601:
sound than his other projects, describing the music as "me in the studio and turning samples of sounds into music, commercial dance". Noting the album's sample-based construction, he said that this desire to "change the sample around" before recording made him unlike his contemporaries, explaining: "Most DJs just lift that sample right off the vinyl and use it. I distort it, play with it and then I throw it into a tune".
337:
630:. "Back to the Beat" prioritizes sampled crowd noise and 'electo-yells' for musical punctuation, while "Just Wanna Dance" and "The Circus" feature what Push describes as "descending, sideways skating and warped notes and beats, the hints of melody and the rhythm strapped to a rack and bent out of shape, to the very limit of endurance." "Made by the Man" features rapping from
787:
737:
732:
782:
777:
772:
767:
727:
722:
717:
867:
felt that while Terry's "genius" lies in his technical method, with him only ever being "as sharp as his toys", the album featured music with staying power. He praised Terry's most recent tracks for sounding the best, singling out "You're the One (You Bad)" for being "as near to an instant classic as
600:
writes that the tracks are largely built around "house samples, minimalist, repetitive bass lines, and drum machines that counter the bass lines with snare and hi-hat beats," with strange keyboard effects being woven throughout the tracks. Terry intended the album to highlight a more mainstream dance
806:
for being "a percussive workout which is absurdly simple and yet highly invigorating". Considering the instrumentation to avoid tedium, even on highly minimal tracks like "The Circus", he concluded that the record proves that Terry "happens to make dance records one hell of a lot better than anybody
406:
the sample and after a meeting between the two musicians, Russell received half of the publishing rights. Along with "Can You Party" and Black Riot's "A Day in the Life", both released in the same period, "Bango" helped endear the house scene to Terry's intricate production style. The single reached
1273:
Break Boys 'And The Break Goes On' is being rushed here next week on
Hardcore, while Todd Terry Project 'Bango (To The Batmobile)' will finally be on Morgan Khan's new US-licensed Fresh/Sleeping Bag Records logo — however, this latter may not be without problems, as previously reported, because the
2395:
Just as "Love Is The
Message" created an early template for ballroom, the 1991 Masters At Work's classic "The Ha Dance" blew it up, creating the two tenets of contemporary ball culture: the chanting "ha!" and the crashing cymbals, serving as a cue to pose or drop to the floor. No longer reliant on
669:
in its fifth week on the chart. In
October, Terry DJed at a Sleeping Bag Records UK launch party at the Wag Club in London. The initial UK release date was to be November 21, but it was pushed back to the week of December 10. By the end of the month, it peaked at number six on the
838:
believed that the tracks did not gel as an album, considering them to be too short "to establish their own flow", and wrote that Terry's "great little rhythm and sound effect thingies don't have the fun impact they'd have coming in the midst of a disco night". Phil
Cheeseman of
2366:"NOISE is intricately manipulated, stretched, squeezed, turned inside out to create one whole textured soundscape ... but remember, this is not made in a 48-track state-of-the-art studio, this is created in a house in Brooklyn. Todd Terry is not God, but he is good, very good.
1073:
Terry described the albums as thus in a 1988 interview: "One's quite
European sounding, another's freestyle, another has a Latin feeling and with Orange Lemon there are rock music samples worked in. Royal House is a cross between rap and house and Black Riot is more R &
541:"The beat is all important, dance is the reason. Noise is intricately manipulated, stretched, squeezed, turned upside out and inside down to create one whole textured landscape. Simplicity is key, with only two instruments used, the drum machine and the sampling keyboard."
604:"Bango (To the Batmobile)" uses short samples of a woman's laugh for both a hook and a riff and incorporates an "Africanized percussion section" created from electro beats and samples. In addition to the Dinosaur L excerpt, the track features elements of
309:
Produced by Terry alone in his home studio, the record was recorded simultaneously with other projects by the producer under different pseudonyms, as was intended to be one of six albums he released under different aliases in late 1988. On release,
31:
2396:
the steady loops of disco, ballroom music took its cues from the syncopated beats of drum machines, from Fast Eddie's "Let's Go" to The Todd Terry
Project's "Bango (To The Batmobile" and later, the endlessly remixed "The Percolator."
861:, James Hamilton felt that, due to almost half of the tracks being available on singles, the album did not contain "much that's new and essential", but added that among the "fresh cuts", "The Circus" is "certainly hot". A writer for
488:
distinguished for being rooted in Latin music. To ease the workload, Terry said he aimed to record tracks as simply as possible and would only spend two to three days creating a song. By late 1988, Terry had completed
2252:
1625:
379:
elements, hard percussion and intricate rhythms. The use of separate pseudonyms freed the producer to "work for different labels and to get his product into the shops without competing with himself".
2106:
2193:
1860:
1543:
1372:
523:, and that he built tracks using only samples and sounds from other records. All four previously released Todd Terry Project songs reappear on the album. Terry produced the album while
2452:
As if this wasn't enough to keep him in the studio 24/7 for the next year, he warns us to watch out for an upcoming Todd Terry
Project album containing, in his words "a few surprises."
1573:
1306:
2222:
1274:
flip's 'Back To The Beat' borrowed 'The Sound' and now London will be issuing Kevin (Reese) Saunderson's tit-for-tat 'The Sound (Power Remix)' and 'Rock The Beat'!… Do It
Properly?…
527:, credited as Chep "Bang Out Those Edits" Nunez, provided editing on "Back to the Beat". The album was mixed by Terry at TTO Studios, Brooklyn, with mix consultants Norty Cotto and
1706:
1341:
583:
describes as a "clattering, rattling, rhythmical din which is returned to time and time again, a shifting ground into which the other inputs always, eventually, dissolve."
