451:. It started with the discovery of buried toys in the backyard of his childhood home in North Carolina that Carr had purposely buried in the 1970s when he was a teenager. Carr had forgotten about the toys until their discovery. He used these various toy artifacts to create works of art and wrote several professional archaeological papers about the experience. In 2015, he was invited to write an article for
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2017 in
Seattle, Washington, Sans Souci Festival of Dance in Cinema 2017 in Boulder, Colorado, the 2018 Durango Independent Film Festival in Durango, Colorado, the 2018 Solaris Film Festival in Nice, France. In 2017, two of Carr's images from the film were included in a YoungArts photography alumni
436:
After receiving his MA in 1996, Carr worked on a variety of archaeological projects in Idaho, Indiana, Missouri, Montana, New Mexico, Oregon, and Utah. He also served as the instructor of record for courses in North
American Archaeology and Archaeological Methods at the University of Colorado at
538:
e about the common histories of archaeology and photography. The magazine also featured a portfolio of his photography. In 2004 he was invited to exhibit his photographic work at the Center of
Southwest Studies, Fort Lewis College, Durango, Colorado. The exhibit was titled
334:(born July 17, 1964) is an American archaeologist and photographer who has studied the intersection of anthropology and art with an emphasis on the abandonment of human built environments in the natural landscape. His academic work has been published in journals such as
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and earned a Master of Arts in
Anthropology. Carr's MA thesis was published in 1996 in the international peer review journal "Archaeological Prospection". The results of the research received national and international press coverage, including articles in the
494:
International Film
Festival, Eugene, Oregon. The film was also purchased by a number of university libraries and anthropology departments for educational purposes. The film continues to be hosted by The Archaeology Channel's web-streaming site.
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486:, in Mecklenburg County, North Carolina. The emphasis of the film was an effort to understand the process by which historic places are abandoned and rediscovered. The film was premiered in 2000 at the
619:, Littleton, Colorado, in 2009, and the Ute Indian Museum, Montrose, Colorado, in 2017. In 2016 Carr was invited to share a selection of images from this portfolio in the online magazine SAPIENS.
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exhibitions, and he received several Gold Key awards and a nomination for the Kodak
Medallion of Excellence. In 1982 Carr was recognized by the National Endowment for Advancement in the Arts (dbi
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in Denver, Colorado, where he served as a board member from 2006 to 2008. The Center also holds one of his photographs in its permanent collection. In 2003 he was invited to write an article for
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and centered around the exploration of ethnohistoric photography and contemporary documentation of sites on the Great Plains of the western United States. Carr's series was titled
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at
Charlotte and studied photography and anthropology. During this time, he participated in numerous photography exhibitions and held his first solo exhibition in 1984 titled
804:
780:
490:. The film was subsequently screened at two film festivals - the 2003 Kineon 5th International Festival of Archaeological Film, Brussels, Belgium, and in 2004, at the
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Visitor's Center, in
Dolores, Colorado, in 2006. Various local newspapers reviewed the exhibition, including an article by photo historian Judith Reynolds in the
675:
in 2018, and PHOTO PENSATO at the Sangre de Cristo Arts Center in Pueblo, Colorado in 2023. A blog article about the portfolio by curator Lisa
Woodward with the
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369:
In 1979 Carr joined the Light
Factory, a photographic arts education organization in Charlotte. In 1981 and 1982 a number of his early works were exhibited in
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Most recently, Carr has produced an impressionistic and allegorical representation of his years of exploration as an archaeologist and photographer titled
444:). During this time, he worked on a number of archaeological projects and continued to photograph significant historical places and natural landscapes.
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region has been the subject of several major exhibitions and numerous group and juried exhibitions. The Western History and Genealogy Department of the
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In 2015 Carr was invited to hold a major retrospective exhibition of his historical site photography at the Western Art Gallery of the Central
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In 2007 Carr was invited to create a series of photographs for an exhibition at the Mizel Museum of Denver, Colorado. The exhibit was titled
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667:. Images from this series have been exhibited in a number of juried exhibitions from 2018 to the present, including three prints in the
342:. He has lectured extensively on archaeology, photography, visual ethnography, and historic preservation. His photographic work in the
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in the spring of 2005 about the World War II era Japanese American internment camp in Colorado known as Amache. Also in 2005, the
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Carr then undertook a visual ethnography study of homelessness as seen through the lens of photography. The project was titled
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1126:"From Nordenskiold to Nusbaum: photography, archaeology, and tourism in the early years of Mesa Verde National Park"
649:
572:
From Nordenskiold to Nusbaum: photography, archaeology, and tourism in the early years of Mesa Verde National Park
392:). A profile of Carr and his photographic work was the subject of a feature article in the spring 1985 edition of
216:
363:
267:
648:, and the fieldwork was conducted from 2016 to 2018, and involved visiting upwards of 80 homeless camps in the
567:
762:
Reynolds, Judith (2004). "Presence in the West: Photographer revitalizes notion of Romanticism – freshly".
