by Ratledge, and contains a number of
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249:"Facelift" is a live recording by the previous line-up of the band, a five-piece with
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archival release. A live recording from 24 May 1970 in London was released on
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on 13 August 1970. The band's performance, in the second half, following the
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1526:
Classic Pop/Rock Review – Soft
Machine, Third / Fourth / Fifth / Six / Seven
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970:
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was "unanimously acclaimed as the band's zenith." A retrospective review in
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545:(2005), the album came #20 in its list of "40 Cosmic Rock Albums".
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940:
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38:
389:. Its name inspired the names of the 2005 Soft Machine biography
308:, Birmingham, 11 January 1970, and some recordings from the 1969
1730:
1726:
1531:
601:"Esther's Nose Job" on the bonus disc originally appeared on
1470:
The Music's All that
Matters: A History of Progressive Rock
513:
The Music's All that
Matters: A History of Progressive Rock
370:, containing a shortened version of parts 2 and 3. A pre-
281:
The tape loops on "Out-Bloody-Rageous" were inspired by
1399:
Christgau's Record Guide: Rock Albums of the
Seventies
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with a second disc comprising a complete live album,
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206:
is a live and studio album by the English rock band
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50:
37:
23:
1493:Q Classic: Pink Floyd & The Story of Prog Rock
210:, released as their third overall in June 1970 by
334:, as part of the "A-Hunting We Shall Go" medley.
1221:"Soft Machine: Third Through Seventh Remasters"
313:live concert, the other, at double speed, from
238:marks a shift in the group's sound from their
1742:
8:
1582:Soft Machine: Live at the Proms 1970: Review
1270:Soft Machine – "Jet Propelled Photograph" LP
479:
429:
1609:Soft Machine: Third through Seven Remasters
1517:
1515:
1365:"Out-Bloody-Rageous An Anthology 1967–1973"
292:had an unpolished sound quality, including
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1735:
1727:
1148:"50 Greatest Prog Rock Albums of All Time"
553:In 2007, the album was re-issued on CD by
404:
393:, and a 2 CD anthology from 2005 entitled
29:
20:
395:Out-Bloody-Rageous An Anthology 1967–1973
1294:"The Soft Machine – Moon in June Lyrics"
1088:"Soft Machine | Biography & History"
1029:
820:
771:
730:
670:
629:
1078:
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716:
543:Pink Floyd & The Story of Prog Rock
1472:. Quartet Books Limited. p. 34.
1316:The Ultimate Robert Wyatt Discography
1248:For Girls Who Grow Plump in the Night
1214:
1212:
1210:
1208:
1206:
1204:
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807:
717:
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331:For Girls Who Grow Plump in the Night
70:Croydon and Birmingham ("Facelift");
62:4 and 11 January 1970, April–May 1970
18:1970 studio album by Soft Machine
7:
1175:
1173:
1171:
300:"Facelift" was recorded live at the
2118:Alive & Well: Recorded in Paris
1722:Romanian Radio Broadcasting Company
1692:(1970) album releases & credits
1339:Bennett, Graham (1 October 2005).
1283:, Rough Trade Records, #3112, 1994
14:
1605:Kelman, John (28 February 2007).
1219:Kelman, John (28 February 2007).
481:
431:
1423:– via robertchristgau.com.
1341:Soft Machine: Out-Bloody-Rageous
1250:(1973) review by Lindsay Planer"
822:Bonus disc from 2007 CD re-issue
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495:
490:
485:
480:
450:
445:
440:
435:
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391:Soft Machine: Out-Bloody-Rageous
1522:Smith, Sid (26 February 2007).