480:
to be one of six albums he would release by the end of 1988 under different pseudonyms and labels, alongside those of Royal House, Black Riot, Orange Lemon, Swan Lake and
2080:
2020:
430:'s "The Sound" (1987), prompting the latter duo to respond by covering "Back to the Beat" for a single, resulting in a sales split between their record and "Bango".
2533:
813:
applauded Terry for creating the complex music in his own home studio, and noted that the album featured the most "unsung vocal sounds" since "the heady days of
614:(1981). "Weekend" features the album's most conventional song structure and contains a more prominent bass line. "You're the One (You're Bad)" is a 'brutalized'
390:. His first single under the alias, "Bango" was released in March 1988 while Royal House's "Can You Party" was enjoying chart success. In basing the track on
594:
programming "while synth lines bounce off fragments of records", with each track utilizing "sampled sound as rhythm as an end in itself". Bruce Warren of
892:
for the presence of "shadowy NY rhythm-twister maverick" Arthur
Russell. The same year, Terry resumed The Todd Terry Project alias for a further record,
531:, the latter of whom has said he was the first DJ to play Terry's music – including "Bango" – to large audiences, months before their official releases.
402:, whose sound he deemed ideal to "get snippets from", and he titled the track as an inversion of "Go Bang!". Russell was displeased that Terry had not
671:
468:. Alternate club mixes of both tracks were released as a separate single. By the end of the year, Terry had become known as "Todd the God" to fans.
908:
in the shortlist for the magazine's list of eight essential house albums, and in 2012, he included it in the magazine's list of eight essential "
829:
wrote that the album exemplified genuine acid house and praised "Back to the Beat" for its "scattershot samples and muscular, hypnotic groove".
823:
named it "Album of the Week" and believed Terry's skills lie in combining sampled backing tracks with "winning rhythm" to create "new themes".
849:
outtakes, and "unfinished drum patterns", but praised the record's best moments for their urgency and departure "from the stifling history of
559:
is a house album profiling Terry's more minimal and playful work of the period. Many of the tracks highlight the producer's mixture of house,
1795:
2548:
678:
remixes, while a 1995 re-release of "Weekend" reached number 28 in the UK. The album was re-released on
January 31, 2000, by British label
2135:
1984:
359:
as it evolved in New York and Chicago, and in 1987 he released his first house single, "Alright Alright", before working with rap group
2543:
1832:
1229:
1822:
622:. A tensely jittering track, "It's Just Inhuman" features a passage where the instrumentation drops to reveal one melody, before a
874:
ranked the album fifth in their year-end list of 1988's best albums, drawing attention to the album's complex manipulation of
2558:
2553:
1153:
367:" (1988), a fusion of hip hop and house that helped establish Terry's following. The producer followed this with a string of
418:
chart and was a popular import in the United Kingdom. After its official release there in May, it reached number 83 on the
1217:
2492:
1253:
1700:
845:
believed that the previously released tracks were the best, criticizing the album's "cod hip hop tracks" for resembling
2164:
1401:
1730:
1483:
515:, a set-up he deemed inexpensive and comfortable. The production is built on DJ techniques like sampling, mixing and
2538:
2528:
986:
953:
580:
446:
442:
275:
271:
220:
216:
2054:
519:
and track lengths are generally short. In contemporary interviews, the producer said most of his material used an
946:
663:
461:. In November, the release topped the Club Play Songs chart, and reached number 56 in the UK. It also topped the
399:
654:
by Fresh and Sleeping Bag in the US made it the first album release in Terry's name. The record was promoted to
437:
described both tracks as having " the vocabulary of New York and Chicago house music, and the best phrases". A
2281:
462:
434:
567:, but some reviewers reject this categorization. The music is highly uncluttered, with each track focusing on
371:
hits throughout 1988 under different aliases, including The Todd Terry Project, Royal House, Sound Design and
1950:
1517:
1184:
596:
278:", all of which feature on the album, and profiles a minimal, playful style of house music that is built on
2436:
659:
454:
255:
150:
43:
314:
drew attention from music critics for its intricate sound, and was named the fifth best album of 1988 by
2306:
563:
and hip hop beats, and all are instrumental except for "Weekend". The album has also been described as
2379:
1692:
1112:
674:. A further single from the album, "The Circus", was released in the US in April 1989 with house and
520:
409:
387:
123:
2409:
884:
825:
502:
458:
360:
627:
450:
383:
267:
128:
1430:
1828:
1225:
1149:
1029:
921:
817:
compilations". He felt that "Todd Terry is not God but he is good, very good." A reviewer for
528:
438:
364:
888:
included the track in its list of "The Top 50 Rhythms of All Time", having been nominated by
1143:
819:
427:
419:
415:
395:
321:
279:
1457:
1038:
834:
638:
instrumental, features gently fingered piano and, at 87bpm, is the album's slowest track.
