783:« It has the power and flow of a lyric and epic poem. Melodic and rhythmical motifs follow on from one another, answer each other and expound on each other, united by the free inspiration of music which abolishes any distance between improvisation and the written tradition, individual expression and collective dynamics, the fervour of dance and meditative introspection, a commitment to the real world and the aspiration of dreams. As ever in Titi Robin’s music, these motifs weave the outline of a story, in which it is Kali Sultana (the “Black Queen”), who this time takes the pride of place. She is the feminine incarnation of grace, an ideal of beauty that every artist pursues; she is the universal, imaginary and yet ubiquitous
484:“thousands of times, I plunged myself into the river with no bottom but it is in a hole that I found the precious pearl.“ The real journey is inside. Music feeds itself in that inner source, deep in the heart, as the star, because there is no better elsewhere, or golden age in the past. Every day, under a sky of copper, we hit the road, a little more digging to find the bread, salt and the gold of the deep song." Titi Robin (excerpt of the text presenting the disc). Fifteen musicians are invited such as Farid "Roberto" Saadna,
597:(Naïve, October 2005). While the recording sessions of previous records were often the opportunity to invite many musicians with whom Titi Robin did not necessarily tour on stage, but were ideally suited to the interpretation of one or more songs. He invited this time a more limited group of musicians, who were largely similar to those around him during the shows. Foremost is the faithful trio (Francis Varis on accordion, Kalou Stalin on bass and Ze Luis Nascimento on percussion) that accompanies him all year in
480:, released in 2000 is the album the artist considers the one that represents the diversity of his musical world the best. "I don’t know any other art school than the street and pleasure, because no one taught me how to speak this language but men and women crossed on my road and far from being all musicians. There is truth in the beauty of the deaf world, and I polished a mirror which may reflect this light: this gesture is the meaning of my music. As the saying
884:, a long-term project that is close to his heart: producing a recording in each of these three countries, India, Turkey and Morocco, around his repertoire with local musicians. This local CD production destined for a local public was a way to repay the cultures that had influenced him, something he considered his duty. As a second step, the three CDs are grouped together for a European and international distribution.
513:, a nomad young lady who goes from the miserable life of snake charmers camps to national and then international recognition. She is frequently invited to Titi's shows and the song Pundela from the disc "Gitans" just like the song "La rose de Jaipur" from the album "Ciel de cuivre", shows how much emotion there is between the two artists when they meet. In 2002, they released an album co-signed
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The will that there is no perception in his work of junction points, the seams between the different influences, which can paradoxically make the music seem simple, but in this way proving to him the success of the endeavour (“It is what I also like in poetry: when the most profound idea is expressed
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of West Africa. From
Morocco to Mali, passing by Mauritania, Titi Robin feels that history has linked these cultures to the great Mediterranean civilization. Musicians that are invited are Renaud Pion (saxophones), Abdelkrim Sami (vocals, percussions), Farid "Roberto" Saadna (vocals, guitar, palmas),
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recordings, that he considers completely apart from concerts (live discs appear to be concessions to his friends), "like books or paintings, in which those that acquire them savor their way in ten years on either side of the earth, these recordings in the same way are appropriated as a book with the
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interpretations and improvisations that evolve because, as in the compositions, his life and his heart are made of "experiences which are those of a man's life with all it includes: joys, suffering, broken dreams and sometimes fortunate discoveries." His mastery of instruments and orchestration is
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This formation revealed Titi Robin mainly as an oudist (even if the particular instrument designed by his brother
Patrick Robin and his personal playing style is intentionally quite different from classical Arabic oud). A disc released in January 1993 greatly clarified the world of the musician of
