Thought-Forms - Knowledge (XXG)

438:

relatives and condolence with them, and the strip "of deeper green shows the attitude of the thinker towards the dead man himself." The dense rose-color shows love to both the deceased and the surrounding, while the upper part, consisting of a cone and stars above it, indicates a feeling in connection with thoughts of death: the blue express "its devotional aspect," while as "the violet shows the thought of, and the power to respond to, a noble ideal" and the ability to match, the stars reflect "the spiritual aspirations." In the same figure, the thought-form on the right reflects nothing but only "profound depression, fear and selfishness." His only definite feelings are despair and the sense of his personal loss, and these show themselves in proper strips of brown-grey and leaden grey color, while the "very curious downward protrusion" demonstrates the strong selfish desire to raise the dead man into his earth life.

366: 405:

its irregular outline and its falling fragments, that there is in reality almost as much fright here" as in the case on the right. Thus, one person has a chance to restore "self-control," while the other remains "an abject slave to overwhelming emotion." The thought-form at upper has been created by a member of the ship crew responsible for the lives of passengers, and it demonstrates a "very striking contrast" of the weakness manifesting in two forms from below. Herein shown "a powerful, clear-cut and definite thought, obviously full" of energy and determination. Orange color speaks of his confidence in ability to manage with the difficulty. The "brilliant yellow" means that his intellect is already at work upon the problem.

500: 554: 1626: 4171: 1029:"A gross sensual love will be a dull and heavy crimson"... The mutual influence of thoughts is like "adding fuel to the fire." If someone for a long time is fraught with low thoughts, then into his mind will pour such a vicious stream that he will be horrified if he understands what he is doing with himself. According to Leadbeater, do not need to collect photos of actresses , as "they always attract the most undesirable thought-forms from hosts of impure-minded people." 1229:

as if to bring back the dead body." "The man who had lived in the ordinary blank ignorance with regard to death, had no thought in connection with it but selfish fear and depression; whereas the man who understood the facts was entirely free from any suggestion of those feelings, for the only sentiments evoked in him were those of sympathy and affection for the mourners, and of devotion and high aspiration."

38: 356: 376:

man is already partially recovering from the shock, and beginning to feel angry that he allowed himself to be startled." The later crescents have changed to scarlet, and it evidences the "mingling of anger and fear," while the last crescent is quite scarlet, and it shows that "already the fright is entirely overcome, and only the annoyance remains."

338: 222: 523:"depicts yellow, red, blue and green lines rising out of a church." This, as the authors explain, "signifies the movement of one of the parts of the melody, the four moving approximately together denoting the treble, alto, tenor and bass respectively." Moreover, "the scalloped edging surrounding the whole is the result of various flourishes and 947:

own cells, which they themselves have built, "surrounded by masses of forms created by their habitual thoughts." Leadbeater noted later that most people can not free themselves from the influence "of the great crowd of thought-forms which constitute public opinion; and because of those they never really see the truth at all."

473: 428: 409: 395: 324: 291: 310: 447: 640:' as a movement or even a concept did not exist. When we consider this world of 1901, – further wrote Breen, – it becomes difficult not to believe that Besant, Leadbeater and their milieu deserve a more prominent place in the annals of both abstract art and the history of modernism". As the art critic 1228:

Gettings wrote that the form to the right demonstrates a distress of the materialist forming from the mind of one "who is unable to accept that death is a liberation into a higher world, and the proboscis-like feeler which runs from the base of this thought form is said to be reaching into the grave,

899:

wrote that, according to theosophy, "auras may be made up of a complex combination of etheric, astral, and mental matter which the clairvoyant is able to perceive, although the most significant ones originate on the border of the mental and astral planes, where the activity of the former is reflected

404:

The authors explain that the thought-form in Fig. 30 on the left shows an attempt to find "solace in prayer," and in this way overcome fear. This can be seen under a grayish-blue color, "which lifts itself hesitatingly upwards." Yet it is seen that judging by "the lower part of the thought-form, with

389:

They are instructive as showing how differently people are affected by sudden and serious danger. One form shows nothing but an eruption of the livid grey of fear, rising out of a basis of utter selfishness: and unfortunately there were many such as this. The shattered appearance of the thought-form

1317:

Forms created by music, strictly speaking, are not thought forms, but, nevertheless, they do not arise without "the thought of the composer". Later, Leadbeater explained that mental, astral and etheric structures are built up "by the influence of sound," and that "forms, created by the performers of

946:

has contraposed the "clear and well-defined, pulsating with the spirit of service" thought-forms of the initiated occultist with the "disjointed, unconnected, and uncorrelated" thought-forms created by the "mass of men." As Powell wrote, many people go through life, literally tightly locked in their

333:

The authors write that a form in Fig. 19 at the top is a specific thought-form which had accompanied a question demonstrating deep thought and penetration. The first variant of the answer did not fully satisfy the questioner, and his desire to achieve a full and comprehensive answer was expressed in

617:

which published the translations of Besant and Leadbeater's works. Apparently, being impressed by theirs theosophical works, he once said that "strong, powerful thought creates a thought-form so intense that it, in addition to the will, flows into the consciousness of other people." The perform of

351:

of London," when he was knocking down a woman; a flare flashed in her direction, triggering an explosion of horror—she recognized that one would be struck. In the same illustration drawn a "stiletto-like dart" directed to the lower left corner: it is a thought "of steady anger, intense and desiring

195:

was accompanied by four pages of pictures of diverse thought-forms which the investigators "had observed and described to an artist." The colour sketches of the unknown performance were depicting: on the first plate—thought-forms of "devotion," "sacrifice," and "devotional," on the second one—three

422:

yet in spite of this there is a good deal of unavoidable uncertainty as to how this new play may strike the fickle public, and on the whole the doubt and fear overbalance the certainty and pride, for there is more of the pale grey than of the orange, and the whole thought-form vibrates like a flag

375:

The authors state that when a person is suddenly frightened, then has a place the effect shown in Fig. 27. It is emphasized that "all the crescents" on the right, which apparently have been emitted earlier than others, do not show anything other than "the livid grey of fear; but a moment later the

300:

The authors write that the images in the book "are not imaginary forms, prepared as some dreamer thinks that they ought to appear." Rather, "they are representations of forms actually observed as thrown off by ordinary men and women." And the authors sincerely hope that they will force the reader

1209:

According to Gettings, the thought-form to the left is a spiritual one "which was a result of the highest meditation in the face of the loss of the loved one." "Pale, luminous blue-green" shows deep sympathy and compassion. "Luminous lilac-blue, usually accompanied by sparkling golden stars" is

437:

In the thought-form on the left in Fig. 34, as the authors explain, there is nothing but "the highest and most beautiful" feelings. At the base of the thought-form, you can see "a full expression of deep sympathy," the light green color shows the understanding of the suffering of the deceased's

207:

This "small but influential book", which contains color pictures of thought-forms that the authors said are created "in subtle spirit-matter," was published in 1905. The book affirms that "the quality" of thoughts influences the life experience of their creator, and that they "can affect" other

384:

Beginning from Fig. 30, "the book changes course in an interesting way," moving from the illustrations of individual thoughts and emotions to the narrative of events. Besant and Leadbeater write that occasioned by a "terrible accident" at sea, three thought-forms depicted in Fig. 30 "were seen

793:

than those which we share with the lower animals, other forces than those of material nature." Thus, it is necessary to develop the "new senses" in order to "perceive thought-forms." Academic science explains the visualization of sensations of a mentally healthy person by a phenomenon of the

909:

Thought-forms are created from the same matter from which the aura is formed, and have the same general properties, in particular, color. Knowledge of the properties of an aura of man is necessary for a proper "understanding of the nature of the thought-forms." According to Powell, the term

236:

associated with feelings and emotions, beginning with "High Spirituality" (light blue—in the upper left corner) and ending by "Malice" (black—in the lower right corner), 25 colors in all. The authors argue that human aura is "the outer part of the cloud-like substance of his higher bodies,

319:

In Fig. 13 shows the thought-form created by "a strong craving for personal possession." Its color has dull unpleasing hue "deadened with the heavy tint indicative of selfishness." The curving hooks are its especially characteristic. Creator this thought-form had never "conception of the

461:, to fill his mind with an aspiration to enfold all mankind in order to draw them upward towards the high ideal which shone so clearly before his eyes." The ability of the authors to see the "vibrations of ideas, emotions, and sounds" demonstrates, in his opinion, "a sort of spiritual 180:

This book has become the result of the joint work of the authors, which began in 1895, when they had started an investigation of "the subtle matter of the universe." They were interested in the work of the human mind as this work "extrudes into the external world" the thought-forms.

987:

It's like "a pale blue lotus." Blue color expresses "spirituality." "A thought of definite, well-sustained devotion may assume a form closely resembling a flower." The more purified desires and thoughts of man, the more "radiant and beautiful" are his thought-forms which he

1019:

Tillett saw here only the "brown-red swirls." An especially powerful class of this kind of thought-forms takes on "the appearance of a nebulous octopus, with long, winding, clinging tentacles, striving to wrap around the other person," and to drag him toward the aura of

231:

The authors write that they, like many theosophists, are convinced that "thoughts are things," and the task of their book is to help the reader understand this. The frontispiece of the book contains a table "The meanings of colours" of thought-forms and

196:

types of "anger," on the third one—three types of "love" ("undirected," "directed," and "grasping"), and on the fourth one—thought-forms of "jealousy," "intellect," and "ambition." Besant gave the article scientific coloring, not forgetting to mention

390:

shows the violence and completeness of the explosion, which in turn indicates that the whole soul of that person was possessed with blind, frantic terror, and that the overpowering sense of personal danger excluded for the time every higher feeling.

456:

The description of the event depicted in the book on Fig. 38, as noted a historian Breen, "anticipates the 1960s" as well with its conjunction of meditation and idealism: this thought-form was "generated by one who was trying, while sitting in

542:(on Plate W), the authors note in it the likeness to the "successively retreating" ramparts of a mountain, "and it is heightened by the billowy masses of cloud which roll between the crags and give the effect of perspective." 1264:

Thought-forms created by men who have "mind and emotion well under control and definitely trained in meditation, are clear, symmetrical objects." Light blue color, of a "peculiarly clear and luminous shade, represents

4269: 1536:

seems less like a personal quirk and more like a thread in a larger tapestry: an interweaving of mysticism, technology, and art that began at the turn of the last century and is still with us in the twenty-first".

490:

may thus be manifested through the man in meditation. It is this religious feeling gives a "pale blue" shade to the five-pointed star. This form has been used "for many ages as a symbol of God manifest in man."

