Lumiere Pictures and Television

1853:

Lumière de Jean Cazès, the second French catalogue of film and audiovisual rights, having itself acquired the British catalogue Weintraub (formerly Thorn EMI) in 1991, while Lumiere Pictures and Television formed earlier in 1992 as a merger between two French companies: Jean Cazes' Initial Groupe (est. 1984) and Investissements en Droits Audiovisuelles (est. 1987). Lumiere owned a substantial library of films from the Thorn EMI Screen Entertainment/Weintraub library, representing a third of all films made in the UK from the beginning of silent pictures. Cazes then spun-off Lumiere's Los Angeles branch into a new company, Lumiere International.

1845:

de Rouvre who had embarked in the cinema in the late 1920s, Cyril de Rouvre brings together his film assets within the Robur Financière: the Compagnie Française de cinématographie (CFC), the Consortium Financier pour la production de films (CFPF) and Coficiné, which specialises in the financing of production. Rouvre gradually separates from its industrial activities and then rachats multiple film catalogues (Les Films Gibé, Les Films Corona, Silver Films) created in August 1987 via a new subsidiary, Robur Droits Audiovisuels.

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and brought in, sometimes inexperienced technicians. And because he didn't interfere, a lot of those films under his reign were flops, also he was told to make so many films instead of being told you have got money to make a number of films when you get the right story. A lot of films, I think, were made for the sake of being made.

879:("MGM-British Studios") and move their equipment to EMI's Elstree studio. MGM and EMI would then distribute and produce films in co-operation through a joint venture to be called MGM-EMI. and MGM began to finance some of EMI's productions. EMI's studio complex was renamed EMI-MGM Elstree Studios while a 1848:

In 30 June 1992, the Financière Robur merges its catalogue of films with that of UGC by absorbing UGC Droits Audiovisuels, its subsidiary founded in 1985. The UGC group takes control of the new company, the first catalogue of films in France with nearly 1500 feature films and 500 hours of audiovisual

1844:

In July 1981, Cyril of Rouvre Do a OPA surprise on the Compagnie Fraissinet en difficulté. Having become specialised in the maintenance and resale of business aircraft, Fraissinet-Transair becomes the Financière Robur in tribute to the hero of Jules Verne, Robur-le-Conquérant. The grandson of Antoine

1576:

Lambert resigned in July 1985. After this TESE wound down its in-house production arm and relied on films from independent outfits. That month, TESE signed a deal with French distributor AAA for a 30-month output of the entire British film library, serving 20 films, and did not want to cover all home

1568:

In March 1985, Thorn-EMI announced they would set up a production fund worth $ 175 million to make around twenty films. Film Finance Director John Reiss said the fund would be used as loans for filmmakers or to invest in films budgeted around $ 13–14 million. Reiss said that the films would be made

973:

had by now greatly reduced its own investment in British film production to a token presence. Cohen was not unaware of the problems inherent in his dominant position. Meanwhile, dependent on support from the most profitable parts of EMI, the company's financial position meant that they had to avoid

830:

would allow Lew Thornburn to run the studio and would only go in on major matters. Also, because he, as a director... had been interfered with so much by front office he felt that, when he gave people the money to make a film, it shouldn't interfere and because of that he gave young people a chance

799:

Forbes resigned in March 1971, after committing himself to a no-redundancy policy. He had made eleven films in total for an estimated cost of £4 million. Although Forbes' regime was seen at the time to have been a commercial failure, he later claimed that by 1993 his £4 million program of films had

804:

Bryan Forbes was a fighter, and he did his best to discipline the oldfashioned, small-minded labour force. But the penny-pinching, unimaginative management was just as bad. The £4,000,000 ‘revolving production fund’ was never forthcoming. Worst of all was the ‘respectable’ taste which dictated the

1122:

Deeley and Spikings's method was to only make a film if at least half the budget was put up by an American studio, reducing their financial risk although making the studio's product less obviously British. They focused on movies with international appeal – i.e. action films – and major stars. The

1852:

In November 1993, UGC Droits Audiovisuels acquired United Communication, mainly holding the French-speaking rights of the catalogue of the MGM and United Artists nearly 800 American films and 2,000 hours of television. The continued consolidation in January 1996 with the acquisition of the group

890:

It was originally announced that MGM-EMI would make six to eight films a year, but they ended up producing far fewer. Forbes was given the title of managing director of MGM-EMI to add to his existing title of head of production. In July 1970 MGM-EMI announced they would make four co-productions:

1762:

was hired as chairman of the television unit, corporate vice president and a member of the executive committee. In July, the Bank of America terminated its credit line with Weintraub after difficulties in syndicating parts of the loan to other banks due to the Thorn-EMI loan. The Group's first

953:

Nat Cohen took over Forbes' responsibilities as head of production after his resignation in 1971. Cohen backed productions intended for international success, and EMI had a more obviously commercial outlook. In October 1971, EMI's chairman John Read admitted the film division had performed

1374:

In March 1981, Spikings admitted AFD has not "gotten off to a flying start" and would be wound up, with Universal taking over distribution of EMI Films. He argued that "production and distribution are not linked" and pointed to the five Oscars that EMI films had earned. In particular,

1344:. He admitted that sixty percent of the company's film budget would be spent in America the following year but "100% of the profits would come to this country... We have got to make films we believe are international, to get the money to bring exports back to this country." 1856:

Later that year in June, Canal+ in turn, acquires UGC Droits Audiovisuels, with the rights of more than 5,000 films. An alliance strongly encouraged by their common shareholder, the General of the Eaux, which holds both 25% of UGC Droits Audiovisuels, and 20% of Canal+.

459:

in 1988, who in turn ended up selling half of the EMI Elstree Studios site to Tesco for a supermarket, before Hertsmere Council eventually acquired what was left of the Elstree Studios, and, as of 2018, continues to operate it as a film and television studios centre.

1840:

La Compagnie Fraissinet was a Marseille arming company by maritime transport. During the 1960s, decolonization and competition with jet-powered air travel weakened the group's results and it ended up selling its maritime assets to the Chargers Gatten in 1964.

523:

EMI announced they would make 28 films for $ 36 million—13 of these would be from Cohen's unit for £7 million, the rest from Forbes'. Bernard Delfont called it "probably the most ambitious program ever undertaken by a British film company."

1454:). The division was primarily active in both the UK and the US, as well as in Australia. In addition to Thorn EMI's own material, the division licensed titles from other companies, mostly those who had no home video division at the time, including 1649:, and a management buyout led by Gary Dartnall. The following month, in December 1985, it accepted a £110 million ($ 161.7 million) management offer to place the entire Thorn EMI Screen Entertainment division up for sale. The company's division, 791:

The company was affected with labour problems. Forbes felt as though he did not have the support of the EMI board, arguing that he never had the funds to market his films, in contrast with those available to Anglo-EMI, which was headed by

653:"This is the first serious effort to revitalize the British film industry in 20 years", said Forbes. He added, "We intend to give youth a chance and not merely pay lip service to it. This is our first program and it won't be our last." 536:

at a cost of £5–10 million in total. His aim was to keep budgets down and create a varied slate which would increase the chances of appealing to audiences and making a sufficient return to continue productions.

966:(both 1971) performed well in relation to their budgets. "The experts say you're doing well if you make money out of one in three films", said Read. "We see filmmaking as a significant profit earner in the future." 1625:... it was terribly tough and not a very happy experience. But I was determined to see out my three-year contract. By the end I'd had enough of corporate life and wanted to see what I could do as an independent." 825:

It was a great tragedy that Bryan failed. Part of the reason I think was that he got himself very much involved in little things instead of letting John Hargreaves, who was his number two, to run the studio like

920:, which took over international distribution of MGM produced films. At this point the distribution company became EMI Film Distributors Ltd., and EMI-MGM Elstree Studios reverted to EMI-Elstree Studios. 527:

Forbes announced his intention to make a variety of films at Elstree, steering away from what he called the "pornography of violence." He claimed EMI would make 14 films in 18 months with such stars as

520:

as the head of production at Elstree in April 1969 for three years at £40,000 a year, plus a percentage of the profits. As part of the general shake up of EMI, Nat Cohen was appointed to the Board.

969:

Cohen was responsible for overseeing about 70% of the films produced in the UK during 1973, following a significant decline in domestic projects overall. In particular, long-term duopoly rival

1770:

In January 1989, Usher left his position as President of the Weintraub International Enterprises. The Bank of America and WEG established a new credit line for two years and $ 95 million with

5164: 3633: 1617:

Lambert recalled in 1997: "the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of...

6167: 4238: 1875:

label in the United Kingdom on VHS and DVD. However, its name in the UK was kept until 2006 when StudioCanal opened its own distribution unit in the UK, with titles distributed through

2678: 3575:

John Heilpern (28 June 1970). "The End: In the Last Fifteen Years the British Cinema Has Lost Four-Fifths of its Audience. Today Half of the Industry'sTechnicians Are Out of Work".

3067: 408:

conglomerate, the corporate name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986, but the company's brief connection with

6157: 5781: 817:, which made only too clear the intransigent mediocrity of the people in key positions. Thus, what was probably the last chance of saving the British film industry was lost. 1119:, became joint managing directors of EMI Distributors, with Nat Cohen remaining as chairman and chief executive. They also joined the EMI board, headed by Bernard Delfont. 6152: 6147: 6127: 954:

disappointingly. "Profits were negligible last year and we felt it was desirable to make one or two provisions to write off some of the costs." However films like

6142: 6122: 883:

company MGM-EMI Distributors Ltd. was formed as part of the co-production agreement. This company, headed by Mike Havas would handle domestic distribution of

6102: 2267: 4947:"Creditors Agree With Weintraub to Settle Lawsuit : * Film: Two banks had accused the producer of taking an unwarranted $ 748,000 in developing 'Hook" 1751:

in May 1987 its 2,000-title British film library, the Thorn-EMI Screen Entertainment library, for $ 85 million with $ 50 million from a loan. On July 20,

6137: 4151:

ALJEAN HARMETZ (1 August 1977). "If a Movie Goes in America, Will Rest of World Buy It?: E.M.I. Films Chief Says Answer Depends Upon Motion and Stars".

