22:
458:
189:
the poem are possibly only a retrospective reaction to the poem's content. If the 31 January sonnet is
Coleridge's, then it would represent Coleridge's feelings at the time about (as Gurion Taussig describes) Stanhope's "arguments in the tones of sensibility and its appeal to man's innate natural rights. As such, the 'friend of Humankind' represents a sentimental figure, free from artificial social prejudices or desires like 'AMBITION' that would limit his instinctive affections."
73:, which ran between 1 December 1794 and 29 January 1795. Early on, Coleridge told Robert Southey, in an 11 December 1794 letter, that 10 of the sonnets were completed and 6 were planned. After the 11th was written, the series was stopped. In a 10 March 1795 letter to George Dyer, Coleridge stated that he planned five more poems, with only one addressed to Lord Stanhope being written. The first appearance of the poem was in Coleridge's 1796 collection of poems and not in the
82:
changed his mind on
Stanhope and the poem was not to be reprinted in later collections. However, it still was printed in the 1803 collection. In a note to Sara Hutchingson's copy of the 1803 edition of Coleridge's poetry, Coleridge stated, "Infamous Insertion! It was written in ridicule of Jacobinical , put into the first Edition by a blunder of Cottle's, rejected indignantly from the second—& here maliciously reprinted in my Absence."
93:, was also attributed to Coleridge. The attribution of the poem to Coleridge has been argued as the precursor to the 1796 edition of the poem while other editors have disputed it and authorship is uncertain. Another sonnet, "Written on Contemplating a Very Fine Setting Sun. To Lord Stanhope" was printed in the 21 February 1795
45:, had originally shared political views with Coleridge, but as time passed, Coleridge's views gradually shifted. By 1803, Coleridge was claiming that he did not want the poem published anymore and that it was originally intended to mock those who held the beliefs which Coleridge had held years earlier. It is part of the
192:
This idea appears in the 1796 edition of the poem with an emphasis on friend of the human race being a general love for mankind. Coleridge ranks the person who is friend of mankind above those who are merely patriots, as the friend is a truly democratic individual. This view continued in a March 1796
77:
like the original series. During the early 1790s, Coleridge held many radical political beliefs, including a system of government called
Pantisocracy. However, after plans for a Pantisocratic community fell apart, Coleridge's opinions radically shifted to something similar to what was being promoted
81:
Unlike his brother-in-law the Prime
Minister William Pitt, Stanhope supported the French Revolution, which earned him praise. Previously, Coleridge had attacked Pitt's views as being against liberty. However, by the time Coleridge would have had the poem printed for his 1796 collection of poems, he
201:
only: he feels, and acts in contempt of aristocratic prejudices. Mr. Taylor, the son of an
Apothecary at Seven Oaks, in Kent, had gained the affections of his daughter. The young Lady, truly noble from the advantages of her education, did not disguise the state of her feelings, but made her father
188:
contained many poems dedicated to those whom
Coleridge considered his heroes, along with two whom he did not favour. Coleridge claimed that the poem was supposed to be taken ironically, but there is little evidence that he originally wanted it removed from his collections. Instead, his feelings on
370:
814:
57:
unlike the others in the series. There is, however, a possible predecessor sonnet to the 1796 version that some editors have attributed to
Coleridge.
388:
1023:
402:
363:
809:
42:
496:
356:
877:
524:
427:
819:
475:
676:
600:
432:
47:
21:
593:
510:
967:
927:
621:
614:
973:
891:
933:
99:. Although it has been argued as possibly being Coleridge's, it too cannot be definitively attributed as his.
202:
her confidant. 'Is he not honest and intelligent?' replied the Earl.-'Assuredly, I approve of your choice.'"