914:

Gettings wrote that in studying the illustrations from this book "one cannot help observing that they do not really relate to thought so much as to feeling – they are really emotion forms rather than thought

631:

A historian Breen wrote that Besant and Leadbeater were well aware how annoying stuff may be their book for a "society that remained deeply conservative". In early January 1901, when this book was published,

190:

that "two clairvoyant Theosophists" (whose names were not disclosed in the journal, although some members of the Society knew about them) had started "observing the substance of thought." Her article named

1006:"Thoughts in which selfishness or greed are prominent usually take a hooked form, the hooks in some case actually clawing round the object desired." Leadbeater has compared similar thought-forms with the " 900:

in the configurations of astral matter. When comparable patterns appear as a 'cloud' above or near a person, they may be called 'thought-forms' and as such have been reported in theosophical literature."

274:

That which takes the image of the thinker. When a man thinks of himself as in some distant place, or wishes earnestly to be in that place, he makes a thought-form in his own image which appears there.

1063:"Orange, of a bright shade, represents pride and ambition. Yellow, in its various shades, represents intellectual power." Gold colour "indicates pure intellect applied to philosophy or mathematics." 347:

Fig. 22 and 23 are thought-forms of a "murderous rage" (on the right) and a "sustained anger" (on the left). The first form was taken "from the aura of a rough and partially intoxicated man in the

1121:"The thought of the desire for drink could not enter the body of a purely temperate man. It would strike upon his astral body, but it could not penetrate and it would then return to the sender." 1081:

Tillett has seen on the left "a bright red spike." Sustained anger takes the form of "a sharp, red stiletto." The thought-form of anger has a color of black and red, with characteristic flares.

4308:————; ————; ———— (2009). "О герметизме и эзотерике в искусстве" [On Hermeticism and Esotericism in The Arts]. 1299:

The diversity of guises of thought-forms is almost endless. Each combination of thought and feeling builds its own form, and each man "seems to have his own peculiarities in this respect."

1130:

According to Tillett, here you can see "a cloud of red-grey crescents." Gray color of a specific shade, "almost that of a corpse", demonstrates "fear and terror." Red color shows anger.

1090:

Red color seen in the form of bright red flares like the lightning flash shows anger. These are "usually shown on a black background in the case of anger arising from hatred or malice."

168:, it tells opinions regarding the visualization of thoughts, experiences, emotions and music. Drawings of the "thought-forms" were performed by John Varley Jr. (grandson of the painter 418:

Fig. 31 is another declarative piece, depicting "the thought-form of an actor while waiting to go upon the stage." The authors expound that the orange band indicates self-confidence,

924:

According to Tillett, "Whether or not there is scientific validity in claims about the aura, it remains significant that Leadbeater's descriptions (given initially in an article in

910:"thought-forms" is "not wholly accurate," because in the overwhelming majority of cases they are being formed by both astral and mental bodies. It would be more correct to call them 1173:

Gray color of a specific shade demonstrates "fear and terror." Orange of a "bright shade, represents pride and ambition." Yellow, in its diverse tones, shows "intellectual power."

1465:"Scriabin introduced many Theosophical ideas into his compositions and also experimented with 'synesthesia,' the strange experience of 'hearing colors' and 'seeing music'." 334:

the fact that his "thought-form deepened in colour and changed into the second of the two shapes (in Fig. 19 below), resembling a corkscrew even more closely than before."

4382: 365: 4858: 1318:

the music, must not be confounded with the magnificent thought-form which the composer himself made as the expression of his own music in the higher worlds."

4085: 960:,' have a huge impact on the earthly life of people, performing certain functions depending on the desires and direction of the thought that created them." 593:

demonstrated how the symbolism of "astral colors and forms" can express the specificity of "certain soul's and mental states." It had a great influence on

352:

vengeance, of the quality of murder, sustained through years, and directed against a person who had inflicted a deep injury on the one who sent it forth."

4626: 997:

It's like "brown-red swirls." "Thoughts of a greedy, lustful, or malicious character appear differently from those of a noble, selfless, loving nature."

930:

in 1895) have been more or less repeated by later researchers, both scientific and occult. The earliest scientific study of the aura was published by

499: 1352:

According to Tillett, Wagner "produced weird mountains in pink, green and red." Powell wrote that the overture by Wagner builds "mountains of flame."

1532:... when he witnessed the first atomic bomb blast. But in the context of figures like Besant and Ledbetter, Oppenheimer's fascination with Eastern 849:

As Leadbeater noted, "books are specially strong centres of thought-forms, and their unnoticed influence in a man's life is often a powerful one."

1391:

considerations of colour, music, and vibration, theories about synaesthesia." Kandinsky "owned a German translation" (1908 edition) of the book

671:

Thus, Besant and Ledbetter had played, summed up Breen, "a small but intriguing role in shaping the globalized culture... which weaves together

4359: 4327: 4291: 3764: 3568: 828:. Dr. Baraduc, a famous French psychiatrist, had informed the "Acadamie de Medecine" in 1896 that he had succeeded to photograph thoughts. 4783: 4352:

Wandering in the Dark: The Fundamentals of the Pseudo-theosophy by Helena Blavatsky, Henry Olcott, Annie Besant, and Charles Leadbeater

553: 4562: 1327:

Lachman named the musical forms of Besant and Leadbeater "the synaesthetic forms created by music." In the first part of her article

4521: 4484: 4222: 4129: 4098: 4043: 3897: 3794: 3733: 3674: 3646: 3618: 3464: 3436: 3405: 3261: 3231: 3199: 668:

were charmed by Theosophy. In the first decades of the twentieth century, it was a widespread "component of Western cultural life".

560: 1156:

painting." "This ushers in the visual heart of the book, featuring images that wouldn't look out of place hanging alongside early

4984: 3915: 969:

A comparison of the thought-forms of literary heroes with marionettes, Leadbeater repeated in 1913 in his next Theosophical book.

5061: 4619: 3867: 3702: 777:, Theosophy, unlike an academic science, "views the whole world as a manifestation of thought in all categories of matter. 5025: 4889: 4894: 623: 385:

simultaneously, arranged exactly as represented, though in the midst of indescribable confusion." The authors continue:

1054:, "who tried to 'worm' things out of him, when he appeared to be holding back some knowledge which Mr. Sinnett wanted." 887:"Every thought form bears the same color that it would possess if it had been retained in the body of the aura itself." 5081: 4811: 4720: 4347:Блуждание во тьме: основные положения псевдотеософии Елены Блаватской, Генри Олькотта, Анни Безант и Чарльза Ледбитера 3853: 3526: 1200:"The highly contrasting pair of thought forms observed by a clairvoyant at a funeral." "The atmosphere at a funeral ." 1050:

informed that on his question to Leadbeater "when he saw this curious shape" he answered that it is a creation of Mr.

1047: 728:

This work has been translated into several European languages: French, German, Italian, Portuguese, Russian, Spanish.

245:

bodies (two human higher bodies) are "those chiefly concerned with the appearance of what are called thought-forms."

781:

know about the existence of higher types of rarefied matter. Man is in no way limited by the physical world alone."

4964: 4884: 4685: 4029: 3837: 280:

That which takes a form entirely its own, expressing its inherent qualities in the matter which it draws round it.

161: 154: 55: 1598:"63 editions published between 1901 and 2011 in... languages and held by 649 WorldCat member libraries worldwide." 4979: 4937: 4612: 3930: 737: 3954: 644:

has pointed, "what is particularly striking about the outlook of the artists primarily responsible for creating

486:

The authors write that the thought-form shown in Fig. 41 was accompanied by "the devotional aspiration" to that

4974: 4804: 4081: 3750: 3183: 782: 1475: 5071: 4115: 3391: 1512: 825: 698: 649: 165: 150: 73: 4170: 5040: 4969: 4959: 4735: 3588: 1553:

was interested in the books by Blavatsky "and those of her disciples" Besant and Leadbeater. Leadbeater's

1414:

Also one of Kandinsky's paintings "is similar" to the musical form from the book of Besant and Leadbeater.

1374:"The organ music of Wagner, seen on the astral plane." It's like "weird mountains in pink, green and red." 5066: 4853: 4797: 4715: 4695: 3923:

The Role of Buddhism, Theosophy, and Science in František Kupka's Search for the Immaterial through 1909

1525: 1486:

The publication date is often erroneously given as 1901 but the first edition clearly states 1905. See:

761:

The publication date is often erroneously given as 1901 but the first edition clearly states 1905. See:

169: 1210:

associated with a high level of spirituality and noble aspirations. Rose color expresses selfless love.

301:"realise the nature and power of his thoughts, acting as a stimulus to the noble, a curb on the base." 3561:

The skeptic's dictionary: a collection of strange beliefs, amusing deceptions, and dangerous delusions

3501: 1487: 762: 701:. The belief in existence of thought-forms "remains influential today" for Theosophists, followers of 628:

he imagined in the form of a radiance of some "luminous matter," which was supposed to fill the hall.

5076: 5015: 4879: 4776: 4751: 4710: 4272:; Иванов, В. В.; Маньковская, Н. Б. (2007). "Теософия и искусство" [Theosophy and The Arts]. 1290:." Nevertheless, according to Bailey, our solar system is the manifested "thought-form" of its Logos. 1051: 4508:[Chapter XVII: Non-denominational syncretic religious philosophy]. In Яблоков, Игорь (ed.). 3372: 1383:

The ideas which Kandinsky "elaborated in numerous notes and articles, including the now iconic text

5035: 4790: 4178: 3552: 1503: 1148:

According to Lachman, the illustrations of thought-forms in the book are "very reminiscent of much

786: 606: 597:

as one of the essential factors that led to the "genius opening of new perspectives for painting."

506: 978:

Pisareva wrote that the thought-forms belonged to this category may be named the "symbolic forms."

4943: 4923: 4916: 4899: 4745: 4725: 4659: 4654: 4376: 1557:

was one of his favorite books and he often read from it "aloud before going on stage to perform".

931: 610: 185: 4005: 3980: 1424: 197: 815:

death, it was he who became the main ideologist of the "second generation" of the Theosophists.

253:

The book states that "the production of all thought-forms" is based on three major principles:

5030: 4843: 4730: 4517: 4501: 4480: 4355: 4323: 4287: 4218: 4159: 4125: 4094: 4039: 3964: 3959: 3893: 3885: 3863: 3790: 3760: 3754: 3729: 3698: 3670: 3642: 3614: 3564: 3460: 3432: 3401: 3292: 3257: 3227: 3195: 1161: 774: 594: 520: 511: 233: 116: 4202: 4705: 4690: 4649: 4588: 4466: 4210: 4182: 4151: 3812: 3505: 3215: 1157: 812: 661: 601: 201: 4505: 4309: 4273: 4033: 725:

After its first publication in 1905, the book was reprinted several times (8th – in 1971).

4930: 4874: 4828: 4538: 1362: 926: 237:

interpenetrating each other, and extending beyond the confines of his physical body." The

4345: 320:

self-sacrificing love which pours itself out in joyous service," no thinking of return.