626:-style horn part appears and numerous samples briefly overlay to create a moment of heavy
591:
560:
481:
403:
375:, while working in a style of house music that featured a strong New York flavour, mixing
295:
138:
863:
2282:"To the Batmobile Let's Go Todd Terry / The Todd Terry Project (CD - Sequel #NEMCD 475)"
957:
912:
house" albums; he wrote that the album showcases Terry mixing "detached vocal tics and
909:
875:
814:
679:
610:
497:
for Idlers and an intended Black Riot album for Fourth Floor which took influence from
423:
325:
190:
89:
2522:
1020:
961:
841:
758:
635:
615:
524:
348:
299:
291:
287:
2465:
920:", while deeming "Bango" to be "a missing link" between Dinosaur L's "Go Bang!" and
511:
was recorded at Brooklyn's Loud House, Terry's home studio which he operated in his
343:(2012) began The Todd Terry Project in 1988 amid releases under numerous pseudonyms.
879:
798:
115:
30:
320:. A further single, "The Circus", was released in 1989, while "Weekend" became a
850:
655:
623:
516:
512:
376:
356:
303:
259:
79:
71:
336:
2380:"Drama on the Dancefloor: How 'Pose' Celebrates the Music of Ballroom Culture"
2334:
1222:
Hold On to Your Dreams: Arthur Russell And The Downtown Music Scene, 1973-1992
1014:
897:
889:
572:
564:
498:
391:
372:
368:
340:
263:
143:
84:
579:
with only occasional use of keyboards and vocals, resulting in what reviewer
1054:
913:
846:
675:
631:
619:
605:
587:
568:
283:
1824:
The Record Players: The Story of Dance Music Told by History's Greatest DJs
2360:
Langland, Justin (December 24, 1988). NME staff (ed.). "LP Select 1988".
925:
709:
352:
63:
917:
853:". He believed the highlights could have been combined with those of
576:
484:. He said each of the records was to feature a different style, with
302:. The musician intended the album to represent the more commercial,
1775:
Langlands, Justin (November 19, 1988). Bailie, Stuart (ed.). "LP".
1224:. Durham, North Carolina: Duke University Press. pp. 309–10.
857:
to create "one of the decade's best works". In another review for
807:
else has done in two or three thousand days". Justin Langlands of
335:
38:
1932:
Cheeseman, Phil (December 10, 1988). Nicholson, Tim (ed.). "33".
2307:"To the Batmobile Let's Go The Todd Terry Project / Todd Terry"
809:
746:
548:
316:
634:
and snatches of orchestration, while "Sense", an atmospheric
355:, New York City in the early 1980s, but became interested in
270:, it followed the club success of his singles "Bango" and "
882:
as it began incorporating syncopated drum beats. In 1992,
878:. "Bango (To the Batmobile)" proved to be an influence on
2055:"M/A/R/R/S Attacks!: 8 Essentials of Plunderphonic House"
896:, which saw him delve into a purer house sound. In 2010,
650:
was released in October 1988, the November appearance of
618:
track with an unrefined melody that has been compared to
394:'s "Go Bang!" (1982), Terry became the first producer to
457:" (1978) while the latter is a cover of a 1978 song by
1790:
1788:
1786:
1619:
1617:
936:All songs written by Todd Terry except where noted
449:" appeared later in 1988. The former track samples
422:. The B-side, "Back to the Beat", used the beat of
324:hit in 1995. In 2000, the album was re-released by
189:
149:
137:
114:
98:
70:
58:
50:
37:
23:
2014:
2012:
2010:
2008:
2006:
1452:
1450:
1448:
916:flutes and zany bass burps, dropping science like
1145:The Faber Companion to 20th-Century Popular Music
1705:: CS1 maint: others in cite AV media (notes) (
1142:Hardy, Phil; Laing, Dave (2001). "Todd Terry".
1106:
1104:
539:
493:for Sleeping Bag, Royal House's rap-influenced
2329:
2327:
1511:
1509:
1017:– producer, mixing, writing, remix ("Weekend")
1137:
1135:
1133:
8:
1927:
1925:
1923:
1921:
1770:
1768:
1766:
1764:
1762:
1760:
1758:
1756:
1661:
1659:
1657:
1655:
1653:
1651:
1148:(Main ed.). London: Faber & Faber.
764:
714:
2048:
2046:
1945:
1943:
1855:
1853:
1851:
1683:
1681:
1679:
1677:
1335:
1333:
1331:
1286:"Your Guide to the Sure Beats Posse Two".
1211:
1209:
1207:
1205:
689:
29:
20:
1978:
1976:
1974:
1972:
1821:Brewster, Bill; Broughton, Frank (2012).
1178:
1176:
1174:
1172:
1044:The Thunder Jockeys – design, photography
1905:
1724:
1722:
1720:
1718:
1716:
894:This Is the New Todd Terry Project Album
586:Music writer Justin Langlands notes how
174:This Is the New Todd Terry Project Album
1903:
1901:
1899:
1897:
1895:
1893:
1891:
1889:
1887:
1885:
1307:"Todd Terry Moves to Successful Groove"
1100:
1066:
382:Terry signed the Todd Terry Project to
2534:House music albums by American artists
2335:"NME's best albums and tracks of 1988"
1698:
2378:Stavropoulos, Laura (July 28, 2020).
2019:Hamilton, James (November 12, 1988).
695:
7:
1910:Push (November 26, 1988). "Albums".
1624:Hamilton, James (October 29, 1988).
1026:King Grand – rap ("Made by the Man")
16:1988 album by The Todd Terry Project
2105:Coleman, Bill (November 12, 1988).
1542:Hamilton, James (October 1, 1988).
1371:Cheeseman, Phil (January 7, 1989).
2251:Hamilton, James (April 29, 1989).
1516:O'Hagan, Sean (November 5, 1988).