249:
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491:
623:
616:
575:
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347:
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Chandler, Mary Voelz (2006). "Buried Treasure: Library, museum dig deep for Mesa Verde photo history".
440:
From 2001 to 2015 Carr worked as a staff archaeologist with State Historical Society of Colorado (dba
1396:
1351:
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Froyd, Susan (2007). "Eyewitness Reports: the message is the medium at the Mizel Museum's new show".
657:
597:
704:"Investigating regional lithic procurement using multi-spectral imagery and geophysical exploration"
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Marglin, Elizabeth (2005). "Earth, wind and stone: Three shows at the Dairy examine the elements".
601:
580:
44:
548:
238:
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Carr, Thomas (2003). "Photography and Archaeology: Parallel Histories, Colorado Perspectives".
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was published in July of 2023. In October of 2023, Carr was accepted as an Associate Member of
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and went on to be hosted at the Farmington Museum, in Farmington, New Mexico in 2005, and the
154:
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873:
Spotts, Peter N. (1997). "High-Tech Archaeology Has Teams Logging On, Not Just Digging In".
715:
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343:
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EarthNews (1997). "Fieldwork in Orbit: Unearthly excavations pinpoint ancient quarries".
592:. Also in 2006, and in association with the celebration of the 100th anniversary of the
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In 2006 Carr co-curated an exhibition of vintage photographs chronicling the history of
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in Boulder, Colorado, hosted an exhibition of Carr's portfolio from Scotland titled
781:"Presence within Abandonment: Photography, Archaeology, and Western Historic Sites"
462:
Since 2021, Carr works as the Cultural Resource Team Lead/Senior Archaeologist for
359:
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urban corridor of Colorado. The project resulted in two major exhibitions at the
541:
Presence Within Abandonment: Photography, Archaeology, and Western Historic Sites
805:"Collection: Thomas Carr Photo Collection | Denver Public Library ArchivesSpace"
1000:"YoungArts to Premiere Newly Commissioned Short Films at OUTSIDE THE BOX Event"
517:
In 2017 and 2018 the film was screened at a number of film festivals including
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From late 2016 to early 2017 Carr had an exhibition of his photography titled
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Between 1998 and 2000 Carr produced and directed an ethnohistoric film titled
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551:. Carr was invited to write another article and associated photo essay for
589:
914:"Colorado archaeologist excavates his childhood toys, discovers himself"
720:
10.1002/(SICI)1099-0763(199609)3:3<109::AID-ARP52>3.0.CO;2-P
600:
Museum of Anthropology to exhibit his portfolio of photographs taken at
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Around 2008 Carr undertook a study of his own personal history, title
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holds a collection of Carr's photographs in its permanent archives.
953:"Forgotten Place: The History of an Abandoned Farming Community, A"
680:
578:. The exhibit was highlighted in several newspapers, including the
506:. Carr collaborated with filmmaker Kayla Briët and animator/dancer
95:
external links, and converting useful links where appropriate into
937:
Powell, Dannye Romine (2000). "Filmmaker hoping we won't forget".
463:
1188:
Ellingboe, Sonya (2009). "Photos show a sense of past presence".
889:"The Role of Toys in the Archaeology of Self | History Colorado"
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to Thomas Foster Carr and Marion Lee Carr. The family moved to
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from the article and its talk page, especially if potentially
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1328:"Photo Pensato | Sangre de Cristo Arts and Conference Center"
380:
From 1984 to 1992 Carr attended undergraduate college at the
832:. Spring edition. University of North Carolina at Charlotte.
1024:"Enlightened: Contemporary Photography by YoungArts Alumni"
843:
Schrader, Ann (1997). "CU Team Finds Ancient Quarries".
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archaeological sites in the Southwestern United States.
556:
399:
From 1993 to 1996 Carr attended graduate college at the
1230:"New Photography Exhibit Combines Art With Archaeology"
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Hilligoss, Brian (1985). "Portfolio: Thomas Lee Carr".
748:. Winter 2003. Colorado Historical Society, Denver, CO.
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and was held in the Western Art Gallery of the Central
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84:
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may not follow Knowledge (XXG)'s policies or guidelines
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University of North Carolina School of the Arts alumni
676:
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to participate in a collaborative art project called
161:, and by adding encyclopedic content written from a
588:. The exhibit also won a Best of Denver award from
1303:"Lies at the Colorado Photographic Arts Center"
584:. Carr also wrote an accompanying article for
1254:"Tree and Leaf | Denver International Airport"
377:) as a Promising Young Artist in Visual Arts.
