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112:. He is generally counted as the sixty-first in the list of 63 Nayanars. While the first part of his name can be spelt as Tirunilakanta, Tirunilakantha, Tiru Neelakanta, Tiru Nilakanta, Nilakantan and Thiruneelakanda, Yazhpanar is spelt as variously as Yalppanar, Yalapannar, Yalpanar and Yazhpaanar. He is described as a companion of
156:(a lute), he used to travel to various temples, as the bard of Shiva. However, as a travelling minstrel of a low caste, he was allowed to enter the temples and sang and played hymns to Shiva on the yazh, outside the entrance of the shrine. The name "Yazh-panar" denotes his job as the panar player of the yazh.
203:
and met the young
Sambandar. The child saint requested Yazhpanar to play the yazh; the sonorous music won Sambanar's favour. Impressed by Sambandar's devotion, Yazhpanar asked him permission to accompany him and set tune to Sambadar's hymns to Shiva. Sambandar consented. Yazhpanar and his wife
177:(sanctum sanatorium) of the temple. A heavenly voice suggested that the Nayanar be a given a golden seat, so that the yazh is not placed on the wet temple floor. As ordered, a golden seat was presented to the Nayanar, who stood on it and sang the Lord's glories, playing his yazh.
342:), and with the yazh or another lute in the crook of his arm. He receives collective worship as part of the 63 Nayanars. Their icons and brief accounts of his deeds are found in many Shiva temples in Tamil Nadu. Their images are taken out in procession in festivals.
295:
of Shiva, in
Thirumana Nallur. Sambandar prayed to Shiva, seeking salvation. Shiva appeared as a blazing flame and granted his wish. Then Sambandar, his bride and all the wedding guests, including Tiru Nilakanta Yazhpanar merged in the Light of Shiva.
278:. On a visit to the Brahmin Nayanar Tiruneelanakka, the caste-conscious host was uneasy inviting the Shudra (low-caste) couple of Tiru Nilakanta Yazhpanar and his wife home. After insistence by Sambanar, the host gave them place to sleep near the
243:, which Yazhpanar could not play on the yazh to his satisfaction. The frustrated yazh player decided to break his yazh, but was stopped by the lyricist, who said the musical composition was good enough and Yazhpanar should be content with it.
284:, the fire altar used for sacrifices. The fire of homa kunda shone brightly in the night, giving testimony to the couple's devotion. After many pilgrimages, Tiru Nilakanta Yazhpanar and his wife returned to their home-town.
238:
At
Dharmapuram, the duo went to meet Yazhpanar's mother. The people of Dharmapuram praised Yazhpanar's music, but Yazhpanar credited Sambandar's hymns. Ultimately, Sambandar composed an hymn devoted to Shiva's son
363:
was lost, until
Nambiyandar Nambi reached Tiru Nilakanta Yazhpanar's home-town to recover it. A Panar woman is said to have revealed it to him, which she got to know by a "divine revelation".
235:, attendants of Shiva and bowed to them, as the priests bowed to the Nayanars. The duo also visited Yazhpanar's home-town, Erukattanpuliyur and numerous other shrines of Shiva.
192:, the presiding form of Shiva at Thiruvarur invited him in through the northern entrance, which the god opened for him. The Nayanar entered and played the yazh for Shiva.
171:
temple. In a dream, Shiva ordered the
Brahmin priests to bring him inside the shrine as he wanted to listen to Yazhpanar's yazh. The Brahmins brought him to the
208:
or songstress) accompanied the young saint on his travels. The couple sang
Sambandar's hymns and Yazhpanar composed music for the hymns on his yazh.
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Tiru
Nilakanta Yazhpanar was the first to set music to the songs of a Nayanar and set a "precedent for musical performance of the
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Tiru
Nilakanta Yazhpanar travelled with Sambandar (pictured) and set music to many of the latter's hymns to Shiva.
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After a while, Sambandar invited Tiru
Nilakanta Yazhpanar to his wedding in Thirumana Nallur (presently known as
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359:(11th century) compiles the hymns of Sambandar, Appar and Sundarar. However, the music of the
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Yazhpanar accompanied
Sambanar on his journeys and meetings with other Nayanars like
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Yazhpanar continued his journeys and visited many shrines. He finally reached
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291:). After the wedding, Sambandar, his bride and the wedding party went the
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The images of the Nayanars are found in many Shiva temples in Tamil Nadu.
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116:(first half of the 7th century CE), one of the most prominent Nayanars.
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The Tyāgarāja Cult in Tamilnāḍu: A Study in Conflict and Accommodation
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community of wandering musicians. He was a staunch devotee of the god
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167:. As usual, he sang and played the yazh outside the entrance of the
338:(lunar mansion). He is depicted with a crown and folded hands (see
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140:
Tiru Nilakanta Yazhpanar was born in Erukattanpuliyur in the
137:(12th century), which is a hagiography of the 63 Nayanars.
124:
The life of Tiru Nilakanta Yazhpanar is described in the
316:(8th century) venerates Tiru Nilakanta Yazhpanar in the
456:(4 ed.). Sivanandanagar: The Divine Life Society.
