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with Harold Oxley, the agent, who controlled original copyright of the tune introduced in the first place by Tina Dixon, whom Oxley manages. Dixon also made recording of tune for
Excelsior label. Her side, however, came out after the Humes version for Philo. Barnet dickered with Helen Humes on tune
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106). Humes is credited as the songwriter on her record which became a hit single although Dixon had been performing it on her act since 1942. Later in 1945, Dixon recorded "E-Bob-O-Le-Bob" with the
Flennoy Trio. The copyright controversy was noted in
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orchestra. Dixon helped land her husband a spot in the show when the opening act called out sick, resulting in a five-year contract for
Collins. They with his band at theaters and nightclubs. She appeared at the Tic Toc Club in
83:; Cafe Zanzibar in New York; Club Bali in Washington, D.C.. Dixon was managed by Harold F. Oxley . Dixon also appeared on television, made color movie shorts for Pathe, and performed at army and navy camps.
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for a while until he learned that her recorded version followed Dixon's featuring of the song in night clubs, therefore making Dixon's a prior copyright.
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and allied nations; they weren't meant for commercial release. Dixon is credited as the songwriter for the record, but shortly after, singer
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66:, Dixon began her singing career at the age of 18. Her first gig was at the Club Ballyhoo in Detroit and eventually she performed at the
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30:(October 7, 1913 – November 10, 2004) was an American R&B singer, actress and comedian. She became a featured singer in
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Dixon never achieved chart success, but she continued performing and befriending other entertainers, including comedian
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has secured exclusive publishing rights for his Indigo pub outfit to the swing novelty tune.... Barnet closed deal for
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1947: Tina Dixon & Lady Blue
Allstar – "Don't You Know I Want To Love You" / "Hello Baby" (
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in
Detroit. In 1942, they moved to New York City where Dixon was billed to perform with the
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1949: Tina Dixon And Gene Nero Sextet – "Walk That Walk, Daddy-O" / "Parrot Bar Boogie" (
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By then she was known as Auntie Tina Dixon and she released two raunchy comedy albums,
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In June 1945, Dixon recorded "E-Bob-O-Le-Bob" with Jimmie
Lunceford for
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in the 1940s. By the 1970s, Dixon was making x-rated party records as
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1950: Tina Dixon And Gene Nero Sextet – "Blow Mr. Be-Bop" (King 4332)
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Fine Fine Baby: King's Queens – King's Blues Gals Of The '40s
111:(January 26, 1946), when Humes' version was hot on the chart:
369:"Who Will Succeed Moms Mabley As Top X-Rated Comedienne?"
131:. In 1975, she appeared on his hit television series
288:"Band Profiles - The Billboard 1944 Music Year Book"
102:released the song under the title "Be-Baba-Leba" (
70:in Harlem. In 1939, Dixon married tap dancer
38:'s band early in her career and recorded for
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456:American rhythm and blues singer-songwriters
521:20th-century African-American women singers
170:1945: The Flennoy Trio – "E-Bob-O-Le-Bob" (
330:"Barnet Granted Pub Rights to "Be-Baba""
266:. Oxford University Press. p. 176.
263:Tap Dancing America: A Cultural History
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226:Those Great Blues Girls From The 40's
16:American singer, actress and comedian
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427:on Marv Goldberg's R&B Notebooks
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339:. January 26, 1946. p. 16.
313:American Music Research Center
260:Hill, Constance Valis (2014).
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440:Spontaneous Lunacy:Tina Dixon
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471:Singers from Detroit
202:Take It Out Of This!
140:Take It Out Of This!
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212:Calling All Freaks
144:Calling All Freaks
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