1726:'s RSO Films for multiple films budgeted in the $ 12-million to $ 15-million range. With Stigwood's partnership, WEG was to finance a film version of 1593:

and Simon Perry in order to gave the independent outfits "complete freedom" to develop motion pictures. The last films made under Lambert's watch were

6117: 1868: 1328:, which was released at the end of the year, but was a box-office failure. Lord Delfont announced that the company had purchased two British scripts, 1004:(1974), which Cohen later claimed was the first British movie fully financed by a British company to reach the top of the American box office charts. 1833:

Its early origins of Canal+ Image and StudioCanal was first founded in 5 August 1873 as Marseille Louis and Adolphe Fraissinet, under the appelation

3318: 2329: 1793: 1000: 1887:

Lumiere Pictures and Television financed and produced films under several names and with a series of production partners. Below are the main ones:

6132: 2606: 3637: 1535:

In December 1984, Thorn EMI offered investors the chance to invest in several films by issuing £36 million worth of shares. The films were

6112: 4140:

Michael Deeley (2009). "Blade Runners, Deer Hunters and Blowing the Bloody Doors Off: My Life in Cult Movies". Pegasus Books. pp. 128–199.

3087: 1903: 474: 1199:'s production company, Tomorrow Enterprises, and formed EMI Television, headed by Gimbel. They made a large number of American TV movies like 5147: 3819: 3591: 1860:

UGC Droits Audiovisuels and Canal+ D.A. was merged and renamed as Canal+ Image International in June 1997, before the merger of the company

6107: 2353: 1814:

to investors who had been misled by the brokerage's $ 83 million bond issue prospectus for the now-bankrupt Weintraub Entertainment Group.

4338: 800:

eventually brought EMI a profit of £16 million. (In 1994 he said the profit was £18 million from 18 films.) Linsday Anderson later wrote:

5175: 5001: 1577:

video rights. On August 6, 1985, Thorn EMI Screen Entertainment agreed deals with various production outfits such as John Bradbourne and

6097: 5629: 3237: 2235: 3345: 3288: 2472: 1172: 5541: 5211: 3961: 3328: 1914: 724: 1803:

Film Asset Holding Co., a company formed by WEG's two primary bank creditors, sued Weintraub over his structuring of a sale of the

928:

EMI's other filmmaking division, Anglo-EMI Film Distributors Ltd, which had come out of Anglo-Amalgamated, was run autonomously by

4648: 4195: 1521:, and UA would receive North American rights, while EMI received international rights to the film and pay $ 4.5 million delivery. 1946: 979: 917: 778: 4550: 1653:, which EMI bought in 1976, and all trademarks of the British Lion name, which was divested to a former staffer of the company, 6172: 5231: 2964: 2383: 2345: 2187: 2041: 1962: 1216: 748: 2869: 2065: 1712: 498: 448: 90: 2025: 3695: 3675: 2774: 2694: 2535: 2147: 1692: 1677: 1143: 5546: 5531: 5291: 3051: 3012: 2718: 1994: 1611: 1561: 1296: 742: 4397: 5987: 5940: 5276: 2956: 2893: 2845: 2702: 2598: 2139: 1978: 1954: 1930: 1488: 1312: 1246: 730: 3397: 3258: 2750: 1660:

In April 1986, Thorn EMI sold its film production and distribution arm (Thorn EMI Screen Entertainment), home video (

4921:"Weintraub Is Expected to File Chapter 11 : Entertainment: The film firm seeks to cut off bondholders' action" 4517:

Newport, David (1 August 1985). "Three of the best: David Newpart on three big theatrical names going into films".

4364:

Fiddick, Peter (24 November 1983). "Cinema Verity: Peter Fiddick talks to EMI-Thorn 's new film production chief".

3059: 2566: 2291: 2283: 2112: 2104: 1986: 1719:. WEG also signed a 20-year distribution deal with Columbia and planned to release seven or eight movies per year. 1578: 762: 3371: 1755:

joined the Group as President of the Weintraub International Enterprises division and as a senior vice president.

5697: 4771: 3222: 3187: 3179: 2972: 2821: 2558: 2243: 1817:

After the company shut down its assets were reorganized into the WEG Acquisition Corp, and are currently held by

1537: 1280: 1201: 2829: 2456: 1467: 1387: 1184: 1081: 6092: 4110:

Mills, Bart (2 September 1977). "British money is suddenly big in Hollywood,'right up with Fox and Warner'".

2805: 1807:

story to Sony Pictures Entertainment in the fall of 1990. Weintraub and Film Assets settled in January 1992.

443:

who acquired the library's then-owner, the United Kingdom-based Lumiere Pictures and Television in 1996, via

3206: 3111: 2980: 2837: 2813: 2742: 2734: 2574: 2375: 2219: 2081: 1669: 1543: 1532:. The deal saw HBO take a stake in the venture and contribute their own productions for video distribution. 1498: 1377: 1256: 1220:(1979) at the last moment, after Bernard Delfont read the script and objected to its treatment of religion. 1044: 939: 784: 805:

choice of projects. However urgent the pressure, the new Elstree should not have kicked off with duds like

5950: 5858: 5614: 5286: 4971: 3809: 2367: 2259: 2203: 1898: 1748: 1673: 1654: 1638: 837: 452: 270: 4842: 1633:

In November 1985, Thorn EMI Screen Entertainment was placed up for sale with interested buyers including

813:(Peter Sellers). Most horribly significant was the grudging, purblind treatment of Bryan’s own excellent 6012: 5992: 5888: 5878: 5786: 5718: 5609: 5581: 5252: 5204: 4815: 4790: 4627: 2758: 2726: 2710: 2433: 2399: 2337: 2127: 2057: 1938: 1708: 1634: 1525: 1355: 1037: 859: 736: 656:

In November 1969 Nat Cohen and Bernard Delfont announced a slate of eight more films for EMI including:

440: 432: 325: 279: 5486: 4946: 4920: 4868: 4744: 4719: 4681: 2853: 1324: 835:

Among the films Forbes wished to make but was unable to during his time at Elstree were adaptations of

423:

The library passed through the hands of several companies over the following years and is now owned by

5930: 4893: 2766: 1680:. They also sold their stake in the video venture inherited from Thorn EMI (which had been renamed as 6087: 5903: 5301: 2901: 2646: 2630: 2614: 2511: 2464: 2321: 2307: 2195: 2155: 2073: 1646: 1482:

was appointed head of production. Gary Dartnall became executive chairman. Lambert's first slate was

1178: 1149: 977:

In May 1973, Cohen announced a £3 million production slate of movies including an adaptation of

584: 6064: 5848: 5368: 5306: 5139:

Icons in the Fire: The Rise and Fall of Practically Everyone in the British Film Industry 1984–2000

3214: 3198: 3171: 3117: 2686: 2654: 2582: 2480: 2179: 2033: 2017: 1569:

for international audiences. On 15 May 1985, Thorn EMI Screen Entertainment made an agreement with

956: 884: 876: 872: 850: 409: 5448: 3427: 1722:

In March 1987, WEG signed its first production and distribution deal, a three-year agreement with

5975: 5393: 5257: 5095: 5039: 4611: 4594: 4577: 4534: 4502: 4485: 4459: 4381: 3401: 3375: 3349: 3262: 3138: 3129: 2925: 2877: 2861: 2519: 2448: 2404: 2049: 1822: 1676:

a week later. A year after the purchase, a cash-strapped Cannon sold most of the film library to

1650: 1607: 1349: 1262: 1131: 1108: 5823: 5247: 2590: 1771: 1508:. Lambert said they aimed to make five films a year ranging in budget from $ 5 to $ 10 million. 1207: 5383: 1524:

November 1984 saw Thorn EMI Video's US division form a partnership with pay television company

5143: 4656: 3957: 3953: 3815: 3324: 3102: 3096: 3081: 3020: 2797: 2171: 2163: 2132: 1907: 1759: 1700: 1341: 1300: 1267: 1229: 985: 970: 962: 934: 753: 502: 494: 393: 285: 94: 17: 3888: 1123:

initial Deeley-Spikings slate included three films shot in the US, with $ 18 million in all"

6052: 6019: 5863: 5756: 5741: 5713: 5468: 5443: 5388: 5373: 5197: 3028: 2988: 2917: 2782: 2670: 2391: 1595: 1463: 880: 752:

was abandoned. Forbes clashed with Bernard Delfont and their American backers, in this case

401: 397: 343: 5458: 5311: 4031: 3536:

Dennis Barker (9 August 1969). "Parable of talent: DENNIS BARKER interviews Bryan Forbes".

2841:(October 1980) – with Brooksfilms – distributed by Columbia-EMI-Warner (UK), Paramount (US) 1573:

whereas Thorn EMI would release Gladden's films for international theatrical distribution.

6024: 6007: 5955: 5945: 5915: 5634: 5536: 5521: 5398: 5378: 5331: 5326: 5296: 2543: 1970: 1728: 1723: 1716: 1696: 1684:

in the meantime), resulting in HBO running the video label alone from that point forward.

1455: 1236:

Michael Deeley left EMI in 1979 but Barry Spikings remained in charge of film production.

1125: 1058: 943: 827: 768: 513: 304: 245: 5473: 1715:

were principal investors. WEG also arranged a $ 145-million, 7-year credit line with the

1347:

In February 1981, Barry Spikings announced a slate of films worth £70 million, including

5925: 5267: 330: 5970: 5829: 5766: 5707: 5702: 5624: 5571: 3835: 3783: 3144: 3123: 3072: 2933: 2909: 2885: 2662: 1922: 1876: 1835:

Nouvelle Compagnie Marseillaise de navigation à vapeur A. et L. Fraissinet et compagnie

1704: 1642: 1590: 1570: 1512: 1479: 1459: 1224: 1116: 1112: 947: 846: 718: 595: 574: 311: 193: 179: 6029: 4056:

Shamoon, Stella (9 July 1975). "EMI putting £6 million into films in next 12 months".

6081: 6002: 5960: 5868: 5591: 5362: 4339:"It's Not TV: HBO, The Company That Changed Television: Expanding The Brand (Part 1)" 3004: 2419: 2251: 2211: 1818: 1582: 1555: 1333: 1090: 991: 842: 529: 436: 6034: 5586: 5090: 6162: 5965: 5771: 5516: 5481: 5316: 3163: 3150: 2622: 2495: 2299: 2227: 1811: 1797: 1786: 1737: 1733: 1289: 1271: 1251: 1196: 1189: 910: 757: 564: 517: 482: 456: 444: 290: 122: 4278:

Kilday, Gregg (28 October 1978). "FILM CLIPS: A New Dimension for a Brother Act".

1741: 1170:

EMI also signed an agreement to invest $ 5 million in Columbia films. They picked

512:

EMI moved into film production with the foundation of a new company, EMI-Elstree.

5341: 5336: 5321: 5138: 4166:

Champlin, Charles. (27 May 1977). "CRITIC AT LARGE: In Search of World Viewers".

