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298:, which, unusually, engages in dialogue with the subject. Several features of the fugue suggest that it represented a considerable advance for Bach, especially considering that there are middle entries as far as the mediant and the dominant of the dominant. Somewhat unusually for Bach, the fugue includes very few episodes, the longest being the coda of the piece, which is based on various
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213:'s preludes; both the rhetorical rests followed by returns to the tonic and the single pedal notes are part of the older tradition as well. The following pedal solo, however, is unique in organ literature: it is the longest known pedal introduction, reaching far beyond the scope of Bach's models (
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The second movement is again in two sections, one marked Adagio and another marked Grave. The insertion of a middle slow movement in an organ work was unusual for Bach, although traces of this idea can be found in other works from the same period: for example, a surviving early version of
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154:. As is the case with most other organ works by Bach, the autograph score does not survive. The earliest manuscript copies were probably made in 1719–1727. The title of the piece in these copies is given, as expected of organ literature of the time, simply as
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221:, and others) or his own earlier works (e.g. the pedal solo in BWV 549). The full-voiced section that follows elaborates on motives first introduced in the pedal solo. Various scholars have noted how the construction of this first
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The Adagio, in the hand of J.P. Kellner. Modern manuscripts separate the right-hand melody, left-hand accompaniment, and pedal bass-line into three separate staves
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is reminiscent of that of a concerto, if the opening manual and pedal passages are taken as "solos" and the closing contrapuntal section as a "tutti".
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published a transcription of BWV 564 for the piano (1900; one of many Bach transcriptions by the same author), and the work influenced Busoni's own
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chromatic progressions, enlarged with several instances of diminished seventh chords suspended over the next chord, leads back to the tonic.
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Italian influence. The Adagio flows seamlessly into the short Grave section, which, through italiante
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years, i.e. 1710–1717. It shares some similarities with other toccatas composed around the same time, such as
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BWV 564 influenced a number of composers both during Bach's lifetime and after his death. Bach's pupil
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The
Creative Development of Johann Sebastian Bach: Music to Delight the Spirit. Volume 1: 1695-1717
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Op. 8 No. 1, but in Bach's oeuvre, this Adagio stands alone and has no parallels. The abundance of
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major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
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The Adagio is played during a satanic ritual scene in the 1934 Karloff/Lugosi film
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The work begins with an updated and extended form of the old prelude-type, manual
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followed by a pedal solo, and a motivic-contrapuntal section. Bach's extended
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The Occult Arts of Music: An
Esoteric Survey from Pythagoras to Pop Culture
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454:
Information on
Stokowski's Orchestral Bach Transcriptions at www.naxos.com
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185:
568:
on a
Mulheisen organ in Paris, at the Billettes Church in January 2010]
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Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
326:(leaving out, however, the slow movement), while in the 20th century,
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on the 1724–30 Trost organ in the
Stadtkirche, Waltershausen, Germany
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20:The opening of the BWV 564 Toccata, in the hand of
80:Kerstin Wolf Playing Toccata part of BWV 564, 2013
701:Eight Short Preludes and Fugues, BWV 553–560
562:Recording of Toccata, Adagio and Fugue in C major
101:Kerstin Wolf Playing Adagio part of BWV 564, 2013
1259:Concerto transcriptions, BWV 592–596 and 972–987
676:Fantasia and Fugue in G minor ("Great"), BWV 542
666:Toccata and Fugue in D minor ("Dorian"), BWV 538
334:(1920). The Adagio movement was transcribed for
1159:Capriccio on the departure of a beloved brother
729:Prelude (Toccata) and Fugue in E major, BWV 566
696:Prelude and Fugue in E minor ("Wedge"), BWV 548
122:Kerstin Wolf Playing Fuge part of BWV 564, 2013
734:Fantasia ("Pièce d'Orgue") in G major, BWV 572
209:which opens BWV 564 may have been inspired by
1296:List of compositions by Johann Sebastian Bach
715:Toccata, Adagio and Fugue in C major, BWV 564
596:
8:
1301:List of fugal works by Johann Sebastian Bach
286:The third movement is a four-voice fugue in
1306:List of concertos by Johann Sebastian Bach
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589:
581:
386:
384:
744:Passacaglia and Fugue in C minor, BWV 582
637:Fugue in G minor, BWV 131a
547:International Music Score Library Project
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184:, and others: all show the influence of
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42:Toccata, Adagio and Fugue in C, BWV 564
1098:Fantasia and Fugue in C minor, BWV 906
710:Fantasia and Fugue in C minor, BWV 562
661:Fantasia and Fugue in C minor, BWV 537
129:
864:Overture in the French style, BWV 831
825:English Suites, BWV 806–811
820:Inventions and Sinfonias, BWV 772–801
720:Toccata and Fugue in D minor, BWV 565
691:Prelude and Fugue in C minor, BWV 546
686:Prelude and Fugue in B minor, BWV 544
681:Prelude and Fugue in A minor, BWV 543
671:Toccata and Fugue in F major, BWV 540
656:Prelude and Fugue in D major, BWV 532
651:Prelude and Fugue in C major, BWV 531
250:part. The music has been compared to
140:Toccata, Adagio, and Fugue in C major
7:
830:French Suites, BWV 812–817
739:Fugue in G minor ("Little"), BWV 578
543:Toccata, Adagio and Fugue in C major
802:Wo Gott der Herr nicht bei uns hält
572:Toccata, Adagio, and Fugue, BWV 564
1152:Aria variata alla maniera italiana
873:Well-Tempered Clavier, BWV 846–893
130:Problems playing these files? See
14:
59:plays this piece in its entirety.