1431:"Todd Terry - US Dance Club Songs"
1252:Hamilton, James (April 30, 1988).
1087:featured on the list at number 30.
662:radio, and peaked at number 56 on
14:
2410:"The Top 50 Rhythms of All Time!"
2079:O'Hagan, Sean (October 8, 1988).
1691:(liner). The Todd Terry Project.
1021:Chep "Bang Out Those Edits" Nunez
967:"You're the One (You Bad)" – 3:28
766:
716:
2053:Eddy, Chuck (November 8, 2012).
1340:Hamilton, James (May 21, 1988).
1183:Garratt, Sheryl (October 1988).
1007:Adapted from the liner notes of
785:
780:
775:
770:
765:
735:
730:
725:
720:
715:
1610:(46): 40–41. November 12, 1988.
1583:. November 19, 1988. p. 34
1305:Coleman, Bill (March 5, 1988).
266:. Released in November 1988 by
1185:"Todd Terry: Can You Feel It?"
1023:– editing ("Back to the Beat")
1:
2435:Broughton, Frank (May 1992).
2174:. January 7, 1989. p. 26
1518:"Todd Terry: All On His Todd"
1294:(40): 26–27. October 1, 1988.
2464:Howe, Rupert (August 1992).
2437:"Ay Bop a Dobey: Todd Terry"
2081:"Royal House: Can You Party"
1861:"Previews: Singles / Albums"
1827:. London: Ebury Publishing.
1482:Leland, John (August 1988).
1035:Norty Cotto – mix consultant
2549:Sleeping Bag Records albums
1729:Kogan, Frank (April 1989).
2575:
2408:Penman, Ian (April 1992).
970:"It's Just Inhuman" – 3:30
672:UK Independent Album Chart
306:-styled side of his work.
206:"Bango"/"Back to the Beat"
2544:Fresh Records (US) albums
2491:Eddy, Chuck (June 2010).
1689:To The Batmobile Let's Go
1411:. May 7, 1988. p. 25
1111:Broughton, Frank (1995).
1009:To the Batmobile Let's Go
973:"Back to the Beat" – 4:15
906:To the Batmobile Let's Go
804:To the Batmobile Let's Go
703:
700:
682:with eight bonus tracks.
652:To the Batmobile Let's Go
557:To the Batmobile Let's Go
478:To the Batmobile Let's Go
312:To the Batmobile Let's Go
251:To the Batmobile Let's Go
243:
200:
185:
166:To the Batmobile Let's Go
157:
28:
24:To the Batmobile Let's Go
992:"Made by the Man" – 3:34
2232:: 63. December 24, 1988
2203:: 30. December 10, 1988
1670:: 16. November 5, 1988.
984:
286:, experimentation with
258:, an alias of American
1983:Warren, Bruce (1989).
1870:: 25. January 21, 1989
1218:"Tangents (1987-1992)"
1216:Lawrence, Tim (2009).
543:
455:Now That We Found Love
347:Todd Terry began as a
344:
256:the Todd Terry Project
254:is the debut album by
226:Released: October 1988
151:The Todd Terry Project
44:the Todd Terry Project
2559:Plunderphonics albums
2554:Sequel Records albums
2466:"Reviews: New Albums"
1113:"Time for Todd Terry"
642:Release and promotion
339:
328:with bonus material.
1796:"Soundcheck: Albums"
1693:Sleeping Bag Records
691:Professional ratings
646:While Royal House's
428:Reese & Santonio
388:Sleeping Bag Records
235:Released: April 1989
209:Released: March 1988
62:Loud House Studios,
2362:New Musical Express
2143:Radio & Records
1957:(123–128): 90. 1989
1777:New Musical Express
1701:cite AV media notes
1522:New Musical Express
995:"The Circus" – 4:25
692:
546:—Justin Langlands,
521:four-track recorder
361:the Jungle Brothers
2341:. October 10, 2016
2165:"Top Black Albums"
690:
686:Critical reception
386:, a subsidiary of
345:
2539:Acid house albums
2529:1988 debut albums
1868:Music & Media
1574:"Hot Dance Music"
1402:"Hot Dance Music"
1030:Little Louie Vega
820:Music & Media
794:
793:
529:Little Louie Vega
351:DJ in his native
247:
246:
181:
180:
2566:
2513:
2512:
2510:
2508:
2488:
2482:
2481:
2479:
2477:
2461:
2455:
2454:
2449:
2447:
2432:
2426:
2425:
2423:
2421:
2405:
2399:
2398:
2392:
2390:
2375:
2369:
2368:
2357:
2351:
2350:
2348:
2346:
2331:
2322:
2321:
2319:
2317:
2303:
2297:
2296:
2294:
2292:
2278:
2272:
2271:
2269:
2267:
2257:
2248:
2242:
2241:
2239:
2237:
2227:
2219:
2213:
2212:
2210:
2208:
2198:
2190:
2184:
2183:
2181:
2179:
2169:
2161:
2155:
2154:
2152:
2150:
2140:
2132:
2126:
2125:
2123:
2121:
2111:
2102:
2096:
2095:
2093:
2091:
2076:
2070:
2069:
2067:
2065:
2050:
2041:
2040:
2038:
2036:
2016:
2001:
2000:
1998:
1996:
1980:
1967:
1966:
1964:
1962:
1947:
1938:
1937:
1929:
1916:
1915:
1907:
1880:
1879:
1877:
1875:
1865:
1857:
1846:
1845:
1843:
1841:
1818:
1812:
1811:
1809:
1807:
1800:Blues & Soul
1792:
1781:
1780:
1772:
1751:
1750:
1748:
1746:
1726:
1711:
1710:
1704:
1696:
1685:
1672:
1671:
1663:
1646:
1645:
1643:
1641:
1621:
1612:
1611:
1599:
1593:
1592:
1590:
1588:
1578:
1570:
1564:
1563:
1561:
1559:
1539:
1533:
1532:
1530:
1528:
1513:
1504:
1503:
1501:
1499:
1479:
1473:
1472:
1470:
1468:
1454:
1443:
1442:
1440:
1438:
1427:
1421:
1420:
1418:
1416:
1406:
1398:
1392:
1391:
1389:
1387:
1377:
1368:
1362:
1361:
1359:
1357:
1337:
1326:
1325:
1323:
1321:
1311:
1302:
1296:
1295:
1283:
1277:
1276:
1270:
1268:
1258:
1249:
1243:
1242:
1240:
1238:
1213:
1200:
1199:
1197:
1195:
1180:
1167:
1166:
1164:
1162:
1139:
1128:
1127:
1125:
1123:
1108:
1088:
1081:
1075:
1071:
1032:– mix consultant
987:Just Wanna Dance
864:Blues & Soul
796:In a review for
790:
789:
788:
784:
783:
779:
778:
774:
773:
769:
768:
740:
739:
738:
734:
733:
729:
728:
724:
723:
719:
718:
693:
667:Top Black Albums
660:contemporary hit
552:
443:Just Wanna Dance
433:In August 1988,
420:UK Singles Chart
407:number eight on
290:and elements of
272:Just Wanna Dance
236:
233:
227:
224:
217:Just Wanna Dance
210:
207:
159:
158:
110:
109:
105:
33:
21:
2574:
2573:
2569:
2568:
2567:
2565:
2564:
2563:
2519:
2518:
2517:
2516:
2506:
2504:
2490:
2489:
2485:
2475:
2473:
2463:
2462:
2458:
2445:
2443:
2434:
2433:
2429:
2419:
2417:
2407:
2406:
2402:
2388:
2386:
2377:
2376:
2372:
2359:
2358:
2354:
2344:
2342:
2333:
2332:
2325:
2315:
2313:
2305:
2304:
2300:
2290:
2288:
2280:
2279:
2275:
2265:
2263:
2255:
2250:
2249:
2245:
2235:
2233:
2225:
2221:
2220:
2216:
2206:
2204:
2196:
2192:
2191:
2187:
2177:
2175:
2167:
2163:
2162:
2158:
2148:
2146:
2145:: 65. Fall 1988
2138:
2134:
2133:
2129:
2119:
2117:
2109:
2104:
2103:
2099:
2089:
2087:
2078:
2077:
2073:
2063:
2061:
2052:
2051:
2044:
2034:
2032:
2018:
2017:
2004:
1994:
1992:
1982:
1981:
1970:
1960:
1958:
1949:
1948:
1941:
1931:
1930:
1919:
1909:
1908:
1883:
1873:
1871:
1863:
1859:
1858:
1849:
1839:
1837:
1835:
1820:
1819:
1815:
1805:
1803:
1802:(526): 20. 1989
1794:
1793:
1784:
1774:
1773:
1754:
1744:
1742:
1728:
1727:
1714:
1697:
1687:
1686:
1675:
1665:
1664:
1649:
1639:
1637:
1623:
1622:
1615:
1601:
1600:
1596:
1586:
1584:
1576:
1572:
1571:
1567:
1557:
1555:
1541:
1540:
1536:
1526:
1524:
1515:
1514:
1507:
1497:
1495:
1481:
1480:
1476:
1466:
1464:
1462:Official Charts
1456:
1455:
1446:
1436:
1434:
1433:. billboard.com
1429:
1428:
1424:
1414:
1412:
1404:
1400:
1399:
1395:
1385:
1383:
1375:
1370:
1369:
1365:
1355:
1353:
1339:
1338:
1329:
1319:
1317:
1309:
1304:
1303:
1299:
1285:
1284:
1280:
1266:
1264:
1256:
1251:
1250:
1246:
1236:
1234:
1232:
1215:
1214:
1203:
1193:
1191:
1182:
1181:
1170:
1160:
1158:
1156:
1141:
1140:
1131:
1121:
1119:
1110:
1109:
1102:
1097:
1092:
1091:
1082:
1078:
1072:
1068:
1063:
1051:
1039:Chris Gehringer
1005:
980:
945:"Bango" (Terry/
942:
934:
832:Frank Kogan of
802:, Push praised
786:
781:
776:
771:
736:
731:
726:
721:
688:
644:
554:
545:
537:
482:Masters at Work
474:
416:Club Play Songs
334:
239:
234:
231:
230:
225:
214:
213:
208:
205:
204:
176:
169:
133:
107:
103:
102:
94:
66:, New York City
46:
17:
12:
11:
5:
2572:
2570:
2562:
2561:
2556:
2551:
2546:
2541:
2536:
2531:
2521:
2520:
2515:
2514:
2483:
2456:
2427:
2400:
2384:UDiscoverMusic
2370:
2352:
2323:
2298:
2273:
2253:"DJ Directory"
2243:
2214:
2185:
2156:
2127:
2097:
2071:
2042:
2021:"DJ Directory"
2002:
1968:
1939:
1917:
1881:
1847:
1833:
1813:
1782:
1752:
1712:
1673:
1647:
1626:"DJ Directory"
1613:
1594:
1565:
1544:"DJ Directory"
1534:
1505:
1474:
1444:
1422:
1393:
1363:
1342:"DJ Directory"
1327:
1297:
1278:
1254:"DJ Directory"
1244:
1230:
1201:
1168:
1154:
1129:
1099:
1098:
1096:
1093:
1090:
1089:
1083:Royal House's
1076:
1065:
1064:
1062:
1059:
1058:
1057:
1050:
1047:
1046:
1045:
1042:
1036:
1033:
1027:
1024:
1018:
1004:
1001:
1000:
999:
998:"Sense" – 3:26
996:
993:
990:
983:
979:
976:
975:
974:
971:
968:
965:
958:James Calloway
950:
947:Arthur Russell
941:
938:
933:
930:
880:ballroom music
792:
791:
762:
754:
753:
750:
742:
741:
712:
706:
705:
702:
698:
697:
687:
684:
680:Sequel Records
643:
640:
611:Computer World
538:
536:
533:
476:Terry planned
473:
470:
424:Detroit techno
400:Arthur Russell
365:I'll House You
333:
330:
326:Sequel Records
245:
244:
241:
240:
238:
237:
228:
211:
201:
198:
197:
187:
186:
183:
182:
179:
178:
171:
162:
155:
154:
147:
146:
141:
135:
134:
132:
131:
126:
120:
118:
112:
111:
100:
96:
95:
93:
92:
90:plunderphonics
87:
82:
76:
74:
68:
67:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
2571:
2560:
2557:
2555:
2552:
2550:
2547:
2545:
2542:
2540:
2537:
2535:
2532:
2530:
2527:
2526:
2524:
2502:
2498:
2494:
2487:
2484:
2471:
2467:
2460:
2457:
2453:
2442:
2438:
2431:
2428:
2415:
2411:
2404:
2401:
2397:
2385:
2381:
2374:
2371:
2367:
2363:
2356:
2353:
2340:
2336:
2330:
2328:
2324:
2312:
2308:
2302:
2299:
2287:
2283:
2277:
2274:
2261:
2260:Record Mirror
2254:
2247:
2244:
2231:
2224:
2218:
2215:
2202:
2195:
2189:
2186:
2173:
2166:
2160:
2157:
2144:
2137:
2131:
2128:
2115:
2108:
2101:
2098:
2086:
2082:
2075:
2072:
2060:
2056:
2049:
2047:
2043:
2030:
2026:
2025:Record Mirror
2022:
2015:
2013:
2011:
2009:
2007:
2003:
1990:
1986:
1979:
1977:
1975:
1973:
1969:
1956:
1952:
1946:
1944:
1940:
1935:
1934:Record Mirror
1928:
1926:
1924:
1922:
1918:
1913:
1906:
1904:
1902:
1900:
1898:
1896:
1894:
1892:
1890:
1888:
1886:
1882:
1869:
1862:
1856:
1854:
1852:
1848:
1836:
1834:9781448131037
1830:
1826:
1825:
1817:
1814:
1801:
1797:
1791:
1789:
1787:
1783:
1778:
1771:
1769:
1767:
1765:
1763:
1761:
1759:
1757:
1753:
1740:
1736:
1732:
1725:
1723:
1721:
1719:
1717:
1713:
1708:
1702:
1694:
1690:
1684:
1682:
1680:
1678:
1674:
1669:
1666:"Sidelines".
1662:
1660:
1658:
1656:
1654:
1652:
1648:
1635:
1631:
1630:Record Mirror
1627:
1620:
1618:
1614:
1609:
1605:
1604:Record Mirror
1602:"RM Charts".
1598:
1595:
1582:
1575:
1569:
1566:
1553:
1549:
1548:Record Mirror
1545:
1538:
1535:
1523:
1519:
1512:
1510:
1506:
1493:
1489:
1485:
1478:
1475:
1463:
1459:
1453:
1451:
1449:
1445:
1432:
1426:
1423:
1410:
1403:
1397:
1394:
1381:
1380:Record Mirror
1374:
1367:
1364:
1351:
1347:
1346:Record Mirror
1343:
1336:
1334:
1332:
1328:
1315:
1308:
1301:
1298:
1293:
1289:
1288:Record Mirror
1282:
1279:
1275:
1262:
1261:Record Mirror
1255:
1248:
1245:
1233:
1231:9780822344858
1227:
1223:
1219:
1212:
1210:
1208:
1206:
1202:
1190:
1186:
1179:
1177:
1175:
1173:
1169:
1157:
1151:
1147:
1146:
1138:
1136:
1134:
1130:
1118:
1114:
1107:
1105:
1101:
1094:
1086:
1085:Can You Party
1080:
1077:
1070:
1067:
1060:
1056:
1053:
1052:
1048:
1043:
1040:
1037:
1034:
1031:
1028:
1025:
1022:
1019:
1016:
1013:
1012:
1011:
1010:
1002:
997:
994:
991:
988:
982:
981:
977:
972:
969:
966:
963:
962:Leroy Burgess
959:
955:
951:
948:
944:
943:
939:
937:
932:Track listing
931:
929:
927:
923:
919:
915:
911:
910:plunderphonic