3748: 5898: 5802: 5776: 5660: 5619: 5601: 5438: 5428: 4997: 4720:"Weintraub's Worries : Box-Office Flops Add to Woes of Flashy 'Mini-Major'" 3659:

McEWAN, IAN (15 August 1969). "British Film Czar Plans to Revitalize Industry".

3055:(June 1986) (TESE) - with Gladden Entertainment, distributed by 20th Century-Fox 3036: 1861: 1778: 1752: 1665: 1368: 1052: 588: 533: 486: 424: 389: 320: 175: 165: 80: 5403: 5184: 5179: 1007:

In July 1975, Cohen announced a £6 million programme of eleven new films:

5853: 5751: 5553: 5526: 5511: 5491: 4095:

Kilday, Gregg (22 October 1977). "FILM CLIPS: 'The Body Snatchers' Moves Up".

4032:"BFI Screenonline: Film Studios and Industry Bodies > EMI Film Productions" 2996: 2948: 2527: 2096: 1782: 1586: 1549: 1504: 1137: 897: 712:

The first few films of Forbes' regime actually performed poorly commercially:

338: 70: 31: 5423: 4660: 5893: 5883: 5576: 4020:. London. 11 February 1975. p. 7 – via The Times Digital Archive. 2638: 2503: 1796:. Later that month, Jerry Weintraub left the company and forged a deal with 1661: 1316: 1304: 1155: 929: 793: 506: 417: 413: 265: 4592:

Watkins, Roger (11 December 1985). "Thorn EMI accepts bid by management".

766:(1970). Forbes was also criticised within EMI for directing his own film, 540:

In August 1969 Forbes announced his slate of fifteen projects, including:

5908: 5873: 5807: 5563: 5356: 5064: 3495:. London. 9 April 1969. p. 23 – via The Times Digital Archive. 2411: 1517: 1223:

In April 1978, EMI announced they would make films with the newly formed

5043: 5027: 5026:

Bulletin de la Société de l'histoire du protestantisme français (1989).

4323:

Barker, Dennis (3 March 1981). "British role in US film market is cut".

5920: 5761: 5453: 5433: 5413: 5220: 5032:

Bulletin de la Société de l'Histoire du Protestantisme Français (1903-)

3890:

The British Film Industry in the 1970s: Capital, Culture and Creativity

2275: 2002: 428: 4196:""John Wick with spurs" – A look at Walter Hill's Unmade The Last Gun" 4005:. London. 9 May 1973. p. 4 – via The Times Digital Archive. 2881:(May 1982) – with British Lion, distributed by United Artists Classics 1394:

Also in 1981, Thorn EMI entered the fast-growing home video market as

5997: 5935: 5463: 5418: 5408: 2263:(1972) – produced by Kanter, Ladd and Kastner (AE) (Dist by P in USA) 1610:, which was distributing EMI's films ever since 1981 after acquiring 938:(1971). They also financed and distributed a series of films made by 696:

from a book by Gerald Durrell produced by Michael Medwin (never made)

201: 189: 4442:

Brown, Maggie (20 March 1985). "Thorn EMI plans $ 175m film fund".

4293:

Barker, Dennis (12 March 1980). "British films get British boost".

916:

MGM pulled out of the amalgamation in 1973, and became a member of

5733: 5723: 5351: 5346: 3874:. London. p. 37 – via The Sunday Times Digital Archive. 420:

conglomerate (following the merger with Thorn) are outlined here.

197: 5028:"Les Fraissinet, une famille d'armateurs protestants marseillais" 4500:"Thorn EMI Signs Up Slew of British Indies To Production Pacts". 3934:

Gary Arnold. (15 July 1970). "Spectrum Of Interest: Film Notes".

1829:

Lumiere Pictures and Television/UGC DA/Canal+ Image International

1800:, while Columbia still remained indebted to releasing WEG films. 1699:. In February 1987, WEG received $ 461 million in financing from 5746: 1871:

formerly handled distribution of StudioCanal titles through the

490: 5193: 4869:"WEEKEND BOX OFFICE : Freddy Shreds the Movie Competition" 4483:"Thorn EMI Inks France's AAA To 20-Pic Exclusive Output Deal". 1707:

and others in the form of securities, bank loans and advances.

485:' shares in ABPC the previous year. At the time ABPC owned 270 356: 5982: 3192: 478: 405: 260: 5165:"Cold Streaks: The Studio Stewardship of Bryan Forbes at EMI" 5131:

National Heroes: British Cinema in the Seventies and Eighties

857:

a post-apocalyptic story from Richard Condon. He turned down

455:

ended up purchasing the studio as well, but later sold it to

4379:"EMI Sues UA Over 'War Games' Distrib Rights, Territories". 2889:(December 1982) – with Brooksfilms, distributed by Universal 1614:

elected to dissolve the U.S. partnership by mutual consent.

871:

In April 1970, EMI struck up a co-production agreement with

637:

from a script by Julian Bond based on a story by Roger Moore

3476:

Pearson, Kenneth (13 April 1969). "The Great Film Gamble".

3175:(1988): first original production, grossed only $ 7 million 2968:(November 1984) - distributed by The Samuel Goldwyn Company 1810:

In August 1998, a jury verdict for $ 7 million was lost by

5189: 4609:"British Lion Subsid of TESE Sold Off To Former Staffer". 4532:"EMI & Universal To Dissolve U.S. Distribution Pact". 4084:. London. p. 3 – via The Times Digital Archive. 3480:. p. 53 – via The Sunday Times Digital Archive. 2929:(May 1983) – with Universal, distributed by AFD, Universal 231:

Christine Ghazarian (Head of Overseas Sales, Paris Office)

3954:"Women in British Cinema: Mad, Bad and Dangerous to Know" 2960:(August 1984) - with Kings Road, distributed by Universal 2833:(October 1980) – with Robert Stigwood, distributed by AFD 1767:

in August; it grossed $ 1.6 million the opening weekend.

4457:"Thorn And Gladden Profess Ignorance of Revised Terms". 1322:

In March 1980, EMI were only making one film in Britain

1244:

Spikings announced a slate of films under his auspices:

875:. The Hollywood studio announced they would sell their 631:

a musical about Dr Barnardo with music by Michael Lewis

3346:"Lumiere sets its sights on H'wood, seeks cash allies" 2679:

Can You Hear the Laughter? The Story of Freddie Prinze

1606:

On 20 August 1985, Thorn EMI Screen Entertainment and

1141:(all 1978). They also made three British-based films, 932:. This wing of the company had released films such as 663:

starring Carol White and Malcolm McDowell (never made)

3870:

Pearson, Kenneth (4 April 1971). "News in the Arts".

3068:

Interstella 5555: The 5tory of the 5ecret 5tar 5ystem

1478:

In January 1983, Barry Spikings left the company and

756:, over the artistic and commercial value of director 2825:(October 1980) – with Orion – distributed by Warners 2801:(July 1979) – with British Lion – distributed by AFD 5839: 5816: 5795: 5782:

Messner Vetere Berger McNamee Schmetterer/Euro RSCG

5732: 5690: 5647: 5600: 5562: 5502: 5275: 5266: 5240: 3183:(1988): $ 26 million budget, grossed $ 13.8 million 2976:(December 1984) - with HBO, distributed by Columbia 1511:On 1 March 1983, EMI Films filed a lawsuit against 351: 337: 251: 241: 217: 207: 185: 171: 160: 128: 118: 100: 86: 76: 66: 44: 3422: 3420: 3418: 2183:(1971) (AE) – produced by Kanter, Ladd and Kastner 863:(1970) because its projected budget was too high. 4649:"COMPANY NEWS; Cannon Will Sell Home Video Stake" 4016:"'Murder on the Orient Express' tops US charts". 3956:. London & New York: Continuum. p. 128. 669:from the novel by Stanley Winchester (never made) 4745:"Weintraub Entertainment and RSO reached a pact" 3696:"EMI puts faith and £15 million into filmmaking" 3634:"BRYAN FORBES INTERVIEW at ABPC ELSTREE STUDIOS" 2937:(May 1983, produced in 1981) - distributed by WB 1821:, while the television rights are controlled by 1099:Cohen resigned as chairman on 31 December 1977. 708:a film directed by John Schlesinger (never made) 6168:Film production companies of the United Kingdom 4972:"Bear Stearns Misled Its Investors, Jury Finds" 3560:"Britain steps back into cinema's big league". 1307:, his brother. EMI's film division was renamed 547:(with Peter Sellers, directed by Alvin Rakoff), 4789:Knoedelseder Jr., William K. (7 August 1987). 4180:Deeley in his memoirs says the sixth film was 3919:""MGM to Close, Down English Film Facility"". 3592:"British finance backs plans for 15 new films" 3024:(March 1986) - distributed by 20th Century-Fox 887:and EMI-produced films in the United Kingdom. 5205: 4791:"Cannon Group Loses $ 9.9 Million in Quarter" 4628:"Cannon Group Loses $ 9.9 Million in Quarter" 4549:Lambert, Verity; Hughes, Scott (5 May 1997). 3893:, Basingstoke: Palgrave Macmillan, 2013, p.47 3811:Never apologise : the collected writings 1789:, Sony/Columbia traded its 15% share in WEG. 1777:In 1989, as a result of Sony/Columbia hiring 1398:, featuring an initial line-up of 14 titles ( 1159:(1978). Films announced but not made include 473:The company was formed after the takeover of 8: 4843:"Weintraub Taps Rosenzweig as TV Unit Chief" 4682:"HBO said it is buying out HBO/Cannon Video" 4626:WILLIAM K. KNOEDELSEDER JR (7 August 1987). 3947: 3945: 3907:British Film Studios: An Illustrated History 3742: 3740: 3454:British Film Studios: An Illustrated History 3323:. University Press of Kentucky. p. 56. 39: 6158:Mass media companies disestablished in 2000 5089:James, Alison; Dawtrey, Adam (7 May 2006). 4551:"CV; Verity Lambert Founder, Cinema Verity" 3883: 3881: 2992:(June 1985) - distributed by Orion Classics 1744:. However, the studio dropped the project. 998:The greatest success of Cohen's regime was 705:a film starring Julie Christie (never made) 675:from a novel by James Barlow - this became 439:'s acquisition of European cinema operator 60:Lumiere Pictures and Television (1992–1996) 5272: 5212: 5198: 5190: 3398:"Lumiere reorganizes sales, biz divisions" 3259:"Lumiere reorganizes sales, biz divisions" 2952:(December 1983) - distributed by Universal 2897:(February 1983) – distributed by Universal 643:directed by Frank Nesbitt with John Mills, 56:Thorn EMI Screen Entertainment (1979–1986) 38: 27:British-French film studio and distributor 4894:"Harry Usher Joins Executive Search Firm" 3901: 3899: 3676:"8 new British films are in the pipeline" 3622:. No. 38.4 (Fall 1969). p. 181. 3521:"Shot in Arm for British Film Industry". 3016:(October 1985) - distributed by Universal 3008:(October 1985) - distributed by Universal 3000:(October 1985) - distributed by Universal 702:from Simon Gray's stage play (never made) 690:from a novel by Susan Baratt (never made) 501:at Shenley Road, and had recently bought 227:Chris Cary (Head of Business Development) 6153:Mass media companies established in 1969 6148:British companies disestablished in 2000 4816:"Usher Named Division Head at Weintraub" 3729:"Forbes Quits as Elstree's Film Chief". 3506:"ECONOMY: Ease the squeeze now please". 3167:(1988): distribution rights, $ 3 million 3134:TESE = as Thorn EMI Screen Entertainment 2489:Michael Deeley and Barry Spikings regime 2452:(December 1976) - also with British Lion 6128:French companies disestablished in 2000 4575:"Several Offers But No TESE Sale Yet". 3977:"EMI faces the music Braham, Michael". 3320:Columbia Pictures: Portrait of a Studio 3249: 3040:(March 1986) - distributed by Universal 3032:(March 1986) - distributed by Universal 2984:(March 1985) - distributed by Universal 2905:(March 1983) – distributed by Universal 2607:One in a Million: The Ron LeFlore Story 913:. Of these only the last was not made. 416:, and the later company as part of the 58:Cannon Screen Entertainment (1986–1988) 52:Anglo-EMI Film Distributors (1971–1973) 4713: 4711: 4709: 4707: 4705: 4703: 4398:"HBO, Thorn EMI Team in Video Venture" 4312:. London. 2 February 1981. p. 11. 3312: 3310: 3088:Associated British Picture Corporation 1657:, of Britannic Film & Television. 1111:and the two men who ran British Lion, 475:Associated British Picture Corporation 6143:British companies established in 1969 4919:Cieply, Michael (14 September 1990). 3840:British Entertainment History Project 3788:British Entertainment History Project 3456:. London: B. T. Batsford. p. 75. 3283: 3281: 3279: 2913:(Mar 1983) – distributed by Universal 2268:Never Mind the Quality Feel the Width 1192:played himself in the last of these. 598:directed by John Bryson (unproduced), 7: 6123:French companies established in 1992 6060: 4772:"Is It Time Now to Cry for 'Evita'?" 4770:Greeberg, James (19 November 1989). 3694:Shamoon, Stella (26 November 1969). 3564:. London. 13 August 1969. p. 5. 2857:(December 1980) – distributed by AFD 2849:(December 1980) – distributed by AFD 821:Editor Teddy Darvas later observed: 451:in Hertfordshire, England; in turn, 235:Martin Bigham (Technical Operations) 6103:Film production companies of France 4718:Cieply, Michael (11 January 1989). 4615:. 11 December 1985. pp. 3, 26. 3753:. London: Methuen/BFI. p. 203. 3714:"City comment: Soon the darkness". 3344:Williams, Michael (24 April 1995). 2460:(May 1977) – also with British Lion 2191:(1971) (AE) – directed by Ken Loach 1528:; the company then became known as 1107:In May 1976, the company purchased 4900:. ASSOCIATED PRESS. 7 January 1989 4396:Seideman, Tony (1 December 1984). 4129:. London. 19 May 1976. p. 18. 4080:Z (9 July 1975). "News in Brief". 3909:, London: B.T Batsford, 2001, p.76 3674:Owen, Michael (25 November 1969). 3590:Day-Lewis, Sean (13 August 1969). 3372:"Lumiere rocks to French classics" 3370:Hopewell, John (20 October 2012). 2865:(August 1981) – distributed by AFD 2473:Close Encounters of the Third Kind 1651:British Lion Film Productions Ltd. 1240:Spikings, AFD and Thorn-EMI merger 1173:Close Encounters of the Third Kind 942:, which partly came about through 412:and Anglo-EMI, the division under 225:Alastair Waddell (Chief Executive) 25: 6138:2000 disestablishments in England 5163:Vagg, Stephen (10 October 2021). 5091:"Studio Canal moves into Blighty" 4427:"Producer splits cost of films". 4239:"Orion's Star Rises in Hollywood" 4237:Harmetz, Aliean (19 April 1978). 2921:(Sep 1983) – distributed by Orion 2873:(March 1982) – distributed by AFD 1792:In September 1990, WEG filed for 1299:, to distribute films of EMI and 1103:Michael Deeley and Barry Spikings 156:(as a home video label in the UK) 54:EMI Film Distributors (1973–1979) 6118:2000 disestablishments in France 6059: 6048: 6047: 4978:. Bloomberg News. 25 August 1998 4945:Citron, Alan (18 January 1992). 4841:Delugach, Al (1 February 1988). 3750:The Encyclopedia of British Film 3238:Lumière (Brazilian film company) 2817:(June 1980) – distributed by AFD 1371:film). The latter was not made. 1050:film spin offs of the TV series 296:Lumiere Pictures and Television: 233:Alison Trumpy (TV Sales Manager) 5185:Information about their history 4867:Voland, John (23 August 1988). 3525:. 29 November 1969. p. a9. 3510:. 30 November 1969. p. 18. 3289:"Cannon sells its Film Library" 2346:Monty Python and the Holy Grail 1864:with Le Studio Canal+ in 2000. 