538:, Langan told the band, "When I heard the demos, I think my first impression was that you'd grown up," and summarized the demos as "an adult step in writing and moving forward." When Kemp and Langan spoke with superdeluxeedition.com about the 2017 reissue, Langan discussed how perfect the offer to do the project was for him at the time in that both he and Kemp wanted to leave behind the style of music they had been doing. He described Kemp's vision for the album as "robust." Kemp added, "I think we were entering an era, where it was more about 'the album' than about singles, so much, for us."
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top ten. The label neglected to release any singles in the US for several months after it had done so elsewhere, and the band found themselves in the same place of not feeling like they were getting the exposure there that they wanted. The fact that members of the band were approached during the making of the album to pursue acting was seen as the start of the band's breakup, which came after the release of their next album,
1709:"I'm glad 'Gold' is going to do well over here; it's shaking off the enigma of (the song) 'True'. It's selling us as a band. The thing that worried us about America is people didn't know Spandau Ballet, they knew 'True' … People who only know Spandau Ballet for the soft focus image on 'True' ... well, we wanted to come over and show ourselves with all our hard edges, transport our history over to America."
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1857:, is about Tony's kids. I saw him with his children in Ireland, which must be the most frightening situation for them ever. And it's frightening watching them: they're like little sponges that soak up and imitate everything they see. You think: my God, how much should you protect a child that's sitting in front of the TV watching everything from
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all on this particular format (Mitsubishi X50). We couldn't find this particular machine anywhere. There was one in
Holland, and then by the time someone tested it, it was broken. In the end, we found one in New York but it really took a few months, and we missed the deadline that we wanted, to get the reissue out on the 30th anniversary."
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574:. The band's manager, Steve Dagger, suggested performing it at Live Aid, and the band agreed, thinking such a great amount of exposure to a new song was a good idea. In retrospect, however, Kemp felt they should have only performed their hit songs and thought Dagger would agree that choosing to play "Virgin" instead was a mistake.
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Gary Kemp: "To be honest, I wanted to get it out last year for the 30th anniversary, because we'd been doing that on the other packages, but we had a real problem with it because we recorded this on a particular digital machine, that was only in fashion for about a year, it seems. So the masters were
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chart and in
Iceland, number 8 in Norway, number 9 in Germany, number 25 in Sweden and Switzerland, number 26 in Australia, number 27 in Finland, number 48 in New Zealand, number 79 in Japan, and number 84 in Canada. In the US the album was released on 20 March 1987. On 6 May of that year it received
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certification for sales of 300,000 units there. Several reviews were critical, faulting either the production or the songwriting. The band was disappointed in the chart performance of the singles. The title song fared best, reaching number six in the UK, but was the only one of the three to make the
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Gary Kemp: "And it was not until the mix that we then thought, you know, what would be a great idea is if we took an element, a sort of cinematic element of ' Barricades' and had that at the beginning as an intro…" Gary Langan: "Like a little overture." Gary Kemp: "Yeah, like a little overture, and
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Dagger was especially bothered by how little promotion the album received from CBS in
America. Kemp found their disinterest "ironic, given America was the reason we'd joined them in the first place". He told Dagger he blamed himself for not having repeatedly written reworkings of "True" to maintain
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manages to avoid utter disaster via the tuneful creations of songwriter/guitarist Gary Kemp." LeRoy argued "the production and mix prove the undoing of this effort. Most of the tunes demand guitar and drum bombast; instead, the riff-rocking 'Cross the Line' and 'Fight for
Ourselves', in particular,
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The 2017 reissue was initially planned as a 30th anniversary edition, but because the master tapes had been recorded using a digital machine that had not been manufactured since the 1980s, it was difficult to find one to use to transfer the recordings. Because of the delay, they missed the deadline
1844:"This was a time when Gary wanted to change direction and it was about doing the tour. There was this whole vision and it did need to be robust. And it was somewhere where I wanted to go. All that time with Trevor Horn was really amazing pop, but I now wanted to go and do something different."
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had done and did a medley of our hits, because we had enough, but I think Steve Dagger will say that it was one of his very, very few mistakes in the history of his management career, when he suggested it. We thought 'Virgin' was a really strong song – I don't think we'd written 'Fight For
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magazine reviewed the song in its Single
Releases column in its 20 June 1987 issue and recommended the single to retailers and radio stations. Opinions again varied overall, however, with one reviewer calling it the "best song" on the album and another concluding that "even the title song's
1890:"When we recorded it there was a lot of pressure to get it right. I remember working on the vocals in the studio at Musicland, as Gary and the others watched from the control room. It was incredibly off-putting, everyone going on about the sentiment of the song, and how important it was."
421:", also did not chart as well there as they did elsewhere, which left Kemp sure Chrysalis was to blame. The band sued the label in 1985 for not supporting and promoting their work. In the settlement Chrysalis lost their rights to any new recordings by Spandau Ballet, who then signed to
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In the 2017 documentary, Kemp explained that during the mixing of the album they came up with the idea to use a "cinematic element" of the song as an introductory track for the album. Hadley provided the footsteps heard on the track. Kemp described it as "ery sort of
945:, which caused a rift between band members. Kemp wrote, "For the rest of the band, the movie must have felt as though we were being unfaithful towards them. For my part, I felt they were being unfair, given all the commitment to the band I'd shown over the years."
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1999:"Becoming Ronnie didn't help. I was suddenly looking in two directions outside of the group. More importantly, the process was beginning to infringe upon the band's business. Martin and I were back with Anna Scher and Charles Verrall to do workshops for
597:", using what he had seen as the backdrop for a love song. Hadley found that the band's emotional attachment to the song made it more difficult for him to record the vocals. Kemp later acknowledged that Hadley gave his best performance ever.
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that the mostly unimpressive numbers "hardly squared with our hopes of global success". Critics were mostly negative in their reviews. Although one described it as a "knockout", others summed it up as "crummy" and "absurdly paranoiac".
1758:"Spandau's 17th single, a song about love across the Protestant and Catholic divides of Northern Ireland written, like the album, in Dublin during six months of last year, is as far removed from the pleasure-loving, soul boy days of '
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After the introductory track, the first song on the album is "Cross the Line", which Kemp described as "much more arena rock for
Spandau." He credits their time with Def Leppard as having been his main influence in writing it.
1835:"Working in Germany in the wintery new year of 1986, we got off to a great start with the song 'Fight For Ourselves' and rubber-stamped Langan through into continuing the co-production of the whole album with us."
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album, which was ironic, given
America was the reason we'd joined them in the first place. 'It's my fault, Steve,' I told him one day. 'I keep changing our style. I should have just written 'True' over and over
2003:, which occasionally meant having to be absent from the recording studio during the making of the album ... it was helping to split the band into two camps, and Dagger was trying to hold us all together."
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s Roger Morton also felt the need to provide two ratings: "4 out of 5 for presentation; 1 out of 5 for daring". He opined that the songs were "ultimately neutered by the self-conscious classiness of it all".
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Gary Kemp: "'Cross the Line' is the opener, and it's much more arena rock for
Spandau. And I think it may have had something to do with who we were hanging out with in Dublin." Steve Norman: "Def Leppard!"
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album would disabuse that part of their audience of the notion that the rest of their songs sounded the same. The band addressed this concern again in 1985 when they toured there with the
British-American
769:, however, was critical of the change, noting that "problems arise … when band ventures into harder-rockin' territory--a heavier touch from Art of Noise member Langan might have helped pull it off."
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later that year when he was gunned down by a
British soldier. When the band played in Belfast during their 1984 tour, Kemp got a first-hand look at the political climate there and was inspired to write
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on 29 November to begin a chart run of 19 weeks, the first of which was spent in its peak position at number 7. It also got as high as number 1 in Italy, number 3 in the Netherlands, number 6 on the
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because he felt it made fans want to see live performances, explaining, "People are sick of sitting at home watching pretty people in videos. They want to get out of their homes and be part of it."
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tour when the band noticed that their chemistry on stage had improved. They decided back then to have their next album capture that feeling of performing live. They continued working with
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The band spent time in Dublin, and Kemp began writing the songs for their next album there over the course of six months in 1985. During that time, they socialized with the members of
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follow-up to see if they worked well together before committing to an entire album with him in that capacity. They recorded that song, "Fight for Ourselves", in the winter of 1986 at
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School. Anciano was there to hear the songs the band was interested in making into music videos. Burdis came to discuss his desire to have the Kemp brothers portray twin gangsters
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302:. The band was continuing their efforts to replicate the sound of their live performance on a studio album that they had attempted unsuccessfully with their previous album,
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Ourselves' at that point, it was the first one I'd written – and we decided to debut a song and get some coverage out of it. And that was a real mistake, of course it was."
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magazines noted in their respective 21 March 1987 reviews of the song for US retailers and radio stations that "How Many Lies" was the first single released there from the
859:. Although the band thought it would be successful, they were disappointed that it did not chart higher there. It made the top 10 in several other countries and received
1923:, number 11 in Spain, number 16 in Australia and the Netherlands, number 20 in Belgium, number 23 in Switzerland, number 32 in West Germany and number 33 in New Zealand.