4700: 4470: 4413: 3926: 3719: 3584: 1546: 1388: 1007: 896: 633: 574: 565: 539: 535: 101: 4596: 3350: 5055: 5020: 5005: 4769: 3950: 3946: 1550: 1449: 807:

Leadbeater does not appear here as a co-author of Besant, nevertheless, according to

694: 676: 672: 665: 641: 582: 4442: 4417: 4391: 3859:

Occult investigations, a description of the work of Annie Besant and C.W. Leadbeater

1507:

he read in 1934 made several different sketches "on the theme" of its second volume

878:

1901. For comparison, see table "Auric Colors and Their Meanings" and Ch. "Colours."

17: 4838: 4680: 4675: 4542: 3976: 3531: 3422: 1498: 1278:

in advertising: it can be easily taken as an old oil company sign, "competing with

1149: 943: 858: 790: 645: 619: 157: 51: 37: 4119: 3857: 3784: 3723: 3692: 3664: 3636: 3608: 3454: 3426: 3395: 3249: 3219: 3187: 5010: 4848: 4833: 4740: 4206: 3780: 3327: 3304: 1341: 808: 795: 710: 702: 683: 657: 653: 462: 242: 238: 4061: 3832: 4275:Триалог. Разговор первый об эстетике, современном искусстве и кризисе культуры 1408: 1153: 1103:

appears as a series of grey and red crescent shapes bursting out of the aura."

586: 578: 458: 4163: 4093:. Vol. 2 (Reprint of 2nd ed.). New Delhi: Oxford University Press. 3968: 5000: 4635: 3786:

Claiming Knowledge: Strategies of Epistemology from Theosophy to the New Age

1533: 1453: 1287: 957: 778: 637: 466: 4217:. Brill Handbooks on Contemporary Religion. Boston: Brill. pp. 33–50. 1331:

Blavatsky described in detail the multiple phenomena of color-sound vision.

355: 4280:

Trialogue: First Talk on Aesthetics, Modern Arts and The Crisis of Culture

3512:. Vol. 7. Wheaton, Ill: Theosophical Publishing House. pp. 55–90 3296: 1587: 1583: 1579: 1575: 1571: 1403:

According to Lachman, one Kandinsky's painting in which the "influence of

3482: 3357: 3288: 1387:

were a combination of Besant and Leadbeater's theories on thought-forms,

528: 524: 348: 134: 123: 4565:[The ideas of H.P. Blavatsky in the creation of A.N. Scriabin]. 164:. It was originally published in 1905 in London. From the standpoint of 4246: 706: 337: 221: 4506:"Глава XVII: Надконфессиональная синкретическая религиозная философия" 4155: 3892:. Brill Handbooks on Contemporary Religion. Brill. pp. 153–170. 1239: 1191:

Gray color represents fear. Bright orange shows "pride and ambition."

589:

forms and forces underlying, but different from, the visible world."

2583: 2581: 581:. "It suggested, to a world moving rapidly beyond the literalism of 4203:"The Second Generation Leaders of the Theosophical Society (Adyar)" 837:

According to the scholars of religious studies, the authors of the

3789:(PhD thesis). Studies in the history of religions. Boston: Brill. 1529: 1361:

See some more musical forms to the works of Wagner in the book by

742: 714: 552: 498: 487: 478: 472: 471: 446: 445: 427: 426: 408: 407: 394: 393: 364: 354: 336: 323: 322: 309: 308: 290: 289: 220: 3981:"Concerto for Magic and Mysticism: Esotericism and Western Music" 2568: 2566: 527:, and the floating crescents in the centre represent isolated or 269:

The authors define the following three classes of thought-forms:

3354: 3285: 1567: 1279: 1275: 1252: 4608: 1832: 1830: 1112:"The craving for alcohol produced undesirable brown-red hooks." 4006:"Kandinsky's Thought Forms and the Occult Roots of Modern Art" 3933:. Austin, Texas: University of Texas at Austin. pp. 42–55 3556: 3256:. Vol. 2 (5th ed.). Gale Group. pp. 1564–1566. 1238:"Figure 38 is even more radical a departure, anticipating the 4150:(PhD thesis). Sydney: University of Sydney (published 2007). 1444:

According to a Ukrainian philosopher Julia Shabanova, a book

577:, the book by Besant and Leadbeater had a large influence on 117: 4604: 4516:] (in Russian). Москва: Высшая школа. pp. 233–245. 2480: 2478: 2208: 2206: 1423:

According to Jones, two Leadbeater's books are "relevant to

2618: 2616: 2331: 2329: 1283: 1274:

According to Breen, this thought-form looks like a kind of

4253:[An Archive of The Magazine "Vestnik Theosofii"]. 4148:

Charles Webster Leadbeater 1854–1934: a biographical study

3756:

The Western Esoteric Traditions: A Historical Introduction

4400:]. Грани познания (in Russian). Новосибирск: Россазия 2193: 2191: 2189: 2187: 2185: 2183: 2181: 2179: 2007: 2005: 2003: 1926: 1924: 1922: 1733: 1731: 1729: 1727: 1725: 1723: 3610:

Theosophy: A Modern Expression of the Wisdom of the Ages

3338:. The Campbell Theosophical Research Library. 2016-10-13 3315:. The Campbell Theosophical Research Library. 2012-02-09 3078: 3076: 2707: 2705: 2676: 2674: 2633: 2631: 264:

Definiteness of thought determines clearness of outline.

4453:] (in Russian). Москва: Международный Центр Рерихов 4428:] (in Russian). Москва: Международный Центр Рерихов 3226:. Vol. 1 (5th ed.). Gale Group. p. 154. 2541: 2539: 2537: 2441: 2439: 2414: 2412: 2410: 2385: 2383: 2370: 2368: 2166: 2164: 1219:

Dark gray color represents "depression and melancholy."

4445:[The Letter to M.E. Tarasov, 29 August 1934]. 4068:. Adyar: Theosophical Publishing House. pp. 1–137 1873: 1871: 1869: 1867: 1865: 1863: 1861: 1859: 1857: 1634:

Theosophical History: A Quarterly Journal of Research

4316:

Trialogue: Second Talk on The Philosophy of The Arts

839:

Encyclopedia of Women and Religion in North America.

824:

A tradition of "seeing thoughts" already existed in

277:

That which takes the image of some material object.

146:

Thought-Forms: A Record of Clairvoyant Investigation

4993: 4952: 4908: 4867: 4821: 4761: 4668: 4642: 4563:"Идеи Е. П. Блаватской в творчестве А. Н. Скрябина" 3862:. Whitefish, MT: Kessinger Publishing. p. 69. 3192:

Encyclopedia of Women and Religion in North America

1511:The album with these sketches is in the Washington 129: 115: 107: 97: 87: 79: 69: 61: 47: 3638:The hidden art: a study of occult symbolism in art 534:On Plate G depicts a musical form to the piece by 4420:[The Letter to A.M. Aseyev, 6 May 1934]. 3890:Handbook of New Religions and Cultural Production 4322:(in Russian). Москва: ИФ РАН. pp. 154–173. 3886:"Theosophical Bodies: Colour, Shape and Emotion" 3759:. Oxford: Oxford University Press. p. 248. 3527:"Victorian Occultism and the Art of Synesthesia" 3154: 1448:was being "discussed" by Alexander Scriabin and 342:Fig. 22, 23. Murderous Rage and Sustained Anger. 3613:. Wheaton, IL.: Theosophical Publishing House. 3397:The Human Aura: Astral Colors and Thought Forms 4311:Триалог. Разговор второй о философии искусства 4286:(in Russian). Москва: ИФ РАН. pp. 79–84. 3194:. Indiana University Press. pp. 755–756. 679:, mysticism and rationalism, sound and sight." 4620: 3991:(4). Theosophical Society in America: 132–137 3459:(Reprint ed.). Michael Poll Publishing. 1678: 1038:"I asked him when he saw this curious shape." 697:, because they are based on a concept of the 519:Plate M showing the form created by music of 8: 4443:"Письмо М.Е. Тарасову, 29 августа 1934 года" 3254:Encyclopedia of Occultism and Parapsychology 3224:Encyclopedia of Occultism and Parapsychology 2335: 1099:It's like "a cloud of red-grey crescents." " 30: 4569:(in Russian). Теософское общество в Украине 4514:Fundamentals of Religious Studies. Textbook 4038:(Reprint ed.). New York: Cosimo, Inc. 4016:(2). Theosophical Society in America: 57–61 4004:———— (March 2008). 3539:(2). Austin, TX: The Appendix, LLC: 109–114 3248:————, ed. (2001b). 2572: 2484: 2430: 2359: 2300: 2212: 1889: 504:Plate M. "Seeing" of music: No. 9 from the 465:" which transform the religious act into a 4627: 4613: 4605: 4479:] (in Russian). Москва: Классика-XXI. 4381:: CS1 maint: location missing publisher ( 4066:The Astral Body and Other Astral Phenomena 3963:. NY: The Foundation for Cultural Review. 3955:"Kandinsky & the birth of abstraction" 3431:(4th ed.). Lucis Publishing Company. 2787: 2649: 2276: 2115: 2091: 1836: 29: 3525:Breen, B. (April 2014). Breen, B. (ed.). 3487:. London: Theosophical Publishing Society 3142: 2959: 2815: 789:than that which our senses reveal to us, 538:. Describing a musical form "created" by 3031: 3007: 2983: 2935: 2923: 2887: 2831: 2622: 2607: 2316: 2288: 2143: 2127: 2103: 2051: 2011: 1982: 1958: 1930: 1913: 1666: 1650: 1308:"Color and sound had become commingled." 558:Plate W. "Seeing" of music: overture to 4189:. Manila: Theosophical Publishing House 3819:. Manila: Theosophical Publishing House 3595:. Manila: Theosophical Publishing House 3351:"Leadbeater, Charles Webster 1854–1934" 3336:Union Index of Theosophical Periodicals 3313:Union Index of Theosophical Periodicals 3118: 3106: 3094: 3043: 2401: 2197: 2035: 1970: 1877: 1797: 1773: 1761: 1737: 1690: 1654: 1610: 1182:"Figure 31 is another narrative piece." 861:noted that it is "the central maxim of 754: 4441:———— (2000b). 4374: 3563:. Hoboken, NJ: John Wiley & Sons. 3481:Besant, A.; Leadbeater, C. W. (1901). 3453:———— (2012) . 3400:. The Floating Press. pp. 31–35. 3130: 3055: 2947: 2911: 2883: 2859: 2847: 2827: 2799: 2775: 2763: 2739: 2723: 2692: 2661: 2637: 2603: 2587: 2557: 2524: 2508: 2469: 2457: 2445: 2418: 2389: 2374: 2347: 2312: 2264: 2252: 2236: 2224: 2170: 2139: 2079: 2067: 2047: 1994: 1954: 1942: 1901: 1848: 1821: 1809: 1749: 1702: 1627:"Thought Forms: A Bibliographic Error" 693:Science considers thought-forms to be 226:Frontispiece. The meanings of colours. 184:In September 1896, Besant reported in 4418:"Письмо А.М. Асееву, 6 мая 1934 года" 4354:] (in Russian). Нижний Новгород. 4257:(in Russian). Теософия в России. 2017 4201:———— (2013). 3691:———— (1987). 3663:———— (1979). 3641:. A studio vista book. Studio Vista. 3607:———— (1986). 3082: 3067: 2971: 2835: 2803: 2751: 2727: 2711: 2696: 2680: 2665: 2591: 2545: 2528: 2512: 2496: 2320: 2240: 2055: 1714: 451:Fig. 38. An Aspiration to Enfold all. 258:Quality of thought determines colour. 7: 4215:Handbook of the Theosophical Current 3888:. In Cusack, C.; Norman, A. (eds.). 3166: 3019: 2995: 1620: 1618: 1616: 1614: 153:book compiled by the members of the 4784:The Mahatma Letters to A.P. Sinnett 4121:Fourteen lessons in Yogi philosophy 2899: 585:art, the expression in painting of 314:Fig. 13. Grasping Animal Affection. 4561:Шабанова Ю. А. (21 October 2016). 2871: 2155: 2023: 1625:Crow, John L (July–October 2012). 956:"Thought-forms, or 'an artificial 261:Nature of thought determines form. 249:Three principles and three classes 25: 3394:(2011) . "Ch. VI. Thought Form". 1785: 4567:Статті Наукової групи ТТ України 4547:Библиотека теософской литературы 4255:Библиотека теософской литературы 4169: 3220:"Baraduc, Hyppolite (1850–1902)" 1501:who was "impressed" by the book 1435:(1901), co-written with Besant." 1139:It's like "a grey-brown cloud ." 36: 4549:(in Russian). Теософия в России 4398:Thought Power and Thought Forms 3557:"ESP (extrasensory perception)" 1072:It's like "a bright red spike." 328:Fig. 19. The Intention to Know. 83:Theosophical Publishing Society 4510:Основы религиоведения. Учебник 3694:Secret Symbolism in Occult Art 3373:"Abstract Art & Theosophy" 600:According to reminiscences by 204:, "vibrations and the ether." 42:First edition title page, 1905 1: 5026:Order of the Star in the East 4890:Theosophical Society Pasadena 4643:Theosophical Society founders 4545:[The Musical Forms]. 3841:. Encyclopædia Britannica Inc 3589:"Leadbeater, Charles Webster" 721:New editions and translations 4895:United Lodge of Theosophists 4146:Tillett, Gregory J. (1986). 3186:; Cantlon, M., eds. (2006). 413:Fig. 31. On the First Night. 3914:Jones, Chelsea Ann (2012). 3811:Harris P. S. (2012-04-27). 3456:Initiation, Human and Solar 3371:Alvarenga C. (2011-07-04). 1427:search for the immaterial: 423:flapping in a gale of wind. 295:Fig. 16. Self-Renunciation. 176:From history of compilation 5098: 4885:Theosophical Society Adyar 3856:(2003) . "Thought Forms". 3502:"Occult or Exact Science?" 3379:. Tradition in Action, Inc 681: 172:), Prince, and McFarlane. 4938:The Theosophical Movement 4477:Reminiscences of Scriabin 4390:Писарева, Е. Ф. (2010) . 4124:. New York: Cosimo, Inc. 4035:The Hidden Side of Things 3916:"Section II-B: Theosophy" 3728:. McGraw-Hill Companies. 3500:Blavatsky, H. P. (1956). 3428:A Treatise on Cosmic Fire 1255:as manifested by ad men." 1251:"It looks like more like 738:Theosophy and visual arts 370:Fig. 29. Greed for Drink. 286:Examples of thought-forms 35: 27:1905 book about Theosophy 4805:The Voice of the Silence 4393:Сила мысли и мыслеобразы 3279:Formats and editions of 1385:On the Spiritual in Art, 1329:Occult or Exact Science? 874:See the frontispiece of 399:Fig. 30. At a Shipwreck. 4472:Воспоминания о Скрябине 3838:Encyclopædia Britannica 3635:Gettings, Fred (1978). 1342:Thoughtform#Thoughtform 699:extrasensory perception 573:According to professor 360:Fig. 27. Sudden Fright. 5062:1905 non-fiction books 5041:Theosophical mysticism 4822:Philosophical concepts 4736:Constance Wachtmeister 3884:Johnston, Jay (2012). 912:thought-emotion forms. 684:Synesthesia § Art 636:still ruled England. ' 613:interested a magazine 570: 516: 483: 453: 434: 432:Fig. 34. At a Funeral. 425: 415: 401: 392: 380:Created by experiences 372: 362: 344: 330: 316: 297: 283: 267: 228: 4854:Universal Brotherhood 4798:Theosophical Glossary 4716:Rukmini Devi Arundale 4696:Gottfried de Purucker 4344:Дружинин, Д. (2012). 3929:thesis). Supervisor: 3831:Herman L. M. (2017). 3697:. NY: Harmony Books. 1407:is quite visible" is 648:is their espousal of 556: 502: 481:as manifested in Man. 475: 449: 442:Created by meditation 430: 420: 411: 397: 387: 368: 358: 340: 326: 312: 293: 271: 255: 224: 4880:Theosophical Society 4777:The Key to Theosophy 3155:Formats and editions 155:Theosophical Society 18:Thought-Forms (book) 5036:Spiritual evolution 4791:The Secret Doctrine 4543:"Музыкальные формы" 4060:Powell, A. (1927). 