1311:, to reflect EMI's merger with 1295:Delfont created a new company, 1065:All Things Bright And Beautiful 974:backing any risky productions. 788:(1971) were Forbes' only hits. 684:the story of a penis transplant 567:from a script by Harold Pinter, 481:, following the acquisition of 382:Lumiere Pictures and Television 6133:1969 establishments in England 4637:– via Los Angeles Times. 4581:. 27 November 1985. p. 3. 4194:Vagg, Stephen (14 July 2020). 3981:. 10 October 1971. p. 14. 3396:Groves, Don (13 August 1993). 3257:Groves, Don (13 August 1993). 3191:(1989): a TV movie release on 3075:", a member of the EMI Group") 2531:(1978) – with 20th Century Fox 2333:(1974) (AE) (Dist by P in USA) 2325:(1974) (AE) (Dist by C in USA) 2108:(1971) (ME) (Dist by C in USA) 1695:was formed on July 1, 1986 by 1391:had been box-office failures. 1309:Thorn EMI Screen Entertainment 378:Thorn EMI Screen Entertainment 276:Weintraub Entertainment Group: 91:Associated British Productions 18:Thorn EMI Screen Entertainment 1: 6113:1992 establishments in France 5069:Audiovisual Identity Database 4431:. 10 January 1985. p. 4. 3836:"Interview with Teddy Darvas" 3784:"Interview with Bryan Forbes" 3782:Fowler, Roy (9 August 1994). 3747:Brian McFarlane, ed. (2003). 3733:. 26 March 1971. p. e15. 3157:Weintraub Entertainment Group 3071:(May 2003) (D) (credited as " 2775:The Legend of Walks Far Woman 2354:All Creatures Great and Small 2311:(1974) (D) (Dist by P in USA) 1867:In the 1990s to early 2000s, 1693:Weintraub Entertainment Group 1688:Weintraub Entertainment Group 1678:Weintraub Entertainment Group 1428:The Day the Earth Caught Fire 404:. A former subsidiary of the 229:Ralph Kamp (Theatrical Sales) 4538:. 21 August 1985. p. 3. 4263:"The man who came to film". 4226:. 26 July 1976. p. f12. 3097:Associated Film Distributors 2719:The Killing of Randy Webster 2523:(1978) – with United Artists 2442:Co-productions with Columbia 2384:It Shouldn't Happen to a Vet 2330:Murder on the Orient Express 2236:Henry VIII and His Six Wives 1995:Mr. Forbush and the Penguins 1672:. Bond, in turn, sold it to 1668:) operations to businessman 1612:Associated Film Distribution 1515:, whereas EMI would finance 1297:Associated Film Distribution 1085:with Dick Emery (never made) 1069:It Shouldn't Happen to a Vet 1019:(this later was replaced by 1001:Murder on the Orient Express 743:Mr. Forbush and the Penguins 605:directed by Lionel Jeffries, 256:Cannon Screen Entertainment: 6108:Film distributors of France 5941:Gaiam Vivendi Entertainment 5119:, Mandarin Paperbacks, 1993 4506:. 7 August 1985. p. 3. 4489:. 17 July 1985. p. 22. 4267:. 18 July 1979. p. 10. 4222:"Gimbel Will Head EMI-TV". 3718:. 8 March 1971. p. 12. 3122:Orion = co-production with 2703:Sophia Loren: Her Own Story 2026:Blood from the Mummy's Tomb 1979:The Tales of Beatrix Potter 1931:The Man Who Haunted Himself 1440:Sophia Loren: Her Own Story 1313:Thorn Electrical Industries 1233:(1979) and other projects. 807:The Man Who Haunted Himself 731:The Man Who Haunted Himself 694:My Family and Other Animals 556:The Man Who Haunted Himself 237:Jamie Carmichael (TV Sales) 147:; 18 years ago 134:; 24 years ago 106:; 55 years ago 6189: 6098:International sales agents 4385:. 2 March 1983. p. 7. 3808:Anderson, Lindsay (2004). 2567:The Girl Called Hatter Fox 2284:Steptoe and Son Ride Again 1214:EMI backed out of funding 516:appointed writer-director 469:Bryan Forbes and Nat Cohen 370:Canal+ Image International 40:Canal+ Image International 29: 6043: 5227: 4463:. 15 May 1985. p. 4. 4125:"Acquisition of B Lion". 3923:. April 1970. p. a6. 3452:Warren, Patricia (2001). 3317:Dick, Bernard F. (1992). 3223:The Gods Must Be Crazy II 3188:The Karen Carpenter Story 3180:My Stepmother Is an Alien 3116:MGM = co-production with 2559:The Amazing Howard Hughes 2539:(1978) (Dist by P in USA) 2515:(1978) (Dist by C in USA) 2499:(1977) (Dist by C in USA) 2223:(1972) (AE) (documentary) 1404:April Wine Live in London 1202:The Amazing Howard Hughes 1195:In July 1976, EMI bought 611:, directed by Paul Watson 505:, a film studio in which 223:Jean Cazes (Chairman/CEO) 5126:, Harrap and Stein, 1974 3149:WB = co-production with 3143:UA = co-production with 3080:AA = co-production with 2778:(May 1982) (filmed 1979) 2042:Straight on Till Morning 1963:A Fine and Private Place 1468:Hemdale Film Corporation 1082:Kind Hearts and Coronets 749:A Fine and Private Place 647:Forbush and the Penguins 621:adaptation of the novel 614:adaptation of the novel 609:A Fine and Private Place 302:Caisse des Depots (54%;) 30:Not to be confused with 3814:. Plexus. p. 381. 3704:(subscription required) 3684:(subscription required) 3550:Walker, 1974, p.426-428 3137:U = co-production with 3128:P = co-production with 3112:Hammer Film Productions 3110:H = co-production with 3101:C = co-production with 3060:It Couldn't Happen Here 2981:Morons from Outer Space 2743:A Piano for Mrs. Cimino 2547:(1978) – with Universal 2220:Afternoon of a Champion 2082:To the Devil a Daughter 1736:as writer/director and 1544:Morons from Outer Space 1499:Morons from Outer Space 1045:To The Devil A Daughter 983:(1974) and a sequel to 940:Hammer Film Productions 785:Tales of Beatrix Potter 447:. EMI Films also owned 388:) was a British-French 300:Independent (1992–1995) 164:Acquired and merged by 48:EMI-Elstree (1969–1970) 6173:The Cannon Group, Inc. 5859:Blizzard Entertainment 5615:Red Production Company 3428:"Vertical integration" 3295:. Reuter. 5 April 1987 2735:The Manions of America 2148:Entertaining Mr Sloane 1432:The Best of Benny Hill 855:The Loud, Loud Silence 849:; a musical about the 833: 819: 594:a film of a script by 489:, a half share in the 271:The Cannon Group, Inc. 6013:Universal Interactive 5993:Universal Music Group 5889:Radical Entertainment 5879:Massive Entertainment 5787:Snyder Communications 5253:Arnaud de Puyfontaine 5142:, Orion Books, 2005. 3095:AFD = distributed by 3052:The Manhattan Project 3013:The Holcroft Covenant 2759:Coming Out of the Ice 2711:My Kidnapper, My Love 2434:Welcome to Blood City 2400:Seven Nights in Japan 2338:Sunday in the Country 2011:Hammer co-productions 1939:The Breaking of Bumbo 1915:And Soon the Darkness 1794:Chapter 11 bankruptcy 1709:The Coca-Cola Company 1589:and Chris Chrisafis, 1571:Gladden Entertainment 1562:The Holcroft Covenant 1356:Memoirs of a Survivor 1303:, then controlled by 1038:Seven Nights in Japan 823: 802: 737:The Breaking of Bumbo 725:And Soon the Darkness 635:Question of Innocence 581:The Feathers of Death 571:The Breaking of Bumbo 433:Universal Music Group 309:Euro Clinvest (6.5%;) 280:The Coca-Cola Company 5904:Sierra Entertainment 5232:List of owned assets 5002:"Statuts mis à jour" 4473:Walker, 1985, p35-36 3579:. London. p. 9. 3540:. London. p. 6. 3207:She's Out of Control 3107:D = distributor only 2814:Can't Stop the Music 2647:Lawman Without a Gun 2631:Lawman Without a Gun 2512:Warlords of Atlantis 2429:(1977) (documentary) 2196:Up the Chastity Belt 2140:Spring and Port Wine 2074:Holiday on the Buses 1955:Spring and Port Wine 1947:The Railway Children 1647:Heron Communications 1452:Queen: Greatest Flix 1412:Can't Stop the Music 1378:Can't Stop the Music 1150:Warlords of Atlantis 980:Swallows and Amazons 877:Borehamwood facility 779:The Railway Children 623:Candidate of Promise 603:The Railway Children 585:Richard Attenborough 551:And Now the Darkness 509:had been a partner. 5956:Knowledge Adventure 5849:Activision Blizzard 5136:Walker, Alexander, 5129:Walker, Alexander, 5122:Walker, Alexander, 4058:The Daily Telegraph 3952:Sue Harper (2000). 3936:The Washington Post 3763:Walker, 1985, p 114 3700:The Daily Telegraph 3640:on 24 December 2015 3596:The Daily Telegraph 3215:Troop Beverly Hills 3118:Metro-Goldwyn-Mayer 3086:ABPC = produced by 2965:Not for Publication 2751:A Question of Honor 2655:The Cracker Factory 2481:The Cheap Detective 2292:The Final Programme 2121:Nat Cohen/Anglo-EMI 2034:Mutiny on the Buses 1747:WEG purchased from 1530:Thorn EMI/HBO Video 989:(1966) released as 946:'s friendship with 873:Metro-Goldwyn-Mayer 746:(1971) flopped and 673:The Burden of Proof 616:The Bitter Lollipop 435:and parent company 410:Metro-Goldwyn-Mayer 372:(formerly known as 50:MGM-EMI (1970–1973) 41: 5976:Universal Pictures 5817:Equity investments 5630:Tandem Productions 5258:Pierre Rodocanachi 5065:"Lumiere Pictures" 4776:The New York Times 4653:The New York Times 4243:The New York Times 4184:. See Deeley p 134 4153:The New York Times 3618:"In the Picture". 