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compositions, which are spread over thirty years already (his style has not changed, so much so that he used for example, in 2008, among the compositions of Kali
Sultana, two themes composed in the late 1970s, and it is difficult to detect any stylistic difference. "The truth is I do not know why
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toured continuously offering themes from this disc mixed with older compositions. The Titi Robin Trio (‘oud, guitar, buzuq / accordion / percussion) drawing across exclusively Titi’s instrumental repertoire also produce a lot abroad, especially in the Middle East (Iraq, Jordan, Qatar, UAE, Saudi
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came to enrich a suite written around the oud. The Saadna brothers (Los
Rumberos Catalans), with whom he played for many years, joined him to end the disc in Romani festivities. During the composing of the soundtrack of Manuel Boursinhac's film, for the first time, there was a string orchestra,
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At the beginning of 1996, this group in a collective adventure, makes a radical thrust, coming out with an introspective instrumental recording, "Le Regard Nu" based on modal improvisation, as a result of a year of experimental research. Titi Robin was inspired by poses of female models, as in
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and Titi Robin a new generation: Maria, Colombe “La Coque” and Dino
Banjara. Maria, singing, and La Coque, at the percussions, also joined in the studio for the recording of this album. In 2005, Titi Robin composed (assisted by Silvio Soave who is his sound engineer since the early 1990s) the
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stage performances that take on, from different angles, always the same universe, making sure that these different lightings give a sense to his quest. The very different and complementary pleasures of solitude and solo playing, and society and festive improvisations form this orchestral
1271:, documentaries « Airs de voyage » and « la Danse du Serpent » (presenting Gulabi Sapera and her work with Titi Robin), live concerts, musical diaporama, photos of Louis Vincent and a live CD « Anita », film direction : Sergio Mondelo, DVD Naïve, 2006
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mainly consisting of composed of violas, cellos and basses (based on the arrangements of Renaud
Gabriel Pion). Titi Robin has extended this present experience thanks to arrangements of Francis Varis on three themes. That same year, the formation "En famille" appeared, gathering around
280:", most of the repertoire composed and arranged by Titi Robin. This out of the ordinary formation - a Brittany singer, an Arabic lute player and an Indian tablâ specialist (for the record, it is their photography that illustrates the first article on "world music" in the
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rumba is important to Titi Robin, it crosses the sound of his Romani guitar compass with nylon-string guitars. This is one of the emblematic colors of his universe. Here, we also listen to
Brittany bagpiper Bernard Subert. Abdelkrim Sami is at the percussions and
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Titi Robin, early in his career, performed at Arab and Romani community festivals that gave him the opportunity to test his musical approach. The musicians accompanying him are almost exclusively from minority groups (such as Berber
Moroccan Abdelkrim Sami).
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with utmost simplicity, in all modesty, and this it is to my eyes the most difficult achievement because you can not cheat, you are naked.") It must be underlined that he attaches the greatest importance to giving credit to the traditions that inspire him.
698:) took place which later evolved in 2009 with a new creation during the Festival de Saint Denis, with a record, Jaadu and also many international concerts. Titi composed on this occasion an entirely original melodic repertoire in the service of the
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festivals to stages specialized in contemporary music, passing by the Théâtre de la Ville in Paris, Quartz in Brest, not to mention the jazz venues who acclaim their innovative approach to improvisation. Their international tours take them from
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regroups stage interpretations from the fall of 2005, recorded and mixed by
Guillaume Dubois assisted by Jerome Musiani with a Louis Vincent's booklet). The collaboration with this dancer from Rajasthan ended in 2007. It lasted fifteen years.