907:
903:
899:
895:
891:
887:
886:
881:
877:
873:
869:
866:
865:
860:
859:Record Mirror
856:
855:Can You Party
852:
848:
844:
843:
842:Record Mirror
837:
836:
830:
828:
827:
822:
821:
816:
812:
811:
805:
801:
800:
763:
761:
760:
759:Record Mirror
756:
755:
751:
749:
748:
744:
743:
713:
711:
708:
707:
699:
696:Review scores
694:
685:
683:
681:
677:
673:
668:
666:
661:
657:
653:
649:
648:Can You Party
641:
639:
637:
633:
629:
625:
621:
617:
616:Latin hip hop
613:
612:
607:
602:
599:
598:
593:
590:combine with
589:
584:
582:
578:
574:
570:
566:
562:
558:
553:
551:
550:
542:
534:
532:
530:
526:
522:
518:
514:
510:
506:
504:
500:
496:
495:Can You Party
492:
487:
483:
479:
471:
469:
467:
465:
464:Record Mirror
460:
456:
452:
448:
444:
440:
439:double A-side
436:
431:
429:
425:
421:
417:
413:
411:
405:
401:
398:the music of
397:
393:
389:
385:
384:Fresh Records
380:
378:
374:
370:
366:
362:
358:
354:
350:
342:
338:
331:
329:
327:
323:
319:
318:
313:
307:
305:
301:
297:
293:
289:
285:
282:and features
281:
277:
273:
269:
268:Fresh Records
265:
261:
257:
253:
252:
242:
229:
222:
218:
212:
203:
202:
199:
196:
195:Person Pitch
192:
188:
184:
175:
172:
168:
167:
163:
161:
160:
156:
152:
148:
145:
142:
140:
136:
130:
127:
125:
122:
121:
119:
117:
113:
101:
97:
91:
88:
86:
83:
81:
78:
77:
75:
73:
69:
65:
61:
57:
54:November 1988
53:
49:
45:
40:
36:
32:
27:
22:
19:
2505:. Retrieved
2500:
2496:
2493:"Essentials"
2486:
2474:. Retrieved
2469:
2459:
2451:
2444:. Retrieved
2440:
2430:
2418:. Retrieved
2413:
2403:
2394:
2387:. Retrieved
2383:
2373:
2365:
2361:
2355:
2343:. Retrieved
2338:
2314:. Retrieved
2310:
2301:
2289:. Retrieved
2285:
2276:
2264:. Retrieved
2259:
2246:
2234:. Retrieved
2229:
2217:
2205:. Retrieved
2200:
2194:"New Albums"
2188:
2176:. Retrieved
2171:
2159:
2147:. Retrieved
2142:
2130:
2118:. Retrieved
2116:. p. 35
2113:
2107:"Dance Trax"
2100:
2088:. Retrieved
2084:
2074:
2062:. Retrieved
2058:
2033:. Retrieved
2028:
2024:
1993:. Retrieved
1988:
1985:"Todd Terry"
1959:. Retrieved
1954:
1933:
1912:Melody Maker
1911:
1872:. Retrieved
1867:
1838:. Retrieved
1823:
1816:
1804:. Retrieved
1799:
1776:
1743:. Retrieved
1738:
1734:
1688:
1668:Melody Maker
1667:
1638:. Retrieved
1633:
1629:
1607:
1603:
1597:
1585:. Retrieved
1580:
1568:
1556:. Retrieved
1551:
1547:
1537:
1525:. Retrieved
1521:
1496:. Retrieved
1491:
1487:
1477:
1465:. Retrieved
1461:
1458:"Todd Terry"
1435:. Retrieved
1425:
1413:. Retrieved
1408:
1396:
1384:. Retrieved
1379:
1366:
1354:. Retrieved
1349:
1345:
1318:. Retrieved
1316:. p. 33
1313:
1300:
1291:
1287:
1281:
1272:
1265:. Retrieved
1260:
1247:
1235:. Retrieved
1221:
1192:. Retrieved
1188:
1159:. Retrieved
1144:
1120:. Retrieved
1116:
1084:
1079:
1069:
1008:
1006:
935:
905:
901:
893:
883:
871:
870:
862:
858:
854:
840:
833:
831:
824:
818:
808:
803:
799:Melody Maker
797:
795:
757:
745:
664:
651:
647:
645:
609:
603:
595:
585:
556:
555:
547:
544:
540:
508:
507:
494:
490:
485:
477:
475:
463:
459:Class Action
432:
408:
381:
346:
315:
311:
308:
250:
249:
248:
232:"The Circus"
194:
173:
165:
164:
124:Sleeping Bag
39:Studio album
18:
2291:October 15,
2266:October 15,
2236:October 15,
2207:October 15,
2178:October 15,
2149:October 15,
2136:"New Music"
2120:October 15,
2090:October 15,
1951:"'Reviews'"
1587:October 15,
1467:October 15,
1437:February 9,
1415:October 15,
1373:"Hot Toddy"
1352:(21): 37–38
1320:October 15,
1041:– mastering
868:they get."
851:black music
624:James Brown
535:Composition
451:Third World
441:single of "
435:John Leland
357:house music
2523:Categories
2201:Music Week
1155:057119608X
1095:References
1015:Todd Terry
928:" (1989).