3491:"BUSINESS diary". 3130:Paramount Pictures 2973:A Passage to India 2878:Britannia Hospital 2870:Evil Under the Sun 2862:Honky Tonk Freeway 2854:The Mirror Crack'd 2695:The Dances Goes On 2363:(1976) (abandoned) 2066:Love Thy Neighbour 2050:Demons of the Mind 1966:(1970) (abandoned) 1823:Paramount Pictures 1608:Universal Pictures 1538:A Passage to India 1383:Honky Tonk Freeway 1350:Honky Tonk Freeway 1325:The Mirror Crack'd 1263:Honky Tonk Freeway 1109:British Lion Films 1017:Evil Under The Sun 845:to be directed by 774:Long Ago, Tomorrow 734:(starring Moore). 477:(ABPC) in 1969 by 283:US Tobacco Company 62:UGC DA (1996–1997) 6075: 6074: 5648:Vivendi Ticketing 5643: 5642: 5487:Nollywood TV Epic 5459:CStar Hits France 5449:Planète+ Aventure 5292:Canal+ (provider) 5149:978-0-7528-6484-6 5124:Hollywood England 4976:Los Angeles Times 4925:Los Angeles Times 4898:Los Angeles Times 4873:Los Angeles Times 4847:Los Angeles Times 4820:Los Angeles Times 4795:Los Angeles Times 4749:Los Angeles Times 4724:Los Angeles Times 4686:Los Angeles Times 4345:. 6 November 2013 4280:Los Angeles Times 4224:Los Angeles Times 4182:Arabian Adventure 4168:Los Angeles Times 4097:Los Angeles Times 4070:Walker, 1985 p141 4001:"News in Brief". 3921:Los Angeles Times 3821:978-0-85965-317-6 3731:Los Angeles Times 3661:Los Angeles Times 3523:Los Angeles Times 3293:New Straits Times 3103:Columbia Pictures 3092:AE = as Anglo-EMI 3082:Anglo-Amalgamated 2798:Arabian Adventure 2536:Death on the Nile 2427:Twenty Five Years 1877:Optimum Releasing 1869:Warner Home Video 1760:Barney Rosenzweig 1758:In January 1988, 1701:Columbia Pictures 1448:The Royal Wedding 1420:Death on the Nile 1388:Raise the Titanic 1342:Frederick Forsyth 1268:Franco Zeffirelli 1230:Arabian Adventure 1144:Death on the Nile 1021:Death on the Nile 881:film distribution 809:(Roger Moore) or 629:The Barnardo Boys 601:an adaptation of 577:and Andrew Mollo, 503:Anglo-Amalgamated 495:Thames Television 367: 366: 323:(3.5%; 1995–1996) 286:Columbia Pictures 95:Anglo-Amalgamated 16:(Redirected from 6180: 6063: 6062: 6051: 6050: 5864:Budcat Creations 5757:Euro RSCG London 5742:Arnold Worldwide 5665:See Tickets USA 5657:Vivendi Village 5369:MultiThématiques 5312:Canal+ Sport 360 5273: 5214: 5207: 5200: 5191: 5176:Official history 5172: 5169:Filmink Magazine 5108: 5107: 5105: 5103: 5086: 5080: 5079: 5077: 5075: 5061: 5055: 5054: 5052: 5050: 5023: 5017: 5016: 5014: 5012: 4994: 4988: 4987: 4985: 4983: 4968: 4962: 4961: 4959: 4957: 4942: 4936: 4935: 4933: 4931: 4916: 4910: 4909: 4907: 4905: 4890: 4884: 4883: 4881: 4879: 4864: 4858: 4857: 4855: 4853: 4838: 4832: 4831: 4829: 4827: 4812: 4806: 4805: 4803: 4801: 4786: 4780: 4779: 4767: 4761: 4760: 4758: 4756: 4741: 4735: 4734: 4732: 4730: 4715: 4698: 4697: 4695: 4693: 4678: 4672: 4671: 4669: 4667: 4655:. 7 April 1987. 4645: 4639: 4638: 4636: 4634: 4623: 4617: 4616: 4606: 4600: 4599: 4598:. pp. 3, 7. 4589: 4583: 4582: 4572: 4566: 4565: 4563: 4561: 4546: 4540: 4539: 4529: 4523: 4522: 4514: 4508: 4507: 4497: 4491: 4490: 4480: 4474: 4471: 4465: 4464: 4454: 4448: 4447: 4439: 4433: 4432: 4424: 4418: 4417:Walker 1985 p286 4415: 4409: 4408: 4402: 4393: 4387: 4386: 4376: 4370: 4369: 4361: 4355: 4354: 4352: 4350: 4335: 4329: 4328: 4320: 4314: 4313: 4308:"Orange order". 4305: 4299: 4298: 4290: 4284: 4283: 4275: 4269: 4268: 4260: 4254: 4253: 4251: 4249: 4234: 4228: 4227: 4219: 4213: 4210: 4204: 4203: 4191: 4185: 4178: 4172: 4171: 4163: 4157: 4156: 4148: 4142: 4141: 4137: 4131: 4130: 4122: 4116: 4115: 4107: 4101: 4100: 4092: 4086: 4085: 4077: 4071: 4068: 4062: 4061: 4053: 4047: 4046: 4044: 4042: 4028: 4022: 4021: 4013: 4007: 4006: 3998: 3992: 3989: 3983: 3982: 3974: 3968: 3967: 3949: 3940: 3939: 3931: 3925: 3924: 3916: 3910: 3905:Patricia Warren 3903: 3894: 3885: 3876: 3875: 3867: 3861: 3858: 3852: 3851: 3849: 3847: 3832: 3826: 3825: 3805: 3799: 3798: 3796: 3794: 3779: 3773: 3770: 3764: 3761: 3755: 3754: 3744: 3735: 3734: 3726: 3720: 3719: 3711: 3705: 3703: 3691: 3685: 3683: 3680:Evening Standard 3671: 3665: 3664: 3656: 3650: 3649: 3647: 3645: 3636:. 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2260:Fear Is the Key 2204:Steptoe and Son 2123: 2092: 2077:(December 1973) 2053:(November 1972) 2013: 1971:The Raging Moon 1894: 1885: 1831: 1774:participating. 1772:Crédit Lyonnais 1724:Robert Stigwood 1717:Bank of America 1697:Jerry Weintraub 1690: 1664:), and cinema ( 1662:Thorn EMI Video 1631: 1579:Richard Goodwin 1489:Comfort and Joy 1476: 1456:New Line Cinema 1400:The Tubes Video 1396:Thorn EMI Video 1247:The Jazz Singer 1242: 1208:Deadman's Curve 1126:The Deer Hunter 1105: 1059:The Likely Lads 944:Bernard Delfont 926: 869: 838:The Living Room 815:The Raging Moon 769:The Raging Moon 514:Bernard Delfont 499:Elstree Studios 471: 466: 449:Elstree Studios 355: 346: 329: 324: 319: 317: 315: 310: 308: 305:Credit Lyonnais 303: 301: 298: 294: 289: 284: 282: 278: 274: 269: 264: 258: 246:Motion pictures 236: 234: 232: 230: 228: 226: 224: 220: 210: 196: 178: 151: 149: 146: 144: 138: 136: 133: 110: 108: 105: 93: 61: 59: 57: 55: 53: 51: 49: 35: 28: 23: 22: 15: 12: 11: 5: 6186: 6184: 6176: 6175: 6170: 6165: 6160: 6155: 6150: 6145: 6140: 6135: 6130: 6125: 6120: 6115: 6110: 6105: 6100: 6095: 6090: 6080: 6079: 6073: 6072: 6070: 6069: 6057: 6044: 6041: 6040: 6038: 6037: 6032: 6027: 6022: 6017: 6016: 6015: 6010: 6000: 5995: 5990: 5985: 5980: 5979: 5978: 5973: 5971:Rogue Pictures 5963: 5958: 5953: 5948: 5943: 5938: 5933: 5928: 5923: 5918: 5913: 5912: 5911: 5906: 5901: 5896: 5891: 5886: 5881: 5876: 5871: 5866: 5861: 5856: 5845: 5843: 5840:Defunct/former 5837: 5836: 5834: 5833: 5830:Telecom Italia 5827: 5826: (57.66%) 5820: 5818: 5814: 5813: 5811: 5810: 5805: 5799: 5797: 5793: 5792: 5790: 5789: 5784: 5779: 5774: 5769: 5767:Havas Creative 5764: 5759: 5754: 5749: 5744: 5738: 5736: 5730: 5729: 5727: 5726: 5721: 5716: 5711: 5705: 5703:Femme Actuelle 5700: 5694: 5692: 5688: 5687: 5685: 5684: 5681: 5678: 5675: 5674: 5673: 5672: 5671: 5670: 5669: 5655: 5651: 5649: 5645: 5644: 5641: 5640: 5638: 5637: 5632: 5627: 5625:StudioCanal UK 5622: 5617: 5612: 5606: 5604: 5598: 5597: 5595: 5594: 5589: 5584: 5579: 5574: 5572:Canal Digitaal 5568: 5566: 5560: 5559: 5557: 5556: 5551: 5550: 5549: 5539: 5534: 5529: 5524: 5519: 5514: 5508: 5506: 5500: 5499: 5497: 5496: 5495: 5494: 5489: 5484: 5476: 5471: 5466: 5461: 5456: 5451: 5446: 5444:Planète+ Crime 5441: 5436: 5431: 5426: 5421: 5416: 5411: 5406: 5401: 5396: 5394:Ciné+ Festival 5391: 5386: 5381: 5376: 5371: 5366: 5360: 5354: 5349: 5344: 5339: 5334: 5329: 5324: 5319: 5314: 5309: 5304: 5299: 5294: 5289: 5283: 5281: 5270: 5264: 5263: 5261: 5260: 5255: 5250: 5244: 5242: 5238: 5237: 5235: 5234: 5228: 5225: 5224: 5219: 5217: 5216: 5209: 5202: 5194: 5188: 5187: 5182: 5173: 5158: 5157:External links 5155: 5154: 5153: 5148: 5134: 5133:, Harrap, 1985 5127: 5120: 5117:A Divided Life 5110: 5109: 5081: 5056: 5018: 4989: 4963: 4937: 4911: 4885: 4859: 4833: 4822:. 12 July 1987 4807: 4781: 4762: 4736: 4699: 4688:. 7 April 1987 4673: 4640: 4618: 4601: 4584: 4567: 4541: 4524: 4509: 4492: 4475: 4466: 4449: 4434: 4419: 4410: 4388: 4371: 4356: 4330: 4315: 4300: 4285: 4282:. p. b11. 4270: 4255: 4229: 4214: 4205: 4186: 4173: 4158: 4143: 4132: 4117: 4102: 4099:. p. c11. 4087: 4072: 4063: 4048: 4023: 4008: 3993: 3984: 3969: 3962: 3941: 3926: 3911: 3895: 3877: 3862: 3853: 3827: 3820: 3800: 3774: 3765: 3756: 3736: 3721: 3706: 3686: 3666: 3663:. p. d16. 