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is also present in the room. The Malian style of string playing seems close to the musician's own universe (it still captures the musical continuity from the Arab
Andalusia to Mauritania and Mali) and he had already composed for the album
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the buzuq and guitar: The artist dedicates "Gitans" in homage to the Romani community from whom he learned so much. It is a mosaic of encounters between Titi Robin's favourite artists, who represent different branches of the family, from
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in Essaouira (Morocco), with Kalou Stalin and Ze Luis Nascimento. They performed in trio and also presented a concert with Maâlem Abdenbi el Gadari. For the musician, this was an emotional homecoming, since Moroccan music and
573:(soundtrack Naïve). He then took up the challenge of responding to a commission (to accompany a film with music) exclusively using elements of his own musical style. In 2004, to celebrate his 20 years of career, the anthology
399:, who according to Titi Robin "sculpts" silence and lets the present moment inhabit his improvisations, is very much present in the spirit of the musician's work. Starting from a specific traditional oriental technique,
779:("the shadow of the ghazal") is released in the fall 2008, a new project both discographic and scenic. A long suite arranged in two parts, seven movements and three interludes, this river of an album is a double-CD.
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themes) in order not to artificially graft a theme with a foreign orchestration that wouldn't "breathe" in the same way, very much done in "world music" (which is an approach, far from his personal philosophy).
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musician Shadi Fathi counselled the musician on the adaptations in French poetry and wrote the parts for the daf sections, accompanied by Colombe Robin "La Coque". The reciters are Esmail (Persian) and
368:). This release and the musical cooperation it required will attract a wide audience, bringing together both savvy aficionados and lovers of Mediterranean music. "Gitans" will tour in Japan, at the
589:, more intimate songs, embellished with unpublished ones, including a couple of remixed versions and reinterpreted songs. In 2005, two sets of Parisian productions took place: four nights at the
549:, featuring interviews and archival footage, music scenes extracts and family, the music and dance creation of Titi Robin and Gulabi Sapera, filmed in India and France. (The live record entitled
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of qawwali. This mystical culture, through song, rhythm and poetry was dear to the heart of the artist and very popular in Rajasthan India, where he was often present alongside Gulabi Sapera.
899:«...In my career, I have carefully avoided any competition. First and foremost, in the act of creation, there is no price, no trade, no competition. The aesthetic quest is the only motive...»
601:(The musical and choreographic creation of Titi Robin and Gulabi Sapera), the quintet and trio, he wished omnipresent in this disc. Cantaor flamenco singer Jose Montealegre, who sings in the
340:. He believes that the best tribute is to create something new and personal but which better demonstrates paradoxically the rich source honored here. Guest musicians include the following:
467:), Alain Genty (bass) and Bernard Subert (oboe, bagpipes). The orchestra has toured for many years in parallel with "Gitans" but did not have the same response from the public and critics.
1196:, Erik Marchand / Le Taraf De Caransebes, (on the tracks « Ton Moldav », « Gwellan Amzer », « Doina Haiducilor » and « Kannen ma mestrezed»),
256:, who incarnates in his opinion the rich traditional popular culture of Titi Robin's own home region. Together they develop a repertoire enlisting quarter-tones modes, Eastern
238:. Although influenced by flamenco, mainly in its voice and poetic form, he has never directly performed it, preferring to exchange ideas with the artists of this musical form.
1190:/ Le Taraf De Caransebes, (on the tracks « Marv eo ma mestrez », « Madam la Frontière », « An danserien» et « Le libertin »), Silex, 1994
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quarter in Angers, the Romani neighborhood in Saint Jacques in Perpignan) and in India (Jaipur), directed by Hubert Budor, production: Vivement lundi!, 1999 (unreleased)
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in the Balkans, comes out with the participation of Titi Robin (Accords Croisés). A series of concerts to celebrate the release of the album takes place in Paris (
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in 1997 (Francis Varis on the accordion). The voices are those of Saadna brothers from the "Rumberos Catalans" living in the district Saint Jacques (San Jaume) in
372:(USA) and from South Africa up to the major European world music festivals. The theme "Petite mer", certainly the best known of the composer, comes from the disc.
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has influenced improvisers from other cultures who than take there distance from the original model, Titi Robin has done the same with this aesthetic tradition.