595:Robert Wyatt, album liner notes
2216:Albums recorded at IBC Studios
827:
778:
737:
677:
636:
242:origins towards jazz rock and
1:
1440:Encyclopedia of Popular Music
965:(3), plus on 3 (uncredited):
474:Encyclopedia of Popular Music
360:Singing a Song in the Morning
354:uncredited renditions of two
1559:. hulloder.nl. 23 March 2007
973:, Hohner Pianet, piano, bass
1705:(1970) album to be listened
2237:
2059:Soft Machine Legacy albums
511:According to Paul Stump's
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28:
2133:Live at The Baked Potato
1665:(in Dutch). 18 July 1970
1394:"Consumer Guide '70s: S"
1115:All-Time Top 1000 Albums
541:Classic Special Edition
462:Christgau's Record Guide
385:inspired by the work of
288:The original release of
2221:Columbia Records albums
696:"Slightly All the Time"
339:stream of consciousness
222:, drummer and vocalist
2151:Love Makes Sweet Music
2126:Live at the Proms 1970
1182:"Third – Soft Machine"
1112:Larkin, Colin (1999).
616:Live at the Proms 1970
599:
571:BBC Symphony Orchestra
559:Live at the Proms 1970
285:
874:"Esther's Nose Job" (
576:
280:
230:, and bass guitarist
1468:Stump, Paul (1997).
1404:Ticknor & Fields
1281:Flotsam & Jetsam
978:Additional personnel
846:"Out-Bloody-Rageous"
797:"Out-Bloody-Rageous"
406:Professional ratings
2206:Soft Machine albums
2075:Soft Machine Legacy
1720:a radio channel of
1062:Dutch Album Top 100
1031:
823:
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407:
1586:. Babyblaue Seiten
1555:Soft Releases 2007
1136:on 8 October 2021.
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671:
630:
578:We was invited by
405:
286:
2193:
2192:
2180:The Wilde Flowers
2112:
2070:
1578:Breiling, Achim.
1508:BBC Proms archive
1390:Christgau, Robert
1070:
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992:soprano saxophone
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816:
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567:Royal Albert Hall
509:
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378:archive release.
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198:
195:
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2175:Canterbury scene
2168:Related articles
2110:
2068:
2032:Land of Cockayne
1960:The Soft Machine
1877:Allan Holdsworth
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1618:
1613:. All About Jazz
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1443:(5th ed.).
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1132:. Archived from
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322:Canterbury Scene
244:electronic music
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96:progressive rock
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2090:Burden of Proof
2069:(as Soft Works)
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1938:Paul Carmichael
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1701:Soft Machine –
1688:Soft Machine –
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1637:Official Charts
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1122:. p. 120.
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2040:Hidden Details
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1682:External links
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1659:"Soft Machine"
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1633:"SOFT MACHINE"
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1454:978-0857125958
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1279:Robert Wyatt,
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1225:All About Jazz
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1180:Kurtz, Peter.
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1156:. 17 June 2015
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328:'s 1973 album
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1832:Brian Hopper
1822:Andy Summers
1818:Larry Nowlin
1814:Daevid Allen
1804:Robert Wyatt
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1758:Soft Machine
1714:Album online
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1669:16 September
1667:. Retrieved
1663:DUTCH CHARTS
1662:
1653:
1641:. Retrieved
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1299:SongMeanings
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1189:. Retrieved
1158:. Retrieved
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1134:the original
1120:Virgin Books
1114:
1107:
1095:. Retrieved
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1017:Rab Spall –
955:Robert Wyatt
937:Lowrey organ
909:Soft Machine
760:Robert Wyatt
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259:Pye Hastings
257:(brother of
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224:Robert Wyatt
216:double album
208:Soft Machine
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156:Soft Machine
149:Soft Machine
44:Soft Machine
39:Studio album
15:
2211:1970 albums
2101:Live albums
2066:Abracadabra
2048:Other Doors
1943:Dave MacRae
1933:John Taylor
1928:Tony Rivers
1920:Alan Parker
1897:Percy Jones
1892:Ric Sanders
1857:Phil Howard
1847:Mark Charig
1827:Hugh Hopper
1809:Kevin Ayers
1791:Asaf Sirkis
1777:Theo Travis
1643:11 November
1246:"Caravan –
950:bass guitar
946:Hugh Hopper
925:(all but 3)
659:Hugh Hopper
580:Tim Souster
387:Terry Riley
356:Kevin Ayers
283:Terry Riley
240:psychedelic
232:Hugh Hopper
212:CBS Records
2200:Categories
1968:Volume Two
1924:John Perry
1910:Stu Calver
1905:Jack Bruce
1901:Steve Cook
1852:Nick Evans
1842:Lyn Dobson
1837:Elton Dean
1784:Fred Baker
1617:7 November
1413:089919026X
1350:0946719845
1256:27 October
1252:. AllMusic
1230:27 October
1191:27 October
1073:References
1008:Nick Evans
984:Lyn Dobson
915:Elton Dean
860:"Facelift"
655:"Facelift"
604:Volume Two
383:tape loops
267:Nick Evans
251:Lyn Dobson
228:Elton Dean
214:. It is a
169:Volume Two
158:chronology
101:electronic
2185:Soft Heap
1718:Radio3Net
1047:UK Albums
1040:position
1000:– flute,
971:Mellotron
904:Personnel
835:Writer(s)
786:Writer(s)
745:Writer(s)
685:Writer(s)
644:Writer(s)
401:Reception
368:Backwards
364:Backwards
294:tape hiss
91:Jazz rock
54:June 1970
2160:" (1968)
2153:" (1967)
2111:(Disc 1)
1590:5 August
1563:5 August
1537:5 August
1437:(2007).
1419:12 March
1392:(1981).
1186:AllMusic
1160:28 April
1092:AllMusic
1012:trombone
884:Ratledge
849:Ratledge
800:Ratledge
555:Sony BMG
549:Reissues
522:Allmusic
425:AllMusic
376:Noisette
358:songs: "
144:Producer
136:Columbia
59:Recorded
51:Released
41: by
2143:Singles
2016:Bundles
1709:Spotify
1696:Discogs
1495:, 2005.
1097:28 June
923:saxello
588:the Who
586:. Via
565:in the
533:In the
326:Caravan
263:Caravan
191:(1971)
182:(1970)
173:(1969)
2135:(2020)
2129:(1988)
2121:(1978)
2113:(1973)
2093:(2013)
2085:(2007)
2077:(2006)
2071:(2003)
2051:(2023)
2043:(2018)
2035:(1981)
2027:(1976)
2019:(1975)
2011:(1973)
2003:(1973)
1995:(1972)
1987:(1971)
1984:Fourth
1979:(1970)
1971:(1969)
1963:(1968)
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1451:
1410:
1374:13 May
1369:Amazon
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1324:18 May
1126:
1026:Charts
1019:violin
1014:(2, 4)
1004:(2, 4)
963:vocals
887:Hopper
863:Hopper
838:Length
789:Length
773:Side D
748:Length
732:Side C
707:Hopper
688:Length
672:Side B
647:Length
631:Side A
584:Motown
537:&
419:Rating
416:Source
315:Spaced
310:Spaced
187:Fourth
134:(UK),
110:Length
76:London
67:Studio
2082:Steam
2024:Softs
2008:Seven
1992:Fifth
1976:Third
1703:Third
1690:Third
1038:Peak
988:flute
959:drums
941:piano
896:15:39
890:Wyatt
866:11:22
852:11:54
832:Title
813:39:44
803:19:10
783:Title
764:19:08
742:Title
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713:18:12
682:Title
663:18:45
641:Title
610:Fifth
527:Third
517:Third
372:Third
348:drone
324:band
290:Third
273:Songs
261:from
236:Third
203:Third
178:Third
138:(USA)
127:Label
83:Genre
24:Third
1671:2024
1645:2023
1619:2008
1592:2008
1565:2008
1539:2008
1474:ISBN
1449:ISBN
1421:2019
1408:ISBN
1376:2015
1345:ISBN
1326:2011
1258:2016
1232:2016
1193:2016
1162:2019
1124:ISBN
1099:2021
539:Mojo
2108:Six
2000:Six
1716:on
1707:on
1694:at
1532:BBC
1056:18
1051:OCC
1021:(3)
994:(1)
828:No.
779:No.
738:No.
678:No.
637:No.
132:CBS
72:IBC
2202::
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535:Q
467:B
117::
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