3751:Goodrick-Clarke, N. 3377:Tradition in Action 3133:, pp. 755–756. 3070:, pp. 113–114. 2754:, pp. 112–113. 2499:, pp. 111–112. 2404:, pp. 224–225. 1504:The Secret Doctrine 607:The Secret Doctrine 507:Songs Without Words 305:Created by emotions 32: 5082:Theosophical texts 4985:Western philosophy 4953:In relation to ... 4762:Theosophical texts 4746:Jiddu Krishnamurti 4726:Walter Evans-Wentz 4660:Henry Steel Olcott 4655:William Quan Judge 4451:Letters. Volume II 4426:Letters. Volume II 3931:Linda D. Henderson 3510:Collected Writings 3309:1887–1897, London" 2575:, pp. 64, 65. 2303:, pp. 65, 84. 2239:, pp. 6, 39; 1997:, pp. 43, 55. 1679:Radhakrishnan 2008 1566:See, for example, 1476:Clavier à lumières 932:Walter John Kilner 785:wrote, "There are 711:neopagan movements 615:Vestnik Theosofii, 571: 517: 484: 454: 435: 416: 402: 373: 363: 345: 331: 317: 298: 229: 5049: 5048: 5031:Plane (cosmology) 4844:Astral projection 4731:Bertram Keightley 4361:978-5-90472-006-3 4329:978-5-9540-0134-1 4293:978-5-9540-0087-0 4116:Ramacharaka, Yogi 4087:Indian Philosophy 4082:Radhakrishnan, S. 4030:Leadbeater, C. W. 3960:The New Criterion 3766:978-0-19-532099-2 3666:The Occult in Art 3570:978-0-471-27242-7 3332:Bombay and Adyar" 2818:, pp. 57–58. 2433:, pp. 64–65. 2336:Jinarajadasa 2003 1892:, pp. 64–66. 1288:Royal Dutch Shell 1284:British Petroleum 664:, Kandinsky, and 142: 141: 98:Publication place 16:(Redirected from 5089: 4706:Nicholas Roerich 4691:Arthur E. Powell 4650:Helena Blavatsky 4629: 4622: 4615: 4606: 4578: 4576: 4574: 4557: 4555: 4554: 4534: 4532: 4530: 4497: 4495: 4493: 4462: 4460: 4458: 4437: 4435: 4433: 4409: 4407: 4405: 4386: 4380: 4372: 4370: 4368: 4340: 4338: 4336: 4321: 4304: 4302: 4300: 4285: 4265: 4263: 4262: 4249:Вестник теософии 4235: 4233: 4231: 4197: 4195: 4194: 4174: 4173: 4167: 4142: 4140: 4138: 4111: 4109: 4107: 4092: 4077: 4075: 4073: 4056: 4054: 4052: 4025: 4023: 4021: 4000: 3998: 3996: 3972: 3942: 3940: 3938: 3920: 3910: 3908: 3906: 3880: 3878: 3876: 3854:Jinarajadasa, C. 3849: 3847: 3846: 3827: 3825: 3824: 3807: 3805: 3803: 3776: 3774: 3773: 3746: 3744: 3742: 3715: 3713: 3711: 3687: 3685: 3683: 3659: 3657: 3655: 3631: 3629: 3627: 3603: 3601: 3600: 3580: 3578: 3577: 3548: 3546: 3544: 3521: 3519: 3517: 3496: 3494: 3492: 3477: 3475: 3473: 3449: 3447: 3445: 3418: 3416: 3414: 3387: 3385: 3384: 3367: 3365: 3364: 3346: 3344: 3343: 3330:The Theosophist, 3323: 3321: 3320: 3300: 3274: 3272: 3270: 3244: 3242: 3240: 3211: 3209: 3208: 3170: 3164: 3158: 3152: 3146: 3140: 3134: 3128: 3122: 3116: 3110: 3104: 3098: 3092: 3086: 3080: 3071: 3065: 3059: 3053: 3047: 3041: 3035: 3029: 3023: 3017: 3011: 3005: 2999: 2993: 2987: 2981: 2975: 2969: 2963: 2957: 2951: 2945: 2939: 2933: 2927: 2921: 2915: 2909: 2903: 2897: 2891: 2881: 2875: 2869: 2863: 2857: 2851: 2845: 2839: 2825: 2819: 2813: 2807: 2797: 2791: 2785: 2779: 2773: 2767: 2761: 2755: 2749: 2743: 2737: 2731: 2721: 2715: 2709: 2700: 2690: 2684: 2678: 2669: 2659: 2653: 2647: 2641: 2635: 2626: 2620: 2611: 2601: 2595: 2585: 2576: 2573:Ramacharaka 2007 2570: 2561: 2555: 2549: 2543: 2532: 2522: 2516: 2506: 2500: 2494: 2488: 2485:Ramacharaka 2007 2482: 2473: 2467: 2461: 2455: 2449: 2443: 2434: 2431:Ramacharaka 2007 2428: 2422: 2416: 2405: 2399: 2393: 2387: 2378: 2372: 2363: 2360:Ramacharaka 2007 2357: 2351: 2345: 2339: 2333: 2324: 2310: 2304: 2301:Ramacharaka 2007 2298: 2292: 2286: 2280: 2274: 2268: 2262: 2256: 2250: 2244: 2234: 2228: 2222: 2216: 2213:Ramacharaka 2007 2210: 2201: 2195: 2174: 2168: 2159: 2153: 2147: 2137: 2131: 2125: 2119: 2113: 2107: 2101: 2095: 2089: 2083: 2077: 2071: 2065: 2059: 2045: 2039: 2033: 2027: 2021: 2015: 2009: 1998: 1992: 1986: 1980: 1974: 1968: 1962: 1952: 1946: 1940: 1934: 1928: 1917: 1911: 1905: 1899: 1893: 1890:Ramacharaka 2007 1887: 1881: 1875: 1852: 1846: 1840: 1834: 1825: 1819: 1813: 1807: 1801: 1795: 1789: 1783: 1777: 1771: 1765: 1759: 1753: 1747: 1741: 1735: 1718: 1712: 1706: 1700: 1694: 1688: 1682: 1676: 1670: 1664: 1658: 1648: 1642: 1641: 1631: 1622: 1599: 1596: 1590: 1564: 1558: 1543: 1537: 1528:famously quoted 1522: 1516: 1513:National Gallery 1509:Anthropogenesis. 1496: 1490: 1484: 1478: 1472: 1466: 1463: 1457: 1442: 1436: 1421: 1415: 1401: 1395: 1381: 1375: 1372: 1366: 1359: 1353: 1350: 1344: 1338: 1332: 1325: 1319: 1315: 1309: 1306: 1300: 1297: 1291: 1272: 1266: 1262: 1256: 1249: 1243: 1236: 1230: 1226: 1220: 1217: 1211: 1207: 1201: 1198: 1192: 1189: 1183: 1180: 1174: 1171: 1165: 1146: 1140: 1137: 1131: 1128: 1122: 1119: 1113: 1110: 1104: 1097: 1091: 1088: 1082: 1079: 1073: 1070: 1064: 1061: 1055: 1045: 1039: 1036: 1030: 1027: 1021: 1017: 1011: 1004: 998: 995: 989: 985: 979: 976: 970: 967: 961: 954: 948: 941: 935: 922: 916: 907: 901: 894: 888: 885: 879: 872: 866: 856: 850: 847: 841: 835: 829: 822: 816: 805: 799: 771: 765: 759: 495:Created by music 217:Meaning of color 162:C. W. Leadbeater 119: 89:Publication date 56:C. W. Leadbeater 40: 33: 21: 5097: 5096: 5092: 5091: 5090: 5088: 5087: 5086: 5052: 5051: 5050: 5045: 4989: 4948: 4931:The Theosophist 4904: 4875:Blavatsky Lodge 4863: 4829:Akashic records 4817: 4757: 4686:C.W. Leadbeater 4664: 4638: 4633: 4585: 4572: 4570: 4560: 4552: 4550: 4537: 4528: 4526: 4524: 4502:Трефилов, В. А. 4500: 4491: 4489: 4487: 4467:Сабанеев, Л. Л. 4465: 4456: 4454: 4440: 4431: 4429: 4412: 4403: 4401: 4389: 4373: 4366: 4364: 4362: 4343: 4334: 4332: 4330: 4319: 4307: 4298: 4296: 4294: 4283: 4268: 4260: 4258: 4247:"Архив журнала 4245: 4229: 4227: 4225: 4200: 4192: 4190: 4183:"Besant, Annie" 4179:Wessinger C. L. 4177: 4168: 4145: 4136: 4134: 4132: 4114: 4105: 4103: 4101: 4090: 4080: 4071: 4069: 4062:"Chapters 1–14" 4059: 4050: 4048: 4046: 4028: 4019: 4017: 4003: 3994: 3992: 3975: 3945: 3936: 3934: 3918: 3913: 3904: 3902: 3900: 3883: 3874: 3872: 3870: 3852: 3844: 3842: 3830: 3822: 3820: 3813:"Thought Forms" 3810: 3801: 3799: 3797: 3779: 3771: 3769: 3767: 3749: 3740: 3738: 3736: 3718: 3709: 3707: 3705: 3690: 3681: 3679: 3677: 3669:. NY: Rizzoli. 3662: 3653: 3651: 3649: 3634: 3625: 3623: 3621: 3606: 3598: 3596: 3583: 3575: 3573: 3571: 3551: 3542: 3540: 3524: 3515: 3513: 3499: 3490: 3488: 3480: 3471: 3469: 3467: 3452: 3443: 3441: 3439: 3421: 3412: 3410: 3408: 3392:Atkinson, W. W. 3390: 3382: 3380: 3370: 3362: 3360: 3349: 3341: 3339: 3326: 3318: 3316: 3303: 3277: 3268: 3266: 3264: 3247: 3238: 3236: 3234: 3218:, ed. (2001a). 3214: 3206: 3204: 3202: 3182:Keller, R. S.; 3181: 3178: 3173: 3165: 3161: 3153: 3149: 3141: 3137: 3129: 3125: 3117: 3113: 3105: 3101: 3093: 3089: 3081: 3074: 3066: 3062: 3054: 3050: 3042: 3038: 3030: 3026: 3018: 3014: 3006: 3002: 2994: 2990: 2982: 2978: 2970: 2966: 2958: 2954: 2946: 2942: 2934: 2930: 2922: 2918: 2910: 2906: 2898: 2894: 2882: 2878: 2870: 2866: 2858: 2854: 2846: 2842: 2826: 2822: 2814: 2810: 2798: 2794: 2788:Leadbeater 2007 2786: 2782: 2774: 2770: 2762: 2758: 2750: 2746: 2738: 2734: 2722: 2718: 2710: 2703: 2691: 2687: 2679: 2672: 2660: 2656: 2650:Leadbeater 2007 2648: 2644: 2636: 2629: 2621: 2614: 2602: 2598: 2586: 2579: 2571: 2564: 2556: 2552: 2544: 2535: 2523: 2519: 2507: 2503: 2495: 2491: 2483: 2476: 2468: 2464: 2456: 2452: 2444: 2437: 2429: 2425: 2417: 2408: 2400: 2396: 2388: 2381: 2373: 2366: 2358: 2354: 2346: 2342: 2334: 2327: 2311: 2307: 2299: 2295: 2287: 2283: 2277:Leadbeater 2007 2275: 2271: 2263: 2259: 2251: 2247: 2235: 2231: 2223: 2219: 2211: 2204: 2196: 2177: 2169: 2162: 2154: 2150: 2138: 2134: 2126: 2122: 2116:Leadbeater 2007 2114: 2110: 2102: 2098: 2092:Leadbeater 2007 2090: 2086: 2078: 2074: 2066: 2062: 2046: 2042: 2034: 2030: 2022: 2018: 2010: 2001: 1993: 1989: 1981: 1977: 1969: 1965: 1953: 1949: 1941: 1937: 1929: 1920: 1912: 1908: 1900: 1896: 1888: 1884: 1876: 1855: 1847: 1843: 1837:Leadbeater 2007 1835: 1828: 1820: 1816: 1808: 1804: 1796: 1792: 1784: 1780: 1772: 1768: 1764:, p. 1565. 