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Titi Robin toured in India from north to south in October 2008 with his trio (he frequently tours on the sub-continent) and writes on this occasion, a daily
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which sees the day in September 2002, and is announced on many French and international scenes, enjoying a light show of Pascale Paillard. In 2006, the DVD
446:. In parallel, Titi Robin wants to find a way of forging links with contemporary Western popular music, which leads to a new formation, orchestrating the
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545:) are released, including several documentary films by Sergio Mondelo presenting Titi Robin's universe, from an Andalusian trip to the grave of singer
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painting or sculpture, to nourish his musical improvisations on the solo ‘oud and buzuq. It is a series of musical tableaux. In the booklet, he cites
724:, Titi Robin presents an original creation at the Theatre Gerard Philippe in Saint Denis, focusing on poetry, however leaving a large part to the
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was to be unique but responding to many request from organizers, took the road from the winter of 2006 to the summer of 2007 for three big tours:
403:, he approaches it more from a philosophical than a formal point of view resulting in an original iconoclastic style. In the same way American
344:(vocals), Bruno el Gitano (vocals, palmas, guitar), Mambo Saadna (vocals, palmas, guitar), Paco el Lobo (vocals, palmas), François Castiello (
336:, from which he draws his personal musical vision. The repertoire mainly consists of original compositions and does not reproduce any typical
1151:, three discs with a booklet and a DVD of the Indian filmmaker Renuka George, relating the recordings in the three countries, Naïve, 2011
923:, vocals), Ze Luis Nascimento (drums) and Francis Varis (accordion). The orchestra has performed regularly on stage since 2012 and 2013.
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to whom he dedicated a book "Gulabi Sapera, danseuse Gitane du Rajasthan" (2000, Naive/Acte Sud). She tells her legendary life in
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In parallel with these record productions, Titi Robin has not stopped touring in France and internationally. Nominated for the "
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1248:, (on the tracks « Mon histoire », « Aman Aman », and « Hommage à Esma »), Accords Croisés, 2007
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799:), and the Renaud Pion returning to the winds. This concert takes over two hours all parts being linked without a break.
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is at the time one of the heirs. Ocora Radio France commissioned a recording - "An Henchou Treuz" (1990) - which won the
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387: : “To work, I need a living being in front of me”. He is strongly inspired in his work by Jean-Pierre Montier's
1173:, Disc/DVD, text by Laure Morali and animated movie by Fabienne Collet and music composed by Titi Robin, Naïve, 2008
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illustrated by Charlotte Gastaut, narrated by Jean Diab and music composition by Titi Robin, Gallimard Jeunesse, 2008
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same degree of privacy. All these recordings will become part of an ensemble that, if God wishes, will take on a
454:(1998) that the Romani and Oriental influences, always present, mingle with the French texts as well as with the
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in June. The two musicians met on several occasions in 2006, showing a great relationship and mutual respect.
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in February, five nights at the Cabaret Sauvage in November, on the occasion of the release of the new album:
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was released as a double disc with a rich booklet designed by painter and graphic artist Eric Roux-Fontaine.
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To base his orchestrations with musical logic inherited from traditions (like polyrhythms of the Moroccan
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in Paris in 2000. In return, she organized an evening in honor of Titi Robin and his band in Bamako.
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Trio and quintet concerts (with either Pepito Montealegre or Maria Robin singing) continue to tour.
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309:(three brothers) (Silex). In the early 2000, the Trio Erik Marchand performed periodically, with
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where he again invites models to revive his inspiration) or with dance as in a dialogue (with
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who all came to welcome him publicly and interpret a few songs with him for the occasion.
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619:(Naïve). Amongst the abundant tours of the artist in France and abroad, he was invited by
276:, a fitting beginning of the collaboration of the two duos that will eventually form the "
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Titi Robin while still with Hameed Khan, a duet which highlights melodic and rhythmic
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895:", he seized the opportunity to publish a very critical stand on such a media event:
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in Paris in November 2011, brought together a new formation with Murad Ali Khan (
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In 1984 he appeared (guitar, ‘oud and buzuq) in duet with Hameed Khan, an Indian
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In August 2006, the original and memorable stage meeting between Titi Robin and
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dedicated to the marriage of their respective universe, based on songs from the
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in May 2011, Titi Robin was welcomed on stage by great musical figures such as
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this style has been given to me, but I work constantly to fit and polish it").