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70:
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55:
41:
36:
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575:Songs of Experience: The Poetics of Tamil Devotion
411:"The Puranam of Tiruneelakanta Yaazhppana Nayanar"
501:Glimpses of Tamil Culture: Based on Periyapuranam
152:, the patron god of Shaivism. An maestro of the
323:Tiru Nilakanta Yazhpanar is worshipped in the
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219:Sambanar and Yazhpanar once travelled to the
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542:Poems to Śiva: The Hymns of the Tamil Saints
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159:Once, Tiru Nilakanta Yazhpanar reached
503:. Koodal Publishers. pp. 77, 120.
579:. Indiana University Press. pp.
546:. Motilal Banarsidass. 1991. p.
7:
478:. Motilal Banarsidass. p. 412.
389:. Penguin Books India. p. 281.
312:One of the most prominent Nayanars,
221:Thillai Nataraja Temple, Chidambaram
474:Rajeshwari Ghose (1 January 1996).
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184:and played the yazh outside the
387:Hinduism: An Alphabetical Guide
204:Mandangasulamani (described as
515:"Sri Shivaloka Thyagar temple"
1:
571:Norman Cutler (22 May 1987).
144:kingdom. He belonged to the
331:, when the moon enters the
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454:Sixty-three Nayanar Saints
1013:7th-century Indian people
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639:
499:K. Nambi Arooran (1977).
163:, which was ruled by the
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293:Shivaloka Thyagar temple
260:Kungiliya Kalaya Nayanar
104:saint, venerated in the
98:Tiru Nilakanta Yazhpanar
22:Tiru Nilakanta Yazhpanar
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248:Tiruneelanakka Nayanar
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919:Thirukkurippu Thondar
385:Roshen Dalal (2011).
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223:, where they saw the
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967:Paadal Petra Sthalam
972:Thiruthondar Thogai
201:Sattainathar Temple
413:. T N Ramachandran
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276:Kulachirai Nayanar
272:Mangayarkkarasiyar
266:, the Pandya king
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180:Yazhpanar went to
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557:978-81-208-0784-6
485:978-81-208-1391-5
396:978-0-14-341421-6
357:Nambiyandar Nambi
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186:Thyagaraja Temple
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819:Munaiyaduvar
769:Kochengannār
719:Isaignaniyar
689:Aenātinathar
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522:. Retrieved
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415:. Retrieved
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360:
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351:hymns". The
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344:
340:Anjali mudra
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270:, the queen
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169:Tiru-aalavai
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66:Organization
15:
954:Viranmindar
899:Siruttondar
889:Seruthtunai
864:Pugal Chola
759:Kalarsingar
744:Kanampullar
734:Kalikkambar
724:Iyarpagaiār
674:Arivāttayar
644:Adipaththar
524:24 December
417:21 December
325:Tamil month
300:Remembrance
252:Siruthondar
229:Chidambaram
227:priests of
174:garbhagriha
146:Tamil Panar
1002:Categories
939:Nilanakkar
804:Meiporulār
784:Kulachirai
704:Gananāthar
699:Kalikkāmar
367:References
289:Achalpuram
281:homa kunda
190:Thyagaraja
182:Thiruvarur
71:Philosophy
982:Tirumurai
924:Tirumular
914:Sambandar
894:Sirappuli
849:Nedumārar
829:Naminandi
749:Kannappar
694:Eripathar
679:Chandesar
654:Amarneedi
649:Aiyadigal
519:Dinamalar
336:nakshatra
135:Sekkizhar
114:Sambandar
1008:Nayanars
934:Yālpānar
909:Sundarar
884:Saktiyār
879:Sākkiyar
874:Sadaiyār
854:Kurumbar
834:Nantanār
774:Kutruvar
709:Idangaḻi
633:Nayanars
452:(1999).
314:Sundarar
197:Sirkazhi
110:Shaivism
108:sect of
75:Shaivism
60:Hinduism
56:Religion
37:Personal
987:Tevaram
949:Vāyilār
859:Pusalar
824:Murugar
809:Murkhar
789:Kalayar
779:Kotpuli
714:Māranār
361:Tevaram
353:Tevaram
348:Tevaram
329:Vaikasi
241:Ganesha
225:Brahmin
188:there.
165:Pandyas
161:Madurai
102:Nayanar
89:Nayanar
739:Kaliya
669:Apputi
659:Āṉāyar
587:
554:
482:
393:
206:virali
100:was a
85:Honors
79:Bhakti
844:Nesar
814:Murti
684:Dandi
664:Appar
264:Appar
233:ganas
150:Shiva
142:Chola
126:Tamil
106:Hindu
91:saint
729:Kāri
585:ISBN
583:–2.
552:ISBN
526:2014
480:ISBN
419:2014
391:ISBN
333:Mula
274:and
154:Yazh
120:Life
42:Born
631:63
581:191
548:336
355:by
327:of
231:as
133:by
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550:.
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399:.
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