898:Chuck Eddy
890:Ian Penman
628:dissonance
588:breakbeats
569:kick drums
565:acid house
525:Chep Nuñez
517:scratching
513:front room
466:Club Chart
392:Dinosaur L
373:Black Riot
341:Todd Terry
332:Background
284:breakbeats
264:Todd Terry
153:chronology
144:Todd Terry
85:acid house
2172:Billboard
2114:Billboard
1581:Billboard
1484:"Singles"
1409:Billboard
1314:Billboard
1055:Batmobile
1003:Personnel
914:jazz-rock
904:included
847:Mantronix
665:Billboard
632:T La Rock
620:dancehall
606:Kraftwerk
561:freestyle
509:Batmobile
491:Batmobile
486:Batmobile
472:Recording
410:Billboard
322:UK Top 40
296:freestyle
262:producer
2416:(98): 43
2414:The Wire
2311:AllMusic
2286:AllMusic
2223:"Charts"
2064:April 3,
2031:(46): 37
1955:Musician
1741:(1): 110
1636:(44): 37
1554:(40): 45
1189:The Face
1049:See also
989:" – 4:15
978:Side two
964:) – 3:55
949:) – 3:15
940:Side one
926:Batdance
924:'s hit "
885:The Wire
826:Musician
710:AllMusic
404:licensed
353:Brooklyn
280:sampling
139:Producer
64:Brooklyn
51:Released
41: by
2507:June 3,
2503:(5): 90
2476:June 8,
2446:June 3,
2420:June 3,
2389:June 3,
2345:June 1,
2316:June 8,
2035:June 3,
1995:June 3,
1991:(27–29)
1961:June 3,
1874:June 1,
1840:June 3,
1806:June 3,
1745:June 3,
1731:"Spins"
1695:. 1988.
1640:June 3,
1558:June 3,
1527:June 3,
1498:June 3,
1494:(5): 80
1386:June 1,
1356:June 3,
1267:June 3,
1263:: 37–38
1237:June 3,
1194:June 3,
1161:June 3,
1122:June 3,
954:Weekend
918:Galileo
636:new-age
592:electro
577:hi-hats
503:R&B
447:Weekend
445:" and "
349:hip hop
300:hip hop
292:electro
276:Weekend
221:Weekend
191:Singles
177:(1992)
170:(1988)
2470:Select
2441:Mixmag
2364:: 32.
2230:Sounds
1989:Option
1831:
1228:
1152:
922:Prince
815:Trojan
704:Rating
701:Source
597:Option
573:snares
396:sample
99:Length
59:Studio
2256:(PDF)
2226:(PDF)
2197:(PDF)
2168:(PDF)
2139:(PDF)
2110:(PDF)
1936:: 33.
1914:: 32.
1864:(PDF)
1779:: 36.
1577:(PDF)
1405:(PDF)
1376:(PDF)
1310:(PDF)
1257:(PDF)
1061:Notes
876:noise
656:dance
377:Latin
304:Latin
288:noise
260:house
193:from
129:Fresh
116:Label
80:House
72:Genre
2509:2022
2497:Spin
2478:2022
2472:: 95
2448:2022
2422:2022
2391:2022
2347:2022
2318:2022
2293:2022
2268:2022
2262:: 39
2238:2022
2209:2022
2180:2022
2151:2022
2122:2022
2092:2022
2066:2023
2059:Spin
2037:2022
1997:2022
1963:2022
1876:2022
1842:2022
1829:ISBN
1808:2022
1747:2022
1735:Spin
1707:link
1642:2022
1589:2022
1560:2022
1529:2022
1500:2022
1488:Spin
1469:2022
1439:2015
1417:2022
1388:2022
1358:2022
1322:2022
1269:2022
1239:2022
1226:ISBN
1196:2022
1163:2022
1150:ISBN
1124:2022
902:Spin
835:Spin
752:9/10
658:and
581:Push
575:and
501:and
499:soul
453:'s "
426:act
369:club
363:on "
298:and
2339:NME
2085:NME
1382:: 9
1117:I-D
1074:B".
956:" (
900:of
872:NME
810:NME
747:NME
676:dub
608:'s
549:NME
317:NME
274:"/"
219:"/"
2525::
2501:26
2499:.
2495:.
2468:.
2450:.
2439:.
2412:.
2393:.
2382:.
2337:.
2326:^
2309:.
2284:.
2258:.
2228:.
2199:.
2170:.
2141:.
2112:.
2083:.
2057:.
2045:^
2029:35
2027:.
2023:.
2005:^
1987:.
1971:^
1953:.
1942:^
1920:^
1884:^
1866:.
1850:^
1798:.
1785:^
1755:^
1737:.
1733:.
1715:^
1703:}}
1699:{{
1676:^
1650:^
1634:35
1632:.
1628:.
1616:^
1608:35
1606:.
1579:.
1552:35
1550:.
1546:.
1520:.
1508:^
1490:.
1486:.
1460:.
1447:^
1407:.
1378:.
1350:35
1348:.
1344:.
1330:^
1312:.
1292:35
1290:.
1271:.
1259:.
1220:.
1204:^
1187:.
1171:^
1132:^
1115:.
1103:^
571:,
505:.
414:s
294:,
108:39
104:34
2511:.
2480:.
2424:.
2349:.
2320:.
2295:.
2270:.
2240:.
2211:.
2182:.
2153:.
2124:.
2094:.
2068:.
2039:.
1999:.
1965:.
1878:.
1844:.
1810:.
1749:.
1739:5
1709:)
1644:.
1591:.
1562:.
1531:.
1502:.
1492:4
1471:.
1441:.
1419:.
1390:.
1360:.
1324:.
1241:.
1198:.
1165:.
1126:.
985:"
960:/
952:"
412:'
223:"
215:"
106::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