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745:(French), and other musicians are Renaud Pion (wind) and Keyvan Chemirani (
305:. The first album under the name of "Trio Erik Marchand" appeared in 1991:
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In December 2007, for the 800th anniversary of the birth of the Sufi poet
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a quartet composed around him, Murad Ali Khan (sarangi), Vinay Mishra (
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529:. "Her choreography and Titi Robin's compositions gather round a show
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1356:"Le Blog de Titi Robin | Plongez dans l'univers de Titi Robin"
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a tribute to singer Oumou Sangare. He also invited her on stage at
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is a selection of Titi's recordings presented as two thematic CDs:
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and Andalusian flamenco singer Paco el Lobo. The rhythmic style of
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946:) and Ninayat Netke (tabla) for the release of his Indian record
268:, the ancient monophonic lamentation which the singer along with
1261:, documentary shot between France (at Titi Robin's home, in the
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222:. In 1987, he founded the "Johnny Michto" band, which combined
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with whom he put on an original show for the two festivals of
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from the article and its talk page, especially if potentially
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391:, which deals with the aesthetic vision of the photographer
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A tour in 2009 follows that includes a string section (two
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In 2002, the composer created the entire soundtrack of the
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From late 2009 to 2011, Titi Robin worked on his triptych
156:) is a French composer and improviser. His style combines
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is released in an English version in the United Kingdom.
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In March 2007, the new CD from the "La Reine des Gitans"
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working with models, like a painter or a sculptor, (
1358:. Les-rives.thierrytitirobin.com. 17 January 2011
643:festival, Titi Robin and the Reunion poet-singer
1161:La musique des Gitans, Le Petit Cheval d’Étoiles
770:(RFI). This entire article is still available.
1043:(with Erik Marchand), Ocora/Radio France, 1989
639:At the invitation of Philippe Conrath for the
505:Since 1992, Titi Robin regularly worked with
8:
1282:Gulabi Sapera, Danseuse Gitane du Rajasthan
1127:(with Faiz Ali Faiz), Accords Croisés, 2009
683:music in particular existed in his debuts.
989:"The Naked Eye", the preparation work for
395:. The personality of the Iraqi oud player
284:) - will travel internationally: from the
58:about living persons that is unsourced or
425:continue, as witnessed by the live album
129:Learn how and when to remove this message
1288:Rajasthan, un voyage aux sources gitanes
809:During the summer, at the initiative of
674:In June, Titi Robin participated in the
1334:"Carnet de Voyage - Titi Robin en Inde"
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1234:, (on the track « Majiwi »),
1242:Mon Histoire, Esma, reine des Tsiganes
1214:, (on the track « Fable »),
1139:, A.K. Müzik (Istanbul, Turquie), 2011
829:. Participants included percussionist
1145:, Ayouz Vision (Inezgan, Maroc), 2011
813:and Patrice Bulting, he met Moroccan
274:Grand Prix de l'Académie Charles Cros
7:
1037:(with Hameed Khan), Playasound, 1986
833:and ribab player Foulane Bouhssine (
982:specific and fundamental steps as:
1109:(Original soundtrack), Naïve, 2006
1103:(Original soundtrack), Naïve, 2005
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1336:. Rfimusique.com. 20 October 2008
1049:(Trio Erik Marchand), Silex, 1993
840:For his first concert in Mali in
766:at the request of the website of
1133:, Blue Frog (Mumbai, Inde), 2011
497:Arabia, Lebanon, Palestine...).