1760: 1756: 1748: 1744: 1736: 1721: 1713: 1709: 1701: 1697: 1689: 1685: 1677: 1673: 1665: 1661: 1653:, p. 136; 1649: 1645: 1640:(3–4): 126–127. 1629: 1624: 1623: 1612: 1608: 1603: 1602: 1597: 1593: 1565: 1561: 1544: 1540: 1530:Vedic scripture 1523: 1519: 1497: 1493: 1485: 1481: 1473: 1469: 1464: 1460: 1443: 1439: 1422: 1418: 1410:Woman in Moscow 1402: 1398: 1382: 1378: 1373: 1369: 1360: 1356: 1351: 1347: 1339: 1335: 1326: 1322: 1316: 1312: 1307: 1303: 1298: 1294: 1273: 1269: 1263: 1259: 1250: 1246: 1237: 1233: 1227: 1223: 1218: 1214: 1208: 1204: 1199: 1195: 1190: 1186: 1181: 1177: 1172: 1168: 1147: 1143: 1138: 1134: 1129: 1125: 1120: 1116: 1111: 1107: 1098: 1094: 1089: 1085: 1080: 1076: 1071: 1067: 1062: 1058: 1046: 1042: 1037: 1033: 1028: 1024: 1018: 1014: 1008:grappling hooks 1005: 1001: 996: 992: 986: 982: 977: 973: 968: 964: 955: 951: 942: 938: 927:The Theosophist 923: 919: 908: 904: 895: 891: 886: 882: 873: 869: 857: 853: 848: 844: 836: 832: 823: 819: 806: 802: 772: 768: 760: 756: 751: 734: 723: 691: 686: 650:occult doctrine 569: 551: 515: 497: 482: 452: 444: 433: 414: 400: 382: 371: 361: 343: 329: 315: 307: 296: 288: 251: 227: 219: 214: 178: 90: 43: 28: 23: 22: 15: 12: 11: 5: 5095: 5093: 5085: 5084: 5079: 5074: 5072:Parapsychology 5069: 5064: 5054: 5053: 5047: 5046: 5044: 5043: 5038: 5033: 5028: 5023: 5018: 5013: 5008: 5003: 4997: 4995: 4991: 4990: 4988: 4987: 4982: 4977: 4972: 4967: 4962: 4956: 4954: 4950: 4949: 4947: 4946: 4941: 4934: 4927: 4920: 4912: 4910: 4906: 4905: 4903: 4902: 4897: 4892: 4887: 4882: 4877: 4871: 4869: 4865: 4864: 4862: 4861: 4856: 4851: 4846: 4841: 4836: 4831: 4825: 4823: 4819: 4818: 4816: 4815: 4808: 4801: 4794: 4787: 4780: 4773: 4765: 4763: 4759: 4758: 4756: 4755: 4748: 4743: 4738: 4733: 4728: 4723: 4718: 4713: 4708: 4703: 4701:Helena Roerich 4698: 4693: 4688: 4683: 4678: 4672: 4670: 4666: 4665: 4663: 4662: 4657: 4652: 4646: 4644: 4640: 4639: 4634: 4632: 4631: 4624: 4617: 4609: 4603: 4602: 4594: 4584: 4583:External links 4581: 4580: 4579: 4558: 4535: 4522: 4498: 4485: 4463: 4447:Письма. Том II 4438: 4422:Письма. Том II 4410: 4387: 4360: 4341: 4328: 4305: 4292: 4266: 4242: 4241: 4237: 4236: 4223: 4198: 4181:(2012-03-10). 4175: 4143: 4130: 4112: 4099: 4078: 4057: 4044: 4026: 4001: 3973: 3949:(March 1995). 3943: 3911: 3898: 3881: 3868: 3850: 3828: 3808: 3795: 3777: 3765: 3747: 3734: 3716: 3703: 3688: 3675: 3660: 3647: 3632: 3619: 3604: 3587:(2012-03-15). 3581: 3569: 3553:Carroll, R. T. 3549: 3522: 3506:De Zirkoff, B. 3497: 3478: 3465: 3450: 3437: 3419: 3406: 3388: 3368: 3347: 3324: 3301: 3275: 3262: 3250:"Thoughtforms" 3245: 3232: 3212: 3200: 3188:"Annie Besant" 3184:Ruether, R. R. 3177: 3174: 3172: 3171: 3159: 3147: 3143:Wessinger 2013 3135: 3123: 3111: 3099: 3097:, p. 366. 3087: 3085:, p. 114. 3072: 3060: 3058:, p. 171. 3048: 3036: 3024: 3012: 3010:, p. 307. 3000: 2988: 2976: 2964: 2960:Alvarenga 2011 2952: 2940: 2938:, p. 135. 2928: 2926:, p. 159. 2916: 2904: 2892: 2890:, p. 137. 2886:, p. 82; 2876: 2864: 2852: 2840: 2838:, p. 110. 2834:, p. 49; 2830:, p. 80; 2820: 2816:Blavatsky 1956 2808: 2806:, p. 110. 2802:, p. 77; 2792: 2780: 2768: 2766:, p. 556. 2756: 2744: 2732: 2730:, p. 113. 2726:, p. 69; 2716: 2714:, p. 110. 2701: 2699:, p. 113. 2695:, p. 67; 2685: 2683:, p. 113. 2670: 2668:, p. 114. 2664:, p. 67; 2654: 2642: 2627: 2625:, p. 137. 2612: 2606:, p. 62; 2596: 2594:, p. 112. 2590:, p. 59; 2577: 2562: 2550: 2548:, p. 112. 2533: 2531:, p. 112. 2527:, p. 58; 2517: 2515:, p. 112. 2511:, p. 57; 2501: 2489: 2474: 2462: 2450: 2435: 2423: 2406: 2394: 2379: 2364: 2352: 2340: 2325: 2323:, p. 112. 2319:, p. 48; 2315:, p. 51; 2305: 2293: 2281: 2269: 2257: 2245: 2243:, p. 110. 2229: 2217: 2202: 2200:, p. 225. 2175: 2160: 2148: 2142:, p. 36; 2132: 2120: 2108: 2106:, p. 237. 2096: 2084: 2072: 2060: 2054:, p. 29; 2050:, p. 31; 2040: 2038:, p. 953. 2028: 2016: 1999: 1987: 1975: 1973:, p. 115. 1963: 1961:, p. 158. 1957:, p. 17; 1947: 1935: 1918: 1906: 1894: 1882: 1853: 1841: 1826: 1824:, p. 755. 1814: 1802: 1790: 1778: 1776:, p. 990. 1766: 1754: 1752:, p. 509. 1742: 1740:, p. 224. 1719: 1707: 1695: 1693:, p. 117. 1683: 1681:, p. 373. 1671: 1669:, p. 234. 1659: 1657:, p. 224. 1643: 1609: 1607: 1604: 1601: 1600: 1591: 1559: 1538: 1517: 1491: 1479: 1467: 1458: 1437: 1416: 1396: 1393:Thought-Forms. 1376: 1367: 1354: 1345: 1333: 1320: 1310: 1301: 1292: 1267: 1265:spirituality." 1257: 1244: 1242:of the 1960s." 1231: 1221: 1212: 1202: 1193: 1184: 1175: 1166: 1164:abstractions." 1141: 1132: 1123: 1114: 1105: 1092: 1083: 1074: 1065: 1056: 1040: 1031: 1022: 1012: 999: 990: 980: 971: 962: 949: 936: 917: 902: 889: 880: 876:Thought-Forms, 867: 863:Thought-Forms. 851: 842: 830: 817: 800: 779:Occult science 766: 753: 752: 750: 747: 746: 745: 740: 733: 730: 722: 719: 690: 687: 634:Queen Victoria 561:Meistersingers 557: 550: 549:and modern art 544: 503: 496: 493: 476: 450: 443: 440: 431: 412: 398: 381: 378: 369: 359: 341: 327: 313: 306: 303: 294: 287: 284: 282: 281: 278: 275: 266: 265: 262: 259: 250: 247: 225: 218: 215: 213: 212:Basic concepts 210: 177: 174: 140: 139: 131: 127: 126: 121: 113: 112: 109: 105: 104: 102:United Kingdom 99: 95: 94: 91: 88: 85: 84: 81: 77: 76: 71: 67: 66: 63: 59: 58: 49: 45: 44: 41: 31:Thought-Forms 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5094: 5083: 5080: 5078: 5075: 5073: 5070: 5068: 5065: 5063: 5060: 5059: 5057: 5042: 5039: 5037: 5034: 5032: 5029: 5027: 5024: 5022: 5021:Neo-Theosophy 5019: 5017: 5014: 5012: 5009: 5007: 5006:Anthroposophy 5004: 5002: 4999: 4998: 4996: 4992: 4986: 4983: 4981: 4978: 4976: 4973: 4971: 4968: 4966: 4963: 4961: 4958: 4957: 4955: 4951: 4945: 4942: 4940: 4939: 4935: 4933: 4932: 4928: 4926: 4925: 4921: 4919: 4918: 4914: 4913: 4911: 4907: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4872: 4870: 4866: 4860: 4857: 4855: 4852: 4850: 4847: 4845: 4842: 4840: 4837: 4835: 4832: 4830: 4827: 4826: 4824: 4820: 4814: 4813: 4809: 4807: 4806: 4802: 4800: 4799: 4795: 4793: 4792: 4788: 4786: 4785: 4781: 4779: 4778: 4774: 4772: 4771: 4770:Isis Unveiled 4767: 4766: 4764: 4760: 4754: 4753: 4749: 4747: 4744: 4742: 4739: 4737: 4734: 4732: 4729: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4711:A. P. Sinnett 4709: 4707: 4704: 4702: 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4682: 4679: 4677: 4674: 4673: 4671: 4667: 4661: 4658: 4656: 4653: 4651: 4648: 4647: 4645: 4641: 4637: 4630: 4625: 4623: 4618: 4616: 4611: 4610: 4607: 4600: 4599: 4598:Thought-Forms 4595: 4592: 4591: 4590:Thought-Forms 4587: 4586: 4582: 4568: 4564: 4559: 4548: 4544: 4540: 4536: 4525: 4523:5-06-002849-6 4519: 4515: 4511: 4507: 4503: 4499: 4488: 4486:5-89817-064-2 4482: 4478: 4474: 4473: 4468: 4464: 4452: 4448: 4444: 4439: 4427: 4423: 4419: 4415: 4411: 4399: 4395: 4394: 4388: 4384: 4378: 4363: 4357: 4353: 4349: 4348: 4342: 4331: 4325: 4317: 4313: 4312: 4306: 4295: 4289: 4281: 4277: 4276: 4271: 4270:Бычков, В. В. 4267: 4256: 4252: 4250: 4244: 4243: 4239: 4238: 4226: 4224:9789004235960 4220: 4216: 4212: 4211:Rothstein, M. 4208: 4204: 4199: 4188: 4184: 4180: 4176: 4172: 4165: 4161: 4157: 4153: 4149: 4144: 4133: 4131:9781605200361 4127: 4123: 4122: 4117: 4113: 4102: 4100:9780195698428 4096: 4089: 4088: 4083: 4079: 4067: 4063: 4058: 4047: 4045:9781602063228 4041: 4037: 4036: 4031: 4027: 4015: 4011: 4007: 4002: 3990: 3986: 3982: 3979:(July 2002). 3978: 3974: 3970: 3966: 3962: 3961: 3956: 3952: 3948: 3944: 3932: 3928: 3924: 3917: 3912: 3901: 3899:9789004221871 3895: 3891: 3887: 3882: 3871: 3865: 3861: 3860: 3855: 3851: 3840: 3839: 3834: 3833:"Synesthesia" 3829: 3818: 3814: 3809: 3798: 3796:9789004136380 3792: 3788: 3787: 3782: 3778: 3768: 3762: 3758: 3757: 3752: 3748: 3737: 3735:9780070236578 3731: 3727: 3726: 3721: 3717: 3706: 3700: 3696: 3695: 3689: 3678: 3676:9780847801909 3672: 3668: 3667: 3661: 3650: 3648:9780289708491 3644: 3640: 3639: 3633: 3622: 3620:9780835606073 3616: 3612: 3611: 3605: 3594: 3590: 3586: 3585:Ellwood R. S. 3582: 3572: 3566: 3562: 3558: 3554: 3550: 3538: 3534: 3533: 3528: 3523: 3511: 3507: 3503: 3498: 3486: 3485: 3484:Thought-Forms 3479: 3468: 3466:9781613420713 3462: 3458: 3457: 3451: 3440: 3438:9780853300175 3434: 3430: 3429: 3424: 3420: 3409: 3407:9781775453383 3403: 3399: 3398: 3393: 3389: 3378: 3374: 3369: 3359: 3356: 3352: 3348: 3337: 3333: 3331: 3328:"An Index to 3325: 3314: 3310: 3308: 3305:"An Index to 3302: 3298: 3294: 3290: 3287: 3283: 3281:Thought-Forms 3280: 3276: 3265: 3263:0-8103-8570-8 3259: 3255: 3251: 3246: 3235: 3233:0-8103-8570-8 3229: 3225: 3221: 3217: 3216:Melton, J. G. 3213: 3203: 3201:9780253346872 3197: 3193: 3189: 3185: 3180: 3179: 3175: 3168: 3163: 3160: 3156: 3151: 3148: 3145:, p. 44. 