884:
607:
555:
447:
379:
95:
38:
991:
586:
824:
442:
920:
898:
412:
457:
1018:
1013:
863:
517:
407:
778:
656:
503:
979:
961:
955:
849:
804:
799:
789:
635:
53:
628:
531:
985:
838:
794:
489:
949:
856:
738:
642:
565:
1007:
560:
717:
703:
437:
422:
759:
89:, written under the name "One of the People" and printed in the 31 January 1795
870:
752:
710:
689:
649:
482:
417:
745:
731:
26:
348:
696:
336:
The
Collected Works of Samuel Taylor Coleridge: Poetical Works Variorum I
724:
143:
The poem published on 31 January and attributed to
Coleridge reads:
663:
87:
To Lord
Stanhope on Reading his Late Protest in the House of Lords
20:
41:. It was published in his 1796 collection of poems. The subject,
329:
The Collected Works of Samuel Taylor Coleridge: Poetical Works I
352:
197:
essay by Coleridge which read: "Earl Stanhope does not
338:
Vol I.II. Princeton: Princeton University Press, 2001
331:
Vol I.I. Princeton: Princeton University Press, 2001
156:
Shall grave:—'Here sleeps the Friend of Humankind!'
136:
And thou from forth it's clouds shalt hear the voice
942:
908:
833:
776:
673:
574:
546:
465:
395:
150:Thou shalt be bless'd and lov'd, when in the dust
815:Reflections on Having Left a Place of Retirement
343:Coleridge and the Idea of Friendship, 1789-1804
152:Thy corse shall moulder—Patriot pure and just!
145:
128:GAinst her, who from the Almighty's bosom leapt
112:Not, STANHOPE! with the Patriot's doubtful name
109:
148:STANHOPE! I hail, with ardent Hymn, thy name!
132:Wherefore, ere Virtue o'er thy tomb hath wept,
364:
172:As holds his course the splendid Orb of Day,
154:And o'er thy tomb the grateful hand of FAME
51:series, although it was not published in the
8:
345:. Newark: University of Delaware Press, 2002
162:Hast spoke the language of a Free-born mind
130:With whirlwind arm, fierce Minister of Love!
116:Since scorning Faction's low and partial aim
168:Still watch th' expiring flame of Liberty!
164:Pleading the cause of Nature! Still pursue
134:Angels shall lead thee to the Throne above:
537:Introduction to the Tale of the Dark Ladie
371:
357:
349:
170:O Patriot! still pursue thy virtuous way,
158:For thou, untainted by CORRUPTION'S bowl,
138:Champion of FREEDOM and her God! rejoice!
126:That sit complotting with rebellious pride
124:Pourest thine Abdiel warnings on the train
120:Thyself redeeming from that leprous stain,
114:I mock thy worth—FRIEND OF THE HUMAN RACE!
174:Or thro' the stormy or the tranquil sky!
166:Thy path of Honour!—To thy Country true,
65:Coleridge had an 11-sonnet series in the
25:Charles Stanhope, 3rd Earl Stanhope (by
211:
118:Aloof thou wendest in thy stately pace,
16:Poem written by Samuel Taylor Coleridge
269:
267:
230:
228:
226:
224:
160:Or foul AMBITION, with undaunted soul
7:
810:The Nightingale: A Conversation Poem
107:The 1796 edition of the poem reads:
322:Coleridge: Early Visions, 1772-1804
315:The Life of Samuel Taylor Coleridge
43:Charles Stanhope, 3rd Earl Stanhope
14:
497:Monody on the Death of Chatterton
456:
878:The Rime of the Ancient Mariner
428:Person on business from Porlock
820:This Lime-Tree Bower My Prison
476:The Destruction of the Bastile
1:
1024:Sonnets on Eminent Characters
601:Lines Written at Shurton Bars
186:Sonnets on Eminent Characters
122:NOBILITY: and aye unterrify'd
71:Sonnets on Eminent Characters
48:Sonnets on Eminent Characters
594:Lines on an Autumnal Evening
525:The Ballad of the Dark Ladié
1040:
511:Pain: Composed in Sickness
433:Coleridge's theory of life
324:. New York: Pantheon, 1989
261:Mays 2001 I.II pp. 263–264
968:Christabel Rose Coleridge
622:Poems on Various Subjects
615:Ode on the Departing Year
454:
386:
334:Mays, J. C. C. (editor).
327:Mays, J. C. C. (editor).