3651: 3625: 3610: 3601: 3582: 3567: 3552: 3543: 3528: 3513: 3498: 3483: 3468: 3459: 3444: 3414: 3388: 3362: 3336: 3329: 3306: 3275: 3248: 3247: 3245: 3242: 3241: 3240: 3233: 3230: 3228: 3227: 3219: 3211: 3203: 3195: 3184: 3176: 3168: 3158: 3155: 3154: 3153: 3147: 3145:United Artists 3141: 3135: 3132: 3126: 3124:Orion Pictures 3120: 3114: 3108: 3105: 3099: 3093: 3090: 3084: 3077: 3076: 3064: 3056: 3046: 3043: 3042: 3041: 3033: 3025: 3017: 3009: 3001: 2993: 2985: 2977: 2969: 2961: 2953: 2943: 2942:Verity Lambert 2940: 2939: 2938: 2930: 2922: 2914: 2910:Tender Mercies 2906: 2898: 2890: 2882: 2874: 2866: 2858: 2850: 2842: 2834: 2826: 2818: 2810: 2802: 2792: 2791:Barry Spikings 2789: 2788: 2787: 2779: 2771: 2763: 2755: 2747: 2739: 2731: 2727:Broken Promise 2723: 2715: 2707: 2706:(October 1980) 2699: 2691: 2683: 2675: 2667: 2663:S.O.S. Titanic 2659: 2651: 2643: 2635: 2627: 2619: 2611: 2603: 2595: 2587: 2586:(January 1978) 2579: 2571: 2570:(October 1977) 2563: 2553: 2550: 2549: 2548: 2540: 2532: 2524: 2516: 2508: 2500: 2490: 2487: 2486: 2485: 2477: 2469: 2461: 2453: 2443: 2440: 2439: 2438: 2430: 2424: 2416: 2408: 2396: 2388: 2380: 2372: 2364: 2358: 2350: 2342: 2334: 2326: 2318: 2317:(1974) (short) 2312: 2304: 2296: 2288: 2280: 2272: 2264: 2256: 2248: 2240: 2232: 2224: 2216: 2208: 2200: 2192: 2184: 2176: 2168: 2160: 2152: 2144: 2136: 2128:All the Way Up 2122: 2119: 2118: 2117: 2113:The Boy Friend 2109: 2105:The Go-Between 2101: 2091: 2088: 2087: 2086: 2078: 2070: 2062: 2058:Man at the Top 2054: 2046: 2038: 2030: 2029:(October 1971) 2022: 2012: 2009: 2008: 2007: 1999: 1991: 1987:The Go-Between 1983: 1975: 1967: 1959: 1951: 1943: 1935: 1927: 1919: 1911: 1893: 1890: 1889: 1884: 1881: 1830: 1827: 1705:Cineplex Odeon 1689: 1686: 1643:Robert Maxwell 1630: 1627: 1591:Verity Lambert 1513:United Artists 1496:(which became 1494:Illegal Aliens 1480:Verity Lambert 1475: 1474:Verity Lambert 1472: 1460:Orion Pictures 1444:S.O.S. Titanic 1338:Off the Record 1241: 1238: 1225:Orion Pictures 1165:Chinese Bandit 1117:Barry Spikings 1113:Michael Deeley 1104: 1101: 1097: 1096: 1086: 1077: 1072: 1062: 1048: 1041: 1034: 1024: 1014: 948:James Carreras 925: 922: 893:The Go-Between 868: 865: 847:Michael Powell 841:, the play by 763:The Go-Between 710: 709: 706: 703: 697: 691: 685: 679: 670: 664: 651: 650: 644: 638: 632: 626: 619: 618:by John Quigly 612: 606: 599: 596:Richard Condon 592: 578: 575:Kevin Brownlow 568: 561:The Go-Between 558: 553: 548: 470: 467: 465: 462: 429:sister company 365: 364: 353: 349: 348: 341: 335: 334: 312:France Telecom 253: 249: 248: 243: 239: 238: 221: 218: 215: 214: 211: 208: 205: 204: 194:United Kingdom 187: 183: 182: 180:StudioCanal UK 173: 169: 168: 162: 158: 157: 143:(as a company) 130: 126: 125: 120: 116: 115: 102: 98: 97: 88: 84: 83: 78: 74: 73: 68: 64: 63: 46: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6185: 6174: 6171: 6169: 6166: 6164: 6161: 6159: 6156: 6154: 6151: 6149: 6146: 6144: 6141: 6139: 6136: 6134: 6131: 6129: 6126: 6124: 6121: 6119: 6116: 6114: 6111: 6109: 6106: 6104: 6101: 6099: 6096: 6094: 6093:Groupe Canal+ 6091: 6089: 6086: 6085: 6083: 6068: 6067: 6058: 6056: 6055: 6046: 6045: 6042: 6036: 6033: 6031: 6028: 6026: 6025:Ciné+ Premier 6023: 6021: 6018: 6014: 6011: 6009: 6006: 6005: 6004: 6003:Vivendi Games 6001: 5999: 5996: 5994: 5991: 5989: 5986: 5984: 5981: 5977: 5974: 5972: 5969: 5968: 5967: 5964: 5962: 5961:Maroc Telecom 5959: 5957: 5954: 5952: 5949: 5947: 5944: 5942: 5939: 5937: 5934: 5932: 5929: 5927: 5926:Canal+ Family 5924: 5922: 5921:Banijay Group 5919: 5917: 5914: 5910: 5907: 5905: 5902: 5900: 5897: 5895: 5892: 5890: 5887: 5885: 5882: 5880: 5877: 5875: 5872: 5870: 5869:Infinity Ward 5867: 5865: 5862: 5860: 5857: 5855: 5852: 5851: 5850: 5847: 5846: 5844: 5838: 5831: 5828: 5825: 5822: 5821: 5819: 5815: 5809: 5806: 5804: 5801: 5800: 5798: 5794: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5748: 5745: 5743: 5740: 5739: 5737: 5735: 5731: 5725: 5722: 5720: 5717: 5715: 5712: 5709: 5706: 5704: 5701: 5699: 5696: 5695: 5693: 5689: 5682: 5679: 5676: 5667: 5666: 5664: 5663: 5662: 5659: 5658: 5656: 5653: 5652: 5650: 5646: 5636: 5633: 5631: 5628: 5626: 5623: 5621: 5618: 5616: 5613: 5611: 5608: 5607: 5605: 5603: 5599: 5593: 5592:TV Vlaanderen 5590: 5588: 5585: 5583: 5580: 5578: 5575: 5573: 5570: 5569: 5567: 5565: 5561: 5555: 5552: 5548: 5545: 5544: 5543: 5540: 5538: 5535: 5533: 5530: 5528: 5525: 5523: 5520: 5518: 5515: 5513: 5510: 5509: 5507: 5501: 5493: 5490: 5488: 5485: 5483: 5480: 5479: 5477: 5475: 5472: 5470: 5467: 5465: 5462: 5460: 5457: 5455: 5452: 5450: 5447: 5445: 5442: 5440: 5437: 5435: 5432: 5430: 5427: 5425: 5422: 5420: 5417: 5415: 5412: 5410: 5407: 5405: 5402: 5400: 5399:Ciné+ Classic 5397: 5395: 5392: 5390: 5387: 5385: 5384:Ciné+ Émotion 5382: 5380: 5379:Ciné+ Frisson 5377: 5375: 5372: 5370: 5367: 5364: 5363:Mezzo Live HD 5361: 5358: 5355: 5353: 5350: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5332:Canal+ Cinéma 5330: 5328: 5327:Canal+ Séries 5325: 5323: 5320: 5318: 5315: 5313: 5310: 5308: 5305: 5303: 5300: 5298: 5295: 5293: 5290: 5288: 5285: 5284: 5282: 5278: 5274: 5271: 5269: 5268:Groupe Canal+ 5265: 5259: 5256: 5254: 5251: 5249: 5246: 5245: 5243: 5239: 5233: 5230: 5229: 5226: 5222: 5215: 5210: 5208: 5203: 5201: 5196: 5195: 5192: 5186: 5183: 5181: 5177: 5174: 5170: 5166: 5161: 5160: 5156: 5151: 5145: 5141: 5140: 5135: 5132: 5128: 5125: 5121: 5118: 5114: 5113: 5098: 5097: 5092: 5085: 5082: 5070: 5066: 5060: 5057: 5045: 5041: 5037: 5033: 5029: 5022: 5019: 5007: 5003: 4999: 4993: 4990: 4977: 4973: 4967: 4964: 4952: 4948: 4941: 4938: 4926: 4922: 4915: 4912: 4899: 4895: 4889: 4886: 4874: 4870: 4863: 4860: 4848: 4844: 4837: 4834: 4821: 4817: 4811: 4808: 4796: 4792: 4785: 4782: 4777: 4773: 4766: 4763: 4750: 4746: 4740: 4737: 4725: 4721: 4714: 4712: 4710: 4708: 4706: 4704: 4700: 4687: 4683: 4677: 4674: 4662: 4658: 4654: 4650: 4644: 4641: 4629: 4622: 4619: 4614: 4613: 4605: 4602: 4597: 4596: 4588: 4585: 4580: 4579: 4571: 4568: 4556: 4552: 4545: 4542: 4537: 4536: 4528: 4525: 4521:. p. 11. 4520: 4513: 4510: 4505: 4504: 4496: 4493: 4488: 4487: 4479: 4476: 4470: 4467: 4462: 4461: 4453: 4450: 4446:. p. 24. 4445: 4438: 4435: 4430: 4423: 4420: 4414: 4411: 4406: 4399: 4392: 4389: 4384: 4383: 4375: 4372: 4368:. p. 13. 4367: 4360: 4357: 4344: 4340: 4334: 4331: 4326: 4319: 4316: 4311: 4304: 4301: 4296: 4289: 4286: 4281: 4274: 4271: 4266: 4259: 4256: 4244: 4240: 4233: 4230: 4225: 4218: 4215: 4209: 4206: 4201: 4197: 4190: 4187: 4183: 4177: 4174: 4170:. p. g1. 4169: 4162: 4159: 4155:. p. 34. 4154: 4147: 4144: 4136: 4133: 4128: 4121: 4118: 4113: 4106: 4103: 4098: 4091: 4088: 4083: 4076: 4073: 4067: 4064: 4060:. p. 20. 4059: 4052: 4049: 4037: 4036:Screen Online 4033: 4027: 4024: 4019: 4012: 4009: 4004: 3997: 3994: 3988: 3985: 3980: 3973: 3970: 3965: 3963:9781441134981 3959: 3955: 3948: 3946: 3942: 3938:. p. B5. 3937: 3930: 3927: 3922: 3915: 3912: 3908: 3902: 3900: 3896: 3892: 3891: 3884: 3882: 3878: 3873: 3866: 3863: 3860:Forbes, p.102 3857: 3854: 3841: 3837: 3831: 3828: 3823: 3817: 3813: 3812: 3804: 3801: 3789: 3785: 3778: 3775: 3772:Forbes, p.108 3769: 3766: 3760: 3757: 3752: 3751: 3743: 3741: 3737: 3732: 3725: 3722: 3717: 3710: 3707: 3702:. p. 17. 3701: 3697: 3690: 3687: 3682:. p. 17. 3681: 3677: 3670: 3667: 3662: 3655: 3652: 3639: 3635: 3629: 3626: 3621: 3614: 3611: 3608:Forbes, p.103 3605: 3602: 3598:. p. 17. 3597: 3593: 3586: 3583: 3578: 3571: 3568: 3563: 3556: 3553: 3547: 3544: 3539: 3532: 3529: 3524: 3517: 3514: 3509: 3502: 3499: 3494: 3487: 3484: 3479: 3472: 3469: 3463: 3460: 3455: 3448: 3445: 3433: 3429: 3423: 3421: 3419: 3415: 3403: 3399: 3392: 3389: 3377: 3373: 3366: 3363: 3351: 3347: 3340: 3337: 3332: 3330:9780813132785 3326: 3322: 3321: 3313: 3311: 3307: 3294: 3290: 3284: 3282: 3280: 3276: 3264: 3260: 3253: 3250: 3243: 3239: 3236: 3235: 3231: 3225: 3224: 3220: 3217: 3216: 3212: 3209: 3208: 3204: 3201: 3200: 3196: 3194: 3190: 3189: 3185: 3182: 3181: 3177: 3174: 3173: 3169: 3166: 3165: 3161: 3160: 3156: 3152: 3148: 3146: 3142: 3140: 3136: 3133: 3131: 3127: 3125: 3121: 3119: 3115: 3113: 3109: 3106: 3104: 3100: 3098: 3094: 3091: 3089: 3085: 3083: 3079: 3078: 3074: 3070: 3069: 3065: 3062: 3061: 3057: 3054: 3053: 3049: 3048: 3044: 3039: 3038: 3034: 3031: 3030: 3026: 3023: 3022: 3018: 3015: 3014: 3010: 3007: 3006: 3005:Wild Geese II 3002: 2999: 2998: 2994: 2991: 2990: 2986: 2983: 2982: 2978: 2975: 2974: 2970: 2967: 2966: 2962: 2959: 2958: 2954: 2951: 2950: 2946: 2945: 2941: 2936: 2935: 2931: 2928: 2927: 2923: 2920: 2919: 2915: 2912: 2911: 2907: 2904: 2903: 2899: 2896: 2895: 2891: 2888: 2887: 2883: 2880: 2879: 2875: 2872: 2871: 2867: 2864: 2863: 2859: 2856: 2855: 2851: 2848: 2847: 2843: 2840: 2839: 2835: 2832: 2831: 2827: 2824: 2823: 2822:The Awakening 2819: 2816: 2815: 