1326:
112:
91:
70:
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1349:Fugues by Johann Sebastian Bach
1203:Prelude, Fugue and Allegro in E
1103:Toccatas, BWV 910–916
835:Partitas, BWV 825–830
771:Great Eighteen Chorale Preludes
519:. Cambridge University Press.
465:Huckvale, David (2013-09-19).
1:
517:The Organ Music of J. S. Bach
1092:Chromatic Fantasia and Fugue
564:by french-armenian organist
435:Williams 2003, 153–54.
399:Williams 2003, 151–52.
324:Prelude and Fugue in C major
314:Influence and Transcriptions
236:Prelude and Fugue in C Major
1216:Prelude in C minor, BWV 999
749:Concertos, BWV 592–597
502:. Oxford University Press.
238:, BWV 545, contains a slow
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1266:KlavierbĂĽchlein W. F. Bach
1223:Fugue in G minor, BWV 1000
1123:Harpsichord solo concertos
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1196:Suite in C minor, BWV 997
1181:Suite in E minor, BWV 996
1176:Suite in G minor, BWV 995
539:from classical-scores.com
322:imitated the work in his
1246:: Prelude and Fugue in E
780:Sei gegrĂĽĂźet, Jesu gĂĽtig
576:Netherlands Bach Society
552:Free download of BWV 564
1364:Compositions in C major
1111:, BWV 933–938
66:Toccata part of BWV 564
1354:Compositions for organ
1281:Twelve Little Preludes
496:Jones, Richard Douglas
346:, which he conducted.
344:Philadelphia Orchestra
310:
278:
87:Adagio part of BWV 564
35:
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622:Johann Sebastian Bach
308:
276:
152:Johann Sebastian Bach
34:
19:
795:, BWV 1090–1120
646:Sonatas, BWV 525–530
158:(or more precisely,
108:Fuge part of BWV 564
22:Johann Peter Kellner
1273:Notebook A. M. Bach
1129:Goldberg Variations
1109:Six Little Preludes
793:Neumeister chorales
444:Williams 2003, 154.
426:Williams 2003, 153.
408:Williams 2003, 151.
378:Williams 2003, 150.
320:Johann Ludwig Krebs
256:Concerto in C major
773:, BWV 651–668
765:, BWV 645–650
757:, BWV 599–644
611:Compositions for
513:Williams, Peter F.
350:In popular culture
336:symphony orchestra
311:
296:permutation fugues
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162:in one source and
156:Toccata in C major
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1244:Clavier-Ăśbung III
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1081:No. 24 in B minor
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1035:No. 12 in F minor
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943:No. 16 in G minor
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936:No. 10 in E minor
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800:Chorale fantasia
763:SchĂĽbler Chorales
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617:keyboard and lute
340:Leopold Stokowski
332:Toccata for Piano
309:The fugue subject
260:Neapolitan sixths
188:style and form.
160:Toccata ped: ex C
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545:: Scores at the
537:Free sheet music
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328:Ferruccio Busoni
290:. It includes a
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554:recorded by
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164:Toccata ex C
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1369:1710s works
1235:collections
1136:discography
1068:No. 22 in B
1055:No. 18 in G
1042:No. 13 in F
963:No. 22 in B
950:No. 21 in B
300:style brisé
294:typical of
192:Composition
146:564) is an
1343:Categories
1008:No. 4 in C
995:No. 3 in C
923:No. 7 in E
910:No. 4 in C
897:No. 3 in C
804:, BWV 1128
724:(doubtful)
705:(doubtful)
641:(doubtful)
490:References
262:and quasi-
132:media help
782:, BWV 768
302:figures.
264:pizzicato
215:Buxtehude
211:Buttstett
207:passaggio
203:passaggio
170:pedaliter
1359:Toccatas
1249:♭
1206:♭
1071:♭
1058:♯
1045:♯
1011:♯
998:♯
966:♭
953:♭
926:♭
913:♯
900:♯
813:Keyboard
498:. 2007.
248:continuo
223:movement
186:concerto
167:♮
1187:Bourrée
976:Book 2
878:Book 1
268:durezze
244:BWV 529
197:Toccata
182:BWV 540
178:BWV 538
1319:Portal
722:
703:
639:
523:
515:2003.
506:
475:
229:Adagio
174:Weimar
1233:Mixed
1074:minor
1061:minor
1048:major
1014:minor
1001:major
969:minor
956:major
929:major
916:minor
903:major
855:No. 6
848:No. 4
841:No. 2
630:Organ
613:organ
366:Notes
282:Fugue
148:organ
1169:Lute
521:ISBN
504:ISBN
473:ISBN
240:Trio
219:Böhm
619:by
338:by
288:6/8
254:'s
144:BWV
1345::
615:,
383:^
217:,
180:,
1321::
604:e
597:t
590:v
481:.
361:.
142:(
134:.
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