317:. Oxford: Blackwell, 1997
974:Ernest Hartley Coleridge
892:Time, Real And Imaginary
300:Taussig 2002 qtd. p. 152
291:Taussig 2002 pp. 151–152
994:(nephew and son-in-law)
608:On Receiving an Account
556:The Fall of Robespierre
448:Suspension of disbelief
380:Samuel Taylor Coleridge
96:Cambridge Intelligencer
39:Samuel Taylor Coleridge
37:" is a poem written by
992:Henry Nelson Coleridge
587:The Destiny of Nations
243:Mays 2001 pp. 160, 191
218:Mays 2001 pp. 155, 191
177:
141:
30:
825:To William Wordsworth
443:Romantic epistemology
24:
921:Biographia Literaria
885:The Devil's Thoughts
252:Mays 2001 qtd p. 191
864:Hymn Before Sunrise
518:Songs of the Pixies
234:Taussig 2002 p. 151
657:To the River Otter
504:On Quitting School
413:Albatross metaphor
313:Ashton, Rosemary.
31:
1001:
1000:
980:Herbert Coleridge
962:Hartley Coleridge
956:Derwent Coleridge
899:The Knight's Tomb
805:Frost at Midnight
800:Fears in Solitude
790:Dejection: An Ode
636:Religious Musings
341:Taussig, Gurion.
320:Holmes, Richard.
282:Ashton 1997 p. 61
91:Morning Chronicle
75:Morning Chronicle
67:Morning Chronicle
54:Morning Chronicle
1031:
910:Biographical and
767:To Lord Stanhope
629:Sibylline Leaves
561:Remorse (Osorio)
460:
373:
366:
359:
350:
301:
298:
292:
289:
283:
280:
274:
273:Mays 2001 p. 191
271:
262:
259:
253:
250:
244:
241:
235:
232:
219:
216:
35:To Lord Stanhope
1039:
1038:
1034:
1033:
1032:
1030:
1029:
1028:
1004:
1003:
1002:
997:
986:James Coleridge
970:(granddaughter)
938:
913:
911:
904:
842:
839:Lyrical Ballads
836:
835:Late poetry and
829:
795:The Eolian Harp
783:
780:
772:
682:
678:
669:
579:
577:
570:
549:
542:
490:Easter Holidays
468:
461:
452:
391:
382:
377:
310:
305:
304:
299:
295:
290:
286:
281:
277:
272:
265:
260:
256:
251:
247:
242:
238:
233:
222:
217:
213:
208:
182:
176:
173:
171:
169:
167:
165:
163:
161:
159:
157:
155:
153:
151:
149:
140:
137:
135:
133:
131:
129:
127:
125:
123:
121:
119:
117:
115:
113:
105:
63:
17:
12:
11:
5:
1037:
1035:
1027:
1026:
1021:
1016:
1006:
1005:
999:
998:
996:
995:
989:
983:
977:
971:
965:
959:
953:
950:Sara Coleridge
946:
944:
940:
939:
937:
936:
931:
924:
916:
914:
909:
906:
905:
903:
902:
895:
888:
881:
874:
867:
860:
857:France: An Ode
853:
845:
843:
834:
831:
830:
828:
827:
822:
817:
812:
807:
802:
797:
792:
786:
784:
777:
774:
773:
771:
770:
763:
756:
749:
742:
739:To Mrs Siddons
735:
728:
721:
714:
707:
700:
693:
685:
683:
674:
671:
670:
668:
667:
660:
653:
646:
643:To a Young Ass
639:
632:
625:
618:
611:
604:
597:
590:
582:
580:
578:Bristol poetry
575:
572:
571:
569:
568:
563:
558:
552:
550:
547:
544:
543:
541:
540:
528:
521:
514:
507:
500:
493:
486:
479:
471:
469:
466:
463:
462:
455:
453:
451:
450:
445:
440:
435:
430:
425:
420:
415:
410:
405:
399:
397:
393:
392:
387:
384:
383:
378:
376:
375:
368:
361:
353:
347:
346:
339:
332:
325:
318:
309:
306:
303:
302:
293:
284:
275:
263:
254:
245:
236:
220:
210:
209:
207:
204:
181:
178:
146:
110:
104:
101:
85:Another poem,
62:
59:
15:
13:
10:
9:
6:
4:
3:
2:
1036:
1025:
1022:
1020:
1017:
1015:
1012:
1011:
1009:
993:
990:
987:
984:
981:
978:
975:
972:
969:
966:
963:
960:
957:
954:
951:
948:
947:
945:
941:
935:
932:
930:
929:
925:
923:
922:
918:
917:
915:
907:
900:
896:
893:
889:
886:
882:
880:
879:
875:
873:
872:
868:
865:
861:
858:
854:
852:
851:
847:
846:
844:
841:
840:
832:
826:
823:
821:
818:
816:
813:
811:
808:
806:
803:
801:
798:
796:
793:
791:
788:
787:
785:
782:
775:
768:
764:
761:
757:
754:
750:
747:
743:
740:
736:
733:
729:
726:
722:
719:
715:
712:
708:
705:
701:
698:
694:
691:
687:
686:
684:
681:
680:
672:
665:
661:
659:
658:
654:
652:
651:
647:
645:
644:
640:
638:
637:
633:
631:
630:
626:
624:
623:
619:
617:
616:
612:
610:
609:
605:
603:
602:
598:
596:
595:
591:
589:
588:
584:
583:
581:
576:Cambridge and
573:
567:
564:
562:
559:
557:
554:
553:
551:
545:
538:
534:
533:
529:
526:
522:
519:
515:
512:
508:
505:
501:
498:
494:
491:
487:
484:
480:
477:
473:
472:
470:
464:
459:
449:
446:
444:
441:
439:
436:
434:
431:
429:
426:
424:
421:
419:
416:
414:
411:
409:
406:
404:
401:
400:
398:
394:
390:
389:List of poems
385:
381:
374:
369:
367:
362:
360:
355:
354:
351:
344:
340:
337:
333:
330:
326:
323:
319:
316:
312:
311:
307:
297:
294:
288:
285:
279:
276:
270:
268:
264:
258:
255:
249:
246:
240:
237:
231:
229:
227:
225:
221:
215:
212:
205:
203:
200:
196:
190:
187:
179:
175:
144:
139:
108:
102:
100:
98:
97:
92:
88:
83:
79:
78:by Stanhope.
76:
72:
68:
60:
58:
56:
55:
50:
49:
44:
40:
36:
28:
23:
19:
928:The Watchman
926:
919:
876:
869:
848:
837:
779:Conversation
766:
718:To Kosciusko
704:To Priestley
675:
655:
648:
641:
634:
627:
620:
613:
606:
599:
592:
585:
536:
530:
467:Early poetry
438:Organic form
423:Pantisocracy
342:
335:
328:
321:
314:
296:
287:
278:
257:
248:
239:
214:
198:
195:The Watchman
194:
191:
185:
183:
147:
142:
111:
106:
94:
90:
86:
84:
80:
74:
70:
66:
64:
52:
46:
34:
32:
18:
912:other works
760:To Sheridan
1019:1796 poems
1014:1795 poems
1008:Categories
982:(grandson)
976:(grandson)
952:(daughter)
871:Kubla Khan
850:Christabel
753:To Southey
711:To Fayette
690:To Erskine
679:Characters
650:To Fortune
483:Dura Navis
418:Lake Poets
403:Early life
308:References
61:Background
988:(brother)
934:Notebooks
746:To Godwin
732:To Bowles
408:Opium use
27:John Opie
697:To Burke
725:To Pitt
677:Eminent
566:Zapolya
69:titled
943:Family
396:Topics
180:Themes
964:(son)
958:(son)
781:poems
664:Lewti
548:Plays
206:Notes
532:Love
199:talk
184:The
103:Poem
1010::
266:^
223:^
901:"
897:"
894:"
890:"
887:"
883:"
866:"
862:"
859:"
855:"
769:"
765:"
762:"
758:"
755:"
751:"
748:"
744:"
741:"
737:"
734:"
730:"
727:"
723:"
720:"
716:"
713:"
709:"
706:"
702:"
699:"
695:"
692:"
688:"
666:"
662:"
539:)
535:(
527:"
523:"
520:"
516:"
513:"
509:"
506:"
502:"
499:"
495:"
492:"
488:"
485:"
481:"
478:"
474:"
372:e
365:t
358:v
33:"
29:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.