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64:(or, per a literal translation, the title of the "King's Goldsmith"). Much of his output was to royal commissions, including a number of presentation swords given to the likes of Marshal Foch and Alain Porée, Captain of the Corsairs. His most spectacular surviving piece, a
233:(Musée du Louvre) Inkstand for the portuguese Cardinal João Cosme da Cunha, a pair of wine coolers and saltcellars from the Penthièvre-Orléans service, and a pair of sugar casters for the Duke of Bourbon.
124:(1726–91). Most of his work was destroyed during the financial crises that led to the French Revolution, when rococo objects lost their value; a great deal had also already been lost during the great
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were spectacular; the world's record auction price for a single piece of silver was achieved by a silver tureen by him, stamped for 1733, which was sold at
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49:(none of whose work survives) he did not at first train in the family workshop, but began as a painter, spending the years 1687–1702 in
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Aside from the work for the French crown he had royal patrons in the queen of Spain, the king and queen of Naples, and the
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Royal French Silver. The
Property of George Ortiz - Sotheby's New York: Wednesday November 13, 1996 (Sale 6915)
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Les
Architectes parisiens du xviii siècle : Dictionnaire biographique et critique
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but remained unsold at the time of
Germain's death, when it was sold in 1757 to the
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199:(Museu Nacional de Arte Antiga) Large Surtout for the portuguese Duque de Aveiro
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204:(Getty Museum) Two pairs of tureens for portuguese families, 1726–29 and 1744
223:(Museum in Belém Palace - Lisbon) Inkstand for the royal portuguese family
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in 1735 that Henry Hawley has said "represents the apogee of the French
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Thomas
Germain and his wife Anne-Denise Gauchelet in a 1736 portrait by
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The
Jeweler's Circle. Volume 79, Issue 1 - September 24, 1919, pg. 101
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in
November 1996 for US$ 10,287,500. He made a pair of tureens for
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Museu
Nacional de Arte Antiga Lisboa (Portuguese site)
53:, where he turned his hand towards goldsmith's work.
113:. Germain also did work as an architect, designing
74:, was begun in the years 1729–31 for the tax-farmer
120:At his death, his atelier passed to his fourth son
82:, who took it to Portugal; it is conserved in the
96:Evelyn Pierrepont, 2nd Duke of Kingston-upon-Hull
56:Once again in Paris he received the status of
214:Henry Hawley, "Meissonnier's Kingston Tureen"
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70:on a hunting theme, with dogs and horns and
209:Cristina Neiva Correia, The Bernard Surtout
188:. Paris, 1887. Still the classic monograph.
166:. Paris: Éditions Mengès. p. 235.
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60:(master) in 1720 and was appointed an
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31:(1673–1748) was the pre-eminent
45:The son of a Paris silversmith
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84:Museu Nacional de Arte Antiga
86:, Lisbon. Germain's covered
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258:French decorative artists
126:Lisbon earthquake of 1755
100:Juste-Aurèle Meissonnier
162:Gallet, Michel (1995).
122:François-Thomas Germain
268:Metalsmiths from Paris
76:Samuel-Jacques Bernard
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22:Nicolas de Largillière
115:Saint-Louis-du-Louvre
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263:French silversmiths
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217:Magazine Antiques
106:" (Hawley 1997).
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98:, to designs by
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80:duke of Aveiro
62:orfèvre du Roi
47:Pierre Germain
29:Thomas Germain
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253:1748 deaths
248:1673 births
36:silversmith
242:Categories
184:G. Bapst.
132:References
33:Parisian
88:tureens
38:of the
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104:rococo
58:maître
40:Rococo
72:putti
168:ISBN
51:Rome
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