2811: 2808: 2807: 2803: 2800: 2799: 2795: 2794: 2790: 2785: 2784: 2783:Packin' It In 2780: 2777: 2776: 2772: 2769: 2768: 2764: 2761: 2760: 2756: 2753: 2752: 2748: 2745: 2744: 2740: 2737: 2736: 2732: 2729: 2728: 2724: 2721: 2720: 2716: 2713: 2712: 2708: 2705: 2704: 2700: 2697: 2696: 2692: 2689: 2688: 2684: 2681: 2680: 2676: 2673: 2672: 2668: 2665: 2664: 2660: 2657: 2656: 2652: 2649: 2648: 2644: 2641: 2640: 2636: 2633: 2632: 2628: 2625: 2624: 2620: 2617: 2616: 2612: 2609: 2608: 2604: 2601: 2600: 2596: 2593: 2592: 2588: 2585: 2584: 2580: 2577: 2576: 2572: 2569: 2568: 2564: 2561: 2560: 2556: 2555: 2551: 2546: 2545: 2541: 2538: 2537: 2533: 2530: 2529: 2525: 2522: 2521: 2517: 2514: 2513: 2509: 2506: 2505: 2501: 2498: 2497: 2493: 2492: 2488: 2483: 2482: 2478: 2475: 2474: 2470: 2467: 2466: 2462: 2459: 2458: 2454: 2451: 2450: 2446: 2445: 2441: 2436: 2435: 2431: 2428: 2425: 2422: 2421: 2420:Cross of Iron 2417: 2414: 2413: 2409: 2406: 2402: 2401: 2397: 2394: 2393: 2389: 2386: 2385: 2381: 2378: 2377: 2373: 2370: 2369: 2365: 2362: 2359: 2356: 2355: 2351: 2348: 2347: 2343: 2340: 2339: 2335: 2332: 2331: 2327: 2324: 2323: 2319: 2316: 2313: 2310: 2309: 2305: 2303: 2301: 2297: 2294: 2293: 2289: 2286: 2285: 2281: 2278: 2277: 2273: 2270: 2269: 2265: 2262: 2261: 2257: 2254: 2253: 2252:Our Miss Fred 2249: 2246: 2245: 2244:Endless Night 2241: 2238: 2237: 2233: 2230: 2229: 2225: 2222: 2221: 2217: 2214: 2213: 2212:I Am a Dancer 2209: 2206: 2205: 2201: 2198: 2197: 2193: 2190: 2189: 2185: 2182: 2181: 2177: 2174: 2173: 2169: 2166: 2165: 2161: 2158: 2157: 2153: 2150: 2149: 2145: 2142: 2141: 2137: 2134: 2130: 2129: 2125: 2124: 2120: 2115: 2114: 2110: 2107: 2106: 2102: 2099: 2098: 2094: 2093: 2089: 2084: 2083: 2079: 2076: 2075: 2071: 2068: 2067: 2063: 2061:(1973) (AE/H) 2060: 2059: 2055: 2052: 2051: 2047: 2044: 2043: 2039: 2036: 2035: 2031: 2028: 2027: 2023: 2020: 2019: 2015: 2014: 2010: 2005: 2004: 2000: 1997: 1996: 1992: 1989: 1988: 1984: 1981: 1980: 1976: 1973: 1972: 1968: 1965: 1964: 1960: 1957: 1956: 1952: 1949: 1948: 1944: 1942:(1970) (ABPC) 1941: 1940: 1936: 1934:(1970) (ABPC) 1933: 1932: 1928: 1926:(1970) (ABPC) 1925: 1924: 1920: 1918:(1970) (ABPC) 1917: 1916: 1912: 1909: 1905: 1901: 1900: 1896: 1895: 1891: 1888: 1882: 1880: 1878: 1874: 1870: 1865: 1863: 1858: 1854: 1850: 1846: 1842: 1838: 1836: 1828: 1826: 1824: 1820: 1815: 1813: 1808: 1806: 1801: 1799: 1795: 1790: 1788: 1784: 1780: 1775: 1773: 1768: 1766: 1761: 1756: 1754: 1750: 1745: 1743: 1739: 1735: 1731: 1730: 1725: 1720: 1718: 1714: 1710: 1706: 1702: 1698: 1694: 1687: 1685: 1683: 1679: 1675: 1671: 1667: 1663: 1658: 1656: 1652: 1648: 1644: 1640: 1636: 1628: 1626: 1624: 1620: 1615: 1613: 1609: 1604: 1602: 1598: 1597: 1592: 1588: 1584: 1583:Jeremy Thomas 1580: 1574: 1572: 1566: 1564: 1563: 1558: 1557: 1556:Wild Geese II 1552: 1551: 1546: 1545: 1540: 1539: 1533: 1531: 1527: 1522: 1520: 1519: 1514: 1509: 1507: 1506: 1501: 1500: 1495: 1491: 1490: 1485: 1481: 1473: 1471: 1469: 1465: 1461: 1457: 1453: 1449: 1445: 1441: 1437: 1433: 1429: 1425: 1424:The Cruel Sea 1421: 1417: 1413: 1409: 1408:I Am a Dancer 1405: 1401: 1397: 1392: 1390: 1389: 1384: 1380: 1379: 1372: 1370: 1366: 1362: 1358: 1357: 1352: 1351: 1345: 1343: 1339: 1335: 1334:John Mortimer 1331: 1327: 1326: 1320: 1318: 1314: 1310: 1306: 1302: 1298: 1293: 1291: 1287: 1283: 1282: 1281:The Awakening 1277: 1273: 1270:'s biopic of 1269: 1265: 1264: 1260:(both 1980), 1259: 1258: 1253: 1249: 1248: 1239: 1237: 1234: 1232: 1231: 1226: 1221: 1219: 1218: 1217:Life of Brian 1212: 1210: 1209: 1204: 1203: 1198: 1193: 1191: 1187: 1186: 1181: 1180: 1175: 1174: 1168: 1166: 1162: 1158: 1157: 1152: 1151: 1146: 1145: 1140: 1139: 1134: 1133: 1128: 1127: 1120: 1118: 1114: 1110: 1102: 1100: 1094: 1092: 1091:Nat King Cole 1087: 1084: 1083: 1078: 1076: 1073: 1070: 1066: 1063: 1061: 1060: 1055: 1054: 1049: 1047: 1046: 1042: 1040: 1039: 1035: 1032: 1031:Cross of Iron 1028: 1025: 1022: 1018: 1015: 1013: 1010: 1009: 1008: 1005: 1003: 1002: 996: 994: 993: 992:Alfie Darling 988: 987: 982: 981: 975: 972: 967: 965: 964: 959: 958: 951: 949: 945: 941: 937: 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Group 422: 385: 381: 377: 373: 369: 368: 359:.studiocanal 339:Subsidiaries 295: 291:Warner Bros. 275: 259: 255: 186:Headquarters 123:Bryan Forbes 67:Company type 36: 6088:StudioCanal 6030:Ciné+ Famiz 5899:Shaba Games 5803:Dailymotion 5777:Havas Media 5661:See Tickets 5620:Rok Studios 5602:StudioCanal 5342:Canal+ Kids 5337:Canal+ Docs 5322:Canal+ Foot 5102:4 September 5038:: 229–260. 4998:StudioCanal 4951:latimes.com 4633:21 February 4041:21 February 3842:. 1991–1992 3644:24 December 3437:21 February 3063:(July 1988) 3045:Later films 2926:Cross Creek 2484:(June 1978) 2468:(June 1977) 2449:Nickelodeon 2376:Spanish Fly 2295:(1973) (AE) 2279:(1973) (AE) 2255:(1972) (AE) 2239:(1972) (AE) 2231:(1972) (AE) 2215:(1972) (AE) 2188:Family Life 2175:(1971) (AE) 2167:(1971) (AE) 2159:(1970) (AE) 2151:(1970) (AA) 2143:(1970) (AA) 2116:(1971) (ME) 2100:(1971) (ME) 2069:(July 1973) 2045:(July 1972) 2037:(June 1972) 2021:(July 1971) 1883:Filmography 1862:StudioCanal 1779:Peter Guber 1753:Harry Usher 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become 1286:The Knight 1138:The Driver 963:Up Pompeii 898:Get Carter 714:Eyewitness 700:Wise Child 394:television 219:Key people 71:Subsidiary 32:EMI (film) 5894:RedOctane 5884:Neversoft 5752:Camp+King 5683:L’Olympia 5680:Watchever 5677:MyBestPro 5577:Focus Sat 5554:Teletoon+ 5527:MiniMini+ 5512:Ale Kino+ 5478:Thema TV 5469:Télétoon+ 5302:Calédonie 5241:Directors 4661:0362-4331 4405:Billboard 4082:The Times 4018:The Times 4003:The Times 3493:The Times 3139:Universal 3029:Clockwise 2639:Deathmoon 2552:TV movies 2504:Sweeney 2 2392:Aces High 2315:Our Cissy 1805:Peter Pan 1742:Eva Perón 1670:Alan Bond 1623:Clockwise 1596:Clockwise 1319:in 1979. 1317:Thorn EMI 1305:Lew Grade 1276:Discoland 1156:Sweeney 2 1012:Aces High 930:Nat Cohen 924:Nat Cohen 860:Ned Kelly 794:Nat Cohen 776:, 1971). 688:Jam Today 507:Nat Cohen 464:EMI Films 418:Thorn EMI 414:Nat Cohen 374:EMI Films 316:UAP (8%;) 266:Thorn EMI 213:Worldwide 172:Successor 6054:Category 5909:Treyarch 5874:Luxoflux 5832:(23.75%) 5808:Gameloft 5710:(France) 5668:Flavorus 5654:Digitick 5564:M7 Group 5439:Planète+ 5429:Comédie+ 5357:Mezzo TV 5307:Caraïbes 5074:10 March 5049:10 March 5044:24296674 5011:10 March 4692:11 April 4666:11 April 4349:11 April 4343:PopOptiq 3793:2 August 3407:10 March 3381:24 April 3355:10 March 3268:10 March 3232:See also 2902:Bad Boys 2615:Betrayal 2465:The Deep 2412:Sweeney! 2403:(1976) ( 2322:Stardust 2308:The Dove 2156:The Body 2131:(1970) ( 1902:(1970) ( 1541:(1984), 1518:WarGames 1361:Comrades 1211:(1978). 1179:The Deep 1147:(1978), 995:(1975). 760:'s film 754:Columbia 719:Hoffmann 242:Products 77:Industry 45:Formerly 6066:Commons 5762:FullSIX 5698:Capital 5610:Arthaus 5587:Télésat 5582:Skylink 5547:Sport 2 5537:Premium 5522:Kuchina 5454:Seasons 5297:Afrique 5221:Vivendi 5096:Variety 4612:Variety 4595:Variety 4578:Variety 4535:Variety 4503:Variety 4486:Variety 4460:Variety 4382:Variety 3846:30 July 3402:Variety 3376:Variety 3350:Variety 3263:Variety 2934:Handgun 2886:Frances 2583:Forever 2276:Baxter! 2180:Villain 2090:MGM-EMI 2003:Dulcima 1923:Hoffman 1266:(1981) 867:MGM-EMI 811:Hoffman 677:Villain 641:Dulcima 545:Hoffman 352:Website 347:Pixibox 150: ( 137: ( 129:Defunct 119:Founder 109: ( 101:Founded 5998:Veolia 5988:Sport+ 5936:Editis 5842:assets 5532:Canal+ 5503:Canal+ 5434:Polar+ 5414:Rugby+ 5280:France 5277:Canal+ 5146: 5042: 4982:2 July 4956:7 July 4930:7 July 4904:2 July 4878:2 July 4852:2 July 4826:2 July 4800:2 July 4755:2 July 4729:2 July 4659: 3960: 3818: 3327: 3299:7 July 3226:(1989) 3218:(1989) 3210:(1989) 3202:(1989) 2809:(1979) 2786:(1983) 2770:(1982) 2762:(1982) 2754:(1982) 2738:(1981) 2730:(1981) 2722:(1981) 2698:(1980) 2674:(1979) 2650:(1978) 2520:Convoy 2507:(1978) 2437:(1977) 2415:(1977) 2387:(1976) 2371:(1976) 2357:(1975) 2349:(1975) 2302:(1973) 2287:(1973) 2271:(1973) 2247:(1972) 2207:(1972) 2199:(1972) 2006:(1971) 1998:(1971) 1990:(1971) 1982:(1971) 1974:(1971) 1958:(1970) 1950:(1970) 1639:Cannon 1621:, and 1502:) and 1450:, and 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