3144: 3139: 3136: 3132: 3127: 3124: 3120: 3115: 3112: 3109:, p. 10. 3108: 3103: 3100: 3096: 3091: 3088: 3084: 3079: 3077: 3073: 3069: 3064: 3061: 3057: 3052: 3049: 3045: 3040: 3037: 3034:, p. 70. 3033: 3032:Сабанеев 2000 3028: 3025: 3021: 3016: 3013: 3009: 3008:Сабанеев 2000 3004: 3001: 2997: 2992: 2989: 2986:, p. 63. 2985: 2984:Сабанеев 2000 2980: 2977: 2974:, p. 51. 2973: 2968: 2965: 2961: 2956: 2953: 2950:, p. 83. 2949: 2944: 2941: 2937: 2936:Gettings 1978 2932: 2929: 2925: 2924:Johnston 2012 2920: 2917: 2913: 2908: 2905: 2901: 2896: 2893: 2889: 2888:Gettings 1979 2885: 2880: 2877: 2873: 2868: 2865: 2862:, p. 59. 2861: 2856: 2853: 2850:, p. 82. 2849: 2844: 2841: 2837: 2833: 2832:Gettings 1987 2829: 2824: 2821: 2817: 2812: 2809: 2805: 2801: 2796: 2793: 2789: 2784: 2781: 2778:, p. 78. 2777: 2772: 2769: 2765: 2760: 2757: 2753: 2748: 2745: 2742:, p. 69. 2741: 2736: 2733: 2729: 2725: 2720: 2717: 2713: 2708: 2706: 2702: 2698: 2694: 2689: 2686: 2682: 2677: 2675: 2671: 2667: 2663: 2658: 2655: 2651: 2646: 2643: 2640:, p. 62. 2639: 2634: 2632: 2628: 2624: 2623:Gettings 1979 2619: 2617: 2613: 2610:, p. 48. 2609: 2608:Gettings 1987 2605: 2600: 2597: 2593: 2589: 2584: 2582: 2578: 2574: 2569: 2567: 2563: 2560:, p. 57. 2559: 2554: 2551: 2547: 2542: 2540: 2538: 2534: 2530: 2526: 2521: 2518: 2514: 2510: 2505: 2502: 2498: 2493: 2490: 2487:, p. 64. 2486: 2481: 2479: 2475: 2472:, p. 49. 2471: 2466: 2463: 2460:, p. 56. 2459: 2454: 2451: 2448:, p. 55. 2447: 2442: 2440: 2436: 2432: 2427: 2424: 2421:, p. 58. 2420: 2415: 2413: 2411: 2407: 2403: 2398: 2395: 2392:, p. 53. 2391: 2386: 2384: 2380: 2377:, p. 12. 2376: 2371: 2369: 2365: 2362:, p. 65. 2361: 2356: 2353: 2350:, p. 51. 2349: 2344: 2341: 2337: 2332: 2330: 2326: 2322: 2318: 2317:Gettings 1987 2314: 2309: 2306: 2302: 2297: 2294: 2291:, p. 33. 2290: 2289:Atkinson 2011 2285: 2282: 2278: 2273: 2270: 2267:, p. 56. 2266: 2261: 2258: 2255:, p. 43. 2254: 2249: 2246: 2242: 2238: 2233: 2230: 2227:, p. 57. 2226: 2221: 2218: 2215:, p. 66. 2214: 2209: 2207: 2203: 2199: 2194: 2192: 2190: 2188: 2186: 2184: 2182: 2180: 2176: 2173:, p. 44. 2172: 2167: 2165: 2161: 2157: 2152: 2149: 2146:, p. 26. 2145: 2144:Писарева 2010 2141: 2136: 2133: 2130:, p. 27. 2129: 2128:Писарева 2010 2124: 2121: 2117: 2112: 2109: 2105: 2104:Трефилов 1994 2100: 2097: 2093: 2088: 2085: 2082:, p. 47. 2081: 2076: 2073: 2070:, p. 87. 2069: 2064: 2061: 2058:, p. 54. 2057: 2053: 2052:Писарева 2010 2049: 2044: 2041: 2037: 2032: 2029: 2025: 2020: 2017: 2014:, p. 47. 2013: 2012:Gettings 1987 2008: 2006: 2004: 2000: 1996: 1991: 1988: 1985:, p. 31. 1984: 1983:Atkinson 2011 1979: 1976: 1972: 1967: 1964: 1960: 1959:Johnston 2012 1956: 1951: 1948: 1945:, p. 55. 1944: 1939: 1936: 1933:, p. 34. 1932: 1931:Atkinson 2011 1927: 1925: 1923: 1919: 1916:, p. 29. 1915: 1914:Писарева 2010 1910: 1907: 1903: 1898: 1895: 1891: 1886: 1883: 1879: 1874: 1872: 1870: 1868: 1866: 1864: 1862: 1860: 1858: 1854: 1851:, p. 16. 1850: 1845: 1842: 1838: 1833: 1831: 1827: 1823: 1818: 1815: 1811: 1806: 1803: 1799: 1794: 1791: 1787: 1782: 1779: 1775: 1770: 1767: 1763: 1758: 1755: 1751: 1746: 1743: 1739: 1734: 1732: 1730: 1728: 1726: 1724: 1720: 1716: 1711: 1708: 1704: 1699: 1696: 1692: 1687: 1684: 1680: 1675: 1672: 1668: 1667:Трефилов 1994 1663: 1660: 1656: 1652: 1651:Gettings 1978 1647: 1644: 1639: 1635: 1628: 1621: 1619: 1617: 1615: 1611: 1605: 1595: 1592: 1589: 1585: 1581: 1577: 1573: 1569: 1563: 1560: 1556: 1552: 1548: 1545:According to 1542: 1539: 1535: 1531: 1527: 1521: 1518: 1514: 1510: 1506: 1505: 1500: 1495: 1492: 1489: 1483: 1480: 1477: 1471: 1468: 1462: 1459: 1455: 1451: 1450:Jean Delville 1447: 1446:Thought-Forms 1441: 1438: 1434: 1433:Thought-Forms 1430: 1426: 1420: 1417: 1413: 1411: 1406: 1405:Thought-Forms 1400: 1397: 1394: 1390: 1386: 1380: 1377: 1371: 1368: 1364: 1358: 1355: 1349: 1346: 1343: 1340:See it here: 1337: 1334: 1330: 1324: 1321: 1314: 1311: 1305: 1302: 1296: 1293: 1289: 1285: 1281: 1277: 1271: 1268: 1261: 1258: 1254: 1248: 1245: 1241: 1235: 1232: 1225: 1222: 1216: 1213: 1206: 1203: 1197: 1194: 1188: 1185: 1179: 1176: 1170: 1167: 1163: 1159: 1155: 1151: 1145: 1142: 1136: 1133: 1127: 1124: 1118: 1115: 1109: 1106: 1102: 1101:Sudden Fright 1096: 1093: 1087: 1084: 1078: 1075: 1069: 1066: 1060: 1057: 1053: 1049: 1044: 1041: 1035: 1032: 1026: 1023: 1016: 1013: 1009: 1003: 1000: 994: 991: 984: 981: 975: 972: 966: 963: 959: 953: 950: 945: 940: 937: 933: 929: 928: 921: 918: 913: 906: 903: 898: 893: 890: 884: 881: 877: 871: 868: 864: 860: 855: 852: 846: 843: 840: 834: 831: 827: 821: 818: 814: 810: 804: 801: 797: 792: 788: 784: 783:Radhakrishnan 780: 776: 773:According to 770: 767: 764: 758: 755: 748: 744: 741: 739: 736: 735: 731: 729: 726: 720: 718: 716: 712: 708: 704: 700: 696: 695:pseudoscience 688: 685: 680: 678: 674: 669: 667: 663: 659: 655: 651: 647: 643: 639: 635: 629: 627: 626: 621: 616: 612: 609: 608: 603: 598: 596: 592: 591:Thought-Forms 588: 584: 580: 576: 567: 563: 562: 555: 548: 547:Thought-Forms 545: 543: 541: 537: 532: 530: 526: 522: 513: 509: 508: 501: 494: 492: 489: 480: 477:Fig. 41. The 474: 470: 468: 464: 460: 448: 441: 439: 429: 424: 419: 410: 406: 396: 391: 386: 379: 377: 367: 357: 353: 350: 339: 335: 325: 321: 311: 304: 302: 292: 285: 279: 276: 273: 272: 270: 263: 260: 257: 256: 254: 248: 246: 244: 240: 235: 223: 216: 211: 209: 205: 203: 199: 194: 193:Thought-Forms 189: 188: 182: 175: 173: 171: 167: 163: 159: 156: 152: 148: 147: 137: 136: 135:Thought-Forms 132: 128: 125: 122: 120: 114: 110: 106: 103: 100: 96: 92: 86: 82: 78: 75: 72: 68: 64: 60: 57: 53: 50: 46: 39: 34: 19: 5067:Abstract art 4965:Christianity 4936: 4929: 4922: 4915: 4909:Publications 4868:Institutions 4839:Astral plane 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4750: 4721:Jinarajadasa 4681:Annie Besant 4676:Alice Bailey 4597: 4589: 4571:. Retrieved 4566: 4551:. Retrieved 4546: 4529:10 September 4527:. Retrieved 4513: 4509: 4492:11 September 4490:. Retrieved 4476: 4471: 4457:10 September 4455:. Retrieved 4450: 4446: 4432:10 September 4430:. Retrieved 4425: 4421: 4414:Рерих, Е. И. 4404:11 September 4402:. Retrieved 4397: 4392: 4367:10 September 4365:. Retrieved 4351: 4346: 4335:13 September 4333:. Retrieved 4315: 4310: 4299:13 September 4297:. Retrieved 4279: 4274: 4259:. Retrieved 4254: 4248: 4230:10 September 4228:. Retrieved 4214: 4191:. Retrieved 4186: 4147: 4137:10 September 4135:. Retrieved 4120: 4106:10 September 4104:. Retrieved 4086: 4072:11 September 4070:. Retrieved 4065: 4051:10 September 4049:. Retrieved 4034: 4020:26 September 4018:. Retrieved 4013: 4009: 3995:26 September 3993:. Retrieved 3988: 3984: 3958: 3937:10 September 3935:. Retrieved 3922: 3905:11 September 3903:. Retrieved 3889: 3875:10 September 3873:. Retrieved 3858: 3843:. Retrieved 3836: 3821:. Retrieved 3816: 3802:10 September 3800:. Retrieved 3785: 3770:. Retrieved 3755: 3741:21 September 3739:. Retrieved 3724: 3710:24 September 3708:. Retrieved 3693: 3682:23 September 3680:. Retrieved 3665: 3654:23 September 3652:. Retrieved 3637: 3626:11 September 3624:. Retrieved 3609: 3597:. Retrieved 3592: 3574:. Retrieved 3560: 3543:11 September 3541:. Retrieved 3536: 3532:The Appendix 3530: 3516:10 September 3514:. Retrieved 3509: 3491:15 September 3489:. Retrieved 3483: 3472:11 September 3470:. Retrieved 3455: 3444:11 September 3442:. Retrieved 3427: 3413:11 September 3411:. Retrieved 3396: 