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For their CBS debut, the band "wanted a bigger, meatier sound, one more suitable to the arenas we were now playing." This desire to expand their sound began during the
1798:"An engineer cum co-producer was what we were after and Gary Langan was our first choice. He'd been Trevor's engineer for years and had worked with us on the fateful
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s Karen Swayne wrote that both the title song and the album showed that Kemp "still has a way with a catchy chorus and a sure commercial instinct". Vici MacDonald of
1727:"The spat between Wright and Ellis, the two company owners, was worsening and it seemed to us we were being affected like the children of a disintegrating marriage."
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Kemp wrote "Virgin" (originally titled "We Are Virgin") in response to seeing the "harmful" influence that television had on the children of the band's lead singer
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in Munich and decided to keep Langan on as co-producer for the entire album. In a 2017 documentary discussing the remastering of the album, which came to be called
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In his autobiography Kemp speculated as to when the first signs that the band would break up began. He thought it was their time recording the album in France at
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1941:"Through the Barricades" also went to number one in Italy and also reached number 2 in Spain, number 3 in the Netherlands, number 4 in Ireland, number 6 on the
1954:"How Many Lies" also reached number 5 in Italy, number 17 in Ireland, number 23 in the Netherlands, number 25 in Belgium, number 32 in Spain, number 66 on the
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gave two ratings in her review: "(Music: 7 out of 10; Lyrics: 2 out of 10)". She thought the lyrics were "terrible" but found the music "extremely spirited".
553:
We've captured a lot of that live feel and raw energy on the new album. There are still a lot of misconceptions about us as a band. That's why we called it
413:... While we were selling large amounts in Europe and the rest of the world, Chrysalis America were not pulling their weight." Their next two US singles, "
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acknowledged that the softer style of "True" could give people a very limited understanding of their music. He hoped their upcoming US tour to support the
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1990:"I think it's here, in Chateau Miraval Studios, Provence, where two young wannabe film producers are arriving, and the end may be about to begin."
1932:"We were confident it would be a huge hit. When it peaked at Number 6 in November ’86, we were all disappointed. It deserved to be a bigger hit."
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Belfast native Thomas "Kidso" Reilly, who had worked for Spandau Ballet selling merchandise during their 1983 UK tour, became a casualty of
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Retrospective reviews were mostly critical. Paul Evans wrote a brief summary review of most of the Spandau Ballet album discography in
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one and a half stars out of five, citing that the band "took a bizarre turn toward arena rock and power ballads." In a review for
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308:. They were also wanting to address any misconceptions about their music that came from the success of their first US hit song, "
557:. People still think we're all just posers and we can't play our instruments. They're not convinced until they see us play live.
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1736:"While we were on tour last year we really gelled together as a unit,… and we wanted to get some of that feeling into this LP.
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1771:"Dublin was full of musicians, and we spent days with Frankie Goes to Hollywood and Def Leppard, who were both living there."
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1811:"Gary had worked with people like Billy Idol, the Art of Noise and we'd worked with him with Trevor Horn. He'd done that
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1826:"We would go back to Munich and record one track to see how things went. If it worked, we'd take on the album with him."
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are undercut by the polite-sounding rhythm section." He praised the title-track, which he said "became a deserved hit."
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939:. Their choice to participate in the film meant they were away from the studio as the band worked on their next album,
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album. This song also elicited a variety of comments, with one critic labeling it "a masterpiece", another "The Pits".
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album for ABC, which I though sounded great. Gary was a great, great engineer … the best engineer in the world."
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we decided to have some footsteps. Very sort of Floyd. And who was that? Was that Tony?" Steve Norman: "Yeah."
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from any album not to make the top 10 there. While it did chart higher in Ireland, Italy and Spain and on the
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Select "Singoli" in the "Tipo" field, type "Through the Barricades" in the "Titolo" field and press "cerca".
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1981:"As I move back through this decade one question is beginning to circle above me: where did the end start?"
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Select "Singoli" in the "Tipo" field, type "Fight for Ourselves" in the "Titolo" field and press "cerca".
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achieved the sound of live performance they were wanting. At the time of its release, he explained to
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in the US, where it peaked at number four while also spending a week at number one on the magazine's
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Select "Singoli" in the "Tipo" field, type "How Many Lies" in the "Titolo" field and press "cerca".
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Select "Album" in the "Tipo" field, type "Spandau Ballet" in the "Artista" field and press "cerca".
1919:"Fight for Ourselves" also got as high as number 5 in Italy, number 7 in Ireland, number 10 on the
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526:. Spandau Ballet decided they would test him out in the role of co-producer of one song for their
409:, Kemp wrote, "America was not going to plan. 'Gold' had been a hit, although not as big as 'True'
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1945:, number 7 in Norway, number 10 in Belgium, number 14 in West Germany and number 50 in Australia.
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855:"Through the Barricades" was released in the UK on 27 October 1986 and peaked at number 6 on the
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446:, but Kemp felt that album failed to achieve the new sound they were after. In an interview with
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Spandau Ballet decided to try co-producing with someone else once they changed labels and chose
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the record wasn't like we did it live. People went home and were disappointed by the record."
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was very different live from on record. With this LP we didn't want to have such a large gap."
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885:. It charted higher in most of the handful of countries in which it found success. In the US,
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beautifully crafted, doubtlessly sincere lament for Northern Ireland ends up sounding bogus".
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843:, its peak positions in other countries were mostly lower than that of the UK. Lead singer
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2671:"Gary Kemp: When we played Through the Barricades in Belfast the reaction was incredible"
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when he was reunited with Dominic Anciano, with whom the band had worked on videos, and
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magazine in 1986, he reasoned, "I think we were a bit afraid of making a big jump after
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3298:"Reviews > Albums > Pop > Picks > Spandau Ballet – Through the Barricades"
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on 25 November for reaching the 100,000 units of shipment threshold. It entered the
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studio wiz Langan for a sonic tour de force of melodic, stimulating dance music."
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Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers
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on 2 April 2021 for reaching the 200,000 units of shipment threshold. In the US,
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376:", was released there later that year, the band's lead guitarist and songwriter
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4093:"Single Releases >Feature Picks >Spandau Ballet – Through the Barricades"
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2203:"Spandau Ballet Seeks New U.S. Image: Power Station Tour Targets Rock Audience"
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4493:
4314:"Reviews > Singles > Pop > Picks > Spandau Ballet – How Many Lies"
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3267:"Album Releases >Feature Picks >Spandau Ballet – Through the Barricades"
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4071:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 286.
3625:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 286.
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3009:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 286.
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881:" was released in the UK on 2 February 1987 and peaked at number 34 on the
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Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972
2771:"British album certifications – Spandau Ballet – Through the Barricades"
1867:? There's so much harmful junk… So 'We Are Virgin' is an anthem for them."
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was released on 17 November 1986 and received gold certification from the
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in the UK on 14 July 1986 and peaked at number 15, making it their first
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platinum certification in the UK for reaching shipment of 300,000 units.
484:
107:
4593:"Dutch album certifications – Spandau Ballet – Through the Barricades"
1175:"Through The Barricades" (Original One Track Gary Kemp Vocal Guide Demo)
2514:
818:, Dan LeRoy wrote, "Rocking up Spandau Ballet's smooth white-boy soul,
90:
4345:"Single Releases >Feature Picks >Spandau Ballet – How Many Lies"
4040:"Spandau Ballet – Through The Barricades – Offizielle Deutsche Charts"
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479:, who were also living there. Kemp credited them for influencing the
328:
because of the downturn in their popularity in the US after "True".
76:
3694:"Spandau Ballet – Fight For Ourselves – Offizielle Deutsche Charts"
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I think it's our best album because we were playing so well on it.
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1967:"He was haunted by the lack of interest shown by them towards the
1718:"'Communication' and 'Only When You Leave' had fallen away early."
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At the time they were already taking action against their label,
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3993:"norwegiancharts.com – Spandau Ballet – Through The Barricades"
2951:"Offiziellecharts.de – Spandau Ballet – Through the Barricades"
2936:"Norwegiancharts.com – Spandau Ballet – Through the Barricades"
4551:. Vol. 4, no. 51/52. 26 December 1987. p. 35.
2970:"Swedishcharts.com – Spandau Ballet – Through the Barricades"
3937:"The Irish Charts – Search Results – Through The Barricades"
1312:
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514:. Kemp had high praise for Langan's work with his own band,
3247:. Vol. 45, no. 21. 28 February 1987. p. 10.
2987:"Swisscharts.com – Spandau Ballet – Through the Barricades"
3973:. Vol. 3, no. 50. 20 December 1986. p. 16.
2852:"Dutchcharts.nl – Spandau Ballet – Through the Barricades"
3522:"The Irish Charts – Search Results – Fight for Ourselves"
3558:. Vol. 3, no. 33. 23 August 1986. p. 16.
