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technique. After 1775, Burke worked primarily by engraving in stipple, giving his work depth and richness. Burke preferred to work for publishers and seldom issued prints himself. His engravings typically featured subject pictures. The first engraving he did after
Kauffman was
139:. He was the preferred engraver of Kauffman, producing 28 stipples of her designs between 1779 and 1795. In 1797 described himself as Engraver to Ludwig X, Landgrave of Hesse Darmstadt. His last work was a portrait of
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99:(1772). From 1775 to 1779, Burke did not sign his plates, starting to sign again with engravings for Ryland in 1779 and producing work for other publishers from 1782.
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Art
Encyclopedia. The Concise Grove Dictionary of Art. Oxford University Press, Inc. Retrieved Nov. 30, 2007.
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sitting on a sleeping woman. The print was a best-seller across Europe.
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Untitled piece (1800) by Thomas Burke. The Graf von Galen
Collection.
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Burke's best known work was a popular print after Fuseli,
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Queen
Charlotte Raising the Genius of the Fine Arts
135:In 1787, he was living at 5 Great College Street,
218:. Vol. 60. London: Smith, Elder & Co.
82:Most of Burke's mezzotints were engraved after
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373:Irish emigrants to Kingdom of Great Britain
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146:He died in London on 31 December 1815.
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55:in 1749, Burke first trained in the
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378:19th-century Irish male artists
166:Strickland, Walter G. (1913).
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172:A Dictionary of Irish Artists
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343:18th-century Irish painters
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358:Artists from Dublin (city)
168:"Thomas Burke, Engraver"
111:(1783), engraving after
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16:Irish artist (1749–1815)
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363:18th-century engravers
200:Fagan, Louis Alexander
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210:Lee, Sidney
137:Westminster
128:showing an
61:Robert West
322:Categories
150:References
141:Wellington
77:Bartolozzi
73:John Dixon
69:mezzotint
301:16 March
261:16 March
202:(1899).
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51:Born in
29:engraver
212:(ed.).
130:incubus
33:painter
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113:Fuseli
71:under
65:London
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53:Dublin
208:. In
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