450:, drums and bass. It will be in
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958:Robin builds his work through:
903:The release of the compilation
595:Ces vagues que l’amour soulève
191:Concert in Normandy in May 2022
1095:Ces vagues que l'amour soulève
926:In July 2011, he presented in
585:offers rhythmic dance tracks,
252:duels, meets Brittany singer,
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717:) and Arles (Suds Festival).
663:festival in Reunion through "
967:also enriched by experience.
732:, used among others, in the
501:Titi Robin and Gulabi Sapera
36:biography of a living person
1157:(with Mehdi Nassouli), 2015
891:" in 2012 in the category "
768:Radio France Internationale
647:, emblematic figure of the
63:must be removed immediately
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459:Jorge "Negrito" Trasante (
352:) Francis Alfred Moerman (
1309:"Titi Robin | biographie"
774:Kali Sultana, l’ombre du
226:with the electric buzuq,
1284:, Naïve/Actes-Sud, 2000.
1178:Participation as a guest
667:" in Coutances, theater
657:Transmusicales of Rennes
282:Encyclopedia Universalis
152:(born 26 August 1957 in
889:Victoires de la Musique
444:Rajasthani Romani dance
260:improvisation based on
218:player originally from
1430:Harmonia Mundi artists
1420:Modal jazz oud players
1163:, Book/CD, a story by
919:), El Mehdi Nassouli (
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665:Jazz sous les pommiers
224:Moroccan Berber rhythm
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50:Please help by adding
1425:Naïve Records artists
1415:World music musicians
897:
781:
736:rituals. The Iranian
393:Henri Cartier-Bresson
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1218:/Saint Georges, 1999
909:Arab World Institute
907:at a concert at the
525:repertoire from the
313:at the percussions.
56:Contentious material
1073:, Silex/Naïve, 1998
1067:, Silex/Naïve, 1997
1061:, Silex/Naïve, 1996
1055:, Silex/Naïve, 1993
858:Cheick Tidiane Seck
709:, the voice of the
463:), Gabi Levasseur (
360:), Bernard Subert (
356:), Abdelkrim Sami (
158:Mediterranean world
154:Rochefort-sur-Loire
629:Cité de la Musique
547:Camaron de la Isla
278:Trio Erik Marchand
270:Yann fanch Kemener
193:
1313:www.titirobin.com
1259:Famille Nombreuse
1165:Béatrice Fontanel
1077:Un ciel de cuivre
1035:Duo Luth et Tablâ
567:Manuel Boursinhac
472:Un Ciel de Cuivre
166:European cultures
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811:Brahim El Mazned
613:Florence Quentin
541:(Madoro Music /
521:’s caste or the
490:Keyvan Chemirani
389:L’art sans l’art
348:), Hameed Khan (
311:Keyvan Chemirani
243:Les Trois Frères
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1246:Esma Redzepova
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743:Soeuf Elbadawi
707:Esma Redzepova
676:Gnawa Festival
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611:soundtrack of
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478:Ciel de Cuivre
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370:Hollywood Bowl
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1405:Living people
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80: –
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74:Find sources:
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53:
47:
46:
42:
37:
32:
23:
22:
16:
1360:. Retrieved
1350:
1338:. Retrieved
1328:
1316:. Retrieved
1312:
1303:
1287:
1281:
1276:Bibliography
1268:
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1221:
1207:
1193:
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1119:Kali Sultana
1118:
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1100:
1094:
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1070:
1064:
1059:Le regard nu
1058:
1052:
1047:An tri breur
1046:
1040:
1034:
1015:
1011:
997:Kali Sultana
996:
990:
987:Le Regard Nu
986:
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957:
947:
925:
904:
902:
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886:
881:
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862:
839:
831:Minino Garay
819:Majid Bekkas
808:
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801:
790:
782:
773:
772:
761:
758:
754:Kali Sultana
753:
719:
704:
694:(escales de
685:
673:
671:in Paris...