3238:"Albums > Spandau Ballet > Through the Barricades"
2879:. Vol. 4, no. 3. 24 January 1987. p. 21.
2556:"Gary Kemp on Spandau Ballet and Through the Barricades"
324:
was also their first album with the label after leaving
4015:"Spandau Ballet – Through The Barricades – ultratop.be"
3719:"Charts.org.nz – Spandau Ballet – Fight For Ourselves"
633:
they needed to release the reissue the previous year.
4266:. Vol. 4, no. 9. 7 March 1987. p. 15.
3065:"Charts.nz – Spandau Ballet – Through the Barricades"
312:", and reshape the style of their music to that of a
3669:"Spandau Ballet – Fight For Ourselves – ultratop.be"
2854:(in Dutch). Hung Medien. Retrieved 29 January 2022.
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4183:"The Irish Charts – Search Results – How Many Lies"
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2142:"Spandau Ballet Chart History: Adult Contemporary"
925:, the band's bassist, knew from their time at the
3361:MacDonald, Vici (19 November – 2 December 1986).
4230:"Spandau Ballet – How Many Lies? – ultratop.be"
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2623:: CS1 maint: others in cite AV media (notes) (
1688:Shipments figures based on certification alone.
739:received mixed reviews from the North American
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398:described it, "gaining more rock credibility".
4621:in the drop-down menu saying "Alle jaargangen"
3647:"Spandau Ballet – Top 40 Hitdossier-artiesten"
3466:"Spandau Ballet | Full Official Chart History"
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1749:"The best time we had was together in Dublin."
703:
4721:
4639:(1st ed.). Spain: Fundación Autor-SGAE.
2910:(in Icelandic). 5 December 1986. p. 51.
8:
3082:Album Chart Book: Complete Edition 1970–2005
2734:
2732:
1789:"We wanted to move on from Swain and Jolley"
665:
4926:Chant No. 1 (I Don't Need This Pressure On)
4542:"European Charts of the Year 1987 – Albums"
4486:"Top 100 Albums (January to December 1986)"
4456:
4454:
4452:
4450:
4437:
4435:
4433:
4431:
4429:
3165:
3163:
3161:
2549:
2547:
2545:
2543:
2541:
2539:
2537:
2535:
2533:
2531:
1131:"Through The Barricades" (Extended Version)
372:chart. However, before their next single, "
4883:The Story: The Very Best of Spandau Ballet
4728:
4714:
4706:
3067:. Hung Medien. Retrieved 29 January 2022.
2989:. Hung Medien. Retrieved 29 January 2022.
2972:. Hung Medien. Retrieved 29 January 2022.
2938:. Hung Medien. Retrieved 29 January 2022.
2636:
2634:
2585:
2583:
2581:
2468:
2466:
2400:
2398:
2368:
2366:
2329:
2327:
2325:
2323:
2321:
2319:
2317:
1617:
1558:
1528:
1321:
640:
29:
20:
3388:
3386:
3194:Evans, Paul (2004). "Spandau Ballet". In
2344:
2342:
2237:
2235:
2233:
2231:
2229:
1164:"Fight The Heartache" (Alternate Version)
3584:
3582:
3580:
3363:"Spandau Ballet: Through the Barricades"
3189:
3187:
2436:
2434:
2432:
2430:
1853:"'We Are Virgin', which we performed at
1271:Stephan Wissnet – engineering assistance
1086:
956:
831:"Fight for Ourselves" was released as a
753:" "can definitely ignite dance floors".
3791:. Vol. 33, no. 29. p. 11
3589:Salaverrie, Fernando (September 2005).
3410:. Vol. 33, no. 47. p. 12
3037:(in Finnish) (1st ed.). Helsinki:
2166:
2164:
2115:"Spandau Ballet Chart History: Hot 100"
2016:
1702:
1684:
18:1986 studio album by Spandau Ballet
4689:I Know This Much: From Soho to Spandau
4633:Salaverri, Fernando (September 2005).
4414:. Vol. 34, no. 6. p. 12
3870:
3739:
3460:
3458:
3456:
3371:. Vol. 8, no. 24. p. 92
3107:
3105:
3075:
3073:
3028:
3026:
2997:
2995:
2982:
2980:
2978:
2965:
2963:
2946:
2944:
2931:
2929:
2896:
2894:
2862:
2860:
2847:
2845:
2765:
2763:
2761:
2759:
2738:
2616:
1238:Toby Chapman – keyboards, synthesizers
1109:"Fight For Ourselves" (Extended Remix)
407:I Know This Much: From Soho to Spandau
361:" became their first song to make the
3783:"Spandau Ballet: Fight for Ourselves"
3754:"Spandau Ballet: Fight for Ourselves"
3593:(in Spanish) (1st ed.). Madrid:
3060:
3058:
2813:
2811:
2794:
2792:
1280:Jackie Vickers – project coordination
1277:Catherine Bell – project coordination
1268:Gary Langan – production, engineering
646:
483:sound on the album. He also credited
353:Background, development and recording
290:is the fifth studio album by English
7:
4472:
4460:
4441:
2750:
2723:
2589:
2554:Sinclair, Paul (22 September 2017).
2472:
2333:
2241:
1560:1987 year-end chart performance for
1530:1986 year-end chart performance for
1088:2017 remastered edition bonus tracks
4571:"Top 100 Album-Jahrescharts – 1987"
2699:"British soldier sentenced to life"
1596:German Albums (Offizielle Top 100)
1142:"Cross The Line" (Extended Version)
954:All tracks are written by Gary Kemp
921:, a classmate Kemp and his brother
705:
3393:Morton, Roger (22 November 1986).
3328:Swayne, Karen (22 November 1986).
2510:Through the Barricades documentary
2174:"Spandau Ballet: UP, UP, and Away"
1283:Zoe Vickers – project coordination
609:Release and commercial performance
298:, released on 17 November 1986 by
14:
4636:Sólo éxitos: año a año, 1959–2002
4406:"Spandau Ballet: "How Many Lies""
4208:"Spandau Ballet – How Many Lies?"
3591:Sólo éxitos: año a año, 1959–2002
3205:The New Rolling Stone Album Guide
2441:Panos, Andrew (8 November 1986).
2373:Simper, Paul (20 December 1986).
667:
4876:Gold: The Best of Spandau Ballet
4559:– via World Radio History.
4505:– via World Radio History.
4404:Wilkes, Jane (7 February 1987).
4274:– via World Radio History.
4187:Irish Recorded Music Association
3981:– via World Radio History.
3941:Irish Recorded Music Association
3573:– via World Radio History.
3526:Irish Recorded Music Association
3255:– via World Radio History.
2887:– via World Radio History.
847:wrote in his 2004 autobiography
759:only wrote, "Spandau teams with
724:
719:
714:
709:
704:
686:
681:
676:
671:
666:
4497:. 24 January 1987. p. 25.
4377:"Spandau Ballet: How Many Lies"
4069:Australian Chart Book 1970–1992
3915:"Top 40-Lijst Van Week 1, 1987"
3623:Australian Chart Book 1970–1992
3007:Australian Chart Book 1970–1992
2799:"Official Albums Chart Top 100"
2349:Rimmer, Dave (7–20 June 1984).
2259:"Special Report: U.K. Newsline"
1876:"Yes, we should have done what
1153:"How Many Lies?" (Instrumental)
933:in what would be the 1990 film
4613:in the "Artiest of titel" box.
4573:(in German). GfK Entertainment
4517:"Jaaroverzichten – Album 1987"
4375:Bell, Max (14 February 1987).
3781:Stuart Bailie (19 July 1986).
3181:. Retrieved 18 September 2011.
2651:. No. 160. pp. 10–11
2383:. No. 183–184. p. 41
1274:Andy Pearson – drum technician
1244:Shirley Lewis – backing vocals
1093:
960:
357:Spandau Ballet's 1983 single "
1:
4132:. 31 January 1987. p. 14
3752:Andrew Panos (19 July 1986).
3124:. Retrieved 29 January 2022.
2957:. Retrieved 29 January 2022.
2805:. Retrieved 29 January 2022.
2775:British Phonographic Industry
2641:Simper, Paul (12 July 1986).
2405:Simper, Paul (12 July 1986).
2289:Smith, Robin (21 June 1986).
2095:. 31 January 1987. p. 14
1576:Dutch Albums (Album Top 100)
1323:Weekly chart performance for
865:British Phonographic Industry
807:The Rolling Stone Album Guide
698:The Rolling Stone Album Guide
618:British Phonographic Industry
584:Through the Barricades (song)
3849:. 25 October 1986. p. 3
3112:"Top RPM Albums: Issue 0798"
2643:""I'm a Born Again Spandau""
2291:"Spandau Come Back Fighting"
2067:. 25 October 1986. p. 3
1515:
1500:
1488:
1476:
1464:
1414:
1373:
1361:
510:they met while working with
334:reached number seven on the
4325:. 21 March 1987. p. 75
3122:Library and Archives Canada
2201:Grein, Paul (1 June 1985).