358:Thomas Lee Carr was born on July 17, 1964, in
1352:"Thomas Carr | The Archaeology of Light copy"
449:Excavating Childhood: the archaeology of self
8:
480:Robinson Rock House Ruin and Plantation Site
1072:"Sixty years later: the remnants of Amache"
53:Learn how and when to remove these messages
230:about living persons that is unsourced or
1228:Edmunds, Christopher Chase (2015-07-08).
702:Carr, Thomas L.; Turner, Mort D. (1996).
545:Canyons of the Ancients National Monument
319:Learn how and when to remove this message
301:Learn how and when to remove this message
181:Learn how and when to remove this message
115:Learn how and when to remove this message
1150:"Best Historic Photo Show -- Group 2007"
1130:History Colorado. LucideaCore ARGUS.net
1076:History Colorado. LucideaCore ARGUS.net
1052:CPAC: Colorado Photographic Arts Center
691:
656:in Lakewood, Colorado, in 2019 and the
514:, and was premiered in Miami, Florida.
16:American archaeologist and photographer
1432:Artists from Charlotte, North Carolina
1282:Arts, Humanities & Social Sciences
630:, and a review of it was published in
609:10 "Glocal" Artists Interpret Genocide
142:contains content that is written like
1442:University of Colorado Boulder alumni
862:(published October 1997). p. 16.
641:at the Denver International Airport.
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1422:21st-century American archaeologists
1417:20th-century American archaeologists
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615:and went on to be exhibited at the
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673:Colorado Photographic Arts Center
532:Colorado Photographic Arts Center
401:University of Colorado at Boulder
34:This article has multiple issues.
677:FAR Center for Contemporary Arts
660:Museum of Anthropology in 2020.
386:Winter Scenes from McAlpine Park
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42:or discuss these issues on the
522:exhibition title "Enlighted".
455:and his story was featured on
390:Queens University of Charlotte
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1177:(published January 11, 2007).
875:The Christian Science Monitor
530:Around 2002 Carr, joined the
1192:(published January 1, 2009).
561:Farmers, Saints, and Tyrants
498:In 2016 Carr was invited by
382:University of North Carolina
208:biography of a living person
1412:Photographers from Colorado
1203:Carr, Thomas (2016-01-28).
1099:(published March 13, 2005).
941:(published March 28, 2000).
877:(published April 16, 1997).
785:Center of Southwest Studies
488:Charlotte Museum of History
388:at the Queens College (now
235:must be removed immediately
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957:www.archaeologychannel.org
809:archives.denverlibrary.org
746:Colorado Heritage Magazine
708:Archaeological Prospection
596:, Carr was invited by the
586:Colorado Heritage Magazine
553:Colorado Heritage Magazine
453:Colorado Heritage Magazine
340:Colorado Heritage Magazine
336:Archaeological Prospection
979:Solitude, Darkness, Light
847:(published May 11, 1997).
766:(published May 19, 2004).
626:. The exhibit was titled
570:. The exhibit was titled
536:Colorado Heritage Magazin
512:Solitude, Darkness, Light
420:Christian Science Monitor
364:Charlotte, North Carolina
1427:People from Toledo, Ohio
1205:"Conflict on the Plains"
1114:(published May 7, 2006).
976:YoungArts (2016-10-24),
665:The archaeology of light
628:Thomas Carr: Expeditions
568:Mesa Verde National Park
510:. Their film was titled
354:Early life and education
1112:The Rocky Mountain News
893:www.historycolorado.org
681:Pirate Contemporary Art
1048:"Permanent Collection"
939:The Charlotte Observer
613:Conflict on the Plains
222:Please help by adding
918:Colorado Public Radio
683:in Denver, Colorado.
624:Denver Public Library
617:Town Hall Arts Center
576:Denver Public Library
457:Colorado Public Radio
348:Denver Public Library
163:neutral point of view
912:Yoanna, Michael de.
658:University of Denver
598:University of Denver
228:Contentious material
85:improve this article
581:Rocky Mountain News
492:Archaeology Channel
155:promotional content
97:footnote references
764:The Durango Herald
602:Ancestral Puebloan
508:Isabela Dos Santos
157:and inappropriate
1258:www.flydenver.com
1175:Westword Magazine
1004:BroadwayWorld.com
830:Sanskrit Magazine
590:Westword Magazine
557:Dairy Arts Center
476:A Forgotten Place
394:Sanskrit Magazine
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1309:. 2018-09-01
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