652:
638:
624:
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538:
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397:Munir Bashir
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377:Le Regard Nu
376:
322:
317:
307:An Tri Breur
306:
247:
242:
213:
204:
149:
145:
141:
140:
125:
116:
106:
99:
92:
85:
78:"Titi Robin"
73:
62:
45:verification
38:
15:
1400:1957 births
1253:Filmography
1232:Gipsy Kings
1131:Laal Asmaan
1121:Naive, 2009
1065:Payo michto
1029:Discography
948:Laal Asmaan
893:World Music
715:New Morning
700:Sufi poetry
645:Danyèl Waro
623:during his
527:Thar desert
456:polyrhythms
442:brings her
427:Payo Michto
412:Payo Michto
338:gypsy style
326:North India
168:. He plays
1394:Categories
1318:11 January
1295:References
1202:Rca Victor
1198:Sony Music
1107:La Mentale
1071:Kali gadji
992:La Mentale
863:Kali Gadji
730:frame-drum
696:St Nazaire
635:Encounters
571:La Mentale
452:Kali Gadji
416:Kali Gadji
385:Modigliani
210:Beginnings
160:including
89:newspapers
1208:Identités
1149:Les Rives
971:approach.
944:harmonium
940:New Delhi
932:Bangalore
905:Les Rives
882:Les Rives
875:Les Rives
867:La Cigale
641:Africolor
519:Kalbeliya
511:Rajasthan
465:accordion
448:saxophone
431:Perpignan
421:Tours of
362:clarinets
346:accordion
330:Andalusia
299:Marrakech
232:clarinets
196:Biography
119:June 2015
41:citations
1263:Roseraie
1236:Columbia
1222:Djezaïr
817:player,
690:Lahore,
615:’s film
569:’s film
366:bagpipes
303:Bir Zeit
236:bagpipes
178:mandolin
67:libelous
1362:21 June
1340:21 June
1089:Alezane
936:Chennai
921:guembri
913:sarangi
835:Mazagan
738:Kurdish
627:at the
603:quintet
587:La Nuit
583:Le jour
579:Alezane
575:Alezane
559:Alezane
537:and CD
523:Marwari
435:Catalan
334:Balkans
297:, from
295:Houston
142:Thierry
103:scholar
1269:Jivula
1238:, 2001
1204:, 1998
1155:Taziri
1143:Likaat
1053:Gitans
1012:Lovari
1008:Chaabi
928:Mumbai
842:Bamako
823:Agadir
815:gumbri
804:Gitans
793:violas
776:ghazal
688:Qawwal
661:Sakifo
649:Maloya
599:Jivula
551:Anita!
539:Anita!
535:Jivula
531:Jivula
494:sextet
482:Qawwal
423:Gitans
414:&
401:taqsîm
354:guitar
318:Gitans
291:Quebec
264:, and
262:taqsîm
220:Jaipur
170:guitar
162:Romani
105:
98:
91:
84:
76:
1125:Jaadu
1113:Anita
1083:Rakhi
917:kaval
797:cello
681:Gnawa
543:Naïve
515:Rakhî
461:drums
358:drums
350:tabla
286:Womad
266:Gwerz
258:modal
216:tabla
174:buzuq
150:Robin
110:JSTOR
96:books
34:This
1364:2015
1342:2015
1320:2017
1216:Sony
1212:Idir
1014:and
938:and
873:Sur
852:and
825:and
795:and
785:muse
764:blog
747:zarb
734:Sufi
722:Rumi
711:Roma
617:OLE!
405:jazz
234:and
228:bass
182:’oud
180:and
146:Titi
82:news
43:for
1194:Dor
1101:Olé
1010:in
995:or
837:).
749:).
726:daf
328:to
301:to
293:to
1396::
1311:.
1244:,
1230:,
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1200:/
1186:,
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950:.
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659:,
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54:.
1366:.
1344:.
1322:.
144:"
132:)
126:(
121:)
117:(
107:·
100:·
93:·
86:·
69:.
48:.
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