1265:Spandau Ballet – production
1241:Ruby James – backing vocals
976:"Barricades ‒ Introduction"
776:also had a mixed response.
735:At the time of its release
438:Tony Swain and Steve Jolley
5121:
4862:The Best of Spandau Ballet
4385:. No. 191. p. 38
4356:. 21 March 1987. p. 9
4255:"European Hot 100 Singles"
3962:"European Hot 100 Singles"
3762:. No. 161. p. 38
3547:"European Hot 100 Singles"
3342:. No. 179. p. 46
3309:. 4 April 1987. p. 78
3135:"March Hot Album Releases"
2703:United Press International
2415:. No. 160. p. 10
2407:"I'm a Born Again Spandau"
2359:. No. 144. p. 8.
2351:"Five Go Mad in Musikland"
581:
4901:To Cut a Long Story Short
4743:
4691:. London: Fourth Estate.
4666:To Cut a Long Story Short
4104:. 20 June 1987. p. 9
3441:. 12 July 1986. p. 3
3278:. 4 April 1987. p. 8
3146:. 7 March 1987. p. 8
3080:Okamoto, Satoshi (2006).
3039:Kustannusosakeyhtiö Otava
2868:"European Hot 100 Albums"
2611:CBS Records International
2451:. No. 177. p. 6
2171:Kaye, Annene (May 1984).
2036:. 12 July 1986. p. 3
1685:
1670:
1655:
1640:
1632:
1629:
1626:
1595:
1583:
1575:
1570:
1567:
1545:
1540:
1537:
1505:
1493:
1481:
1469:
1457:
1445:
1431:
1419:
1407:
1395:
1378:
1366:
1352:
1340:
1333:
1330:
1204:– lead and backing vocals
1171:
1160:
1149:
1138:
1127:
1116:
1105:
1097:
1068:
1057:
1046:
1031:
1020:
1005:
994:
983:
972:
964:
849:To Cut a Long Story Short
654:
651:
279:
271:Released: 2 February 1987
258:Released: 27 October 1986
232:
217:
180:
28:
4044:GfK Entertainment charts
3698:GfK Entertainment charts
2955:GfK Entertainment Charts
1958:and number 86 in Canada.
1289:Assorted Images – design
1228:– percussion, saxophones
1120:"Fight... The Heartache"
578:"Through the Barricades"
541:Kemp was confident that
4611:Through the Barricades
4140:– via flickr.com.
3470:Official Charts Company
3430:"Spandau CBS debut set"
3033:Pennanen, Timo (2006).
2803:Official Charts Company
2103:– via flickr.com.
2025:"Spandau CBS debut set"
1398:Suomen virallinen lista
1353:Canada Top Albums/CDs (
863:certification from the
465:We're a rock band now.
456:. The trouble was that
405:. In his autobiography
227:Through the Barricades
5038:Be Free with Your Love
5017:Through the Barricades
4940:She Loved Like Diamond
4848:The Singles Collection
4816:Through the Barricades
4670:Sidgwick & Jackson
3397:Through the Barricades
3332:Through the Barricades
3173:Through the Barricades
2603:Through the Barricades
1621:Through the Barricades
1562:Through the Barricades
1532:Through the Barricades
1325:Through the Barricades
1074:Through the Barricades
931:Ronnie and Reggie Kray
899:Through the Barricades
820:Through the Barricades
812:Through the Barricades
737:Through the Barricades
614:Through the Barricades
595:Through the Barricades
559:
555:Through the Barricades
543:Through the Barricades
536:Through the Barricades
494:
467:
332:Through the Barricades
322:Through the Barricades
287:Through the Barricades
253:Through the Barricades
245:Released: 14 July 1986
196:Through the Barricades
24:Through the Barricades
5105:Spandau Ballet albums
4855:The Twelve Inch Mixes
4664:Hadley, Tony (2004).
3815:"The Chart Challenge"
2613:. 1986. CBS 450259 1.
187:The Twelve Inch Mixes
3813:(20 December 1986).
3595:Fundación Autor/SGAE
3210:Simon & Schuster
2902:"Ísland (LP-plötur)"
2560:Super Deluxe Edition
2257:(23 February 1985).
1458:New Zealand Albums (
1295:– sleeve photography
1233:Additional musicians
642:Professional ratings
5100:Epic Records albums
5010:Fight for Ourselves
4982:Only When You Leave
4687:Kemp, Gary (2009).
2619:cite AV media notes
2566:on 12 December 2023
2443:"The Dance Goes On"
1623:
1619:Certifications for
1564:
1534:
1496:Schweizer Hitparade
1341:Australian Albums (
1327:
1286:Gary Movat – design
1089:
1061:"Snakes and Lovers"
1037:Fight for Ourselves
751:Fight for Ourselves
643:
497:– Gary Kemp in 2017
470:– Gary Kemp in 1986
436:album co-producers
419:Only When You Leave
240:Fight for Ourselves
5095:CBS Records albums
4840:Compilation albums
3873:, pp. 188–189
2726:, pp. 236–237
2705:. 15 December 1984
2679:. 13 February 2015
2513:(Internet video).
1618:
1559:
1529:
1470:Norwegian Albums (
1420:Icelandic Albums (
1410:Offizielle Top 100
1331:Chart (1986–1987)
1322:
1087:
927:Anna Scher Theatre
641:
508:recording engineer
440:on its follow-up,
370:Adult Contemporary
5077:
5076:
4788:Journeys to Glory
4772:Ross William Wild
4698:978-0-00-732330-2
4679:978-0-283-07386-1
4549:Music & Media
4286:"RPM 100 Singles"
4263:Music & Media
3970:Music & Media
3555:Music & Media
3395:"Spandau Ballet:
3330:"Spandau Ballet:
3171:"Spandau Ballet:
3095:978-4-87131-077-2
3048:978-951-1-21053-5
2876:Music & Media
2676:Belfast Telegraph
2605:(record sleeve).
1694:
1693:
1689:
1610:
1609:
1603:
1602:
1586:Music & Media
1584:European Albums (
1557:
1556:
1520:
1519:
1484:Sverigetopplistan
1446:Japanese Albums (
1385:Music & Media
1343:Kent Music Report
1304:
1303:
1182:
1181:
1083:
1082:
733:
732:
532:Musicland Studios
403:Chrysalis Records
392:The Power Station
326:Chrysalis Records
283:
282:
213:
212:
5112:
5062:Related articles
4989:I'll Fly for You
4823:Heart Like a Sky
4730:
4723:
4716:
4707:
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3287:
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3283:
3271:
3263:
3257:
3256:
3242:
3234:
3228:
3227:
3208:(4th ed.).
3200:Hoard, Christian
3196:Brackett, Nathan
3191:
3182:
3169:LeRoy, Dan.