3381:. Retrieved 3376: 3361:. Retrieved 3340:. Retrieved 3335: 3329: 3317:. Retrieved 3312: 3306: 3282: 3278: 3269:10 September 3267:. Retrieved 3253: 3239:10 September 3237:. Retrieved 3223: 3205:. Retrieved 3191: 3162: 3150: 3138: 3126: 3119:Carroll 2003 3114: 3107:Tillett 1986 3102: 3095:Goldman 1981 3090: 3063: 3051: 3044:Lachman 2002 3039: 3027: 3015: 3003: 2991: 2979: 2967: 2955: 2943: 2931: 2919: 2907: 2895: 2879: 2867: 2855: 2843: 2823: 2811: 2795: 2783: 2771: 2759: 2747: 2735: 2719: 2688: 2657: 2645: 2599: 2553: 2520: 2504: 2492: 2465: 2453: 2426: 2402:Tillett 1986 2397: 2355: 2343: 2308: 2296: 2284: 2272: 2260: 2248: 2232: 2220: 2198:Tillett 1986 2151: 2135: 2123: 2111: 2099: 2087: 2075: 2063: 2043: 2036:Tillett 1986 2031: 2019: 1990: 1978: 1971:Ellwood 1986 1966: 1950: 1938: 1909: 1897: 1885: 1878:Lachman 2008 1844: 1817: 1805: 1798:Melton 2001a 1793: 1781: 1774:Tillett 1986 1769: 1762:Melton 2001b 1757: 1745: 1738:Tillett 1986 1710: 1698: 1691:Ellwood 1986 1686: 1674: 1662: 1655:Tillett 1986 1646: 1637: 1633: 1594: 1562: 1554: 1541: 1520: 1508: 1502: 1494: 1488:Though-Forms 1482: 1470: 1461: 1452:, a Belgian 1445: 1440: 1432: 1429:Clairvoyance 1428: 1419: 1409: 1404: 1399: 1392: 1384: 1379: 1370: 1357: 1348: 1336: 1328: 1323: 1313: 1304: 1295: 1270: 1260: 1247: 1234: 1224: 1215: 1205: 1196: 1187: 1178: 1169: 1154:surrealistic 1144: 1135: 1126: 1117: 1108: 1100: 1095: 1086: 1077: 1068: 1059: 1048:Jinarajadasa 1043: 1034: 1025: 1015: 1002: 993: 983: 974: 965: 952: 939: 925: 920: 911: 905: 892: 883: 875: 870: 862: 854: 845: 838: 833: 826:spiritualism 820: 803: 791:other senses 787:other worlds 769: 763:Though-Forms 757: 727: 724: 713:, including 692: 670: 630: 624: 622:of light in 614: 605: 599: 590: 572: 559: 546: 533: 518: 505: 485: 469:phenomenon. 467:neurological 455: 436: 421: 417: 403: 388: 383: 374: 346: 332: 318: 299: 268: 252: 230: 206: 192: 186: 183: 179: 151:theosophical 145: 144: 143: 133: 5077:Synesthesia 5011:Esotericism 4980:visual arts 4849:Mental body 4834:Astral body 4741:W. B. Yeats 4187:Theosopedia 3977:Lachman, G. 3951:Kimball, R. 3817:Theosopedia 3720:Goldman, A. 3593:Theosopedia 3131:Keller 2006 3056:Бычков 2009 2948:Бычков 2007 2912:Kramer 1995 2884:TForms 1901 2860:Powell 1927 2848:TForms 1901 2828:TForms 1901 2800:TForms 1901 2790:, Ch. 8, 9. 2776:TForms 1901 2764:Bailey 1925 2740:TForms 1901 2724:TForms 1901 2693:TForms 1901 2662:TForms 1901 2638:TForms 1901 2604:TForms 1901 2588:TForms 1901 2558:TForms 1901 2525:TForms 1901 2509:TForms 1901 2470:Powell 1927 2458:TForms 1901 2446:TForms 1901 2419:Powell 1927 2390:TForms 1901 2375:Powell 1927 2348:TForms 1901 2313:TForms 1901 2265:Powell 1927 2253:TForms 1901 2237:TForms 1901 2225:Powell 1927 2171:TForms 1901 2140:TForms 1901 2080:Powell 1927 2068:Bailey 2012 2048:TForms 1901 1995:Powell 1927 1955:TForms 1901 1943:Hammer 2003 1902:Powell 1927 1849:TForms 1901 1822:Keller 2006 1810:Keller 2006 1750:Hammer 2003 1526:Oppenheimer 1431:(1899) and 813:Blavatsky's 796:synesthesia 703:New Thought 646:abstraction 521:Mendelssohn 512:Mendelssohn 463:synesthesia 202:Reichenbach 200:, Baraduc, 170:John Varley 5056:Categories 4975:literature 4573:15 October 4553:2017-09-10 4539:Ходсон Дж. 4261:2017-09-11 4240:in Russian 4207:Hammer, O. 4193:2017-09-10 3947:Kramer, H. 3869:0766130347 3845:2017-09-10 3823:2017-09-10 3781:Hammer, O. 3772:2017-09-10 3704:0517567180 3599:2017-09-10 3576:2017-09-10 3423:Bailey, A. 3383:2017-09-23 3363:2017-09-10 3342:2017-09-10 3319:2017-09-10 3207:2017-09-11 3083:Breen 2014 3068:Breen 2014 2972:Jones 2012 2836:Breen 2014 2804:Breen 2014 2752:Breen 2014 2728:Breen 2014 2712:Breen 2014 2697:Breen 2014 2681:Breen 2014 2666:Breen 2014 2592:Breen 2014 2546:Breen 2014 2529:Breen 2014 2513:Breen 2014 2497:Breen 2014 2321:Breen 2014 2241:Breen 2014 2056:Jones 2012 1703:Britannica 1606:References 1588:777895008. 1555:Inner Life 1474:See also: 958:elementals 682:See also: 625:Prometheus 604:, besides 579:modern art 459:meditation 234:human aura 5001:Agni Yoga 4636:Theosophy 4469:(2000) . 4416:(2000a). 4377:cite book 4164:220306221 4156:2123/1623 4118:(2007) . 4084:(2008) . 4032:(2007) . 3969:0734-0222 3783:(2003) . 2652:, Ch. 11. 2094:, Ch. 10. 1839:, Ch. 15. 1715:Wessinger 1584:940052686 1580:955597141 1576:699107177 1572:468751993 1534:mysticism 1454:symbolist 1389:Steiner's 1162:Kandinsky 709:, and in 689:Criticism 638:Modernism 602:Sabaneyev 595:Kandinsky 583:Victorian 531:chords." 525:arpeggios 166:Theosophy 158:A. Besant 80:Publisher 74:Theosophy 52:A. Besant 5016:Maitreya 4970:Hinduism 4960:Buddhism 4541:(2017). 4504:(1994). 4213:(eds.). 3753:(2008). 3722:(1981). 3555:(2003). 3425:(1925). 3358:WorldCat 3307:Lucifer, 3289:WorldCat 3167:WorldCat 3020:Шабанова 2996:Архив ВТ 2279:, Ch. 8. 2118:, Ch. 6. 1904:, Ch. 3. 1499:Beckmann 1456:painter. 1158:Malevich 1150:abstract 1020:creator. 811:, after 775:Trefilov 732:See also 666:Mondrian 662:Malevich 611:Scriabin 529:staccato 349:East End 208:people. 124:59773169 62:Language 4994:Related 4944:More... 4924:Sunrise 4917:Lucifer 4900:More... 4859:More... 4812:More... 4752:More... 3953:(ed.). 3508:(ed.). 3176:Sources 2900:Ellwood 1551:Presley 1547:Goldman 1425:Kupka's 1412:(1912). 1052:Sinnett 988:create. 915:forms." 897:Ellwood 859:Lachman 707:New Age 587:surreal 575:Ellwood 198:Röntgen 187:Lucifer 70:Subject 65:English 48:Authors 4669:People 4520: 4483: 4358: 4326: 4318:] 4290: 4282:] 4221: 4162: 4128: 4097: 4042: 3967: 3896: 3866: 3793: 3763: 3732: 3701: 3673: 3645: 3617: 3567: 3463: 3435: 3404: 3297:501753 3295: 3260: 3230: 3198: 2872:Ходсон 2156:Harris 2024:IndexT 1363:Hodson 1240:op art 944:Bailey 809:Hammer 642:Kramer 566:Wagner 540:Wagner 536:Gounod 243:desire 239:mental 138:online 4512:[ 4475:[ 4449:[ 4424:[ 4396:[ 4350:[ 4320:(PDF) 4314:[ 4284:(PDF) 4278:[ 4205:. In 4091:(PDF) 4010:Quest 3985:Quest 3919:(PDF) 3725:Elvis 3504:. In 1786:Index 1630:(PDF) 1276:logos 1253:logos 749:Notes 743:Tulpa 715:Wicca 658:Eliot 654:Yeats 488:Logos 479:Logos 149:is a 108:Pages 4575:2017 4531:2017 4518:ISBN 4494:2017 4481:ISBN 4459:2017 4434:2017 4406:2017 4383:link 4369:2017 4356:ISBN 4337:2017 4324:ISBN 4301:2017 4288:ISBN 4232:2017 4219:ISBN 4160:OCLC 4139:2017 4126:ISBN 4108:2017 4095:ISBN 4074:2017 4053:2017 4040:ISBN 4022:2017 3997:2017 3965:ISSN 3939:2017 3927:M.A. 3907:2017 3894:ISBN 3877:2017 3864:ISBN 3804:2017 3791:ISBN 3761:ISBN 3743:2017 3730:ISBN 3712:2017 3699:ISBN 3684:2017 3671:ISBN 3656:2017 3643:ISBN 3628:2017 3615:ISBN 3565:ISBN 3545:2017 3518:2017 3493:2017 3474:2017 3461:ISBN 3446:2017 3433:ISBN 3415:2017 3402:ISBN 3355:OCLC 3293:OCLC 3286:OCLC 3271:2017 3258:ISBN 3241:2017 3228:ISBN 3196:ISBN 1568:OCLC 1286:and 1280:Esso 1152:and 677:West 675:and 673:East 620:part 618:the 241:and 160:and 130:Text 118:OCLC 93:1905 4152:hdl 1160:or 652:." 564:by 510:by 5058:: 4379:}} 4375:{{ 4209:; 4185:. 4158:. 4064:. 4014:96 4012:. 4008:. 3989:90 3987:. 3983:. 3957:. 3921:. 3835:. 3815:. 3591:. 3559:. 3535:. 3529:. 3375:. 3353:. 3334:. 3311:. 3291:. 3284:. 3252:. 3222:. 3190:. 3075:^ 2704:^ 2673:^ 2630:^ 2615:^ 2580:^ 2565:^ 2536:^ 2477:^ 2438:^ 2409:^ 2382:^ 2367:^ 2328:^ 2205:^ 2178:^ 2163:^ 2002:^ 1921:^ 1856:^ 1829:^ 1722:^ 1638:16 1636:. 1632:. 1613:^ 1586:, 1582:, 1578:, 1574:, 1570:: 1549:, 1282:, 1010:." 934:." 717:. 705:, 660:, 656:, 111:84 54:, 4628:e 4621:t 4614:v 4601:. 4593:. 4577:. 4556:. 4533:. 4496:. 4461:. 4436:. 4408:. 4385:) 4371:. 4339:. 4303:. 4264:. 4251:" 4234:. 4196:. 4166:. 4154:: 4141:. 4110:. 4076:. 4055:. 4024:. 3999:. 3971:. 3941:. 3925:( 3909:. 3879:. 3848:. 3826:. 3806:. 3775:. 3745:. 3714:. 3686:. 3658:. 3630:. 3602:. 3579:. 3547:. 3537:2 3520:. 3495:. 3476:. 3448:. 3417:. 3386:. 3366:. 3345:. 3322:. 3299:. 3273:. 3243:. 3210:. 3169:. 3157:. 3121:. 3046:. 3022:. 2998:. 2962:. 2914:. 2902:. 2874:. 2338:. 2158:. 2026:. 1880:. 1812:. 1800:. 1788:. 1717:. 1705:. 1524:" 1515:. 1365:. 865:" 798:. 632:" 568:. 514:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.