245:, all of which starred Sills. He established a solid working relationship with Sills, and the feeling was mutual. "I can ask her to try anything onstage," said Capobianco, who directed most of her successes at City Opera and whom Sills regarded as "her" director." Capobianco commented on some of the features which allowed the trio of operas to be presented: "It was a golden era ... We had singers who could act. It was total theatre; drama. It was just a fantastic moment."
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His 17-year tenure as general director of the
Pittsburgh Opera was summed up as "armed with a towering personality, glittering charisma and determined artistic vision, he's ruled the Pittsburgh Opera – sometimes, say his critics, with an iron fist." A Twitter statement from the opera company at the
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He has been described as difficult to work with and who "admits his intense management and directing style was at times hard on his singers and staff: 'I am obsessed with something that does not exist: perfection.'" Capobianco seemed to relish the control which the post of general director gave to
54:. His parents were both musical; his father played trumpet in the local symphonic band. He grew up speaking Italian (a later advantage in the opera world) and attended a bilingual Spanish-Italian school until 4th grade. He continued his musical education at
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One of the features of his tenure at the company was the introduction of a Verdi
Festival, with two operas presented each summer, one generally a late composition, the other an early work from the composer's "galley years". Beginning in 1976 with
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him: "The impetus of general director was the assurance to me that I could do whatever I wanted. There will be nobody except the board to stop me. I don't believe in democracy in the arts. You don't use four persons to do the same painting."
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time of this death said "Tito
Capobianco was a legendary figure. With visionary leadership spanning over 17 years, he helped build Pittsburgh Opera into what it is today."
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He was general director of the San Diego Opera from 1976 to 1983. During his tenure he "expanded the season to six productions, featuring renowned superstars such as
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described him as a "groundbreaking director during New York City Opera's heyday" and as "one of the most influential directors in opera during the 1960s and '70s".
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Anthony J. Rudel, "Three Queens, One
Soprano", essay in booklet accompanying the Three Queens ABC "Audio Treasury" recordings
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274:." Because of his friendship with Sills, in 1980 the San Diego Opera presented her final performance, a production of
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509:"Final curtain: Tito Capobianco's tempestuous tenure at Pittsburgh Opera marked by financial and artistic gains"
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Capobianco became one of the City Opera's important directors, mounting ground-breaking productions including
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Capobianco was artistic director of the
Cincinnati Opera Festival (1961 to 1965) and the
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and St. Joseph's
College. He then qualified for the chorus and opera school of the
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as part of the regular season, the festival continued in the summers of 1978 with
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In addition, he produced the now-famous "The Three Queens" operas of
Donizetti,
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in Buenos Aires. His
American debut came in 1962 with a production of
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at the Teatro
Argentino de La Plata in 1953, then worked at the
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magazine, 22 November 1971, quoted on beverlysillsonline.com
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San Diego Opera's "Performance
History" page on sdopera.com
412:(Sills, Marsee, J. Alexander, Fredricks; Rudel, 1975) VAI
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Former Pittsburgh Opera Director Passes Away At Age 87
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Argentine American stage director and general manager
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while the festival concept ended in March 1985 with
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438:(Tomowa-Sintow, Milnes, Plishka; Levine, 1984)
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421:(Sills, H. Price, Fredricks; Rudel, 1976) VAI
174:(which brought Sills to preëminence in 1966);
34:stage director and general manager of several
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517:, 2 April 2000. Retrieved 11 September 2010
324:plus the Requiem; and 1982 saw stagings of
30:(28 August 1931 – 8 September 2018) was an
127:in the cast. He later held posts at the
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70:roles; he also learned stage managing.
654:The Concise Oxford Dictionary of Opera
592:on sdopera.com. Retrieved 2 June 2014
480:Tito's Way: The Art of Producing Opera
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144:Tito's Way: The Art of Producing Opera
109:(1962 to 1965) before moving to the
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150:New York City Opera, 1966 to 1976
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248:In a statement after his death,
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78:He made his official debut with
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342:(with Sutherland) along with
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60:Teatro Argentino de La Plata
636:Retrieved 11 September 2011
545:Retrieved 11 September 2010
142:In 2017, his autobiography
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687:Argentine opera directors
478:Capobianco, Tito (2017).
607:North Ohio Opera League
514:Pittsburgh Post-Gazette
196:in his greatest role);
46:Capobianco was born in
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116:Les contes d'Hoffmann
23:Tito Capobianco, 1999
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692:People from La Plata
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379:Capobianco made his
356:Ferruccio Furlanetto
333:Un ballo in maschera
564:. September 9, 2018
440:Deutsche Grammophon
399:in the title role.
383:debut in 1978 with
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48:La Plata, Argentina
632:2015-09-25 at the
588:2014-07-02 at the
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321:Un giorno di regno
215:Il turco in Italia
32:Argentine American
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652:& Ewan West,
583:"Company History"
489:9-780-8283-2651-3
482:. Branden Books.
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403:Videography
242:Anna Bolena
189:Mefistofele
177:Le Coq d'Or
161:Don Rodrigo
66:to singing
38:companies.
671:Categories
561:Opera News
446:References
424:Massenet:
327:Il corsaro
303:I Lombardi
251:Opera News
209:I puritani
42:Early life
430:Paramount
630:Archived
586:Archived
233:(1970),
131:and the
68:baritone
644:Sources
434:Verdi:
415:Verdi:
221:La Loca
94:at the
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354:(with
351:Oberto
287:Otello
192:(with
164:(with
74:Career
451:Notes
426:Manon
386:Thaïs
183:Manon
98:with
91:Tosca
64:super
36:opera
658:ISBN
614:2018
570:2018
541:Time
484:ISBN
358:and
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297:Aida
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