3167:
3156:
3155:
3153:
3151:
3139:
3131:
3125:
3109:
3100:
3099:
3077:
3068:
3062:
3053:
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3030:
3021:
3020:
2999:
2990:
2984:
2973:
2967:
2958:
2948:
2939:
2933:
2924:
2923:
2898:
2889:
2888:
2872:
2864:
2855:
2849:
2840:
2836:
2834:
2832:
2815:
2806:
2796:
2787:
2786:
2784:
2782:
2767:
2754:
2748:
2742:
2736:
2727:
2721:
2715:
2714:
2712:
2710:
2695:
2689:
2688:
2686:
2684:
2667:
2661:
2660:
2658:
2656:
2638:
2629:
2628:
2622:
2614:
2599:
2593:
2587:
2576:
2575:
2573:
2571:
2562:. Archived from
2551:
2526:
2525:
2523:
2521:
2493:
2476:
2470:
2461:
2460:
2458:
2456:
2438:
2425:
2424:
2422:
2420:
2402:
2393:
2392:
2390:
2388:
2370:
2361:
2360:
2346:
2337:
2331:
2312:
2311:
2309:
2307:
2295:
2286:
2280:
2279:
2277:
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2263:
2251:
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2224:
2223:
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2219:
2207:
2198:
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2187:
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2156:
2154:
2138:
2132:
2131:
2129:
2127:
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2102:
2100:
2083:
2077:
2076:
2074:
2072:
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2052:
2046:
2045:
2043:
2041:
2029:
2021:
2004:
1997:
1991:
1988:
1982:
1979:
1973:
1965:
1959:
1956:European Hot 100
1952:
1946:
1943:European Hot 100
1939:
1933:
1930:
1924:
1921:European Hot 100
1917:
1911:
1907:
1901:
1897:
1891:
1888:
1882:
1874:
1868:
1851:
1845:
1842:
1836:
1833:
1827:
1824:
1818:
1809:
1803:
1800:Pleasure Project
1796:
1790:
1787:
1781:
1778:
1772:
1769:
1763:
1756:
1750:
1747:
1741:
1734:
1728:
1725:
1719:
1716:
1710:
1707:
1687:
1671:United Kingdom (
1624:
1565:
1535:
1482:Swedish Albums (
1432:Italian Albums (
1396:Finnish Albums (
1328:
1313:
1250:– backing vocals
1191:
1095:
1090:
987:"Cross the Line"
962:
957:
942:Heart Like a Sky
883:UK Singles Chart
857:UK Singles Chart
841:European Hot 100
799:
784:
729:
728:
727:
723:
722:
718:
717:
713:
712:
708:
707:
691:
690:
689:
685:
684:
680:
679:
675:
674:
670:
669:
644:
498:
471:
412:
394:as a way of, as
346:Heart Like a Sky
272:
269:
259:
256:
246:
243:
205:Heart Like a Sky
182:
181:
137:
136:
132:
54:17 November 1986
33:
21:
5120:
5119:
5115:
5114:
5113:
5111:
5110:
5109:
5080:
5079:
5078:
5073:
5057:
5003:Round and Round
4888:
4835:
4775:
4739:
4734:
4699:
4686:
4680:
4663:
4660:
4655:
4654:
4647:
4632:
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4627:
4601:
4599:
4591:
4590:
4586:
4576:
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4544:
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4510:
4488:
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4427:
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4388:
4386:
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4347:
4343:
4342:
4338:
4328:
4326:
4316:
4312:
4311:
4307:
4297:
4295:
4294:. 25 April 1987
4284:
4283:
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4223:
4213:
4211:
4206:
4205:
4201:
4191:
4189:
4181:
4180:
4176:
4163:
4161:
4157:Musica e dischi
4150:
4149:
4145:
4135:
4133:
4122:
4121:
4117:
4107:
4105:
4095:
4091:
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4048:
4046:
4038:
4037:
4033:
4023:
4021:
4013:
4012:
4008:
3998:
3996:
3991:
3990:
3986:
3964:
3960:
3959:
3955:
3945:
3943:
3935:
3934:
3930:
3920:
3918:
3913:
3912:
3908:
3895:
3893:
3889:Musica e dischi
3882:
3881:
3877:
3869:
3862:
3852:
3850:
3840:
3836:
3835:
3831:
3817:
3809:
3808:
3804:
3794:
3792:
3780:
3779:
3775:
3765:
3763:
3751:
3750:
3746:
3738:
3734:
3724:
3722:
3717:
3716:
3712:
3702:
3700:
3692:
3691:
3687:
3677:
3675:
3667:
3666:
3662:
3652:
3650:
3645:
3644:
3640:
3633:
3617:
3616:
3612:
3605:
3588:
3587:
3578:
3568:
3566:
3549:
3545:
3544:
3540:
3530:
3528:
3520:
3519:
3515:
3502:
3500:
3496:Musica e dischi
3489:
3488:
3484:
3474:
3472:
3464:
3463:
3454:
3444:
3442:
3432:
3428:
3427:
3423:
3413:
3411:
3401:
3392:
3391:
3384:
3374:
3372:
3360:
3359:
3355:
3345:
3343:
3327:
3326:
3322:
3312:
3310:
3300:
3296:
3295:
3291:
3281:
3279:
3269:
3265:
3264:
3260:
3240:
3236:
3235:
3231:
3224:
3193:
3192:
3185:
3168:
3159:
3149:
3147:
3137:
3133:
3132:
3128:
3110:
3103:
3096:
3079:
3078:
3071:
3063:
3056:
3049:
3032:
3031:
3024:
3017:
3001:
3000:
2993:
2985:
2976:
2968:
2961:
2949:
2942:
2934:
2927:
2900:
2899:
2892:
2870:
2866:
2865:
2858:
2850:
2843:
2830:
2828:
2824:Musica e dischi
2817:
2816:
2809:
2797:
2790:
2780:
2778:
2769:
2768:
2757:
2749:
2745:
2737:
2730:
2722:
2718:
2708:
2706:
2697:
2696:
2692:
2682:
2680:
2669:
2668:
2664:
2654:
2652:
2640:
2639:
2632:
2615:
2601:
2600:
2596:
2588:
2579:
2569:
2567:
2553:
2552:
2529:
2519:
2517:
2499:, Gary Langan,
2495:
2494:
2479:
2471:
2464:
2454:
2452:
2440:
2439:
2428:
2418:
2416:
2404:
2403:
2396:
2386:
2384:
2375:"Glow for Gold"
2372:
2371:
2364:
2348:
2347:
2340:
2332:
2315:
2305:
2303:
2293:
2288:
2287:
2283:
2273:
2271:
2261:
2253:
2252:
2248:
2240:
2227:
2217:
2215:
2205:
2200:
2199:
2195:
2185:
2183:
2170:
2169:
2162:
2152:
2150:
2140:
2139:
2135:
2125:
2123:
2113:
2112:
2108:
2098:
2096:
2085:
2084:
2080:
2070:
2068:
2058:
2054:
2053:
2049:
2039:
2037:
2027:
2023:
2022:
2018:
2013:
2008:
2007:
1998:
1994:
1989:
1985:
1980:
1976:
1966:
1962:
1953:
1949:
1940:
1936:
1931:
1927:
1918:
1914:
1908:
1904:
1898:
1894:
1889:
1885:
1875:
1871:
1852:
1848:
1843:
1839:
1834:
1830:
1825:
1821:
1810:
1806:
1797:
1793:
1788:
1784:
1779:
1775:
1770:
1766:
1762:' as possible."
1757:
1753:
1748:
1744:
1735:
1731:
1726:
1722:
1717:
1713:
1708:
1704:
1699:
1634:Certified units
1616:
1611:
1527:
1525:Year-end charts
1435:Musica e dischi
1408:German Albums (
1380:European Albums
1335:
1320:
1310:
1305:
1262:
1254:
1235:
1198:
1188:
1183:
1084:
998:"Man in Chains"
951:
910:their success.
907:
829:
797:
782:
774:music magazines
749:insisted that "
741:trade magazines
725:
720:
715:
710:
687:
682:
677:
672:
639:
626:European Albums
622:UK Albums Chart
611:
586:
580:
564:
540:
539:
500:
496:
473:
469:
410:
355:
336:UK Albums Chart
275:
270:
263:
262:
257:
250:
249:
244:
237:
236:
208:
199:
190:
134:
130:
129:
46:
19:
12:
11:
5:
5118:
5116:
5108:
5107:
5102:
5097:
5092:
5082:
5081:
5075:
5074:
5072:
5071:
5065:
5063:
5059:
5058:
5056:
5055:
5048:
5041:
5034:
5027:
5020:
5013:
5006:
4999:
4992:
4985:
4978:
4971:
4964:
4957:
4950:
4943:
4936:
4929:
4922:
4911:
4904:
4896:
4894:
4890:
4889:
4887:
4886:
4879:
4872:
4869:The Collection
4865:
4858:
4851:
4843:
4841:
4837:
4836:
4834:
4833:
4826:
4819:
4812:
4805:
4798:
4791:
4783:
4781:
4777:
4776:
4774:
4773:
4770:
4765:
4760:
4755:
4750:
4744:
4741:
4740:
4737:Spandau Ballet
4735:
4733:
4732:
4725:
4718:
4710:
4704:
4703:
4697:
4684:
4678:
4659:
4656:
4653:
4652:
4645:
4625:
4584:
4562:
4533:
4508:
4477:
4465:
4446:
4425:
4396:
4367:
4336:
4305:
4277:
4246:
4221:
4199:
4174:
4143:
4115:
4084:
4077:
4056:
4031:
4006:
3984:
3953:
3928:
3906:
3875:
3860:
3829:
3811:Wilkinson, Roy
3802:
3773:
3744:
3732:
3710:
3685:
3660:
3638:
3631:
3610:
3603:
3576:
3538:
3513:
3482:
3452:
3421:
3382:
3353:
3320:
3289:
3258:
3229:
3222:
3183:
3157:
3126:
3101:
3094:
3069:
3054:
3047:
3022:
3015:
2991:
2974:
2959:
2940:
2925:
2890:
2856:
2841:
2807:
2788:
2755:
2743:
2728:
2716:
2690:
2662:
2630:
2607:Spandau Ballet
2594:
2577:
2527:
2477:
2462:
2426:
2394:
2362:
2338:
2313:
2281:
2246:
2225:
2193:
2160:
2133:
2106:
2078:
2047:
2015:
2014:
2012:
2009:
2006:
2005:
1992:
1983:
1974:
1960:
1947:
1934:
1925:
1912:
1902:
1892:
1883:
1869:
1846:
1837:
1828:
1819:
1804:
1791:
1782:
1773:
1764:
1751:
1742:
1729:
1720:
1711:
1701:
1700:
1698:
1695:
1692:
1691:
1683:
1682:
1679:
1676:
1668:
1667:
1664:
1661:
1653:
1652:
1649:
1646:
1638:
1637:
1631:
1628:
1615:
1614:Certifications
1612:
1608:
1607:
1601:
1600:
1597:
1593:
1592:
1589:
1581:
1580:
1577:
1573:
1572:
1569:
1555:
1554:
1551:
1543:
1542:
1539:
1526:
1523:
1521:
1518:
1517:
1514:
1503:
1502:
1499:
1494:Swiss Albums (
1491:
1490:
1487:
1479:
1478:
1475:
1467:
1466:
1463:
1455:
1454:
1451:
1443:
1442:
1439:
1429:
1428:
1425:
1417:
1416:
1413:
1405:
1404:
1401:
1393:
1392:
1389:
1376:
1375:
1372:
1367:Dutch Albums (
1364:
1363:
1360:
1350:
1349:
1346:
1338:
1337:
1332:
1319:
1316:
1311:
1309:
1306:
1302:
1301:
1297:
1296:
1290:
1287:
1284:
1281:
1278:
1275:
1272:
1269:
1266:
1261:
1258:
1256:
1252:
1251:
1248:Helena Springs
1245:
1242:
1239:
1234:
1231:
1230:
1229:
1223:
1217:
1211:
1205:
1197:
1196:Spandau Ballet
1194:
1189:
1187:
1184:
1180:
1179:
1176:
1173:
1169:
1168:
1165:
1162:
1158:
1157:
1154:
1151:
1147:
1146:
1143:
1140:
1136:
1135:
1132:
1129:
1125:
1124:
1121:
1118:
1114:
1113:
1110:
1107:
1103:
1102:
1099:
1096:
1085:
1081:
1080:
1077:
1070:
1066:
1065:
1062:
1059:
1055:
1054:
1051:
1048:
1044:
1043:
1040:
1033:
1029:
1028:
1025:
1022:
1018:
1017:
1014:
1007:
1003:
1002:
999:
996:
992:
991:
988:
985:
981:
980:
977:
974:
970:
969:
966:
963:
952:
950:
947:
906:
903:
828:
825:
731:
730:
701:
693:
692:
663:
657:
656:
653:
649:
648:
638:
635:
610:
607:
582:Main article:
579:
576:
563:
560:
489:
462:
354:
351:
296:Spandau Ballet
281:
280:
277:
276:
274:
273:
260:
247:
233:
230:
229:
219:
218:
215:
214:
211:
210:
201:
192:
178:
177:
174:Spandau Ballet
170:
169:
168:
167:
166:Spandau Ballet
164:
157:
151:
150:
145:
139:
138:
127:
123:
122:
121:
120:
115:
113:blue-eyed soul
110:
103:
97:
96:
95:
94:
84:
68:
64:
63:
60:
56:
55:
52:
48:
47:
44:Spandau Ballet
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
5117:
5106:
5103:
5101:
5098:
5096:
5093:
5091:
5088:
5087:
5085:
5070:
5067:
5066:
5064:
5060:
5053:
5049:
5046:
5042:
5039:
5035:
5032:
5028:
5025:
5024:How Many Lies
5021:
5018:
5014:
5011:
5007:
5004:
5000:
4997:
4996:Highly Strung
4993:
4990:
4986:
4983:
4979:
4976:
4972:
4969:
4965:
4962:
4961:Communication
4958:
4955:
4951:
4948:
4944:
4941:
4937:
4934:
4933:Paint Me Down
4930:
4927:
4923:
4920:
4916:
4912:
4909:
4905:
4902:
4898:
4897:
4895:
4891:
4885:
4884:
4880:
4878:
4877:
4873:
4871:
4870:
4866:
4864:
4863:
4859:
4857:
4856:
4852:
4850:
4849:
4845:
4844:
4842:
4838:
4832:
4831:
4827:
4825:
4824:
4820:
4818:
4817:
4813:
4811:
4810:
4806:
4804:
4803:
4799:
4797:
4796:
4792:
4790:
4789:
4785:
4784:
4782:
4780:Studio albums
4778:
4771:
4769:
4766:
4764:
4761:
4759:
4756:
4754:
4751:
4749:
4746:
4745:
4742:
4738:
4731:
4726:
4724:
4719:
4717:
4712:
4711:
4708:
4700:
4694:
4690:
4685:
4681:
4675:
4671:
4667:
4662:
4661:
4657:
4648:
4646:84-8048-639-2
4642:
4638:
4637:
4629:
4626:
4622:
4618:
4614:
4610:
4598:
4594:
4588:
4585:
4572:
4566:
4563:
4558:
4554:
4550:
4543:
4537:
4534:
4522:
4518:
4512:
4509:
4504:
4500:
4496:
4495:
4487:
4481:
4478:
4475:, p. 244
4474:
4469:
4466:
4463:, p. 243
4462:
4457:
4455:
4453:
4451:
4447:
4444:, p. 258
4443:
4438:
4436:
4434:
4432:
4430:
4426:
4413:
4412:
4411:Record Mirror
4407:
4400:
4397:
4384:
4383:
4378:
4371:
4368:
4355:
4354:
4346:
4340:
4337:
4324:
4323:
4315:
4309:
4306:
4293:
4292:
4287:
4281:
4278:
4273:
4269:
4265:
4264:
4256:
4250:
4247:
4235:
4231:
4225:
4222:
4209:
4203:
4200:
4188:
4184:
4178:
4175:
4172:
4159:
4158:
4153:
4152:"Classifiche"
4147:
4144:
4131:
4130:
4129:Record Mirror
4125:
4124:"News digest"
4119:
4116:
4103:
4102:
4094:
4088:
4085:
4080:
4078:0-646-11917-6
4074:
4070:
4066:
4060:
4057:
4045:
4041:
4035:
4032:
4020:
4016:
4010:
4007:
3995:. Hung Medien
3994:
3988:
3985:
3980:
3976:
3972:
3971:
3963:
3957:
3954:
3942:
3938:
3932:
3929:
3916:
3910:
3907:
3904:
3891:
3890:
3885:
3884:"Classifiche"
3879:
3876:
3872:
3867:
3865:
3861:
3848:
3847:
3846:Record Mirror
3839:
3833:
3830:
3825:
3824:
3816:
3812:
3806:
3803:
3790:
3789:
3788:Record Mirror
3784:
3777:
3774:
3761:
3760:
3755:
3748:
3745:
3742:, p. 188
3741:
3736:
3733:
3721:. Hung Medien
3720:
3714:
3711:
3699:
3695:
3689:
3686:
3674:
3670:
3664:
3661:
3648:
3642:
3639:
3634:
3632:0-646-11917-6
3628:
3624:
3620:
3614:
3611:
3606:
3604:84-8048-639-2
3600:
3596:
3592:
3585:
3583:
3581:
3577:
3565:
3561:
3557:
3556:
3548:
3542:
3539:
3527:
3523:
3517:
3514:
3511:
3498:
3497:
3492:
3491:"Classifiche"
3486:
3483:
3471:
3467:
3461:
3459:
3457:
3453:
3440:
3439:
3431:
3425:
3422:
3409:
3408:
3407:Record Mirror
3400:
3398:
3389:
3387:
3383:
3370:
3369:
3364:
3357:
3354:
3341:
3340:
3335:
3333:
3324:
3321:
3308:
3307:
3299:
3293:
3290:
3277:
3276:
3268:
3262:
3259:
3254:
3250:
3246:
3239:
3233:
3230:
3225:
3223:0-7432-0169-8
3219:
3215:
3211:
3207:
3206:
3201:
3197:
3190:
3188:
3184:
3180:
3176:
3174:
3166:
3164:
3162:
3158:
3145:
3144:
3136:
3130:
3127:
3123:
3119:
3118:
3113:
3108:
3106:
3102:
3097:
3091:
3087:
3083:
3076:
3074:
3070:
3066:
3061:
3059:
3055:
3050:
3044:
3040:
3036:
3029:
3027:
3023:
3018:
3016:0-646-11917-6
3012:
3008:
3004:
2998:
2996:
2992:
2988:
2983:
2981:
2979:
2975:
2971:
2966:
2964:
2960:
2956:
2953:(in German).
2952:
2947:
2945:
2941:
2937:
2932:
2930:
2926:
2921:
2917:
2913:
2909:
2908:
2903:
2897:
2895:
2891:
2886:
2882:
2878:
2877:
2869:
2863:
2861:
2857:
2853:
2848:
2846:
2842:
2839:
2826:
2825:
2820:
2819:"Classifiche"
2814:
2812:
2808:
2804:
2800:
2795:
2793:
2789:
2776:
2772:
2766:
2764:
2762:
2760:
2756:
2753:, p. 243
2752:
2747:
2744:
2741:, p. 188
2740:
2735:
2733:
2729:
2725:
2720:
2717:
2704:
2700:
2694:
2691:
2678:
2677:
2672:
2666:
2663:
2650:
2649:
2644:
2637:
2635:
2631:
2626:
2620:
2612:
2608:
2604:
2598:
2595:
2592:, p. 242
2591:
2586:
2584:
2582:
2578:
2565:
2561:
2557:
2550:
2548:
2546:
2544:
2542:
2540:
2538:
2536:
2534:
2532:
2528:
2516:
2512:
2511:
2506:
2502:
2498:
2492:
2490:
2488:
2486:
2484:
2482:
2478:
2475:, p. 241
2474:
2469:
2467:
2463:
2450:
2449:
2444:
2437:
2435:
2433:
2431:
2427:
2414:
2413:
2408:
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2382:
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2376:
2369:
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2336:, p. 238
2335:
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2314:
2301:
2300:
2299:Record Mirror
2292:
2285:
2282:
2269:
2268:
2260:
2256:
2250:
2247:
2244:, p. 224
2243:
2238:
2236:
2234:
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2213:
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2197:
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2182:
2181:
2175:
2167:
2165:
2161:
2149:
2148:
2143:
2137:
2134:
2122:
2121:
2116:
2110:
2107:
2094:
2093:
2092:Record Mirror
2088:
2087:"News digest"
2082:
2079:
2066:
2065:
2064:Record Mirror
2057:
2051:
2048:
2035:
2034:
2026:
2020:
2017:
2010:
2002:
1996:
1993:
1987:
1984:
1978:
1975:
1970:
1964:
1961:
1957:
1951:
1948:
1944:
1938:
1935:
1929:
1926:
1922:
1916:
1913:
1906:
1903:
1896:
1893:
1887:
1884:
1879:
1873:
1870:
1866:
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1860:
1856:
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1847:
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1838:
1832:
1829:
1823:
1820:
1816:
1815:
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1801:
1795:
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1777:
1774:
1768:
1765:
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1755:
1752:
1746:
1743:
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1706:
1703:
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1680:
1677:
1674:
1669:
1665:
1662:
1659:
1654:
1650:
1647:
1644:
1641:Netherlands (
1639:
1635:
1630:Certification
1625:
1622:
1613:
1606:
1598:
1594:
1590:
1587:
1582:
1578:
1574:
1568:Chart (1987)
1566:
1563:
1552:
1549:
1544:
1538:Chart (1986)
1536:
1533:
1524:
1522:
1512:
1508:
1504:
1497:
1492:
1485:
1480:
1473:
1468:
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1440:
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1426:
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1418:
1411:
1406:
1402:
1399:
1394:
1390:
1387:
1386:
1381:
1377:
1370:
1369:Album Top 100
1365:
1358:
1357:
1351:
1347:
1344:
1339:
1329:
1326:
1318:Weekly charts
1317:
1315:
1314:
1307:
1300:
1294:
1291:
1288:
1285:
1282:
1279:
1276:
1273:
1270:
1267:
1264:
1263:
1259:
1257:
1255:
1249:
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1240:
1237:
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1232:
1227:
1224:
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1218:
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1203:
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1199:
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1193:
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1185:
1177:
1174:
1170:
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1159:
1155:
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1148:
1144:
1141:
1137:
1133:
1130:
1126:
1122:
1119:
1115:
1111:
1108:
1104:
1091:
1078:
1075:
1071:
1067:
1063:
1060:
1056:
1052:
1049:
1045:
1041:
1038:
1034:
1030:
1026:
1023:
1019:
1015:
1012:
1011:How Many Lies
1008:
1004:
1000:
997:
993:
989:
986:
982:
978:
975:
971:
958:
955:
949:Track listing
948:
946:
944:
943:
938:
937:
932:
928:
924:
920:
916:
911:
904:
902:
900:
896:
895:
890:
889:
884:
880:
879:How Many Lies
875:
872:
871:
866:
862:
858:
853:
850:
846:
842:
838:
834:
833:7-inch single
826:
824:
821:
817:
813:
809:
808:
802:
796:
795:
794:Record Mirror
790:
789:
781:
780:
775:
770:
768:
767:
762:
758:
757:
752:
748:
747:
742:
738:
702:
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694:
664:
662:
659:
658:
650:
647:Review scores
645:
636:
634:
630:
627:
623:
619:
615:
608:
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598:
596:
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585:
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575:
573:
568:
561:
558:
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550:
548:
544:
537:
533:
529:
525:
521:
518:, as well as
517:
513:
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488:
486:
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478:
472:
466:
461:
459:
455:
451:
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431:
426:
424:
420:
416:
415:Communication
408:
404:
399:
397:
393:
390:
385:
384:
379:
375:
371:
367:
365:
360:
352:
350:
348:
347:
341:
338:and achieved
337:
333:
329:
327:
323:
319:
315:
311:
307:
306:
301:
297:
293:
289:
288:
278:
267:
266:How Many Lies
261:
254:
248:
241:
235:
234:
231:
228:
224:
220:
216:
207:
206:
202:
198:
197:
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78:
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70:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
5045:Empty Spaces
4915:Muscle Bound
4881:
4874:
4867:
4860:
4853:
4846:
4828:
4821:
4815:
4814:
4807:
4800:
4793:
4786:
4763:Steve Norman
4688:
4665:
4658:Bibliography
4635:
4628:
4620:
4616:
4612:
4608:
4602:20 September
4600:. Retrieved
4595:(in Dutch).
4587:
4575:. Retrieved
4565:
4548:
4536:
4524:. Retrieved
4521:Dutch Charts
4519:(in Dutch).
4511:
4492:
4480:
4468:
4416:. Retrieved
4409:
4399:
4387:. Retrieved
4380:
4370:
4358:. Retrieved
4351:
4339:
4327:. Retrieved
4320:
4308:
4296:. Retrieved
4289:
4280:
4261:
4249:
4237:. Retrieved
4224:
4212:. Retrieved
4202:
4190:. Retrieved
4177:
4170:
4162:. Retrieved
4160:(in Italian)
4155:
4146:
4134:. Retrieved
4127:
4118:
4106:. Retrieved
4099:
4087:
4068:
4059:
4047:. Retrieved
4034:
4022:. Retrieved
4009:
3997:. Retrieved
3987:
3968:
3956:
3944:. Retrieved
3931:
3919:. Retrieved
3909:
3902:
3894:. Retrieved
3892:(in Italian)
3887:
3878:
3851:. Retrieved
3844:
3832:
3821:
3805:
3793:. Retrieved
3786:
3776:
3764:. Retrieved
3757:
3747:
3735:
3723:. Retrieved
3713:
3701:. Retrieved
3688:
3676:. Retrieved
3663:
3651:. Retrieved
3641:
3622:
3613:
3590:
3567:. Retrieved
3553:
3541:
3529:. Retrieved
3516:
3509:
3501:. Retrieved
3499:(in Italian)
3494:
3485:
3473:. Retrieved
3443:. Retrieved
3436:
3424:
3412:. Retrieved
3405:
3396:
3373:. Retrieved
3366:
3356:
3344:. Retrieved
3337:
3331:
3323:
3311:. Retrieved
3304:
3292:
3280:. Retrieved
3273:
3261:
3244:
3232:
3204:
3175:> Review"
3172:
3148:. Retrieved
3141:
3129:
3115:
3081:
3034:
3006:
2918:– via
2905:
2874:
2837:
2829:. Retrieved
2827:(in Italian)
2822:
2779:. Retrieved
2777:. 6 May 1987
2746:
2719:
2707:. Retrieved
2693:
2681:. Retrieved
2674:
2665:
2653:. Retrieved
2646:
2602:
2597:
2568:. Retrieved
2564:the original
2559:
2520:11 September
2518:. Retrieved
2509:
2505:Steve Norman
2453:. Retrieved
2446:
2419:28 September
2417:. Retrieved
2410:
2385:. Retrieved
2378:
2354:
2304:. Retrieved
2297:
2284:
2272:. Retrieved
2265:
2255:Jones, Peter
2249:
2216:. Retrieved
2214:. p. 44
2209:
2196:
2184:. Retrieved
2178:
2151:. Retrieved
2145:
2136:
2124:. Retrieved
2118:
2109:
2097:. Retrieved
2090:
2081:
2069:. Retrieved
2062:
2050:
2038:. Retrieved
2031:
2019:
2000:
1995:
1986:
1977:
1968:
1963:
1950:
1937:
1928:
1915:
1905:
1895:
1886:
1872:
1862:
1858:
1849:
1840:
1831:
1822:
1812:
1807:
1794:
1785:
1776:
1767:
1754:
1745:
1737:
1732:
1723:
1714:
1705:
1686:
1620:
1604:
1585:
1561:
1531:
1433:
1383:
1354:
1324:
1298:
1253:
1226:Steve Norman
953:
940:
934:
912:
908:
898:
892:
886:
876:
868:
854:
848:
830:
819:
811:
805:
803:
792:
786:
777:
771:
764:
761:Art of Noise
754:
744:
736:
734:
696:
631:
613:
612:
599:
590:The Troubles
587:
569:
565:
554:
552:
546:
542:
535:
527:
516:Art of Noise
501:
495:
491:
474:
468:
464:
457:
453:
447:
441:
433:
429:
427:
406:
400:
395:
381:
363:
356:
344:
331:
330:
321:
303:
286:
285:
284:
226:
203:
195:
194:
185:
81:West Germany
39:Studio album
15:
5090:1986 albums
5069:Discography
4947:Instinction
4768:Tony Hadley
4758:Martin Kemp
4748:John Keeble
4418:14 February
4389:14 February
4360:14 February
4329:14 February
4298:14 February
4239:13 February
4214:13 February
4192:13 February
4164:11 February
4136:12 February
4065:Kent, David
4049:11 February
4024:11 February
3999:11 February
3946:11 February
3921:11 February
3896:11 February
3871:Hadley 2004
3853:11 February
3740:Hadley 2004
3725:11 February
3703:11 February
3678:11 February
3653:11 February
3619:Kent, David
3531:11 February
3475:10 February
3445:10 February
3414:26 November
3375:25 November
3346:27 November
3313:11 December
3282:11 December
3150:11 December
3003:Kent, David
2739:Hadley 2004
2655:11 December
2570:12 December
2501:John Keeble
2455:11 December
2387:18 December
2306:24 December
2302:. p. 2
2274:24 December
2270:. p. 9
2218:13 December
2186:29 December
2153:21 December
2126:21 December
2071:17 December
1859:News at Ten
1814:Beauty Stab
1760:Chant No. 1
1546:UK Albums (
1293:Nick Knight
1220:John Keeble
1214:Martin Kemp
1202:Tony Hadley
845:Tony Hadley
837:lead single
572:Tony Hadley
512:Trevor Horn
504:Gary Langan
477:Def Leppard
423:CBS Records
349:, in 1989.
300:CBS Records
162:Gary Langan
5084:Categories
4908:The Freeze
4668:. London:
4577:29 January
4526:29 January
4494:Music Week
4382:Number One
4210:. top40.nl
4108:9 December
3917:. top40.nl
3838:"Releases"
3759:Number One
3649:. top40.nl
3438:Music Week
3368:Smash Hits
3339:Number One
3212:. p.
2920:Timarit.is
2781:29 January
2648:Number One
2448:Number One
2412:Number One
2380:Number One
2356:Smash Hits
2056:"Releases"
2033:Music Week
2011:References
1969:Barricades
1864:The A-Team
1658:PROMUSICAE
919:Ray Burdis
788:Smash Hits
779:Number One
547:Number One
524:Billy Idol
481:arena rock
449:Number One
389:supergroup
318:title song
316:band. The
176:chronology
5052:Once More
4830:Once More
4753:Gary Kemp
4503:0265-1548
4473:Kemp 2009
4461:Kemp 2009
4442:Kemp 2009
4322:Billboard
3306:Billboard
3253:0033-7064
3143:Billboard
2916:1021-8254
2751:Kemp 2009
2724:Kemp 2009
2709:9 October
2590:Kemp 2009
2497:Gary Kemp
2473:Kemp 2009
2334:Kemp 2009
2267:Billboard
2242:Kemp 2009
2211:Billboard
2147:Billboard
2120:Billboard
2001:The Krays
1678:Platinum
1571:Position
1541:Position
1507:UK Albums
1336:position
1260:Technical
1210:– guitars
1208:Gary Kemp
1186:Personnel
936:The Krays
905:Aftermath
888:Billboard
810:and gave
766:Billboard
637:Reception
425:in 1986.
396:Billboard
378:Gary Kemp
364:Billboard
93:, France)
73:Musicland
4954:Lifeline
4557:29800226
4272:29800226
4234:Ultratop
4067:(1993).
4019:Ultratop
3979:29800226
3673:Ultratop
3621:(1993).
3564:29800226
3202:(eds.).
3179:AllMusic
3005:(1993).
2885:29800226
1972:again.'"
1855:Live Aid
1681:300,000
1472:VG-lista
1024:"Virgin"
894:Cash Box
816:AllMusic
661:AllMusic
485:Live Aid
340:platinum
292:new wave
155:Producer
118:new wave
108:Pop rock
59:Recorded
51:Released
41: by
4893:Singles
4795:Diamond
4353:Cashbox
4101:Cashbox
3795:30 June
3275:Cashbox
2515:YouTube
2099:7 April
2040:7 April
1666:50,000
1656:Spain (
1651:50,000
1636:/sales
1627:Region
1422:Tónlist
1222:– drums
1050:"Swept"
915:Miraval
870:Cashbox
827:Singles
772:The UK
756:Cashbox
417:" and "
366:Hot 100
223:Singles
209:(1989)
200:(1986)
191:(1986)
91:Correns
87:Miraval
4809:Parade
4695:
4676:
4643:
4617:Select
4615:
4609:Enter
4555:
4501:
4270:
4075:
3977:
3823:Sounds
3766:2 July
3629:
3601:
3569:4 June
3562:
3503:4 June
3251:
3220:
3092:
3086:Oricon
3045:
3013:
2914:
2883:
2831:31 May
2683:6 June
1605:
1548:Gallup
1448:Oricon
1308:Charts
1299:
1216:– bass
1101:Length
968:Length
923:Martin
861:Silver
655:Rating
652:Source
528:Parade
458:Parade
443:Parade
411:
305:Parade
126:Length
77:Munich
67:Studio
4619:1986
4545:(PDF)
4489:(PDF)
4348:(PDF)
4317:(PDF)
4258:(PDF)
4096:(PDF)
3965:(PDF)
3841:(PDF)
3818:(PDF)
3550:(PDF)
3433:(PDF)
3402:(PDF)
3301:(PDF)
3270:(PDF)
3241:(PDF)
3138:(PDF)
2871:(PDF)
2294:(PDF)
2262:(PDF)
2206:(PDF)
2180:Creem
2059:(PDF)
2028:(PDF)
1878:Queen
1697:Notes
1663:Gold
1648:Gold
1098:Title
965:Title
798:'
783:'
603:Floyd
562:Songs
294:band
225:from
143:Label
101:Genre
4975:Gold
4968:True
4919:Glow
4802:True
4693:ISBN
4674:ISBN
4641:ISBN
4604:2019
4579:2022
4553:OCLC
4528:2022
4499:ISSN
4420:2024
4391:2024
4362:2024
4331:2024
4300:2024
4268:OCLC
4241:2024
4216:2024
4194:2024
4166:2024
4138:2024
4110:2023
4073:ISBN
4051:2024
4026:2024
4001:2024
3975:OCLC
3948:2024
3923:2024
3898:2024
3855:2024
3797:2023
3768:2023
3727:2024
3705:2024
3680:2024
3655:2024
3627:ISBN
3599:ISBN
3571:2023
3560:OCLC
3533:2024
3505:2023
3477:2024
3447:2024
3416:2023
3377:2023
3348:2023
3315:2023
3284:2023
3249:ISSN
3218:ISBN
3152:2023
3090:ISBN
3043:ISBN
3011:ISBN
2912:ISSN
2881:OCLC
2833:2022
2783:2022
2711:2020
2685:2019
2657:2023
2625:link
2572:2023
2522:2023
2457:2023
2421:2023
2389:2023
2308:2023
2276:2023
2220:2023
2188:2023
2155:2023
2128:2022
2101:2022
2073:2023
2042:2022
1738:True
1643:NVPI
1460:RMNZ
1334:Peak
1178:4:52
1167:3:17
1156:5:24
1145:6:17
1134:7:09
1123:4:12
1112:7:27
1079:5:58
1064:4:36
1053:4:53
1042:4:22
1027:4:23
1016:5:21
1001:5:40
990:4:07
979:1:17
891:and
522:and
506:, a
454:True
434:True
430:True
383:True
374:Gold
359:True
314:rock
310:True
62:1986
5031:Raw
4917:"/"
4291:RPM
3245:RPM
3214:764
3177:at
3117:RPM
1861:to
1673:BPI
1599:59
1591:61
1579:25
1553:75
1511:OCC
1501:25
1489:25
1465:48
1453:79
1403:27
1362:84
1356:RPM
1348:26
1172:16.
1161:15.
1150:14.
1139:13.
1128:12.
1117:11.
1106:10.
1094:No.
961:No.
746:RPM
605:."
520:ABC
148:CBS
5086::
4672:.
4547:.
4491:.
4449:^
4428:^
4408:.
4379:.
4350:.
4319:.
4288:.
4260:.
4232:.
4185:.
4154:.
4126:.
4098:.
4042:.
4017:.
3967:.
3939:.
3886:.
3863:^
3843:.
3820:.
3785:.
3756:.
3696:.
3671:.
3597:.
3579:^
3552:.
3524:.
3493:.
3468:.
3455:^
3435:.
3404:.
3385:^
3365:.
3336:.
3303:.
3272:.
3243:.
3216:.
3198:;
3186:^
3160:^
3140:.
3120:.
3114:.
3104:^
3088:.
3084:.
3072:^
3057:^
3041:.
3025:^
2994:^
2977:^
2962:^
2943:^
2928:^
2907:DV
2904:.
2893:^
2873:.
2859:^
2844:^
2821:.
2810:^
2801:.
2791:^
2773:.
2758:^
2731:^
2701:.
2673:.
2645:.
2633:^
2621:}}
2617:{{
2609:.
2580:^
2558:.
2530:^
2507:.
2503:,
2480:^
2465:^
2445:.
2429:^
2409:.
2397:^
2377:.
2365:^
2353:.
2341:^
2316:^
2296:.
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